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Cover - Month in review - 2018 October

Articles

EMULSIVE October 2018: month in review

emulsive - 8th December 2018

ILFORD FP4 PLUS (EI 125, 35mm), Pentax ME Super - by Paul Giverin

5 Frames With

5 Frames With… ILFORD FP4 PLUS (EI 125 / 35mm / Pentax ME Super) – by Paul Giverin

emulsive - 7th December 2018

PADI certified - Shot on Oriental Seagull 100 at EI 100. Black and white negative film in 35mm format. Nikon F 100, Nikkor 50mm f/1.8 AF-D.

35mm format

PADI certified – Shot on Oriental Seagull 100 at EI 100 (35mm format)

emulsive - 7th December 2018

Cover: Creating the GX-Pan, a wide format cinematic Hasselblad

Articles

Creating the GX-Pan: a wide format cinematic Hasselblad

Casey Cavanaugh - 6th December 2018

Ready to roll - Shot on Fuji Velvia 100 (RVP100) at EI 100. Color reversal film in 35mm format. Cross processed.

Articles

Ready to roll – Shot on Fuji Velvia 100 RVP100 at EI 100 (35mm format)

emulsive - 6th December 2018

Human Future - Kodak Ektar 100

Film Photographer Interviews

EMULSIVE Interview #193: I am Lee Gavin and this is why I shoot film

emulsive - 5th December 2018

Y? - Shot on Oriental Seagull 100 at EI 200. Black and white negative film in 35mm format. Nikon F 100, Nikkor 50mm f/1.8 AF-D.

35mm format

Y? – Shot on Oriental Seagull 100 at EI 100 (35mm format)

emulsive - 5th December 2018

RealitySoSubtle 6x12 review -Front

Camera review: the RealitySoSubtle 6×12

emulsive - 29th November 2018

Cover - My first time with slide film- new Kodak EKTACHROME E100 - by Adi Mitrache

My first time with slide film: new Kodak EKTACHROME E100

Adi Mitrache - 28th November 2018

Cover - Film Review - Kodak Pro Image 100

Film Review: Kodak Pro Image 100

Hannah Forsyth - 27th November 2018

Kodak Tri-X 400 (EI 400, 35mm), Nikon FM2n, Nikkor 105mm f/2.5 AI - by Gerson Rosas

5 Frames With… Kodak Tri-X 400 (EI 400 / 35mm / Nikon FM2n) – by Gerson Rosas

Gerson Rosas - 26th November 2018

Cover - Month in review - 2018 September

EMULSIVE September 2018: month in review

emulsive - 24th November 2018

Kodak EKTACHROME E100 (EI 100, 35mm) - Leica R5, Leica Summicron-R 50 f/2 - by Stig Starr

5 Frames With… Kodak EKTACHROME E100 (EI 100 / 35mm / Leica R5) – by Stig Starr

Stig Starr - 23rd November 2018

Cover - Book review- “Bert Hardy’s Britain” - by James Horrobin

Book review: “Bert Hardy’s Britain” – by James Horrobin

James Horrobin - 22nd November 2018

People of San Francisco, California, USA - Focasport 1D, Fujifilm Superia 200

EMULSIVE interview #192: I am Maxime Evangelista and this is why I shoot film

emulsive - 21st November 2018

Camera reviews

Camera Reviews

Camera review: the Hasselblad 903 SWC

Richard Forrester - 4th December 2018

I’ve been photographing with analog cameras for over a decade now and this isn’t my first Hasselblad (previously owning a V-Series 500CM). I now...

Cover - Camera review- the Fuji Panorama GX617, a legendary panoramic behemoth

Camera review: the Fuji Panorama GX617, a legendary panoramic behemoth

Articles 6th November 2018

Cover - Camera Review - Pentax 67 Video Review

Camera review: Pentax 67 – by Jeremy Dyson

Articles 1st November 2018

Camera Review - the Vermeer Anamorphic pinhole camera

Camera review: the Vermeer Anamorphic pinhole camera – no lens, lots...

Articles 11th October 2018

First Impressions - Chroma Camera 4x5

Camera review: First impressions of the Chroma Camera 4×5 AKA what’s...

Articles 27th September 2018

Film stock reviews

Cover - Film review - Kodak EKTACHROME E100 - EI 100, 200, 400, 800 first impressions

Film review: Kodak EKTACHROME E100 – shot at EI 100, 200, 400 + 800 first impressions

emulsive - 31st October 2018

Cover - Field Notes - Kodak Professional T-MAX 400

Field notes: Kodak Professional T-MAX 400

Michael Neal - 17th October 2018

Film Review - Fuji Super HR-20

Film review: A new film from Fuji? Introducing Fuji Super HR-20, small grain for a small wallet

Ludwig Hagelstein - 25th September 2018

Cover - Film review - My Fuji Slide Affair

Film review: my Fuji slide affair – by Denys Trofimchuk

denys trofimchuk - 20th September 2018

Still Made 7 - the complete A-Z and the future of film

Every single film stock still made today – Part 7: the complete A-Z plus thoughts on the future of film

emulsive - 19th September 2018

Film tests - Getting the best out of Ferrania P30 Alpha part 2

Film tests: getting the best out of FERRANIA P30 Alpha part 2 – by Scott Micciche

Scott Micciche - 11th September 2018

Cover - Film love- shooting Kodak EKTACHROME Infrared EIR color infrared film

Film love: shooting Kodak EKTACHROME Infrared EIR color infrared film – by Sina Farhat

Sina Farhat - 4th September 2018

Cover - Every Film Stock Still Made 6 - Shanghai to Yodica

Every single film stock still made today – Part 6: Shanghai to Yodica (v2)

emulsive - 22nd August 2018

All other reviews

Articles

Review: Comparing FF No.1 and Cinestill Df96 monobath developers

emulsive - 2nd October 2018

Monobath film developers feel like the in thing for 2018. Whether you're just thinking about jumping into home developing, or are an old hand,...

Cover - Lens review - Pentax Primes Comparison

Lens review: Pentax prime comparison – five lenses head to head...

Articles 18th September 2018

Lens Review - Schneider Xenotar 150 2-8

Lens review: Schneider Xenotar 150mm f/2.8 + Linhof Technikardan (plus video)...

Articles 12th June 2018

Cover - Billingham Hadley Small Pro review

Bag review: the new Billingham Hadley Small Pro part one

Articles 5th June 2018

Gear review: SP-445 4×5 film processing system – by Richard Pickup

Articles 15th May 2018

Interviews

Self portrait - Mamiya M645 1000S, 80mm f1-9 - Kodak Portra 400

Interviews

EMULSIVE Interview #191: I am Robin Kuusela and this is why...

emulsive - 7th November 2018

A film shooter for a little under ten years so far, this week's fresh EMULSIVE interviewee is Robin Kuusela. Over to you, Robin. What's this picture,...

EMULSIVE interview #190: I am Simon Riddell and this is why...

Interviews 24th October 2018

Cover - In conversation with - Photoreal, Brooklyn, New York

In conversation with: Photoreal, Brooklyn, New York

Articles 16th October 2018

La Boqueria - Keith Moss

EMULSIVE interview #189: I am Keith Moss and this is why...

Interviews 10th October 2018

Selfie - Fujifilm NEOPAN 100 ACROS pushed to EI 400 - Leica M6 + Summicron 35mm

EMULSIVE interview #188: I am Ted Vieira and this is why...

Interviews 26th September 2018

5 Frames With...

Fomapan 100 Classic (EI 25 : 120), Hasselblad 500CM - by Fuji Pham

5 Frames With

5 Frames With… Fomapan 100 Classic (EI 25 / 120 /...

Fuji Pham - 3rd December 2018

A few weeks ago I travelled to Con Dao island in Southern Vietnam - one of the very few destinations which are yet to...

Lomography Color Negative 400 (EI 400, 120), Fujifilm GA645Zi) - Kathleen Johnson

5 Frames With… Lomography Color Negative 400 (EI 400 / 120...

5 Frames With 30th November 2018

Shanghai GP3 (120, EI 100) - Mamiya 645 AFD, 80mm f/2.8 - David Toman

5 Frames With… Shanghai GP3 (120 / EI 100 / Mamiya...

5 Frames With 19th November 2018

FujiColor C200 / 35mm / EI 100, Nikon F100 + Nikkor 50mm f/1.8 - Bart Patitucci

5 Frames With… Fujicolor C200 (El 100 / 35mm / Nikon...

5 Frames With 16th November 2018

Fuji Provia 100F RDPIII (EI 400 / 120 format / XPRO / Mamiya C220)

5 Frames With… Fuji Provia 100F RDPIII (EI 400 / 120...

5 Frames With 12th November 2018

Here's everything else

My spot - Shot on Fuji Provia 100F (RDP III) at EI 100. Color reversal (slide) film in 120 format shot as 6x4.5.

My spot – Shot on Fuji Provia 100F RDP III at EI 100 (120 format)

emulsive - 4th December 2018

Buttcrack - Shot on Oriental Seagull 100 at EI 200. Black and white negative film in 35mm format. Nikon F 100, Nikkor 50mm f/1.8 AF-D.

Buttcrack – Shot on Oriental Seagull 100 at EI 200 (35mm format)

emulsive - 3rd December 2018

Cover - Welcome to EMULSIVE v3

Welcome to EMULSIVE v3

emulsive - 2nd December 2018

Cover - Nothing to lose - my Indian road trip - by Bernard LimCover - Nothing to lose - my Indian road trip - by Bernard Lim

Nothing to lose… My Indian road trip – by Bernard Lim

Bernard Lim - 20th November 2018

Tanked - Shot on Kodak PROFESSIONAL ELITE Chrome 100 (EB-3) at EI 100. Color reversal (slide) film in 35mm format. Cross processed.

Tanked – Shot on Kodak PROFESSIONAL ELITE Chrome 100 (EB-3) at EI 100 (35mm format)

emulsive - 16th November 2018

Cover - Capturing Red Bull Hardline 2018 on Kodak Tri-X 400

Photoset: Capturing the Red Bull Hardline 2018 on Kodak Tri-X 400 – by Cat Topham

Cat Topham - 15th November 2018

Framed - Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100. Color reversal (slide) film in 35mm format. Leica M6 TTL + Voigtlander 21mm f/4.

Framed – Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 (35mm format)

emulsive - 15th November 2018

Making ONDU pinhole cameras: the story of 'over there'

Making ONDU pinhole cameras: the story of “over there” – by Elvis Halilović

Elvis Halilovic - 14th November 2018

Baroo? - Shot on Kodak EKTACHROME 64T (EPY) at EI 64. Color reversal (slide) film in 35mm format.

Baroo? – Shot on Kodak EKTACHROME 64T (EPY) at EI 64 (35mm format)

emulsive - 14th November 2018

How-to: Colour and BW film processing with the BelliniFoto Monopart C-41 kit

How-to: Colour/BW film processing with the BelliniFoto Monopart C-41 kit

Malcolm Myers - 13th November 2018

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