EMULSIVE: Your film photography journey starts here...

Film Stock Review: CineStill 400D

by Ryan Gabbard

Photosets and stories

Street photography in 1974: Shooting a hand-me-down Leica llla in Paris – by Gerard J. van den Broek

by Gerard J. van den Broek

Guides & How-Tos

How-to: Shoot 120 & 35mm film in a Polaroid pack film camera

by Jim Skelton

The Pure Land: Mexico: Kodak Portra 160

Photosets and stories

The Pure Land: Mexico – by Willem van den Heever

by Willem van den Heever

Lomography film camera reviews

Camera review: Loving Lomography’s New LomoApparat 21mm wide-angle camera

by Aislinn Chuahiock

LATEST

6 Frames… Of Kodak Ektar 100 in Paris on a Canon A-1 (35mm Format / EI 100 / Multiple lenses) – by Nick Orloff

by EM

5 Frames… Of golden hour on a Balda Baldi 29 and Fomapan 100 Classic (120 format / EI 100 / Baldanar 80mm f/2.9 Triplet) – by Leon Blankenhorn

by EM

5 Frames… Of Eid-al-Fitr 2022 on Fuji Superia 1600 and a Pentax ME (35mm format / EI 1600 / SMC Pentax-M 28mm f/2.8) – by Yusuf Husain

by EM

5 Frames… Of “Sinostill” 800T a cheaper alternative to Cinestill 800T? (EI 800/35mm format/Nikon F3 + Micro-Nikkor 55mm f/2.8) – by Wenhong

by Wenhong

How New Exit Group photographs community

by Simon King

A few thoughts on overcoming photography blocks

by Simón Ducos

EMULSIVE Santa 2022, a gift-giver’s guide

by Aislinn Chuahiock

5 Frames… Through Western Canada on CineStill 400D (35mm Format / EI 400 / Lomography LC-A+) – by Julia Beyer

by Julia Beyer

EMULSIVE Secret Santa 2022: Registration for year 8 is open until November 13th

by EM

Photos, photographing, and why: A photo essay shot in Red Hook, Brooklyn on a Pentax 6×7

by Armaan Ahmed

5 Frames… Of expired FotoStop Colour Print Film 200 (EI 200 / 35mm format / Olympus OM-1) – by Ed Worthington

by Ed Worthington

5 Frames… Of street photography in Buenos Aires on the Mamiya RB67 (120 format / EI 100 / Kodak T-MAX 100) – by Simón Ducos

by Simón Ducos

Shooting 21st-century 5×7 Zebra Dry Tintypes in a 19th-century Radiguet Tailboard Camera

by Chad Hill

5 Frames of… Redscaled Kodak ULTRA MAX 400 (35mm format / EI 100, Canon AE-1 + Canon FD 50mm f/1.8) – by Piper McManamon

by EM

Featured Project: Ballet on film, Honolulu Classical Ballet through the pandemic

by Lisa K Cho

Latest featured reviews

Lomography Special Effect film comparison- Metropolis, Purple, Turquoise, Redscale - by Ryan Gabbard

Lomography special effect film comparison: Metropolis, Purple, Turquoise, Redscale

Camera review: The Exakta TL 1000

My Nikon F3, MD-4 Motor Drive, Nikkor 50mm f/1.8 AI-S, Dorothy Key 3

Film review: A roll of Kodak Portra 800 (Nikon F3 + Nikkor 50mm f/1.8 AI-S) – by Dorothy Key

READ MORE >

A review of a camera you've never heard of... but maybe

A review of a camera you’ve never heard of… but maybe should have: The 1959 Olympus Ace rangefinder

by Robert Riffel

5 Frames…With expired Boots Universal 400 (EI 400 / 35mm format / Olympus OM-1) – by Ed Worthington

by Ed Worthington

5 Frames… ILFORD HP5 PLUS (35mm format / EI 400 / FED-3 Type B + Voigtlander Nokton 50mm f/1.5 Aspherical LTM)

by Boudhayan Gupta

5 Frames… Mostly at Pismo Beach on Kodak T-MAX 400 (35mm format / EI 400 / Canon A2E + Canon 50mm f/1.8 EF II) – by Austin Newell

by Austin Newell

Kodak “dinosaur” film: A photo set 65 million years in the making… On ELITE Chrome II 400 slide film

by Mike Riess

Enter the Forest - Campaign image

Featured Project: Enter the Forest by Alexandre Miguel Maia

by Alexandre Miguel Maia

Latest guides and how-tos

How-to: Develop paper negatives "out and about" with a field development kit - by Jim Skelton

How-to: Develop paper negatives “out and about” with a field development kit – by Jim Skelton

How-to: Shoot paper negatives with a Polaroid pack film Land Camera

How-to: Shoot paper negatives with a Polaroid pack film Land Camera

Build log: Take one Polaroid Model 455 and one Instax 100 camera and what do you get? A serious hack job

READ MORE >

Latest film photographer interviews

EMULSIVE Interview: I am Daniel Boklage and this is why I shoot film

EMULSIVE Interview #228: I am Daniel Boklage and this is why I shoot film

EMULSIVE Interview #227 - I am Lucy Ridges and this is why I shoot film

EMULSIVE Interview #227: I am Lucy Ridges and this is why I shoot film (NSFW)

Canon A1- FDn 50mm f/1.4 - Fuji Superia X-TRA 400

EMULSIVE Interview #226: I am Brian Dubois and this is why I shoot film

Andrea Bianchi - Hasselblad SWC - Fujichrome Provia 100F Expired and X process

EMULSIVE Interview #225: I am Andrea Bianchi and this is why I shoot film

Lifeguard

EMULSIVE Interview #224: I am David Imel and this is why I shoot film

Shot on Nikon F2 in 2019, hand printed selenium toned and hand coloured. London

EMULSIVE Interview #223: I am Ellen Rogers and this is why I shoot film (Mildly NSFW)

Latest 5 film camera reviews

Zeiss Ikon Contaflex Super

Opinion: Why did Zeiss stop making cameras?

by Gavin Lyons

Mini-review: The Canon A-1 in Thailand

by James Patrick

Rheinmetall Weltax + Meyer-Optik Trioplan f/3.5 75mm

Rheinmetall Weltax + Meyer-Optik Trioplan f/3.5 75mm + Lomography Redscale and Kodak Portra 160… A review (kind of)

by Martin Siegel

Leica M4

Enter the Leica M4: Upgrading my Barnack Leica

by Simón Ducos

Konica C35 EFP - Black

A creative machine: The Konica C35 EFP

by Diego Boccacci

The Lipca Rollop II. Portrait by Nikon F80, Sigma 105mm f/2.8 OS HSM, and ILFORD HP5 PLUS (@ EI 1600).

Crash! Bang! Rollop! What a Picture! A review and test of the Lipca Rollop II TLR

by Nigel Fishwick

My adventures somewhere in-between medium & large formats on 120 format Kodak Gold 200

by Nick Orloff

Canon AL-1

The Canon AL-1: Do opposites attract?

by Alex Nevelychko

Camera review: The LEGO VIP Rewards Vintage Camera + build video

Camera review: The LEGO VIP Rewards Vintage Camera + build video

by EM

Latest 5 film stock reviews

Cover: Film review - ADOX HR-50, a high-resolution film with a boost

Film review: ADOX HR-50, a high-resolution film with a boost

by Astrid Robertsson

Kentmere Pan 400 at EI3200 – A low-cost, high speed alternative?

by Philip Harrison

Chromogenic inspiration: ILFORD XP2 Super - Andrea Bianchi

Chromogenic inspiration: ILFORD XP2 Super – Andrea Bianchi

by Andrea Bianchi

Svema Foto 65 – Shooting Expired Film from 1989

by Gavin Lyons

My Pentax MX and SMC Pentax-M 50mm f/1.7

Film review: Cinestill 50D on Zurich’s smaller streets – Pentax MX and SMC Pentax-M 50mm f/1.7

by Astrid Robertsson

Taking Stock: A shootout with 3 very different color films highlights creative possibilities – Kodak Portra, Fuji C200 and Fuji Velvia 100

by Isaac D. Pacheco

Purple nights on Lomochrome Purple with the Pixels and Grain Collective

by Pixels and Grain Collective

Film stock review: Cinestill BWXX - by Simon King

Film stock review: Cinestill BWXX

by Simon King

Foma Retropan 320 Soft: A valuable way of seeing

by Yorgo Douramacos

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