Latest articles
Northern Sustainable Darkroom: A green revolution for analogue photography
I stand at the edge of the forest, my dilapidated Canon in hand. Mist rises from the trees, as two pigeons snap their wings in…
5 Frames… Of Old Main Street, Fort Worth, Texas (35mm Format / EI 400 / Nikon FA + Nikkor 50mm f/1.8 AI) – by Davy Bruyninckx
As a film photographer, I am always drawn to some of the more timeworn parts of town, so to speak, and that propensity for the…
Brighten up your Rolleiflex (or any TLR camera) with a new Rick Oleson Brightscreen
For a photographer, there is nothing quite like the experience of looking onto the focus screen of a TLR or other medium format, primarily waist-level viewfinder cameras such as Hasselblads, Bronicas or Mamiya RB67s.
5 Frames… Shooting Blues Night 1993 with Stan Webb and Chicken Shack on Kodak T-MAX 3200 (35mm Format / EI 3200 / Minolta X-300 + Tokina SD 70-210mm f/4-5.6) – by Olaf Lengler
In autumn 1993 it was time again. The annual Blues Night in the neighboring town of Idar-Oberstein was coming up. This time I also wanted…
EMULSIVE Interview #222: I am Kris Askey and this is why I shoot film
After an 8-month hiatus, I’d like to welcome you all back to the EMULSIVE interview. Yes, yes, 2020 be damned, etc. Last year was a…
New “contact print” Instax film from Fuji plus another underpowered toy camera, the Instax Mini 40
If you’re looking for a cheap point-and-shoot upgrade from Fuji’s last cheap point-and-shoot Instax camera, the company will gladly cover you as of just a…
5 Frames… Of ILFORD HP5 PLUS on a Werra I (35mm Format / EI 500 / Carl Zeiss Jena 50/2.8 Tessar) – by Victor Lefelman
The Werra I is an east german jewel of a camera, produced from 1954 until 1967 by Cal Zeiss Jena. Love at first glance is…
5 Frames… On original Fujifilm ACROS with a century-old Kodak Hawkeye No2 Model B (120 Format / EI 100) – by Simon Weller
Last year’s lockdown left me simultaneously busy with work and also with lots of time stuck at home I would not have normally had. The…
Film stock review: Cinestill BWXX – by Simon King
I started writing this article in 2019 and left it as a draft for EM here for quite a while. The reason for this is…
5 Frames… Of Kodak Ektar 100 from a year around Georgia on Kodak Ektar 100 (35mm Format / EI 100 / Pentax K1000) – by Brendan Rutledge
Late last year, my wife and I wanted to combine my love of photography with our shared love of travel, exploring, and just getting into…
My new portrait project: “Inspired”, passionate artists and a 145-year-old Dallmeyer 3B 290mm f/3 Portrait Petzval lens
I have been looking for this historical artwork for some years – a useable Dallmeyer 3B Portrait Petzval 290mm f/3 lens made during the 70s…
Announcing the 2021 SilvergrainClassics Analog Photography Bootcamp
SIlvergrainClassics and the state of Rheinland-Palatinate are pleased to announce an agreement for a new training center for analog photographers and filmmakers. The former army…
5 Frames… Of Adox KB 17 during ‘Der Fasching’ at the heart of the Black Forest in 1960s Germany (35mm / EI 100 / Asahi Pentax SV + 28mm f/3.5 Super-Takumar) – by Jeremy Greenaway
Way back in 1963, in the early years of my photojournalism career, a German friend of mine who was about to emigrate to the US…
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