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My Mamiya RB67 and I go back a long way, beside a dumpster at a Tim Horton’s (a donut and coffee shop for those of… Even when the camera is focused on a single subject, photographic portraiture rarely, if ever, speaks with just one voice. It is this multifaceted layering,… When it comes to print film we all have our favorites, be it for aesthetics, latitude, how they handle some (intentional) abuse (over/underexposure, pushing, pulling),… Per an update notification issued in September, an increase of at least 5% on all photographic film and paper products will be passed from HARMAN… Like many, I started taking pictures using my father’s old camera, a hefty Nikon F2 and a super-fast Nikkor 55mm f/1.2 back in the late… A few months ago I was catching up with CAMERADACTYL’s Ethan Moses when we got to talking about projects that would have the most impact… My mother cranked out family photos that would feel as at home in a gallery as they do in their cardboard box in the attic…. Photographic film prices have been on a steady climb in Canada for the last few years. Not a reasonable climb, either. Some of my go-to… Having been sucked into digital in the early naughties and bled dry by four-figure kit purchases it was time hail out the modest EOS 300… 5 Frames… Of West End Brisbane on Fuji Pro 400H (EI 200 / 120 Format / Fujica GS645 Professional) – by Zhan Teh West End,… When my local Max Spielmann closed for lockdown, I lost my go-to for colour film processing. I couldn’t face going cold turkey, and haven’t got… I have been wanting to try this film for a while now, ever since it was announced. I loved the look, the tones, the grain,… I am guessing that there won’t be too may people reading this who need much of an introduction to these three! Negative Positives is a…
5 Frames… Of Polaroid 600 + SX-70 film on a Mamiya RB67 and a Rezivot Instand Film back – by Jess Hobbs
Visualising the Unspeakable: Exploring Post-Traumatic Stress Disorder with wet plate photography
5 Frames… With Lomography CN 400 on an uncoated lens (35mm Format / Leica M6 + Voigtländer 35mm f/1.4 Nokton Classic SC) – by Miguel Melo
The second round of 2020 price increases rises for ILFORD and Kentmere products come into effect
5 Frames… Of Kodak Ektar on a Horseman VH + Nikon Nikkor 210mm f/5.6 (120 format / EI 100) – by Reza Rostampisheh
The CAMERADACTYL Mongoose: A modern full-roll 35mm film scanner
5 Frames… In Lima, Peru on Kodak Portra 400 (35mm Format / EI 400 / Canon AE-1 Program + Canon FD 50mm f/1.8) – by Ned Goldman
5 Frames… Of island life on Kodak Gold 200 (35mm Format / EI 200 / Leica M4-2) – by Ryan HK
5 Frames… Along London’s Regents Canal and West End on Svema Color 125 (35mm Format / EI 125 / Canon EOS 300 + Canon EF 28-80 f/3.5-5.6) – by Cliff McMahon-Docherty
5 Frames… Of West End Brisbane on Fuji Pro 400H (EI 200 / 120 Format / Fujica GS645 Professional) – by Zhan Teh
5 Frames… Of trichromes with ILFORD FP4 PLUS (35mm Format / EI 125 / Canon EOS 1n + Canon EF 24mm f/2.8) – by Anthony Pearson
5 Frames… With Lomography Potsdam Kino 100 on a Mamiya 645 AFD (120 Format / EI 100) – by Tyler Longfellow
Add to Queue: Interviewing the Negative Positives Podcast
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