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Just before COVID-19 hit Australasia, I was a student starting a 3-month overseas internship in Hamilton, New Zealand. Being 8,500 km away from home, I… Using a new-to-you camera is always a challenge; this was a specific challenge for me since I had never held a Twin Lens Reflex camera… Earlier this week Philadelphia-based QWD Lab released a brand new film developer kit made specifically for small-scale development of motion picture film at home in… First things first, I have to confess that I am 80% a digital shooter. It’s more convenient because I work mostly with models, and therefore,… These 5 frames are my first try at shooting a slide film. About 5 months ago I decided to start my journey into the film… I wouldn’t say I’m a completely skeptical person. Superstition isn’t really my thing too. But when it comes to giveaways and raffles, sometimes I like… There was a time in my life when I shot nothing but film, never professionally but only for my pleasure. My weapons of choice were… I received a 100-foot roll of fifty-one year old Type 103 H Kodak Spectrographic Film in June 2020. Like the 1978 Canon EF with stock… My Mamiya RB67 and I go back a long way, beside a dumpster at a Tim Horton’s (a donut and coffee shop for those of… Even when the camera is focused on a single subject, photographic portraiture rarely, if ever, speaks with just one voice. It is this multifaceted layering,… When it comes to print film we all have our favorites, be it for aesthetics, latitude, how they handle some (intentional) abuse (over/underexposure, pushing, pulling),… Per an update notification issued in September, an increase of at least 5% on all photographic film and paper products will be passed from HARMAN… Like many, I started taking pictures using my father’s old camera, a hefty Nikon F2 and a super-fast Nikkor 55mm f/1.2 back in the late…
5 Frames… Around Hamilton on Kodak Portra 400 (35mm Format / EI 200 / Nikon FM2n) – by Timothy John Low
5 Frames… With a new-to-me Seagull 4A-109 TLR (Kodak Portra 400 / 120 Format / EI 400) – by Randy Saint-Louis
Consumer motion picture ECN-2 film developer kits from QWD Lab: info and Q&A
5 Frames… Of portraits on Fujifilm Superia X-TRA 400 (35mm Format / EI 400 / Canon EOS 50E + Canon EF 50mm f/1.4) – by Crina Prida
5 Frames… From my first roll of slide film and a Minolta CLE + Minolta Rokkor-M 40mm f/2 (Kodak EKTACHROME 100 / 35mm Format / El 100) – by Oleg Popelyaev
5 Frames… And a bit of luck with a Mamiya 645 PRo and Kodak Portra 400 (120 Format / EI 400 / Mamiya Sekor C 80mm f/2.8) – by Rodrigo W Bloom
5 Frames… Of ILFORD Delta 400 Professional (120 Format / EI 400 / Yashica Mat-124G) – by Mondo Morales
5 Frames… Of Type 103 H-Alpha Kodak Spectroscopic Film with a Canon EF + Canon FD 50mm f1.8 SC (35mm Format / EI 100) – by Paul Stevens
5 Frames… Of Polaroid 600 + SX-70 film on a Mamiya RB67 and a Rezivot Instand Film back – by Jess Hobbs
Visualising the Unspeakable: Exploring Post-Traumatic Stress Disorder with wet plate photography
5 Frames… With Lomography CN 400 on an uncoated lens (35mm Format / Leica M6 + Voigtländer 35mm f/1.4 Nokton Classic SC) – by Miguel Melo
The second round of 2020 price increases rises for ILFORD and Kentmere products come into effect
5 Frames… Of Kodak Ektar on a Horseman VH + Nikon Nikkor 210mm f/5.6 (120 format / EI 100) – by Reza Rostampisheh
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