Latest articles
Purple nights on Lomochrome Purple with the Pixels and Grain Collective
Lomochrome Purple XR 100-400 is an interesting film, with unclear origins, that shifts colours towards the purple spectrum, like a fantasy/dream. Greens become purple, blues aqua/green,…
Registration opens for EXP.21, the world’s first experimental photography summer camp
Registration opens for EXP.21, the world’s first experimental photography summer camp Photography festivals are back in Barcelona this summer! Between July 21st and 25th, 2021,…
Photography: Small eats – Shot on Ultrafine eXtreme 400 at EI 400 (35mm format)
Shot on Ultrafine eXtreme 400 at EI 400Black and white negative film in 35mm formatNikon F100, Nikkor 50mm f/1.8 AF-D
EMULSIVE Interview #225: I am Andrea Bianchi and this is why I shoot film
Say hello to Andrea Bianchi; Surfer, extreme sports photographer, photo editor and portraitist based in one of the most beautiful parts of the world. Andrea…
Photography: Anamorphic Tests #01 – Shot on Bergger BRF-400 at EI 400 (35mm Format)
Part of my ongoing 35mm anamorphic tests… Shot on Bergger BRF-400 at EI 400Black and white negative film in 35mm formatNikon F100, Nikkor 85mm f/1.8…
5 Frames… Of my quarantine in Vietnam with ORWO N74 plus on a Nikon F3HP (35mm format / EI 800 / Nikkor 50mm f/1.4 AI-S) – by Sasi Somu
I flew into Ho Chi Minh City, Vietnam, late in the night to be unceremoniously whisked off to spend the next 15 days in quarantine…
Medium format film camera showdown: Contax 645 vs Pentax 645NII
I love medium format cameras but sometimes I feel a bit lazy: I just want to shoot a camera that is quick and convenient to…
The death of the amateur photograph
The Bombastic Proposal: the marriage of digital photography with social media has fundamentally altered the nature of the photograph for most Americans — to such…
5 Frames… Of the the West Australian Wheatbelt on Kodak Ektar 100 and a Franka Rolfix II (120 Format / EI 100 / Schneider Kreuznach Radionar 105mm f/4.5) – by John Toohey
I headed out to the West Australian Wheatbelt with a battery of cameras: a Polaroid SX-70, a Kodak Cresta, an Ilford disposable, and a Kodak…
Photography: Chime / 引磬 / Yǐn Qìng – Shot on Lomography Color Negative 100 at EI 100 (35mm format)
Shot on Lomography Color Negative 100 at EI 100,Color negative film in 35mm format,CONTAX AX, Carl Zeiss Sonnar T* 135mm f/2.8
EMULSIVE Interview #224: I am David Imel and this is why I shoot film
Welcome to another fresh EMULSIVE interview, this week with New York based tech journalist David Imel. Regular readers might remember David’s flagrant disregard for the…
Photography: One “Art” please… – Shot on Lomography Color Negative 400 at EI 400 (35mm format)
Shot on Lomography Color Negative 400 at EI 400Color negative film in 35mm format Leica M6 TTL 0.85 and Voigtlander Color Skopar 21mm f/4
An accidental Rolleiflex TLR: A new experience with the Rolleiflex Automat 6×6 Model RF 111A
I had used film from the late 1950s right up to the digital revolution when I was seduced by what the new cameras could do….
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