EM
Overlord at EMULSIVE.org and all-round benevolent gestalt entity.
EMULSIVE Interview #203: I am Richard Davies and this is why...
Plates, films, stars and scenes. I've been following today's fresh interviewee (on social media!) pretty much since EMULSIVE came into existence back...
Field testing the Billingham AVEA 7 and AVEA 8 end pockets
I've been hanging these off my Billinghams for years. For the uninitiated, Billingham's AVEA end pockets are small add-on packs which clip onto either...
Photography: Decked out – Shot on Kodak Portra 800 at EI...
Decked out
Shot on Kodak Portra 800 at EI 200Color negative film in 120 format shot as 6x6
An early swansong? Reviewing the CONTAX AX: autofocusing manual lenses
When it comes to autofocusing manual lenses on film cameras there is really only one option: the unique and relatively short-lived CONTAX AX. Chunky sibling of the CONTAX RX and...
EMULSIVE Interview #203: I am Lina Bessonova and this is why...
Darkroom lab owner, photographer, printer and workshop host, Lina Bessonova is one of the busiest interviewees I've had on so far this year.
EMULSIVE June 2019: month in review
It's time to take a look back at the month of June 2019 here on EMULSIVE. Two new film announcements, an interview with the one and only Jon Canlas, film simulation research and hooking up old scanning gear are just a few of the topics and articles that appeared right here.
EMULSIVE Interview #202: I am Wendy Gunderson and this is why...
Welcome to EMULSIVE interview #202! Today I'm featuring the work and words of Wendy Gunderson, lawyer, photographer, community builder and serial website creator to name a few.
The first new colour film stock in 5 years: LomoChrome Metropolis...
It’s been nearly five years since we saw a new colour negative photographic film hit the shelves and over six since the one before that.
The Hypersensitive Podcast Episode 07: I forgot the question
We got new mics...but didn't understand the enormity of our incompetence and ended up recording the respective "other side" to our conversation while recording this month's episode.
Foma Bohemia celebrates upcoming 100 year anniversary with new packaging
With their 100-year anniversary coming up in 2021, Foma Bohemia, makers of FOMAPAN black and white photographic film and papers is popping the cork a little early with three new, limited edition "retro" 1930s styled box art for its
EMULSIVE May 2019: month in review
Here's a wrap-up of everything you may have missed on EMULSIVE in May 2018.
Photography: On the job – Shot on ILFORD Delta 400 Professional...
On the job
Shot on ILFORD Delta 400 Professional at EI 25600Black and white negative film in 120 format...
EMULSIVE Interview #201: I am Allysse Riordan and this is why...
Welcome to a fresh instalment of my "...this is why I shoot film" series!
How to: Connect legacy film scanners to modern computers
It's time to simplify and demystify the dark art of connecting legacy film scanners and other hardware to modern computers.
Photography: Up and over – Shot on Kodak PROFESSIONAL ELITE Chrome...
Up and over
Shot on Kodak PROFESSIONAL ELITE Chrome 100 (EB-3) at EI 100.Color reversal (slide) film in
Photography: London – Shot on Kodak Portra 160 at EI 160...
London
Shot on Kodak Portra 160 at EI 160Color negative film in 35mm format
LondonShot on Kodak Portra 160 at EI 160.Color negative film in 35mm format.
UPDATE: New film from Shanghai: GP3 100 now in 35mm format…plus...
See the latest updates (2019-06-25) at the foot of this page.
Retailing at just $3.50 per 36 exposure roll, another new film stock for 2019 has been announced in the form of 35mm Shanghai GP3 100, which was made
Photography: Guardians at the door #02 – Shot on Fuji Pro...
Guardians at the door #02
Shot on Fuji Pro 400H at EI 200.
Color negative film in 35mm format.
Nikon F100 / Nikon Nikkor 85mm f1.8 AF-D
Guardians at the door #02Shot on Fuji Pro 400H at EI 200.Color
Photography: Thirsty work – Shot on Kodak Pro Image 100 at...
Thirsty work
Shot on Kodak Pro Image 100 at EI 400Color negative film in
Photography: Tread carefully – Shot on ILFORD HP5 PLUS at EI...
Tread carefully
Shot on ILFORD HP5 PLUS at EI 3200Black and white negative in 120 format shot as 6x6Push processed 3 stops
Hasselblad 2000FCW / Carl Zeiss Planar F 80mm f/2.8
Development notesKodak HC-110 1+47 (E): 20°C/68°F, 12:45
