How to shoot a film shooting marathon: A FortKnight of Film
What’s it like shooting a roll of film every single day for thirty days? Probably…
5 Frames… With a beat-up Nikkor-S 50mm f/1.2 on Kodak Plus-X (EI 125 / 35mm / Nikon FM2) – by Guilherme Maranhão
The Nikon Nikkor-S 50mm f/1.2 is a lens I always wished for but never had…
5 Frames… Of the Pacific coast at Pomponio on Kodak Ektar 100 (EI 100 / 120 Format / Zenza-Bronica GS-1 + Zenzanon PG 100 f/3.5) – by Adam Welch
The fisherman were already there that morning. They had arrived long before sunrise with their…
Camera review: The Dora Goodman SCURA pinhole experience
One day I came across a post on Facebook by a fellow “pinholer” showing their…
Down the 4×5 rabbit hole part 1: A trip to the world upside down – by Toni Skokovic
Down the 4×5 rabbit hole part 1: A trip to the world upside down Like…
5 (8) Frames of „Detritus / Nuovi” in Bucharest on Kodak Portra 400 ( 35mm / EI 400 / Contax T2) – by Mihai Dascălu
Bucharest is a mix of old and new, beautiful and tasteless architecture mashed together in…
5 Frames… Of Lucca, Tuscany on a Bilora Bella 66-3 (120 Format / EI 400 / Fomapan 400 Action) – by Massimo Fagni
I was fascinated by the compactness and vintage colors with which this machine was built…
Add to Queue: Interviewing Marina Llopis of ifwefilm.com
On the front page of ifwefilm.com is a message from Marina Llopis: IFWEFILM is not…
5 Frames… Of the Downtown Summerlin on Cinestill 800T (120 Format / EI 800 / Certo Six + Tessar 80mm f/2.8) – by Alex Morrison
Ever since getting back into analogue photography, the Cinestill range of films has intrigued me….
5 Frames… Of Cats that will (apparently) save film forever (4 cameras, 4 films) – by Aivaras Sidla
I have some sort of revelation and I want (no, I HAVE) to share it….
Leica R6 Review; Like recommending an Aston Martin
The secret behind Leica’s R series is that their optical formulas for their SLR lenses…
5 Frames… Working within limitations: Long exposures at the Concours d’Elegance – by Ryan HK
I’ve always loved classic cars… I had a 1966 Mustang for a number of years,…
Latest film camera reviews
Camera review: The Dora Goodman SCURA pinhole experience
One day I came across a post on Facebook by a fellow “pinholer” showing their recently acquired SCURA 35mm panoramic…
Leica R6 Review; Like recommending an Aston Martin
The secret behind Leica’s R series is that their optical formulas for their SLR lenses are the same as their…
Camera review: The unlovely (but very good) Pentax MZ-S
First an admission, I am an accidental Pentaxian. Like thousands of others, quite by chance I first learned to shoot…
Night photography with the MiNT Camera Instantkon RF70 and Fujifilm Instax Wide film
There have been few opportunities for me to take the Instax Wide format MiNT Camera Instantkon RF70 on a night…
Building the CAMERADACTYL Brancopan
“Are you drilling?” asked my bleary-eyed wife, coming out of the bedroom of our small apartment at 1:30am. My desk…
The Leica M3: 5 reasons why it’s the greatest camera ever
The Leica M3 doesn’t do anything that another camera can’t. In fact, by today’s standards, it is severely lacking in…
