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Film Reviews
Film review: Kodak ColorPlus 200 and Fuji Fujicolor C200 compared
The two most popular consumer films used today are Kodak ColorPlus 200 and Fuji Fujicolor C200....
Latest
Camera Reviews
Camera review: the Kodak Instamatic 500 or, why I love 126 format film – by Ian Fleming
The Kodak Instamatic 500 was the “jewel in the crown’ of the Kodak Instamatic line. This my review...
Latest
Gear Reviews
Lens review: Schneider Xenotar 150mm f/2.8 + Linhof Technikardan (plus video) – by Alastair Bird
In 2006 or so a good friend of mine sold off his 150mm f/2.8 Schneider Xenotar large format lens....
Interviews
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EMULSIVE interview #187: I am Tony Vaccaro and this is why I shoot film
It’s impossible to understate Tony Vaccaro’s contribution to the 20th century, be it...
Darkroom
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Where are my effing pictures? Or, finding an archive system for my film photography – by Olli Thomson
In 2009 I bought my third digital camera, a little Panasonic Lumix LX3 to complement my somewhat...
Experiments
Latest
How-to: convert a disposable camera to shoot BW infrared film – by Lucy Wainwright
Ok, so as photography how-to’s go, this one is as simple as they come. There are four things...
...and here's everything else
Flow – Shot on Kodak Tri-X 400 at EI 51200 (120 format)
Flow Shot on Kodak Tri-X 400 at EI 51200 Black and white negative film in 120 format shot as...
A look back at EMULSIVE Secret Santa 2017 – by Aislinn Chuahiock
EMULSIVE Secret Santa is simply the most wonderful time of the year. For many of us, it is the...
Featured project: PhotoKlassik International magazine – issue one on Kickstarter
PhotoKlassik International is back on Kickstarter shooting for a late September 2018 launch at...
5 Frames With… Cinestill BwXX (35mm / EI 250 / Pentax Spotmatic SP II) – by Donna Macauley
When Cinestill reintroduced their BwXX 250 film stock, I was intrigued and bought a roll...
Stumps #01 – Shot on Bergger Pancro 400 at EI 200 (4×5 format)
Stumps #01 Shot on Bergger Pancro 400 at EI 200 Black and white film in 4×5 format...
EMULSIVE July 2018: month in review
Welcome to the month that was July 2018 here on EMULSIVE: 31 days, 22 daily photos and 24...
Second choice – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 800 (35mm format)
Second choice Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 800 Black and white negative film in 35mm...
Picnic time – Shot on Fuji Velvia 100 (RVP100) at EI 100 (35mm format)
Picnic time Shot on Fuji Velvia 100 (RVP100) at EI 100 Color reversal (slide) film in 35mm format...
To the bitter end – Shot on Fuji Velvia 100 (RVP100) at EI 100 (35mm format)
To the bitter end Shot on Fuji Velvia 100 (RVP100) at EI 100 Color reversal (slide) film in 35mm...
5 Frames With… CineStill Tungsten 800 (35mm / EI 800 / Minolta X-700) – by Mila Galinova
The tungsten aesthetic really is my thing. I love seeing it used for night outdoors shots; I’m...
Single minded – Shot on Fuji Velvia 100 (RVP100) at EI 100 (35mm format)
Single minded Shot on Fuji Velvia 100 (RVP100) at EI 100 Color reversal (slide) film in 35mm...
5 Frames With… ILFORD FP4 PLUS (EI 125 / 35mm / Minolta X-300) – by Dylan Rimpault
I’ve always wanted to try black & white film. So these shots come from my very first...
Scrambler – Shot on Fuji Velvia 100 (RVP100) at EI 100 (35mm format)
Scrambler Shot on Fuji Velvia 100 (RVP100) at EI 100 Color reversal (slide) film in 35mm format...
Book review: Here Far Away / Pentti Sammallahti – by Barnaby Nutt
I had a realisation recently that all the (generally film) photography podcasts that I listen to,...
5 o’clock shadow – Shot on Fuji Veliva 100 RVP100 (35mm format)
5 o’clock shadow Shot on Fuji Velvia 100 (RVP100) at EI 100 Color reversal (slide) film in...
August 2018 film photography horoscope – ‘mystic’ help to better photography
Hallo film lovers. I would like to open this month by addressing some criticism I have received...
EMULSIVE Secret Santa 2018 Preregistration is now live
Last year’s EMULSIVE Secret Santa event was an unabated success, with 783 players in 46...
Tricolore #02 – Shot on Fuji Veliva 100 RVP100 (35mm format)
Tricolore #02 Shot on Fuji Velvia 100 (RVP100) at EI 100 Color reversal (slide) film in 35mm...
Lov is the answer – Shot on Kodak Portra 400VC at EI 200 (120 format)
Lov is the answer Shot on Kodak Portra 400VC at EI 200 Color negative film in 120 format shot as...
5 Frames With… Bergger BRF 400 Plus (35mm / EI 400 / Olympus Trip 35) – by Joan Sorolla
Last summer I returned to Scotland for the second time in my life. I still keep the negatives of...
This corner of the earth – Shot on Shanghai GP3 100 at EI 200 (120 format)
This corner of the earth Shot on Shanghai GP3 100 at EI 200 Black and white negative film in 120...
EMULSIVE June 2018: month in review
Welcome to the month that was June 2018: 30 days, 21 daily photos and 26 articles…all just...
5 Frames With… ILFORD HP5 PLUS (35mm / EI 1600 / Leica M4) – by Paul A J Lewis
I live in North-East Lincolnshire in the UK and was raised in the coastal town of Cleethorpes, a...
Claw – ILFORD HP5 PLUS shot at EI 12800 (120 format)
Claw ILFORD HP5 PLUS shot at EI 12800 Black and white negative film in 120 format shot as 6×6...
To a point – Shot on Kodak 500T (5219) at EI 500 (35mm format)
To a point Shot on Kodak 500T (5219) at EI 500 Color motion picture film in 35mm format ...
Don’t leave your sh1t at the beach – Shot on Kodak Ektar 100 at EI 100 (35mm format)
Don’t leave your sh1t at the beach Shot on Kodak Ektar 100 at EI 100 Color negative film in...
Sibling rivalry: Fujica GS645 & GS645S street photography shootout – by Michael Duke
The Fujica GS645 Professional and its sibling GS645S Professional are very much alike, but...
Through yonder – Shot on Fuji Press 800 at EI 800 (35mm format)
Through yonder Shot on Fuji Press 800 at EI 800 Color negative film in 35mm format Write for...
5 Frames With….Kodak EKTACHROME Infrared EIR (35mm / EI 200 / Olympus OM-1n) – by Sandeep Sumal
I’ve have had a roll of Kodak EKTACHROME Infrared EIR in my fridge for a year or so now....
Forever memories – Shot on Fuji Superia Premium 400 at EI 400 (35mm format)
Forever memories Shot on Fuji Superia Premium 400 at EI 400 Color negative film in 35mm format ...
5 Frames With… Kodak Tri-X 400 (35mm / EI400 / Canon AE-1) – by Colleen Bryant
The images in this series are abstracted Houston landscapes, shot on 35mm film. I use double,...
Curved plane – Shot on Fujicolor Industrial 400 at EI 400 (35mm format)
Curved plane Shot on Fujicolor Industrial 400 at EI 400 Color negative film in 35mm format ...
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