I moved to Memphis in 2012 from Brooklyn and shortly after that got my first DSLR, graduating from long-zoom point-and-shoots I used to document the sights of NYC. I took a photography class at the Memphis College of Art (now closed) that forced me to learn to use my camera’s manual controls. (To tell you […]
Author Archives: EM
I'm EM, founder, overlord, and editor-in-chief at EMULSIVE.org. I may be a benevolent gestalt entity but contrary to increasingly popular belief, I am not an AI.
Posted in35mm format
Photography: A delivery in 4 parts… – Shot on JCH Streetpan 400 at EI 800 (35mm Format)
Shot on JCH Streetpan 400 at EI 80035mm format black and white film in 35mm formatPush processed 1-stop Development notesKodak HC-110: 1+47(E), 20°C/68°F, 11:30 (N+1)No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse A delivery in 4 parts… – Shot on JCH Streetpan 400 at EI 800 (35mm Format) A delivery in 4 parts… – […]
Posted inArticles
Month in review: June 2021
These are the 31 days and 33 articles that made EMULSIVE in May 2021. As usual, you’ll find a recap of all the articles published, starting with the most popular 10 articles of the month in order of publication (as decided by you).
Posted inNews
New Fugufilm 400 slide film: More test roll shots + Bellamy Hunt Q&A
I’ll admit to being taken back a bit by the two new film announcements so far this week (Kodak Gold in 120 format and CineStill 400D), and it looks like we’re capping it off with a third: brand new FuguFilm 400 colour slide film in 35mm format from Japan Camera Hunter and Street Silhouettes. I […]
Posted inNews
A new “everyday” film from CineStill: 400Dynamic in 35mm and 120 format
Initially only available through the CINESTILL FILM MAKER Campaign at cinestillfilm.com/400D, the motion-to-still-photography company, CineStill have announced the launch of 400Dynamic, a 400 ISO daylight-balanced color negative film in both 35mm and 120 medium format and later, in 4×5 large format. Expected (initially) in limited supply, the new film stock’s release is supported by a […]
Posted inNews
25% cheaper than both Portra and Ektar: the return of Kodak Gold 200 film in 120 format
Following months of speculation, and around two decades since its original discontinuation, Kodak Alaris* has finally announced the rerelease of its popular consumer-grade Kodak Gold 200 colour negative film in 120 format, which is available right now for stores to purchase in 5-pack “Pro Packs”. It’s going to take a few days before you see […]
Posted inFeatured
The new Lomography DigitaLIZA + / Max film scanning kits for 35mm and 120 film
I’ve been a long-time user of Lomography’s DigitaLIZA 35mm and 120 film masks. They work great on my Epson Perfection v750 and keep film generally flatter than Epson’s normal film masks — even when scanning 35mm film shot on a 6×12 format camera or 6×17 format. In terms of value for money and performance, they’re […]
Posted inMedium format
Photography: Pecan pie – Shot on Kodak Portra 400VC at EI 320 (120 Format)
Shot on Kodak Portra 400VC at EI 320 (120 Format). Color negative film in 120 format shot as 6×6. Hasselblad 2000FCW + Hasselblad Planar F 80mm f/2.8
Posted inPhotography
Photography: Power up – Shot on Fuji Provia 100F (RDP III) at EI 100 (120 format)
Shot on Fuji Provia 100F (RDP III) at EI 100Color reversal (slide) film in 120 format shot as 6x6Cross processed in C-41 ChemistryHasselblad 2000FCW + Hasselblad Planar F 80mm f/2.8 Read the Fuji Provia 100F (RDP III) review here.Read the Fuji Provia 100F (RDP III) cross processing and push processing guide here. Power-up – Shot on Fuji Provia 100F (RDP III) at EI […]
Posted inMedium format
Photography: Be careful out back – Shot on Lomography Color Negative 800 at EI 800 (120 Format)
Shot on Lomography Color Negative 800 at EI 800.Color negative film in 120 format shot as 6×6.Hasselblad 2000FCW + Hasselblad Planar F 80mm f/2.8. Check out my Lomography CN 800 vs Kodak Portra 800 vs Fuji Natura 1600 (day and night) blind film test.
Posted inArticles
Camera review: The LEGO VIP Rewards Vintage Camera + build video
It’s not a Leica, but if you’re a film photographer, you’re probably going to Like-uh-it a lot. If you like LEGO, you’ll likely be quite partial to it, too. Yes, it’s the (limited edition?) LEGO VIP Rewards Vintage Camera. This article reviews the camera in full with a start-to-finish video of the build (condensed to […]
Posted inPhotography
Photography: It can wait – Shot on Fuji Provia 100F (RDP III) at EI 100 (120 format)
Shot on Fuji Provia 100F (RDP III) at EI 100Color reversal (slide) film in 120 format shot as 6x6Cross processed in C-41 ChemistryHasselblad 2000FCW + Hasselblad Planar F 80mm f/2.8 Read the Fuji Provia 100F (RDP III) review here.Read the Fuji Provia 100F (RDP III) cross processing and push processing guide here. It can wait – Shot on Fuji Provia 100F (RDP […]
Posted inNews
New ADOX COLOR MISSION 35mm film: a “reverse Kickstarter”
A new, very limited ISO 200 35mm color film from ADOX is upon us just 41 days into 2022. It’s released on Thursday, February 10th, 2022, and is available for pre-order now in limited quantities in 36 exposure, 35mm cassettes. Say hello to ADOX COLOR MISSION: The film, described by ADOX as having “delicately vibrant […]
Posted inPhotography
Photography: Under the over – Shot on Kodak Ektar 100 at EI 200 (35mm format)
Shot on Kodak Ektar 100 at EI 100Color negative film in 35mm formatNikon F6 + Nikkor 85mm f/1.8 AF-D
Posted inMedium format
Photography: Light and shadow – Shot on Lomography Color Negative 800 at EI 800 (120 Format)
Both shot on Lomography Color Negative 800 (EI 800, meter readings differ by 2-stops).Color negative film in 120 format shot at 6×6.Hasselblad 2000FCW + Hasselblad Planar F 80mm f/2.8. Check out Lomography CN 800 vs Kodak Portra 800 vs Fuji Natura 1600 (day and night) in my blind film test.
Posted inMedium format
Photography: Welcome – Shot on Fuji Provia 100F (RDP III) at EI 100 (120 format)
Shot on Fuji Provia 100F (RDP III) at EI 100Color reversal (slide) film in 120 format shot as 6x6Cross processed in C-41 ChemistryHasselblad 2000FCW + Hasselblad Planar F 80mm f/2.8 Read the Fuji Provia 100F (RDP III) review here.Read the Fuji Provia 100F (RDP III) cross processing and push processing guide here. Welcome – Shot on Fuji Provia 100F (RDP III) at EI […]
Posted inMedium format
Photography: Cloccian – Shot on LomoChrome Metropolis XR 100–400 at EI 400 (120 format)
Shot on LomoChrome Metropolis XR 100–400 at EI 400Color negative film in 120 formatHasselblad 2000FCW + Hasselblad Planar F 80mm f/2.8 Cloccian – Shot on LomoChrome Metropolis XR 100–400 at EI 400 (120 format)
Posted inMedium format
Photography: Tear it down, tear it all down – Shot on Fuji Provia 100F (RDP III) at EI 100 (120 format)
Shot on Fuji Provia 100F (RDP III) at EI 100Color reversal (slide) film in 120 format shot as 6x6Cross processed in C-41 ChemistryHasselblad 2000FCW + Hasselblad Planar F 80mm f/2.8 Read the Fuji Provia 100F (RDP III) review here.Read the Fuji Provia 100F (RDP III) cross processing and push processing guide here.
Posted in35mm format
Photography: Don’t head towards the light – Shot on Kodak EKTACHROME E100G at EI 1600 (35mm format)
Shot on Kodak EKTACHROME E100G at EI 1600Color reversal (slide) film in 35mm formatCross processed and push processed 4-stopsRicoh GR1s + GR Lens 28mm f/2.8 lens Read the Kodak EKTACHROME E100G review here.
Posted inMedium format
Photography: Second choice – Shot on Kodak EKTACHROME E100VS at EI 100 (120 format)
Shot on Kodak EKTACHROME E100VS at EI 100Color reversal (slide) film in 120 format shot as 6x6Cross processed Read the EKTACHROME 100VS reviewRead the EKTACHROME 100VS experimentation guide (push and cross-processing) Hasselblad 2000FCW + Carl Zeiss Planar F 80mm f/2.8 Second choice – Shot on Kodak EKTACHROME E100VS at EI 100 (120 format, cross processed, Hasselblad 2000FCW […]
