Tanked – Shot on Kodak PROFESSIONAL ELITE Chrome 100 (EB-3) at EI 100 (35mm format)
Tanked Shot on Kodak PROFESSIONAL ELITE Chrome 100 (EB-3) at EI 100 Color reversal (slide) film in...
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Framed – Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 (35mm format)
Framed Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 Color reversal (slide) film in 35mm...
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Baroo? – Shot on Kodak EKTACHROME 64T (EPY) at EI 64 (35mm format)
Baroo? Shot on Kodak EKTACHROME 64T (EPY) at EI 64 Color reversal (slide) film in 35mm format ...
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Stumps #02 – Shot on Bergger Pancro 400 at EI 200 (4×5 format)
Stumps #02 Shot on Bergger Pancro 400 at EI 200 Black and white film in 4×5 format AEROgraphic...
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5 Frames With… Fuji Provia 100F RDPIII (EI 400 / 120 format / XPRO / Mamiya C220) – by Thomas Bell
I don’t shoot as much E6 film as I want to. Part of it is that I love the ease and practicality of...
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Tiered – Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 (35mm format)
Tiered Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 Color reversal (slide) film in 35mm...
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Kodak EKTACHROME E100 comparison #04: EI 100, EI 200 and EI 100 XPRO (35mm format)
Kodak (new) EKTACHROME E100 comparison #04 EKTACHROME E100 at EI 100: Ricoh GR1s (C-41 cross...
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Kodak EKTACHROME E100 comparison #03: EI 100, EI 200 and EI 100 XPRO (35mm format)
Kodak (new) EKTACHROME E100 comparison #03 EKTACHROME E100 at EI 100: Ricoh GR1s (C-41 cross...
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EMULSIVE Interview 191: I am Robin Kuusela and this is why I shoot film
A film shooter for a little under ten years so far, this week’s fresh EMULSIVE interviewee...
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Kodak EKTACHROME E100 comparison #02: EI 100, EI 200 and EI 100 XPRO (35mm format)
Kodak (new) EKTACHROME E100 comparison #02 EKTACHROME E100 at EI 100: Ricoh GR1s (C-41 cross...
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Kodak EKTACHROME E100 comparison #01: EI 100, EI 200 and EI 100 XPRO (35mm format)
Kodak (new) EKTACHROME E100 comparison #01 EKTACHROME E100 at EI 100: Ricoh GR1s (C-41 cross...
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Muckcatcher – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600 (35mm format)
Muckcatcher Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600 Black and white negative film in 35mm...
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‘lil stunner – Shot on Kodak EKTACHROME E100 at EI 400 – 35mm format
‘lil stunner Shot on Kodak EKTACHROME E100 at EI 400 Color reversal (slide) film in 35mm...
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Up and to the right – Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 (35mm format)
Up and to the right Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 Color reversal (slide) film...
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Film review: Kodak EKTACHROME E100 – shot at EI 100, 200, 400 + 800 first impressions
Here’s a quick look at a recent shoot of new Kodak EKTACHROME E100 shot at box speed, then...
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Starin’ at the world – Shot on Fuji NEOPAN 400 at EI 400 (35mm format)
Starin’ at the world… Shot on Fuji NEOPAN 400 at EI 400 Black and white negative film...
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The moon and the mountains – Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 (35mm format)
The moon and the mountains Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 Color reversal...
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Under cover – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600 (35mm format)
Under cover Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600 Black and white negative film in 35mm...
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Keep your head down – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600 (35mm format)
Keep your head down Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600 Black and white negative film...
Read MoreCronut – Shot on Kodak EKTACHROME 100 (E100) at EI 100 (35mm format)
Cronut Shot on new Kodak EKTACHROME 100 (E100) at EI 100. Color reversal (slide) film in 35mm format. Write for EMULSIVE The driving force behind EMULSIVE is knowledge transfer, specifically creating more of it in the film...
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