5 Wide Frames… With a CAMERADACTYL Brancopan and Fomapan 400 Action (35mm Format / EI 1600) – by Virgil Roger
Well, here it is. My second 3D printed camera in all its glorious plastic glory,…
Kodak Tri-X 400 follow-up: Does it even really matter? – By Simon King
I wrote an article here on EMULSIVE in April 2019 where I discussed some of…
5 Frames… From the Poundland XPan (35mm / EI 200-ish / Halina Panorama & Truprint 200) – by Tom Rayfield
There are already other reviews of the Halina Panorama (also goes by the names of…
5 Frames… Of Kodak Plus-X Aerecon II 3404 (35mm format / EI 50 / Nikkormat FTN) – by James Harr
I bought this film in a “group buy” with a couple of other people over…
The Leica M3: 5 reasons why it’s the greatest camera ever
The Leica M3 doesn’t do anything that another camera can’t. In fact, by today’s standards,…
5 Frames… On my father-in-law’s 80 year-old Agfa Billy Record I (120 Format / EI 125 / ILFORD FP4 PLUS) – by Barry Altman
I recently found my father-in-law’s 80 year-old Agfa Billy Record camera in a drawer. He…
Film Jargon: Over/Under Exposure, Pushing/Pulling Film, X-Pro, What?
If you have ever joined in discussions online (or looked for help) you may have…
5 Frames of Seattle and the surrounds on ILFORD HP5 PLUS (35mm / EI 400 / NIKON F100) – by Andrew Hyder
I came about photography as a teenager. I bought an old Canon TX from a…
5 Frames… From a Hasselblad XPan on Fujifilm Velvia 100 – by Nick Orloff
There are so many articles extolling the virtues of the Hasselblad XPan that when I…
My first roll of… 35mm film: Lomography CN 400 + the Lomography SuperSampler – by Dimitri
In the ’90s and ’80s, everyone shot film. I was barely walking back then and…
5 Frames… Of unperforated Agfa ASP 400S with a Voigtlander Vito (EI 400 / 35mm Format) – by Tobias Eriksson
I have always been fascinated with panorama photos. With a background in filmmaking, there are…
My 2020 lockdown journey: a comparative test of Kodak EKTACHROME E100 and Fujifilm Velvia 50 (bonus Portra/Lomography included)
I set out this Spring and Summer to do a comparative test of Kodak EKTACHROME…
Latest film camera reviews
The Leica M3: 5 reasons why it’s the greatest camera ever
The Leica M3 doesn’t do anything that another camera can’t. In fact, by today’s standards, it is severely lacking in…
Expired Film from 1987! Kodacolor VR 400 and the Contaflex Super (New)
Discovered in the depths of the cellar this film from 1987. My oh my expired, brittle and a pain in…
Zenza Bronica ETRS: Not exactly the poor man’s Hasselblad
The Bronica has been described as the poor man’s Hasselblad. That is just wrong, as I hope to demonstrate through…
Rolleinar: it’s German for Sorcery
Lots of chatter about Rolleinars lately, I’ve only had mine since October ’15. A Rolleinar is a set of close-up…
Yashica-B review: the lovable “rare” TLR camera
I’ve been fascinated with Twin Lens Reflex (TLR) cameras ever since I can remember, and even before I knew what…
An in-depth guide to: The Leica M6 TTL
Made for only four years between 1998 and 2002, the Leica M6 TTL was the successor the 1984-98 Leica M6…
