Photography: On the up, up, up and up – Shot on Kodak T-MAX 400 at EI 400 (120 Format)
Shot on Kodak T-MAX 400 at EI 400Black and white negative film […]
Photography: Into darkness – Shot on Kodak Tri-X 400 at EI 800 (120 Format)
Shot on Kodak Tri-X 400 at EI 800Black and white negative film […]
Photography: Failing light – Shot on Fuji Provia 100F (RDP III) at EI 100 (4×5 format)
Autumn glow Shot on Fuji Provia 100F (RDP III) at EI 100Color […]
Photography: I find this uncomfortable – Shot on ILFORD FP4 PLUS at EI 500 (35mm Format)
Shot on ILFORD FP4 PLUS at EI 500.Black and white […]
Photography: Splish splash – Shot on Fujifilm NEOPAN 100 ACROS II
Shot on Fuji NEOPAN 100 ACROS II at EI 400 (read the […]
5 Frames… Of Northern Arizonan Americana on Kodak Portra 400 with a Mamiya 23 Standard + Mamiya Sekor 150mm f/5.6 – by Garry Cahal
I have passed through this area of Northern Arizona known […]
5 Frames… Of Nordic summer bliss (and Heathrow) on Lomography 800 and a Hasselblad 500CM with Carl Zeiss Planar CF 80mm f/2.8
My family and I recently moved to Sweden. I had […]
5 Frames… In Central Park on Rollei Ortho 25 Plus (120 Format / EI 25 / Hasselblad 500CM + Zeiss Planar C 80mm f/2.8)
Rollei Ortho 25 Plus is easily my favorite film, and […]
Photography: Laundry day – Shot on Fujifilm NEOPAN 100 SS at EI 200 (35mm Format)
Shot on Fujifilm NEOPAN 100 SSBlack and white negative film […]
Photography: Blergh – Shot on Wittner Chrome 200 (Agfa RSX200) at EI 200 (35mm format)
Shot on Wittner Chrome 200 (Agfa RSX200) at EI 200Color […]
5 Frames… Of portraits on ILFORD HP5 PLUS and a Zenzanon 105mm F/3.5 (120 Format / EI 400 / Bronica ETRS)
I have been using ILFORD HP5 PLUS in ILFOSOL 3 since forever. In fact, my first camera was my father’s Nikon F2 Photomic, which I still own and use. I started taking pictures under his guidance in 1976, when I was still in
5 Frames… Of Ireland’s North East Coast on Fomapan 400 Action and a Canon FD 50mm f/1.8 S.C (35mm Format / El100 / Canon AE-1 Program)
These 5 Frames tell the story of how a budget black and white film, an accidental ISO reading, and a last-minute trip to the NE Coast of Ireland turned out to be the perfect storm.
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