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Everyone has a dream camera. I have...well, a dream team: a set of cameras designed to meet specific needs and moods, from the small to large formats.
If you spend any time checking out landscape photographers online - especially if you've been eyeing up 6x17 format photography - you will no doubt have come across the work of today's interviewee, Jeremy Calow.
Plates, films, stars and scenes. I've been following today's fresh interviewee (on social media!) pretty much since EMULSIVE came into existence back...
I've been hanging these off my Billinghams for years. For the uninitiated, Billingham's AVEA end pockets are small add-on packs which clip onto either...
Decked out Shot on Kodak Portra 800 at EI 200Color negative film in 120 format shot as 6x6
When it comes to autofocusing manual lenses on film cameras there is really only one option: the unique and relatively short-lived CONTAX AX. Chunky sibling of the CONTAX RX and...
Darkroom lab owner, photographer, printer and workshop host, Lina Bessonova is one of the busiest interviewees I've had on so far this year.
It's time to take a look back at the month of June 2019 here on EMULSIVE. Two new film announcements, an interview with the one and only Jon Canlas, film simulation research and hooking up old scanning gear are just a few of the topics and articles that appeared right here.
Welcome to EMULSIVE interview #202! Today I'm featuring the work and words of Wendy Gunderson, lawyer, photographer, community builder and serial website creator to name a few.
It’s been nearly five years since we saw a new colour negative photographic film hit the shelves and over six since the one before that.
We got new mics...but didn't understand the enormity of our incompetence and ended up recording the respective "other side" to our conversation while recording this month's episode.
With their 100-year anniversary coming up in 2021, Foma Bohemia, makers of FOMAPAN black and white photographic film and papers is popping the cork a little early with three new, limited edition "retro" 1930s styled box art for its
On the job Shot on ILFORD Delta 400 Professional at EI 25600Black and white negative film in 120 format...
Welcome to a fresh instalment of my "...this is why I shoot film" series!
It's time to simplify and demystify the dark art of connecting legacy film scanners and other hardware to modern computers.
Up and over Shot on Kodak PROFESSIONAL ELITE Chrome 100 (EB-3) at EI 100.Color reversal (slide) film in