Photosets and stories Penny for your thoughts: Documenting a unique bike race on medium format film by Isaac D. Pacheco Lomography Film Stock Reviews Lomography special effect film comparison: Metropolis, Purple, Turquoise, Redscale by Ryan Gabbard Guides & How-Tos How-to: Shoot paper negatives with a Polaroid pack film Land Camera by Jim Skelton Featured projects Build log: Take one Polaroid Model 455 and one Instax 100 camera and what do you get? A serious hack job by Jim Skelton Featured projects A Year in Plastic: One film, one camera, one week, one picture, one year (Jan 1 – Dec 31, 2009) by Chris Storey My First Roll… My first roll… On the cheapest (probably) Mamiya RB67 Pro S ever…and Fuji Pro 400H – Santiago Alvarez by Santiago Alvarez Articles 5 Frames… Of the Market in Ottawa on Lomography Metropolis (120 format / EI 200 / Pentacon Six TL + Carl Zeiss Biometar 80mm f/2.8 MC) by TechPan Alex 5 Frames… 5 Frames… Of Polaroid Color SX-70 Film at the tiny Greek island of Anafi (ISO 160 / Polaroid SX-70 + 116mm f/8 lens) – by George Pavlopoulos by George Pavlopoulos 5 Frames… 5 Frames… Of the Gatineau River on LOW ISO Color film (35mm format / EI 1.6 / Nikon FA + Nikkor 20mm f/2.8D) – by Alex Saucier by TechPan Alex 5 Frames… 5 Frames… At Beers & Cameras Sacramento on expired Kodak Supra 400 (35mm / EI 25 / Leica M3 with 50mm f/2 Dual-Range Summicron) by Brendan Flesher 5 Frames… 5 Frames… Of ILFORD HP5 PLUS on a shelf queen Kodak Tourist (620 format / EI 400 / Kodet 86mm f/12.5) by Jason Morrison 5 frames… Of one gas station on 5 different film stocks, using 5 different cameras – By Fayed by Fayed 5 Frames… And Five Life Lessons from a Kodak Brownie – by Dan Kehlenbach by Dan Kehlenbach 5 Frames… Making mistakes with a Graflex Speed Graphic and Arista Ortho 3.0 4×5 film – by Mark Rutledge by Mark Rutledge 5 Frames… Of a weekend in NYC on ILFORD Delta 3200 Professional (EI 3200 / 35mm format / Nikon FM2 + Nikon Nikkor 50mm f/1.8 AF-D) by Matthew T Rader Hidden in Plain Sight: A 36-Day Quest to Discover the Daily Miracle of Nature’s Quiet Moments – by Dan Kehlenbach by Dan Kehlenbach 5 Frames… Of ILFORD FP4 PLUS with my new Contax clone (35mm format / EI 100 / Kiev-4a + Jupiter 8M 50mm f/2) – by John Tarrant by EM Latest featured reviews Camera review: The Exakta TL 1000 Film review: A roll of Kodak Portra 800 (Nikon F3 + Nikkor 50mm f/1.8 AI-S) – by Dorothy Key My adventures somewhere in-between medium & large formats on 120 format Kodak Gold 200 READ MORE > 5 Frames… At Westonbirt Arboretum on ILFORD Delta 100 Professional Rolleicord Va + Xenar 75mm f/3.5 by EM 5 Frames… Of cold-weather testing airships by the arctic circle on Kodak Portra 160 (35mm Format / EI 160 / Contax G1 + Planar 45mm f/2) – by Igor Immfun by Igor Immfun 5 Frames… Of Charleston on Kodak EKTACHROME Infrared film (35mm format / EI 400 / Canon EOS 3 + Canon 17-40 f/4) – by Daniel Kompass by Daniel Kompass 5 Frames… Around Blois on LomoChrome Purple XR 100-400 (35mm format / EI 200 / Yashica FX – 3 + Yashica Lens ML 50mm f/2) – by Steven Munday by EM 5 Frames… Over 3 years on Kodak Portra 400, starting in New Orleans and finishing at Venice Beach (35mm format / EI 400 / Pentax Spotmatic + Super Takumar 50mm f/1.4) by Eric Houge A look back at my personal One-Shot-Per-Week challenge of 2021 – by Tim Soderstrom by Tim Soderstrom Latest guides and how-tos Repurposing orphaned instant cameras: Creating the Polaroid “SX-450” Restoring the moldiest, most rusty camera lens I’ve ever seen: How bad (or good) could it be? Elevating the humble cyanotype…with a UV-enlarger! READ MORE > Latest film photographer interviews EMULSIVE Interview #228: I am Daniel Boklage and this is why I shoot film EMULSIVE Interview #227: I am Lucy Ridges and this is why I shoot film (NSFW) EMULSIVE Interview #226: I am Brian Dubois and this is why I shoot film EMULSIVE Interview #225: I am Andrea Bianchi and this is why I shoot film EMULSIVE Interview #224: I am David Imel and this is why I shoot film EMULSIVE Interview #223: I am Ellen Rogers and this is why I shoot film (Mildly NSFW) Latest 5 film camera reviews Opinion: Why did Zeiss stop making cameras? by Gavin Lyons Mini-review: The Canon A-1 in Thailand by James Patrick Rheinmetall Weltax + Meyer-Optik Trioplan f/3.5 75mm + Lomography Redscale and Kodak Portra 160… A review (kind of) by Martin Siegel Enter the Leica M4: Upgrading my Barnack Leica by Simón Ducos A creative machine: The Konica C35 EFP by Diego Boccacci Crash! Bang! Rollop! What a Picture! A review and test of the Lipca Rollop II TLR by Nigel Fishwick Film review: ADOX HR-50, a high-resolution film with a boost by Astrid Robertsson The Canon AL-1: Do opposites attract? by Alex Nevelychko Camera review: The LEGO VIP Rewards Vintage Camera + build video by EM Latest 5 film stock reviews Kentmere Pan 400 at EI3200 – A low-cost, high speed alternative? by Philip Harrison Chromogenic inspiration: ILFORD XP2 Super – Andrea Bianchi by Andrea Bianchi Svema Foto 65 – Shooting Expired Film from 1989 by Gavin Lyons Film review: Cinestill 50D on Zurich’s smaller streets – Pentax MX and SMC Pentax-M 50mm f/1.7 by Astrid Robertsson Taking Stock: A shootout with 3 very different color films highlights creative possibilities – Kodak Portra, Fuji C200 and Fuji Velvia 100 by Isaac D. Pacheco Purple nights on Lomochrome Purple with the Pixels and Grain Collective by Pixels and Grain Collective Film stock review: Cinestill BWXX by Simon King Foma Retropan 320 Soft: A valuable way of seeing by Yorgo Douramacos Blood-red Witchery: Portraits on Kodak AEROCHROME III color infrared slide film by Mikhail Kostin New to film photography? Read this: How-tos & Guides My Quest to make art for the living room wall – Part 1: Iterating contact prints Shooting 35mm panoramic photographs with the Pentax 67 Pricing your work: Economies of print, or “assigning worth when value is subjective” How-To: Push-metering for simple cameras Start at the Stop: How to respool 35mm film into 127 (and 120) backing paper Everything you wanted to know about auto (thyristor) flash photography …but were afraid to ask Email newsletter Subscribe to: Daily digest Weekly digest Leave this field empty if you’re human: Support EMULSIVE Find out how you can help support EMULSIVE from as little as $2 a month on Patreon.Learn more Buy analog
Photosets and stories Penny for your thoughts: Documenting a unique bike race on medium format film by Isaac D. Pacheco
Lomography Film Stock Reviews Lomography special effect film comparison: Metropolis, Purple, Turquoise, Redscale by Ryan Gabbard
Featured projects Build log: Take one Polaroid Model 455 and one Instax 100 camera and what do you get? A serious hack job by Jim Skelton
Featured projects A Year in Plastic: One film, one camera, one week, one picture, one year (Jan 1 – Dec 31, 2009) by Chris Storey
My First Roll… My first roll… On the cheapest (probably) Mamiya RB67 Pro S ever…and Fuji Pro 400H – Santiago Alvarez by Santiago Alvarez
Articles 5 Frames… Of the Market in Ottawa on Lomography Metropolis (120 format / EI 200 / Pentacon Six TL + Carl Zeiss Biometar 80mm f/2.8 MC) by TechPan Alex
5 Frames… 5 Frames… Of Polaroid Color SX-70 Film at the tiny Greek island of Anafi (ISO 160 / Polaroid SX-70 + 116mm f/8 lens) – by George Pavlopoulos by George Pavlopoulos
5 Frames… 5 Frames… Of the Gatineau River on LOW ISO Color film (35mm format / EI 1.6 / Nikon FA + Nikkor 20mm f/2.8D) – by Alex Saucier by TechPan Alex
5 Frames… 5 Frames… At Beers & Cameras Sacramento on expired Kodak Supra 400 (35mm / EI 25 / Leica M3 with 50mm f/2 Dual-Range Summicron) by Brendan Flesher
5 Frames… 5 Frames… Of ILFORD HP5 PLUS on a shelf queen Kodak Tourist (620 format / EI 400 / Kodet 86mm f/12.5) by Jason Morrison
5 frames… Of one gas station on 5 different film stocks, using 5 different cameras – By Fayed by Fayed
5 Frames… Making mistakes with a Graflex Speed Graphic and Arista Ortho 3.0 4×5 film – by Mark Rutledge by Mark Rutledge
5 Frames… Of a weekend in NYC on ILFORD Delta 3200 Professional (EI 3200 / 35mm format / Nikon FM2 + Nikon Nikkor 50mm f/1.8 AF-D) by Matthew T Rader
Hidden in Plain Sight: A 36-Day Quest to Discover the Daily Miracle of Nature’s Quiet Moments – by Dan Kehlenbach by Dan Kehlenbach
5 Frames… Of ILFORD FP4 PLUS with my new Contax clone (35mm format / EI 100 / Kiev-4a + Jupiter 8M 50mm f/2) – by John Tarrant by EM
5 Frames… At Westonbirt Arboretum on ILFORD Delta 100 Professional Rolleicord Va + Xenar 75mm f/3.5 by EM
5 Frames… Of cold-weather testing airships by the arctic circle on Kodak Portra 160 (35mm Format / EI 160 / Contax G1 + Planar 45mm f/2) – by Igor Immfun by Igor Immfun
5 Frames… Of Charleston on Kodak EKTACHROME Infrared film (35mm format / EI 400 / Canon EOS 3 + Canon 17-40 f/4) – by Daniel Kompass by Daniel Kompass
5 Frames… Around Blois on LomoChrome Purple XR 100-400 (35mm format / EI 200 / Yashica FX – 3 + Yashica Lens ML 50mm f/2) – by Steven Munday by EM
5 Frames… Over 3 years on Kodak Portra 400, starting in New Orleans and finishing at Venice Beach (35mm format / EI 400 / Pentax Spotmatic + Super Takumar 50mm f/1.4) by Eric Houge
Rheinmetall Weltax + Meyer-Optik Trioplan f/3.5 75mm + Lomography Redscale and Kodak Portra 160… A review (kind of) by Martin Siegel
Film review: Cinestill 50D on Zurich’s smaller streets – Pentax MX and SMC Pentax-M 50mm f/1.7 by Astrid Robertsson
Taking Stock: A shootout with 3 very different color films highlights creative possibilities – Kodak Portra, Fuji C200 and Fuji Velvia 100 by Isaac D. Pacheco
Purple nights on Lomochrome Purple with the Pixels and Grain Collective by Pixels and Grain Collective