Guides & How-Tos How-to: Make DIY your own black and white transparencies (slides) by Stephen Riley Photosets and stories Fallen grace: The beauty of fallen leaves by Peter Rockstroh Rants Rant: Analysing analogue grandpas. Or, sucking the joy out of photography online since Jan 1st 1983 by Ed Worthington Photosets and stories A month in the South of Italy on a Leica M4 and ILFORD HP5 PLUS by Simón Ducos Articles How-to: Convert an automatic Polaroid pack film camera to use manual shutter speeds by Jim Skelton LATEST Travelogue: Fujicolor in Paris on a Nikon L35AF by Mark John Hiemstra 5 Frames… Walking from Marble Arch to Bond Street on Fomapan 100 Classic (35mm Format / EI 100 / Canon EOS 650 + Canon 28-105mm f/3.5-4.5 EF USM II) by Steve Hutchings 5 Frames… Flying over Apulia on ILFORD HP5 PLUS (35mm Format / EI 400 / Coca-Cola Can Camera) – by Andrea Bianchi by Andrea Bianchi 5 Frames… Of a Montreal Winter on Fuji Velvia 100 (120 format / EI 100 / Rolleicord Vb) by Joe Mastromatteo Film stock reviews Shooting and developing lightly expired 60-year-old medium format Dekopan F17 black and white film by Tim Stephens 5 Frames… 8 Frames… Of my newborn son on ILFORD HP5 PLUS (35mm Format / Nikon Nikkormat / Nikkor 50mm f/1.4 AI-S) – by Spencer Cameron by Spencer Cameron 5 Frames… 5 Frames… Of Zeche Zollverein on Silberra Color 50 (120 Format / EI 125 / Mamiya 645 1000s + Sekor-C 45mm f/2.8, 80mm f/2.8 and 150mm f/4) – by Ernst-Jan de Vries by Ernst-Jan de Vries Opinion An ideal match: 120 roll film cameras and the square format by Michael Chiusano 5 Frames… 5 Frames… Ektachrome 160T expired in poor conditions cross processed in ECN-2 (120 Format / EI160 / Mamiya RB67 + Mamiya Sekor C 50mm f/4.5) – by Pablo Cruz Villalba by Pablo Cruz Villalba 5 Frames… On my grandparents’ Kodak Brownie No. 2 Model E (120 format / Fomapan 400 Action) – by Ross Gardner by Ross Gardner Performance-to-value: A quick look at some vintage East German Carl Zeiss Jena lenses by Tim Stephens “Faux” Panoramic Camera Mods with the Ansco Pix Panorama by Nicholas Morganti 6 Frames… Of Prague on six films on a Plaubel Makina 67 (120 format / EI 100-50 / Nikkor 2.8/80mm – by Frédéric Schneider by Frédéric Schneider 5 Frames… Crisscrossing the old Route 66 on a Polaroid 600 – by Matt Andrews by Matt Andrews 5 Frames… Of Kodak PPF Pro 400, expired 1999 (120 Format / EI 50 / Mamiya RB67 + Mamiya Sekor C 90mm f/3.8 and 50mm f/4.5) – by Pablo Cruz Villalba by Pablo Cruz Villalba Latest featured reviews 510 Pyro. My new favourite developer? – by Chris Chinnock Review: Kodak Pocket Instamatic 10 + Lomography Tiger CN200 film Film stock review: Santa Color 100 READ MORE > 5 Frames… From Devotion chapter one: “Girls” – Kodak Tri-X 400 (120 format / EI 400 / Yashica 635) – by Lisa K Cho by Lisa K Cho Tango Dancers, Or the story of how I made a zine by James Harris 5 Frames… Of Orwo DN21 during a hot Como summer on a Contax 139Q (35mm Format / EI 12 / Yashica ML 24mm f/2.8 lens) – by Sergio Palazzi by Sergio Palazzi 5 Frames… Kodak Potra 400 / 35mm / EI 320 / Voigtländer Bessa R3a + Voigtländer Nokton Classic 35mm 1.4 II – by Marco Rotondo by Marco Rotondo Going home again… and leaving with the big sky (on Kodak Portra 400) by Mark John Hiemstra 5 Frames… Of canals, locks, floodgates, sluices, and levees on ILFORD XP2 Super (35mm / EI 320 + Y48 Filter / Nikon F3 + MD-4 / 50mm 1.2 AI-s) – by Patrick Gillin by Patrick Gillin Latest guides and how-tos How-to: Shoot Fujifilm Instax on a Polaroid BigShot How-to: Shoot 120 & 35mm film in a Polaroid pack film camera How-to: Develop paper negatives “out and about” with a field development kit – by Jim Skelton READ MORE > Latest film photographer interviews EMULSIVE Interview #228: I am Daniel Boklage and this is why I shoot film EMULSIVE Interview #227: I am Lucy Ridges and this is why I shoot film (NSFW) EMULSIVE Interview #226: I am Brian Dubois and this is why I shoot film EMULSIVE Interview #225: I am Andrea Bianchi and this is why I shoot film EMULSIVE Interview #224: I am David Imel and this is why I shoot film EMULSIVE Interview #223: I am Ellen Rogers and this is why I shoot film (Mildly NSFW) Latest 5 film camera reviews Camera review: Loving Lomography’s New LomoApparat 21mm wide-angle camera by Aislinn Chuahiock Camera review: The Exakta TL 1000 by Bill Watts Opinion: Why did Zeiss stop making cameras? by Gavin Lyons Mini-review: The Canon A-1 in Thailand by James Patrick Rheinmetall Weltax + Meyer-Optik Trioplan f/3.5 75mm + Lomography Redscale and Kodak Portra 160… A review (kind of) by Martin Siegel Enter the Leica M4: Upgrading my Barnack Leica by Simón Ducos Film Stock Review: CineStill 400D by Ryan Gabbard A creative machine: The Konica C35 EFP by Diego Boccacci Crash! Bang! Rollop! What a Picture! A review and test of the Lipca Rollop II TLR by Nigel Fishwick Latest 5 film stock reviews Film review: A roll of Kodak Portra 800 (Nikon F3 + Nikkor 50mm f/1.8 AI-S) – by Dorothy Key by Dorothy Key My adventures somewhere in-between medium & large formats on 120 format Kodak Gold 200 by Nick Orloff Film review: ADOX HR-50, a high-resolution film with a boost by Astrid Robertsson Kentmere Pan 400 at EI3200 – A low-cost, high speed alternative? by Philip Harrison Chromogenic inspiration: ILFORD XP2 Super – Andrea Bianchi by Andrea Bianchi Svema Foto 65 – Shooting Expired Film from 1989 by Gavin Lyons Film review: Cinestill 50D on Zurich’s smaller streets – Pentax MX and SMC Pentax-M 50mm f/1.7 by Astrid Robertsson Taking Stock: A shootout with 3 very different color films highlights creative possibilities – Kodak Portra, Fuji C200 and Fuji Velvia 100 by Isaac D. Pacheco Purple nights on Lomochrome Purple with the Pixels and Grain Collective by Pixels and Grain Collective New to film photography? Read this: Email newsletter Subscribe to: Daily digest Weekly digest Leave this field empty if you’re human: Support EMULSIVE Find out how you can help support EMULSIVE from as little as $2 a month on Patreon.Learn more
Rants Rant: Analysing analogue grandpas. Or, sucking the joy out of photography online since Jan 1st 1983 by Ed Worthington
Articles How-to: Convert an automatic Polaroid pack film camera to use manual shutter speeds by Jim Skelton
5 Frames… Walking from Marble Arch to Bond Street on Fomapan 100 Classic (35mm Format / EI 100 / Canon EOS 650 + Canon 28-105mm f/3.5-4.5 EF USM II) by Steve Hutchings
5 Frames… Flying over Apulia on ILFORD HP5 PLUS (35mm Format / EI 400 / Coca-Cola Can Camera) – by Andrea Bianchi by Andrea Bianchi
5 Frames… Of a Montreal Winter on Fuji Velvia 100 (120 format / EI 100 / Rolleicord Vb) by Joe Mastromatteo
Film stock reviews Shooting and developing lightly expired 60-year-old medium format Dekopan F17 black and white film by Tim Stephens
5 Frames… 8 Frames… Of my newborn son on ILFORD HP5 PLUS (35mm Format / Nikon Nikkormat / Nikkor 50mm f/1.4 AI-S) – by Spencer Cameron by Spencer Cameron
5 Frames… 5 Frames… Of Zeche Zollverein on Silberra Color 50 (120 Format / EI 125 / Mamiya 645 1000s + Sekor-C 45mm f/2.8, 80mm f/2.8 and 150mm f/4) – by Ernst-Jan de Vries by Ernst-Jan de Vries
5 Frames… 5 Frames… Ektachrome 160T expired in poor conditions cross processed in ECN-2 (120 Format / EI160 / Mamiya RB67 + Mamiya Sekor C 50mm f/4.5) – by Pablo Cruz Villalba by Pablo Cruz Villalba
5 Frames… On my grandparents’ Kodak Brownie No. 2 Model E (120 format / Fomapan 400 Action) – by Ross Gardner by Ross Gardner
Performance-to-value: A quick look at some vintage East German Carl Zeiss Jena lenses by Tim Stephens
6 Frames… Of Prague on six films on a Plaubel Makina 67 (120 format / EI 100-50 / Nikkor 2.8/80mm – by Frédéric Schneider by Frédéric Schneider
5 Frames… Of Kodak PPF Pro 400, expired 1999 (120 Format / EI 50 / Mamiya RB67 + Mamiya Sekor C 90mm f/3.8 and 50mm f/4.5) – by Pablo Cruz Villalba by Pablo Cruz Villalba
5 Frames… From Devotion chapter one: “Girls” – Kodak Tri-X 400 (120 format / EI 400 / Yashica 635) – by Lisa K Cho by Lisa K Cho
5 Frames… Of Orwo DN21 during a hot Como summer on a Contax 139Q (35mm Format / EI 12 / Yashica ML 24mm f/2.8 lens) – by Sergio Palazzi by Sergio Palazzi
5 Frames… Kodak Potra 400 / 35mm / EI 320 / Voigtländer Bessa R3a + Voigtländer Nokton Classic 35mm 1.4 II – by Marco Rotondo by Marco Rotondo
5 Frames… Of canals, locks, floodgates, sluices, and levees on ILFORD XP2 Super (35mm / EI 320 + Y48 Filter / Nikon F3 + MD-4 / 50mm 1.2 AI-s) – by Patrick Gillin by Patrick Gillin
Rheinmetall Weltax + Meyer-Optik Trioplan f/3.5 75mm + Lomography Redscale and Kodak Portra 160… A review (kind of) by Martin Siegel
Film review: A roll of Kodak Portra 800 (Nikon F3 + Nikkor 50mm f/1.8 AI-S) – by Dorothy Key by Dorothy Key
My adventures somewhere in-between medium & large formats on 120 format Kodak Gold 200 by Nick Orloff
Film review: Cinestill 50D on Zurich’s smaller streets – Pentax MX and SMC Pentax-M 50mm f/1.7 by Astrid Robertsson
Taking Stock: A shootout with 3 very different color films highlights creative possibilities – Kodak Portra, Fuji C200 and Fuji Velvia 100 by Isaac D. Pacheco
Purple nights on Lomochrome Purple with the Pixels and Grain Collective by Pixels and Grain Collective
