Latest articles
5 Frames… Shot at home during stay-at-home on ILFORD FP4 PLUS (35mm Format / EI 125 / Nikon N90S + Nikkor 50mm 1.8 AF) – by Josh Vrolyk
The pandemic really threw a wrench in my shooting habits back in March of 2020. For a long time, I was used to driving around…
The Remora-01: An alternative Polaroid SX-70 battery
It was the Christmas of 2013, I had been expanding my photographic horizons and acquiring new cameras to try out. In the photo world this…
5 Frames… Of Finnish sauna tradition on a Mamiya RB67 (120 Format / EI 200-400 / Fomapan 200 Creative) – by Martti Korhonen
Finnish sauna tradition is strong and living heritage. It was in fact added to Unesco’s list of the intangible cultural heritage of humanity a few…
The Analogue Studio Polaroid conversion kit for the Mamiya RB67
I get easily excited about the little things. Whether it’s a new film stock, a film stock revived from the dead (come on Agfa Vista…
5 Frames… On “Secret Santa” Kodak TMAX P3200 (35mm Format / EI 3200 / Praktica MTL5 + Carl Zeiss 50mm f/1.8 Ultron) – by Mark J. Wyatt
Christmas 2019 a discreet messenger informed me I was to receive a “Secret Santa” gift, and asked what I might suggest. I was curious to…
Photography: One straight line – Shot on Kodak EKTACHROME E100 at EI 100 (120 Format)
One straight line Shot on Kodak EKTACHROME E100 at EI 100Color reversal (slide) film in 120 format shot as 6×9Fuji GW690III Professional Read the Kodak…
5 Frames… From a car boot sale win on Fomapan 400 Action (35mm Format / EI 400 / Olympus MJU) – by Victor Cachia
A few months ago on my Sunday routine at car boot sales looking for old and vintage film cameras I stumbled upon 2 (yes 2)…
Northern Sustainable Darkroom: A green revolution for analogue photography
I stand at the edge of the forest, my dilapidated Canon in hand. Mist rises from the trees, as two pigeons snap their wings in…
5 Frames… Of Old Main Street, Fort Worth, Texas (35mm Format / EI 400 / Nikon FA + Nikkor 50mm f/1.8 AI) – by Davy Bruyninckx
As a film photographer, I am always drawn to some of the more timeworn parts of town, so to speak, and that propensity for the…
Brighten up your Rolleiflex (or any TLR camera) with a new Rick Oleson Brightscreen
For a photographer, there is nothing quite like the experience of looking onto the focus screen of a TLR or other medium format, primarily waist-level viewfinder cameras such as Hasselblads, Bronicas or Mamiya RB67s.
5 Frames… Shooting Blues Night 1993 with Stan Webb and Chicken Shack on Kodak T-MAX 3200 (35mm Format / EI 3200 / Minolta X-300 + Tokina SD 70-210mm f/4-5.6) – by Olaf Lengler
In autumn 1993 it was time again. The annual Blues Night in the neighboring town of Idar-Oberstein was coming up. This time I also wanted…
EMULSIVE Interview #222: I am Kris Askey and this is why I shoot film
After an 8-month hiatus, I’d like to welcome you all back to the EMULSIVE interview. Yes, yes, 2020 be damned, etc. Last year was a…
New “contact print” Instax film from Fuji plus another underpowered toy camera, the Instax Mini 40
If you’re looking for a cheap point-and-shoot upgrade from Fuji’s last cheap point-and-shoot Instax camera, the company will gladly cover you as of just a…
Continue reading all EMULSIVE articles sorted by order of publication over at the archive »
Latest film camera reviews
Continue reading all EMULSIVE film camera reviews »
Film photographer interviews
Continue reading all EMULSIVE interviews »
Latest film stock reviews
Continue reading all EMULSIVE film stock reviews »
