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EMULSIVE
Articles
All articles
Long form
Multi-part series
A Brief History Of…
Darkroom related
Experiments
Featured Projects
Global Film Lab Map
How-to
News
Secret Santa
Travelogues
Interviews
Film Photographer Interviews
Community Interviews
In Conversation With…
Return to Film
Photography
5 Frames With…
110 format
35mm format
Medium format
65mm format
Large format
Reviews
All film stock reviews
All film camera reviews
All gear reviews
All print reviews
All bag reviews
More
Film parties
FP4 Party
NEOPANTASTIC
Summer Film Party
TMAXParty
Portra Party
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5 Frames With… Kodak Tri-X 400 (EI 400 / 135 / Bronica GS-1) – by Pierre Godessart
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EM
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Latest film camera reviews
Oly travel twins: The Olympus Trip 35 vs the Olympus XA2 in the field
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Latest film stock reviews
5 Frames With… Kodak Tri-X 400 (EI 400 / 135 / Bronica GS-1) – by Pierre Godessart
Pierre Godessart
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July 15, 2019
The Hypersensitive Podcast Episode 07: I forgot the question
EM
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July 15, 2019
One year of Analogue Wonderland: a retrospective
Paul McKay
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July 14, 2019
5 Frames With… Kodak Ektar 100 (EI 100 / 120 / Yashica-Mat LM) – by Damián Canteros
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July 13, 2019
Saxonvale: two years documenting a brownfield industrial site – by Tim Gander
Tim Gander
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July 12, 2019
5 Frames With… Rollei Retro 80s (EI 25 / 120 / Mamiya 7II) – by Frank Wesp
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July 11, 2019
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Other recent reviews
Color drama: Negative Lab Pro v2… Finding the right workflow for scanning color film at home
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September 18, 2018
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Recent interviews
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June 5, 2019
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5 Frames With… Kodak Tri-X 400 (EI 400 / 135 / Bronica GS-1) – by Pierre Godessart
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Damián Canteros
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Frank Wesp
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July 11, 2019
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