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EM

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Overlord at EMULSIVE.org and all-round benevolent gestalt entity.

EMULSIVE August 2019: month in review

31 days and 38 articles. Here's everything you missed on EMULSIVE in August, starting with a list of the "top ten" as decided by...

Photostory: Never Forget 2003 – by Craig Pindell

Once again and with his kind permission, I'm posting one of Craig Pindell's Never Forget series of photographs and his words in remembrance of...

Dream camera: My experiences buying a Nikon F6 from Japan Camera...

Everyone has a dream camera. I have...well, a dream team: a set of cameras designed to meet specific needs and moods, from the small to large formats.

EMULSIVE Interview #205: I am Jeremy Calow and this is why...

If you spend any time checking out landscape photographers online - especially if you've been eyeing up 6x17 format photography - you will no doubt have come across the work of today's interviewee, Jeremy Calow.

EMULSIVE July 2019: month in review

Let's take a look back at the month on EMULSIVE that was July 2019. As usual for these monthly listicles, I've laid out the ten most read and discussed articles here on EMULSIVE for last month, as well as a complete list of July's 36 articles.

EMULSIVE Interview #204: I am Richard Davies and this is why...

Plates, films, stars and scenes. I've been following today's fresh interviewee (on social media!) pretty much since EMULSIVE came into existence back...

Field testing the Billingham AVEA 7 and AVEA 8 end pockets

I've been hanging these off my Billinghams for years. For the uninitiated, Billingham's AVEA end pockets are small add-on packs which clip onto either...

Photography: Decked out – Shot on Kodak Portra 800 at EI...

Decked out Shot on Kodak Portra 800 at EI 200Color negative film in 120 format shot as 6x6

An early swansong? Reviewing the CONTAX AX: autofocusing manual lenses

When it comes to autofocusing manual lenses on film cameras there is really only one option: the unique and relatively short-lived CONTAX AX. Chunky sibling of the CONTAX RX and...

EMULSIVE Interview #203: I am Lina Bessonova and this is why...

Darkroom lab owner, photographer, printer and workshop host, Lina Bessonova is one of the busiest interviewees I've had on so far this year.

EMULSIVE June 2019: month in review

It's time to take a look back at the month of June 2019 here on EMULSIVE. Two new film announcements, an interview with the one and only Jon Canlas, film simulation research and hooking up old scanning gear are just a few of the topics and articles that appeared right here.

EMULSIVE Interview #202: I am Wendy Gunderson and this is why...

Welcome to EMULSIVE interview #202! Today I'm featuring the work and words of Wendy Gunderson, lawyer, photographer, community builder and serial website creator to name a few.

The first new colour film stock in 5 years: LomoChrome Metropolis...

It’s been nearly five years since we saw a new colour negative photographic film hit the shelves and over six since the one before that.

The Hypersensitive Podcast Episode 07: I forgot the question

We got new mics...but didn't understand the enormity of our incompetence and ended up recording the respective "other side" to our conversation while recording this month's episode.

Foma Bohemia celebrates upcoming 100 year anniversary with new packaging

With their 100-year anniversary coming up in 2021, Foma Bohemia, makers of FOMAPAN black and white photographic film and papers is popping the cork a little early with three new, limited edition "retro" 1930s styled box art for its

EMULSIVE May 2019: month in review

Here's a wrap-up of everything you may have missed on EMULSIVE in May 2018.

Photography: On the job – Shot on ILFORD Delta 400 Professional...

On the job Shot on ILFORD Delta 400 Professional at EI 25600Black and white negative film in 120 format...

EMULSIVE Interview #201: I am Allysse Riordan and this is why...

Welcome to a fresh instalment of my "...this is why I shoot film" series!

How to: Connect legacy film scanners to modern computers

It's time to simplify and demystify the dark art of connecting legacy film scanners and other hardware to modern computers.

Photography: Up and over – Shot on Kodak PROFESSIONAL ELITE Chrome...

Up and over Shot on Kodak PROFESSIONAL ELITE Chrome 100 (EB-3) at EI 100.Color reversal (slide) film in

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