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EMULSIVE
Articles
All articles
Long form
Multi-part series
A Brief History Of…
Darkroom related
Experiments
Featured Projects
Global Film Lab Map
How-to
News
Secret Santa
Travelogues
Interviews
Film Photographer Interviews
Community Interviews
In Conversation With…
Return to Film
Photography
5 Frames With…
110 format
35mm format
Medium format
65mm format
Large format
Reviews
All film stock reviews
All film camera reviews
All gear reviews
All print reviews
All bag reviews
More
Film parties
FP4 Party
NEOPANTASTIC
Summer Film Party
TMAXParty
Portra Party
Trending Now
EMULSIVE Interview #201: I am Allysse Riordan and this is why I shoot film
How to: Connect legacy film scanners to modern computers
5 Frames With… Kodak EASTMAN Double-X 5222 (35mm / EI 250 / Canon A-1) – by Philipp Balunovic
Photography: Up and over – Shot on Kodak PROFESSIONAL ELITE Chrome 100 EB-3 (35mm format)
Photography: London – Shot on Kodak Portra 160 at EI 160 (35mm format)
Articles
How to: Connect legacy film scanners to modern computers
EM
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June 25, 2019
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UPDATE: New film from Shanghai: GP3 100 now in 35mm format…plus 120 format updates
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The best medium format camera ever made – Mamiya 6 MF review
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Research: is there really a difference between real and simulated film photographs?
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Color drama: Negative Lab Pro v2… Finding the right workflow for scanning color film at home
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June 13, 2019
Community Interviews
The EMULSIVE x CineStill Community Interview: results time
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Brand new film from Fujifilm: NEOPAN 100 ACROS II announced, begins shipping Autumn 2019
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EMULSIVE Interview #200: I am Jonathan Canlas and this is why I shoot film
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June 4, 2019
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Changing gear: how the theft of my kit pushed me into medium format
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Amazing canned food pinhole selfies (featured project and how to)
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How I built my darkroom for less than $500
Latest articles
EMULSIVE Interview #201: I am Allysse Riordan and this is why I shoot film
EM
-
June 26, 2019
How to: Connect legacy film scanners to modern computers
EM
-
June 25, 2019
5 Frames With… Kodak EASTMAN Double-X 5222 (35mm / EI 250 / Canon A-1) – by Philipp Balunovic
Philipp Balunovic
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June 24, 2019
Photography: Up and over – Shot on Kodak PROFESSIONAL ELITE Chrome 100 EB-3 (35mm format)
EM
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June 23, 2019
Photography: London – Shot on Kodak Portra 160 at EI 160 (35mm format)
EM
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June 22, 2019
5 Frames With… Fujifilm Pro 400H (EI 400 / 120 / Zenza Bronica SQ-A) – by Chris Hunter
Chris Hunter
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June 21, 2019
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Latest film camera reviews
The best medium format camera ever made – Mamiya 6 MF review
Charlie Tadlock
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June 20, 2019
My first Impressions with the Bronica ETRSi
Maxime Evangelista
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June 11, 2019
Camera review: The Pentacon Six TL, a (hopefully) comprehensive guide to a legend – by Ludwig Hagelstein
Ludwig Hagelstein
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May 2, 2019
Two out of three. A look at three bellows cameras from the 1950s: Agfa Record III, Voigtländer Perkeo I, and Agfa Isolette
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April 25, 2019
The Nikon F2: an everyday camera for the 21st Century
Neil Kohl
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April 16, 2019
Camera Review: Mamiya 645 Pro, plastic fantastic? – Kikie Wilkins
Kikie Wilkins
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April 2, 2019
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Latest film stock reviews
EMULSIVE Interview #201: I am Allysse Riordan and this is why I shoot film
EM
-
June 26, 2019
How to: Connect legacy film scanners to modern computers
EM
-
June 25, 2019
5 Frames With… Kodak EASTMAN Double-X 5222 (35mm / EI 250 / Canon A-1) – by Philipp Balunovic
Philipp Balunovic
-
June 24, 2019
Photography: Up and over – Shot on Kodak PROFESSIONAL ELITE Chrome 100 EB-3 (35mm format)
EM
-
June 23, 2019
Photography: London – Shot on Kodak Portra 160 at EI 160 (35mm format)
EM
-
June 22, 2019
5 Frames With… Fujifilm Pro 400H (EI 400 / 120 / Zenza Bronica SQ-A) – by Chris Hunter
Chris Hunter
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June 21, 2019
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Other recent reviews
Color drama: Negative Lab Pro v2… Finding the right workflow for scanning color film at home
Ludwig Hagelstein
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June 13, 2019
Review: Comparing FF No.1 and Cinestill Df96 monobath developers
EM
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October 2, 2018
Lens review: Pentax prime comparison – five lenses head to head from 40mm to 55mm – by Dan Marinelli
Daniel Marinelli
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September 18, 2018
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Recent interviews
EMULSIVE Interview #201: I am Allysse Riordan and this is why I shoot film
EM
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June 26, 2019
The EMULSIVE x CineStill Community Interview: results time
EM
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June 12, 2019
EMULSIVE Interview #200: I am Jonathan Canlas and this is why I shoot film
EM
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June 5, 2019
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Recent 5 Frames...
5 Frames With… Kodak EASTMAN Double-X 5222 (35mm / EI 250 / Canon A-1) – by Philipp Balunovic
Philipp Balunovic
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June 24, 2019
5 Frames With… Fujifilm Pro 400H (EI 400 / 120 / Zenza Bronica SQ-A) – by Chris Hunter
Chris Hunter
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June 21, 2019
5 Frames With… Kodak Vision 3 500T 5129 (EI 1600 / 35mm / Nikon FA) – by Adam Carl
Adam Carl
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June 17, 2019
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