There are a few days left for 2020 (well, 2 at the time of publication) and like 2019, we didn’t see any film stocks being discontinued. A small blessing, given everything else that’s been going on. I was hoping for official news of a couple of new film stocks at least but you’ll have to wait until 2021 to hear more about those.
Perhaps we’ll even beat 2019’s score of new film stocks/formats: ILFORD ORTHO PLUS, Fujifilm NEOPAN 100 ACROS II, Lomography LomoChrome Metropolis XR 100-400 Kodak EKTACHROME E100 in 120 and 4×5 (and now 8×10).
CATLABS X-FILM 80 WITH THE ONDU 612 MULTIFORMAT PINHOLE CAMERA OR… HOW TO SCREW UP A ROLL AND LEARN TO LOVE THE MISTAKES – READ NOW
TRYING OUT NIGHT PHOTOGRAPHY WITH KODAK TRI-X 400 AT EI 1600 – READ NOW
ILFORD HP5 PLUS VS KODAK TRI-X 400 AT EI 1600 IN THE MOSCOW METRO WITH THE MAMIYA 7II- READ NOW
FILM NOTES: CURRENT HIGH-SPEED FILMS, ILFORD DELTA 3200 PROFESSIONAL AND KODAK T-MAX P3200 – BY SIMON KING AND ANDREW BLOWERS – READ NOW
BLOOD-RED WITCHERY: PORTRAITS ON KODAK AEROCHROME III COLOR INFRARED SLIDE FILM – READ NOW
NIGHT PHOTOGRAPHY WITH THE MINT CAMERA INSTANTKON RF70 AND FUJIFILM INSTAX WIDE FILM – READ NOW
FILM STOCK REVIEW: KODAK EASTMAN DOUBLE-X (5222) – 35MM FORMAT – BY ALEXANDER LAURENT – READ NOW
SHOOTING EXPIRED KODAK EKTACHROME 100 IN 220 AND 4×5 FORMAT: WHY I’M EXCITED MEDIUM AND LARGE FORMAT IS COMING BACK – READ NOW
KODAK T-MAX 400: AN HONEST FILM STOCK REVIEW – READ NOW
COMPARING FUJIFILM NEOPAN 100 ACROS II TO ORIGINAL ACROS. WHAT’S THE DIFFERENCE? – READ NOW
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