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5 Frames With… ILFORD FP4 PLUS (EI 125 / 35mm / LEICA M2) – by Phil Harrison
It must be 30 years since I’ve used ILFORD FP4 PLUS, of course, it was plain FP4 in those days (I...
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Camera Reviews
The Hasselblad V-System master guide: CF, CF FLE and IHI lenses
I kicked off the previous article in this series by stating that in its V-System, Hasselblad...
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Gear Reviews
Lens review: Schneider Xenotar 150mm f/2.8 + Linhof Technikardan (plus video) – by Alastair Bird
In 2006 or so a good friend of mine sold off his 150mm f/2.8 Schneider Xenotar large format lens....
Interviews
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I am Amy Jasek and this is why I shoot film
I’m very pleased to be able to bring you the work and words of a veritable film photography...
Darkroom
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Where are my effing pictures? Or, finding an archive system for my film photography – by Olli Thomson
In 2009 I bought my third digital camera, a little Panasonic Lumix LX3 to complement my somewhat...
Experiments
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Peeled apart for good: The last frames of FUJI FP-100C or, the creative obligation not to f**k it up – by Ludwig Hagelstein
For about a year and a half, every time I opened my fridge I saw my last remaining 10 exposure...
...and here's everything else
EMULSIVE May 2018: month in review
Welcome to the month that was May 2018, all 31 days, 22 daily photos and 32 articles of it –...
5 Frames With… Rollei Retro 400s (EI 200 / 35mm / Agfa Gevabox 6×9) – by Andrew Bartram
The Agfa “Gevabox” box camera normally takes 6×9 images on 120 film, has two...
Mirror finish – Shot on Lomography Lomochrome Purple XR 100-400 at EI 400 (35mm format)
Mirror finish Shot on Lomography Lomochrome Purple XR 100-400 at EI 400 Color negative film in...
Featured project: Creating Kosmo Foto Mono 100 – by Stephen Dowling
Kosmo Foto started life back in 2012 as Zorki Photo through my love of film photography. Some...
Half mast – Shot on ILFORD XP2 Super at EI 400 (120 format)
Half mast Shot on ILFORD XP2 Super at EI 320 Black and white negative film in 120 format shot as...
Featured project: Creating the Mother River photobook – by Yan Wang Preston
In 2010 I decided to embark on the hardest adventure of my life, to photograph the entire 6,211km...
Bike share – Shot on Lomography Lomochrome Purple XR 100-400 at EI 400 (35mm format)
Bike share Shot on Lomography Lomochrome Purple XR 100-400 at EI 400 Color negative film in 35mm...
Three – Shot on Fuji Provia 100F RDPIII at EI 100 (format)
Three Shot on Fuji Provia 100F RDPIII at EI 100 Color reversal (slide) film in 120 format shot as...
5 Frames With… Kodak T-MAX P3200 (EI 3200 / 35mm / Canon EOS 1V) – by Raymond van Mil
My choice for black and white film has always been Kodak T-MAX, so when the news broke the new/old...
In a sea of oil – Shot on Lomography Lomochrome Purple XR 100-400 at EI 400 (35mm format)
In a sea of oil Shot on Lomography Lomochrome Purple XR 100-400 at EI 400 Color negative film in...
5 Frames With… ILFORD HP5 PLUS (35mm / EI 400 / Canon 7) – by Anthony Chatain
I’ve been working in the main business district of Paris, La Défense, for more than a decade....
View no more – Shot on ILFORD HP5 PLUS at EI 1000 (120 format)
View no more Shot on ILFORD HP5 PLUS at EI 1000 Black and white negative film in 120 format shot...
![Analog [dis?]ability: adapt, overcome and adjust – by Scott Hays](https://i1.wp.com/emulsive.org/wp-content/uploads/2018/06/Cover-Analog-disability-Adapt-overcome-and-adjust.jpg?resize=627%2C376&ssl=1)
Analog [dis?]ability: adapt, overcome and adjust – by Scott Hays
If you boil a potato long enough; it will become soft. Boil an egg long enough and it will become...
Split #06 – Shot on Kodak ColorPlus 200 at EI 200 (35mm format)
Split #06 Shot on Kodak ColorPlus 200 at EI 200. Color negative film in 35mm format. Write...
Shorn – Shot on Kodak EKTACHROME E200 at EI 200 (120 format)
Shorn Shot on Kodak EKTACHROME E200 at EI 200 Color reversal (slide) film in 120 format shot as...
Full bloom – Shot on Kodak AEROCHROME III 1443 at EI 400 (120 format)
Full bloom Shot on Kodak AEROCHROME III 1443 at EI 400 Color infrared aerial surveillance film in...
5 Frames With… Fujifilm Superia 200 (35mm / EI 100 / Pentax Super-A) – by Aivaras Sidla
Looking back on the track for a little green bag (a little green box of film actually ☺)....
Resident’s association – Shot on ILFORD FP4 PLUS at EI 100 (35mm format)
Resident’s Association Shot on ILFORD FP4 PLUS at EI 100 Black and white negative film in...
Three years of EMULSIVE – a retrospective
Three years of EMULSIVE. Who would have thought this little labour of love would have lasted this...
June 2018 film photography horoscope – ‘mystic’ help to better photography
Hallo again, it’s Barry with your film photography horoscopes for June. I’ve been busy...
5 Frames With… Fuji Reala 100 (EI 100 / 35mm / Canon EOS 500) – by Madalina Chilici
After deciding to take a city break in Rome, Italy – together with my mother – I knew...
Veins #02 – Shot on Rollei Superpan 200 at EI 200 (120 format)
Veins #02 Shot on Rollei Superpan 200 at EI 200 Black and white negative film in 120 format shot...
Shard – Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 (120 format)
Shard Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 Color reversal (slide) film in 120 format...
One down – Shot on Rollei Superpan 200 at EI 200 (120 format)
One down Shot on Rollei Superpan 200 at EI 200 Black and white negative film in 120 format shot as...
Breather – Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 (120 format)
Breather Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 Color reversal (slide) film in 120...
5 Frames With… Kentmere 400 (EI 1600 / 35mm / Leica M4) – by Paul Lewis
I shot this roll during a visit to Hull in the United Kingdom. I usually shoot ILFORD HP5 PLUS and...
Why shoot film part 3: ILFORD XP2 Super report – by Simon King
Although I’ve been experimenting with a few different films, using ILFORD Delta 3200 Professional...
Street rider – Shot on Rollei Infrared 400 at EI 400 (35mm format)
Street rider Shot on Rollei Infrared 400 at EI 400 Black and white negative film in 35mm format ...
5 Frames With… Fujicolor C200 (EI 200 / 35mm / Pentax Spotmatic) – by Antoine Wallet
I’ve been into photography for about two years, using a digital Canon. I was doing mostly...
Cotton candy – Shot on Fuji Superia Premium 400 at EI 400 (35mm Format)
Cotton candy Shot on Fuji Superia Premium 400 at EI 400 Color negative film in 35mm format film ...
2017 travelogue retrospective: part 2 – Europe and beyond – by Fabian Schmid
Welcome to part two of my 2017 travelogue retrospective. In part one, I promised I’d be back...
Beat – Shot on Fuji NEOPAN 1600 at EI 1600 (35mm format)
Beat Shot on Fuji NEOPAN 1600 at EI 1600. Black and white negative film in 35mm format. Write...
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