Latest articles
As a subject, payphones are not new to me. For over three years I have been documenting them on my smartphone for my IG account… I started taking pictures in Berkeley, CA. during the summer of 1980, with a Nikomat FT2 and a 55/3.5 Micro-Nikkor given by my father (I… I have a habit of browsing for cheap films on eBay. At the time I was impressed by the results I got by shooting my… These are the 30 days and 30 articles that made EMULSIVE in November 2020. There’s no fancy countdown here, just my usual recap for those… I made my first experiences as a street photographer in New York in the 1990s. During this time I learned a lot about New York… It’s the beginning of 2021 and COVID is still running full force. I am a freelance corporate photographer and COVID-19 has decimated my business. So… Most of us that have been around film photography for a long time know the Nikon Nikonos underwater camera. It was always a bit of a… News just in from the folks over at Intrepid Camera: a new model of their Intrepid Enlarger that can make colour and black and white… It was in the backwaters of France that I decided to do the research right here for my Master’s in anthropology. Almost every morning, the… Oh … well, this is more of a story of how I quit film and then went back to it again. You see, I was… Ever since I started shooting medium format film, I’ve been searching for a favourite film stock and I think I may have found it in… I’d been working on this project in one form or another for about 6 months, trying various methods to return the old selenium light meter… These are the 31 days and 31 articles that made EMULSIVE in October 2020. There’s no fancy countdown here, just my usual recap for those…
5 Frames… Of Pentabo Clortino on Expired Kodak EASTMAN 200T 5293 (35mm format / EI 50 / CONTAX S2b + Zeiss Planar T* 50mm f/1.4) – by Ryan Steven Green
16-minute snapshots of life: Making Huge Full-roll darkroom proof sheets for my friends
5 Frames… Of expired Jessops CS100 in Vanadzor, Armenia (EI 100 / 35mm Format / Mamiya ZM + Osawa 28mm f/2.8) – by Norayr Chilingarian
Month in review: November 2020
3 simple lessons: What I saw (and learned) shooting street photography in 1990s New York
5 Frames… Of a ghost town called Chicago in January 2021 (Kodak T-MAX 400 (35mm Format / EI 320 / Nikon F + Nikkor NC Auto 24mm f/2.8 pre-AI) – by Michael D. Watson
5 Frames… Of in-focus shots with a Nikonos III on Arista.EDU Ultra 100 (120 Format / EI 200) – by Brian DuBois
Announcing the new 35mm & 120 format Intrepid colour Enlarger: coming March 19th 2021
A Leica in the Limousin: Photographic Bliss in 1980s Rural France on Agfapan 100 Professional
5 Frames… Of sharp shots on a soft lens with Kodak Portra 400 + flash (35mm Format / EI 400 / Olympus OM-1n + G. Zuiko 55mm f/1.2) – By Trevor Hong
5 Frames… Of my (maybe) new favourite film, Kodak Ektar 100 (120 Format / EI 100 / Kowa Six + Kowa 85mm f/2.8) – by Tim Rangi
How-to: Upgrade your Rolleiflex with a digital light meter
Month in review: October 2020
Continue reading all EMULSIVE articles sorted by order of publication over at the archive »
Latest film camera reviews
Continue reading all EMULSIVE film camera reviews »
Film photographer interviews
Continue reading all EMULSIVE interviews »
Latest film stock reviews
Continue reading all EMULSIVE film stock reviews »
