EMULSIVE: Your film photography journey starts here...

“Normal” films from a special effect film company? Check out DAILY film from dubblefilm

by EM

For new black and white film, say the secret codeword: “Kosmo Foto Agent Shadow”…but is it really a film noir film?

by EM

My Nikon FE - Jessica Crawford

My first roll… Kodak T-MAX 400 with a Nikon FE + Nikon Series E 50mm f/1.8 lens

by Jessica Crawford

Taking Stock: A shootout with 3 very different color films highlights creative possibilities – Kodak Portra, Fuji C200 and Fuji Velvia 100

by Isaac D. Pacheco

My Mamiya 7 and Mamiya 80mm f/4 lens

My first roll… In a Mamiya 7 on Shanghai GP3 100 (120 Format / EI 100 / Mamiya 80mm f/4 lens)

by Vlad Timofeev

Recent articles (all)

My Canon AE-1P

5 Frames … Working with C-41 film during my Frugal Film Project (Konica VX 400 and a Canon AE-1 Program)

by Bob St. Cyr 20 hours agoJune 19, 2021

My Leica M2 + Leica Summaron 35mm f:2.8

5 Frames… Starting at Ushuaia’s Beagle Channel on ILFORD HP5 PLUS (35mm Format / EI 400 / Leica M2 + Leica Summaron 35mm f/2.8)

by Ignacio Crusoe June 14, 2021June 14, 2021

My Hasselblad 500 C/M + Hasselblad Distagon C T* 50mm f:4)

5 Frames… Around lakes Como and Lugano on expired ILFORD Delta 3200 Professional (120 Format / EI 1000 / Hasselblad 500 C/M + Hasselblad Distagon C T* 50mm f/4)

by Eugenio Giuseppe Tursi June 12, 2021June 11, 2021

5 Frames... Of my 22nd birthday at the Uetliberg on Fujifilm FUJICOLOR Industrial 100 film (35mm Format / EI 100 / Pentax MX + Asahi Pentax SMC 50mm f/1.7)

5 Frames… Of my 22nd birthday at the Uetliberg on Fujifilm FUJICOLOR Industrial 100 film (35mm Format / EI 100 / Pentax MX + Asahi Pentax SMC 50mm f/1.7)

by Astrid Robertsson June 7, 2021June 7, 2021

5 Frames… Of my return to black and white film photography on Kodak T-MAX 100 (35mm Format / EI 100 / Nikon N90 + NIKKOR 80-200mm f/4.0)

by Ramiro Posada June 5, 2021June 5, 2021

Kodak T-MAX 100, my Mamiya with it's Mamiya 75mm : f3.5 lens - Brendan Norris

5 Frames… At Bull Island on Kodak T-MAX 100 and my Mamiya 6 (120 Format / EI 100 / Mamiya 75mm / f3.5)

by Brendan Norris June 4, 2021June 4, 2021

Lomography Color Negative 400, EI 400, 35mm format - Nikon F6, Nikkor 85mm f/1.8 AF-D

Photography: Out of service – Shot on Lomography Color Negative 400 at EI 400 (35mm Format)

by EM June 1, 2021May 30, 2021

5 Frames... Of Reno, the biggest Little City in the World on Kodak Portra 400 (120 Format / EI 400 / Zenza Bronica ETRSi + Zenzanon EII 75mm f/2.8)

5 Frames… Of Reno, the Biggest Little City in the World on Kodak Portra 400 (120 Format / EI 400 / Zenza Bronica ETRSi + Zenzanon EII 75mm f/2.8)

by Cole Rangel May 31, 2021May 30, 2021

The best of #FP4Party April 2021

by EM May 30, 2021May 30, 2021

Cover - 5 Frames... Of barely expired Fujifilm Provia 100F (35mm Format : EI 100 : Pentax K-1000 + SMC Pentax-M 50mm f:2.0)

5 Frames… Of barely expired Fujifilm Provia 100F (35mm Format / EI 100 / Pentax K-1000 + SMC Pentax-M 50mm f/2.0)

by chill_grain May 29, 2021May 29, 2021

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Latest film camera reviews

Film camera Reviews

Medium format film camera showdown: Contax 645 vs Pentax 645NII

by Ray Rapkerg

Rollei Film Camera Reviews

An accidental Rolleiflex TLR: A new experience with the Rolleiflex Automat 6×6 Model RF 111A

by Graham Rogers

Film camera Reviews

Same format, different story: Making the switch from a Pentax 67 to a Mamiya 7ii

by Hari

The Analogue Studio Polaroid conversion kit for the Mamiya RB67

Mamiya Film Camera Reviews

The Analogue Studio Polaroid conversion kit for the Mamiya RB67

by Jess Hobbs

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Film photographer interviews

Canon A1- FDn 50mm f/1.4 - Fuji Superia X-TRA 400

Film Photographer Interviews

EMULSIVE Interview #226: I am Brian Dubois and this is why I shoot film

by EM

Andrea Bianchi - Hasselblad SWC - Fujichrome Provia 100F Expired and X process

Film Photographer Interviews

EMULSIVE Interview #225: I am Andrea Bianchi and this is why I shoot film

by EM

Lifeguard

Film Photographer Interviews

EMULSIVE Interview #224: I am David Imel and this is why I shoot film

by David Imel

Shot on Nikon F2 in 2019, hand printed selenium toned and hand coloured. London

Film Photographer Interviews

EMULSIVE Interview #223: I am Ellen Rogers and this is why I shoot film (Mildly NSFW)

by EM

Chris & Syama, Birmingham UK (2019) - Rolleiflex 2.8F / ILFORD HP5 PLUS / EI 800

Film Photographer Interviews

EMULSIVE Interview #222: I am Kris Askey and this is why I shoot film

by EM

Feathers and Flowers - Contax RTS with 50mm lens, Rollei RPX 25

Film Photographer Interviews

EMULSIVE Interview #221: I am Gaetan Cormier Interview and this is why I shoot film

by EM

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Latest film stock reviews

Lomography Film Stock Reviews

Purple nights on Lomochrome Purple with the Pixels and Grain Collective

by Pixels and Grain Collective

Film stock review: Cinestill BWXX - by Simon King

Kodak Film Stock Reviews

Film stock review: Cinestill BWXX – by Simon King

by Simon King

Foma Bohemia Film Stock Reviews

Foma Retropan 320 Soft: A valuable way of seeing

by Yorgo Douramacos

Blood-red Witchery: Portraits on Kodak AEROCHROME III color infrared slide film

Kodak Film Stock Reviews

Blood-red Witchery: Portraits on Kodak AEROCHROME III color infrared slide film

by Mikhail Kostin

Film stock reviews

ILFORD HP5 PLUS vs Kodak Tri-X 400 at EI 1600 in the Moscow Metro with the Mamiya 7II

by Aislinn Chuahiock

Cover: Croatian views and colour tones on a Hasselblad 500C-M and Kodak Portra 160

Kodak Film Stock Reviews

Croatian views and colour tones on a Hasselblad 500C/M and Kodak Portra 160

by Rick Davy

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