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Camera review: the Nikon FE 2 – by Mac MacDonald

Camera Reviews

Mac MacDonald - 17th January 2019

New for 2019: the CAMERADACTYL OG 4×5 hand camera – lightweight large format photography for all

Articles

Ethan Moses - 16th January 2019

The Ultimate guide to the Hasselblad 2000FCW, a focal plane shutter unicorn

Camera Reviews

EM - 15th January 2019

5 Frames With… Kosmo Foto Mono (EI 100 / 35mm / Leica M6) – by Barnaby Nutt

5 Frames With

Barnaby Nutt - 14th January 2019

Dakhla, Western Sahara - Rolleiflex T, Kodak Ektar 100

EMULSIVE interview #195: I am David Jazay and this is why I shoot film

EM - 9th January 2019

Cover - Camera review- the Olympus IS-5000 bridge camera - by Tom Perry

Camera review: the Olympus IS-5000 bridge camera – by Tom Perry

Tom Perry - 8th January 2019

ILFORD XP2 SUPER (EI 400 / 35mm / Olympus XA3) - by Matt Parry

5 Frames With… ILFORD XP2 SUPER (EI 400 / 35mm / Olympus XA3) – by Matt Parry

Matt Parry - 7th January 2019

Up and to the right #02 - ILFORD SFX 200 shot at EI 6. Black and white infrared sensitive film in 120 format shot as 6x6. Zeiss Distagon CFi 50mm f/4 + R72 IR filter.

Photography: Up and to the right #02 Shot on ILFORD SFX 200 shot at EI 6 (120 format)

EM - 7th January 2019

5 Frames With... ILFORD HP5 PLUS, EI 400), Zenit E and Helios 44-2 58mm f/2) - by Xochitl Elvira

5 Frames With… ILFORD HP5 PLUS (EI 400 / 35mm / Zenit E) – by Xochitl Elvira

Xochitl Elvira - 4th January 2019

Cover - Traveling with film, shooting in Rajasthan – by Jelle Vonk

Traveling with film, shooting in Rajasthan – by Jelle Vonk

Jelle Vonk - 3rd January 2019

Mid-afternoon light on a high-rise apartment building.

My return to film: Marcus Grandon

Marcus Grandon - 2nd January 2019

Curmudgeonly commentary: welcome to the Hypersensitive Photographers Podcast

EM - 1st January 2019

Camera reviews

Camera Reviews

Camera review: the Hasselblad 903 SWC

Richard Forrester - 4th December 2018

I’ve been photographing with analog cameras for over a decade now and this isn’t my first Hasselblad (previously owning a V-Series 500CM). I now...

RealitySoSubtle 6x12 review -Front

Camera review: the RealitySoSubtle 6×12

Camera Reviews 29th November 2018

Cover - Camera review- the Fuji Panorama GX617, a legendary panoramic behemoth

Camera review: the Fuji Panorama GX617, a legendary panoramic behemoth

Articles 6th November 2018

Cover - Camera Review - Pentax 67 Video Review

Camera review: Pentax 67 – by Jeremy Dyson

Articles 1st November 2018

Camera Review - the Vermeer Anamorphic pinhole camera

Camera review: the Vermeer Anamorphic pinhole camera – no lens, lots...

Articles 11th October 2018

Film stock reviews

Cover - Film Review - Kodak Pro Image 100

Film Review: Kodak Pro Image 100

Hannah Forsyth - 27th November 2018

Cover - Film review - Kodak EKTACHROME E100 - EI 100, 200, 400, 800 first impressions

Film review: Kodak EKTACHROME E100 – shot at EI 100, 200, 400 + 800 first impressions

EM - 31st October 2018

Cover - Field Notes - Kodak Professional T-MAX 400

Field notes: Kodak Professional T-MAX 400

Michael Neal - 17th October 2018

Film Review - Fuji Super HR-20

Film review: A new film from Fuji? Introducing Fuji Super HR-20, small grain for a small wallet

Ludwig Hagelstein - 25th September 2018

Cover - Film review - My Fuji Slide Affair

Film review: my Fuji slide affair – by Denys Trofimchuk

denys trofimchuk - 20th September 2018

Still Made 7 - the complete A-Z and the future of film

Every single film stock still made today – Part 7: the complete A-Z plus thoughts on the future of film

EM - 19th September 2018

Film tests - Getting the best out of Ferrania P30 Alpha part 2

Film tests: getting the best out of FERRANIA P30 Alpha part 2 – by Scott Micciche

Scott Micciche - 11th September 2018

Cover - Film love- shooting Kodak EKTACHROME Infrared EIR color infrared film

Film love: shooting Kodak EKTACHROME Infrared EIR color infrared film – by Sina Farhat

Sina Farhat - 4th September 2018

All other reviews

Articles

Review: Comparing FF No.1 and Cinestill Df96 monobath developers

EM - 2nd October 2018

Monobath film developers feel like the in thing for 2018. Whether you're just thinking about jumping into home developing, or are an old hand,...

Cover - Lens review - Pentax Primes Comparison

Lens review: Pentax prime comparison – five lenses head to head...

Articles 18th September 2018

Lens Review - Schneider Xenotar 150 2-8

Lens review: Schneider Xenotar 150mm f/2.8 + Linhof Technikardan (plus video)...

Articles 12th June 2018

Cover - Billingham Hadley Small Pro review

Bag review: the new Billingham Hadley Small Pro part one

Articles 5th June 2018

Gear review: SP-445 4×5 film processing system – by Richard Pickup

Articles 15th May 2018

Interviews

Biarzo, Italy, 2016 - Kodak T-MAX 400, Contax G2

Film Photographer Interviews

Interview 194: I am Ezequiel Grimaldi and this is why I...

EM - 19th December 2018

I'm pleased to be able to introduce today's fresh interview with Ezequiel Grimaldi, film photographer based in Spain's San Sebastian. I'll keep this short so you...

Cover - Call for questions - EMULSIVE x CineStill Community Interview

Call for questions: the EMULSIVE x CineStill Film Community Interview

Community Interviews 12th December 2018

Human Future - Kodak Ektar 100

EMULSIVE Interview #193: I am Lee Gavin and this is why...

Film Photographer Interviews 5th December 2018

People of San Francisco, California, USA - Focasport 1D, Fujifilm Superia 200

EMULSIVE interview #192: I am Maxime Evangelista and this is why...

Film Photographer Interviews 21st November 2018

Self portrait - Mamiya M645 1000S, 80mm f1-9 - Kodak Portra 400

EMULSIVE Interview #191: I am Robin Kuusela and this is why...

Film Photographer Interviews 7th November 2018

5 Frames With...

Cinestill 50D (EI 50 / 120 / Zenza Bronica ETRSi) - by Giacomo Lanzi

5 Frames With

5 Frames With… Cinestill 50D (EI 50 / 120 format /...

Giacomo Lanzi - 11th January 2019

I first bought this film to try Cinestill out as a brand. I was really curious about the company because of the concept of using...

Cover - EMULSIVE's most popular 5 Frames With articles of 2018

EMULSIVE’s most popular #5FramesWith articles of 2018

5 Frames With 29th December 2018

FujiColor C200 / 35mm / EI 100, Nikon FG-20 + Nikkor 50mm f/1.8 - Richard Kowalski

5 Frames With… Fujicolor 200 (EI 200 / 35mm / Nikon...

5 Frames With 21st December 2018

Kodak Portra 400 (EI 400, 35mm), Olympus MJU-II - by Kevan Wilkinson

5 Frames With… Kodak Portra 400 (EI 400 / 35mm /...

5 Frames With 17th December 2018

Fuji 400 Superia (EI 200 / 35mm), Minolta XD-7 - by Pete Jordan

5 Frames With… Fuji 400 Superia (EI 200/ 35mm / Minolta...

5 Frames With 14th December 2018

Here's everything else

Edworthy Park - Kodak Tri-x 320TXP

Photoset: Three strikes and you’re out or, a lesson in not taking things for granted – by Eric Rose

Eric Rose - 18th December 2018

On point - Shot on Fuji Provia 100F (RDP III) at EI 100. Color reversal (slide) film in 120 format shot as 6x6. Cross processed.

Photography: On point – Shot on Fuji Provia 100F RDP III at EI 100 (120 format)

EM - 18th December 2018

Lunch - Shot on Kodak ColorPlus 200 at EI 200. Color negative film in 35mm format.

Photography: Lunch – Shot on Kodak ColorPlus 200 at EI 200

EM - 17th December 2018

Cover - Month in review - 2018 November

EMULSIVE November 2018: month in review

EM - 15th December 2018

Right - Shot on Fuji Velvia 50 (RVP 50) at EI 50. Color reversal (slide) film in 120 format shot as 6x6.

Photography: 1, 2, 3… – Shot on Fuji Velvia 50 RVP50 at EI 50 (120 format)

EM - 14th December 2018

Photoset: Malcolm in Millennia – by Chris Mena

EM - 13th December 2018

Left - Shot on Fuji Velvia 50 (RVP 50) at EI 50. Color reversal (slide) film in 120 format shot as 6x6.

Photography: Left – Shot on Fuji Velvia 50 RVP50 at EI 50 (120 format)

EM - 12th December 2018

Cover - How to build a simple Arduino shutter speed tester - by Ethan Moses

How to build a simple Arduino shutter speed tester – by Ethan Moses

Ethan Moses - 11th December 2018

Meeting place - Shot on Fuji Velvia 50 (RVP 50) at EI 50. Color reversal (slide) film in 120 format shot as 6x6.

Photography: Meeting place – Shot on Fuji Velvia 50 RVP50 at EI 50 (120 format)

EM - 11th December 2018

Cinestill 800T (EI 500 : 120), Minolta Autocord TLR - by Anthony Cronin

5 Frames With… Cinestill 800T (EI 500 / 120 / Minolta Autocord TLR) – by Anthony Cronin

Anthony Cronin - 10th December 2018