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Cover - Call for questions - EMULSIVE x CineStill Community Interview

Community Interviews

Call for questions: the EMULSIVE x CineStill Film Community Interview

EMULSIVE - 12th December 2018

Left - Shot on Fuji Velvia 50 (RVP 50) at EI 50. Color reversal (slide) film in 120 format shot as 6x6.

Medium format

Photography: Left – Shot on Fuji Velvia 50 RVP50 at EI 50 (120 format)

EMULSIVE - 12th December 2018

Cover - How to build a simple Arduino shutter speed tester - by Ethan Moses

Articles

How to build a simple Arduino shutter speed tester – by Ethan Moses

Ethan Moses - 11th December 2018

Meeting place - Shot on Fuji Velvia 50 (RVP 50) at EI 50. Color reversal (slide) film in 120 format shot as 6x6.

Medium format

Photography: Meeting place – Shot on Fuji Velvia 50 RVP50 at EI 50 (120 format)

EMULSIVE - 11th December 2018

Cinestill 800T (EI 500 : 120), Minolta Autocord TLR - by Anthony Cronin

5 Frames With

5 Frames With… Cinestill 800T (EI 500 / 120 / Minolta Autocord TLR) – by Anthony Cronin

Anthony Cronin - 10th December 2018

Wow, what a difference! - Shot on Fuji Provia 100F (RDP III) at EI 100. Color reversal (slide) film in 120 format shot as 6x6. Cross processed.

Medium format

Photography: Wow, what a difference! – Shot on Fuji Provia 100F RDP III at EI 100 (120 format)

EMULSIVE - 10th December 2018

Cover - Month in review - 2018 October

Articles

EMULSIVE October 2018: month in review

EMULSIVE - 8th December 2018

Camera review: the Hasselblad 903 SWC

Richard Forrester - 4th December 2018

My spot - Shot on Fuji Provia 100F (RDP III) at EI 100. Color reversal (slide) film in 120 format shot as 6x4.5.

Photography: My spot – Shot on Fuji Provia 100F RDP III at EI 100 (120 format)

EMULSIVE - 4th December 2018

Fomapan 100 Classic (EI 25 : 120), Hasselblad 500CM - by Fuji Pham

5 Frames With… Fomapan 100 Classic (EI 25 / 120 / Hasselblad 500CM) – by Fuji Pham

Fuji Pham - 3rd December 2018

Buttcrack - Shot on Oriental Seagull 100 at EI 200. Black and white negative film in 35mm format. Nikon F 100, Nikkor 50mm f/1.8 AF-D.

Photography: Buttcrack – Shot on Oriental Seagull 100 at EI 200 (35mm format)

EMULSIVE - 3rd December 2018

Cover - Welcome to EMULSIVE v3

Welcome to EMULSIVE v3

EMULSIVE - 2nd December 2018

Lomography Color Negative 400 (EI 400, 120), Fujifilm GA645Zi) - Kathleen Johnson

5 Frames With… Lomography Color Negative 400 (EI 400 / 120 / Fujifilm GA645Zi) – by Kathleen Johnson

Kathleen Johnson - 30th November 2018

RealitySoSubtle 6x12 review -Front

Camera review: the RealitySoSubtle 6×12

EMULSIVE - 29th November 2018

Cover - My first time with slide film- new Kodak EKTACHROME E100 - by Adi Mitrache

My first time with slide film: new Kodak EKTACHROME E100

Adi Mitrache - 28th November 2018

Camera reviews

Cover - Camera review- the Fuji Panorama GX617, a legendary panoramic behemoth

Articles

Camera review: the Fuji Panorama GX617, a legendary panoramic behemoth

Steve Walton - 6th November 2018

Beloved of landscape photographers, especially those involved with supplying images for calendars and home decor products both before and well into the digital camera...

Cover - Camera Review - Pentax 67 Video Review

Camera review: Pentax 67 – by Jeremy Dyson

Articles 1st November 2018

Camera Review - the Vermeer Anamorphic pinhole camera

Camera review: the Vermeer Anamorphic pinhole camera – no lens, lots...

Articles 11th October 2018

First Impressions - Chroma Camera 4x5

Camera review: First impressions of the Chroma Camera 4×5 AKA what’s...

Articles 27th September 2018

Cover - Review - Kodak Instamatic 500

Camera review: the Kodak Instamatic 500 or, why I love 126...

Articles 16th August 2018

Film stock reviews

Cover - Film Review - Kodak Pro Image 100

Film Review: Kodak Pro Image 100

Hannah Forsyth - 27th November 2018

Cover - Film review - Kodak EKTACHROME E100 - EI 100, 200, 400, 800 first impressions

Film review: Kodak EKTACHROME E100 – shot at EI 100, 200, 400 + 800 first impressions

EMULSIVE - 31st October 2018

Cover - Field Notes - Kodak Professional T-MAX 400

Field notes: Kodak Professional T-MAX 400

Michael Neal - 17th October 2018

Film Review - Fuji Super HR-20

Film review: A new film from Fuji? Introducing Fuji Super HR-20, small grain for a small wallet

Ludwig Hagelstein - 25th September 2018

Cover - Film review - My Fuji Slide Affair

Film review: my Fuji slide affair – by Denys Trofimchuk

denys trofimchuk - 20th September 2018

Still Made 7 - the complete A-Z and the future of film

Every single film stock still made today – Part 7: the complete A-Z plus thoughts on the future of film

EMULSIVE - 19th September 2018

Film tests - Getting the best out of Ferrania P30 Alpha part 2

Film tests: getting the best out of FERRANIA P30 Alpha part 2 – by Scott Micciche

Scott Micciche - 11th September 2018

Cover - Film love- shooting Kodak EKTACHROME Infrared EIR color infrared film

Film love: shooting Kodak EKTACHROME Infrared EIR color infrared film – by Sina Farhat

Sina Farhat - 4th September 2018

All other reviews

Articles

Review: Comparing FF No.1 and Cinestill Df96 monobath developers

EMULSIVE - 2nd October 2018

Monobath film developers feel like the in thing for 2018. Whether you're just thinking about jumping into home developing, or are an old hand,...

Cover - Lens review - Pentax Primes Comparison

Lens review: Pentax prime comparison – five lenses head to head...

Articles 18th September 2018

Lens Review - Schneider Xenotar 150 2-8

Lens review: Schneider Xenotar 150mm f/2.8 + Linhof Technikardan (plus video)...

Articles 12th June 2018

Cover - Billingham Hadley Small Pro review

Bag review: the new Billingham Hadley Small Pro part one

Articles 5th June 2018

Gear review: SP-445 4×5 film processing system – by Richard Pickup

Articles 15th May 2018

Interviews

Human Future - Kodak Ektar 100

Film Photographer Interviews

EMULSIVE Interview #193: I am Lee Gavin and this is why...

EMULSIVE - 5th December 2018

I managed to grab some time with Lee Gavin, an English film photographer and teacher based in Kent, UK. Over to you, Lee. Hi Lee, what's...

People of San Francisco, California, USA - Focasport 1D, Fujifilm Superia 200

EMULSIVE interview #192: I am Maxime Evangelista and this is why...

Interviews 21st November 2018

Self portrait - Mamiya M645 1000S, 80mm f1-9 - Kodak Portra 400

EMULSIVE Interview #191: I am Robin Kuusela and this is why...

Interviews 7th November 2018

EMULSIVE interview #190: I am Simon Riddell and this is why...

Interviews 24th October 2018

Cover - In conversation with - Photoreal, Brooklyn, New York

In conversation with: Photoreal, Brooklyn, New York

In Conversation With... 16th October 2018

5 Frames With...

ILFORD FP4 PLUS (EI 125, 35mm), Pentax ME Super - by Paul Giverin

5 Frames With

5 Frames With… ILFORD FP4 PLUS (EI 125 / 35mm /...

EMULSIVE - 7th December 2018

Paris is my favourite city for photography and I go there as often as I can. For shooting film, I like to take my...

Kodak Tri-X 400 (EI 400, 35mm), Nikon FM2n, Nikkor 105mm f/2.5 AI - by Gerson Rosas

5 Frames With… Kodak Tri-X 400 (EI 400 / 35mm /...

5 Frames With 26th November 2018

Kodak EKTACHROME E100 (EI 100, 35mm) - Leica R5, Leica Summicron-R 50 f/2 - by Stig Starr

5 Frames With… Kodak EKTACHROME E100 (EI 100 / 35mm /...

5 Frames With 23rd November 2018

Shanghai GP3 (120, EI 100) - Mamiya 645 AFD, 80mm f/2.8 - David Toman

5 Frames With… Shanghai GP3 (120 / EI 100 / Mamiya...

5 Frames With 19th November 2018

FujiColor C200 / 35mm / EI 100, Nikon F100 + Nikkor 50mm f/1.8 - Bart Patitucci

5 Frames With… Fujicolor C200 (El 100 / 35mm / Nikon...

5 Frames With 16th November 2018

Here's everything else

PADI certified - Shot on Oriental Seagull 100 at EI 100. Black and white negative film in 35mm format. Nikon F 100, Nikkor 50mm f/1.8 AF-D.

Photography: PADI certified – Shot on Oriental Seagull 100 at EI 100 (35mm format)

EMULSIVE - 7th December 2018

Cover: Creating the GX-Pan, a wide format cinematic Hasselblad

Creating the GX-Pan: a wide format cinematic Hasselblad

Casey Cavanaugh - 6th December 2018

Ready to roll - Shot on Fuji Velvia 100 (RVP100) at EI 100. Color reversal film in 35mm format. Cross processed.

Ready to roll – Shot on Fuji Velvia 100 RVP100 at EI 100 (35mm format)

EMULSIVE - 6th December 2018

Y? - Shot on Oriental Seagull 100 at EI 200. Black and white negative film in 35mm format. Nikon F 100, Nikkor 50mm f/1.8 AF-D.

Photography: Y? – Shot on Oriental Seagull 100 at EI 100 (35mm format)

EMULSIVE - 5th December 2018

Cover - Month in review - 2018 September

EMULSIVE September 2018: month in review

EMULSIVE - 24th November 2018

Cover - Book review- “Bert Hardy’s Britain” - by James Horrobin

Book review: “Bert Hardy’s Britain” – by James Horrobin

James Horrobin - 22nd November 2018

Cover - Nothing to lose - my Indian road trip - by Bernard LimCover - Nothing to lose - my Indian road trip - by Bernard Lim

Nothing to lose… My Indian road trip – by Bernard Lim

Bernard Lim - 20th November 2018

Tanked - Shot on Kodak PROFESSIONAL ELITE Chrome 100 (EB-3) at EI 100. Color reversal (slide) film in 35mm format. Cross processed.

Photography: Tanked – Shot on Kodak PROFESSIONAL ELITE Chrome 100 (EB-3) at EI 100 (35mm format)

EMULSIVE - 16th November 2018

Cover - Capturing Red Bull Hardline 2018 on Kodak Tri-X 400

Photoset: Capturing the Red Bull Hardline 2018 on Kodak Tri-X 400 – by Cat Topham

Cat Topham - 15th November 2018

Framed - Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100. Color reversal (slide) film in 35mm format. Leica M6 TTL + Voigtlander 21mm f/4.

Photography: Framed – Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 (35mm format)

EMULSIVE - 15th November 2018

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