Latest
Film Reviews
Repulsion to attraction: my Kodak T-MAX 400 story so far
Kodak T-MAX 100 is undoubtedly the film I prefer after Tri-X 400 but despite this T-Grain...
Latest
Camera Reviews
Camera review – the Zeiss Ikon Nettar II 517/16 6×6 folding camera
I bought my Zeiss Ikon Nettar 6×6 folder in 1992 for $50, pretty much in perfect nick. At the...
Latest
Gear Reviews
Lens review: Schneider Xenotar 150mm f/2.8 + Linhof Technikardan (plus video) – by Alastair Bird
In 2006 or so a good friend of mine sold off his 150mm f/2.8 Schneider Xenotar large format lens....
Interviews
Latest
EMULSIVE interview #185: I am Abigail Crone and this is why I shoot film
Welcome, welcome, welcome! I’m super excited to bring you all the work of Abigail Crone,...
Darkroom
Latest
Where are my effing pictures? Or, finding an archive system for my film photography – by Olli Thomson
In 2009 I bought my third digital camera, a little Panasonic Lumix LX3 to complement my somewhat...
Experiments
Latest
How-to: convert a disposable camera to shoot BW infrared film – by Lucy Wainwright
Ok, so as photography how-to’s go, this one is as simple as they come. There are four things...
...and here's everything else
5 Frames With… J. Lane Dry Plates (4×5 / EI 2 / Graflex Pacemaker Speed Graphic) – by Jason Lane
The photos presented here are made with my workhorse setup: my Graflex Speed Graphic, Schneider...
Day market #01 – Shot on ILFORD Delta 100 Professional at EI 200 (120 format)
Day market #01 Shot on ILFORD Delta 100 Professional at EI 200 Black and white negative film in...
Dripping red – Shot on Kodak AEROCHROME III 1443 (35mm format)
Dripping red Shot on Kodak AEROCHROME III 1443 at EI 400 Color infrared aerial surveillance film...
Child-friendly facilities – Shot on Lomography Lomochrome Purple XR 100-400 at EI 400 (35mm format)
Child-friendly facilities Shot on Lomography Lomochrome Purple XR 100-400 at EI 400 Color negative...
Snuggle buddies – Shot on Lomography Orca 110 at EI 80 (110 format)
Snuggle buddies Shot on Lomography Orca 110 at EI 80 Black and white film in 110 format ...
5 Frames With… Harman Direct Positive Paper (EI 2 / 4X5 / INTREPID) – by Phil Harrison
I was recently reading Daphne Schnitzer’s interview and one of the many materials she uses is...
Pumped-up – Shot on Kodak Ektar 100 at EI 100 (120 format)
Pumped-up Shot on Kodak Ektar 100 at EI 100 Color negative film in 120 format shot as 6×6 ...
July 2018 film photography horoscope – ‘mystic’ help to better photography
Hallo everyone. I’m sorry for being late this month. I managed to get a second gig for the...
5 Frames With… CineStill 800T (EI 800 / 120 / Fuji GS645) – by Michael Duke
I’m a latecomer to film photography, but have been working hard to catch up. After reading a...
Scratch my back… – Shot on ADOX Silvermax 100 at EI 100 (35mm format)
Scratch my back… Shot on ADOX Silvermax 100 at EI 200 Black and white negative film in 35mm...
Innovation Tower – Shot on ADOX Silvermax 100 at EI 100 (35mm format)
Innovation Tower Shot on ADOX Silvermax 100 at EI 100 Black and white negative film in 35mm format...
Roofline – Shot on ADOX Silvermax 100 at EI 200 (35mm format)
Roofline Shot on ADOX Silvermax 100 at EI 200 Black and white negative film in 35mm format Push...
Scratching post – Shot on ADOX Silvermax 100 at EI 200 (35mm format)
Scratching post Shot on ADOX Silvermax 100 at EI 200 Black and white negative film in 35mm format...
5 Frames With… Fuji Superia 400 (EI / 35mm / Konica Waiwai) – by Aislinn Chuahiock
At first, I didn’t get the hype but I really respect Dan Ko’s opinion when he said he...
Skewed – Shot on ADOX Silvermax 100 at EI 200 (35mm format)
Skewed Shot on ADOX Silvermax 100 at EI 200 Black and white negative film in 35mm format Push...
5 Frames With… Kodak Portra 400 (EI 320 / 120 Format / Mamiya 7) – by Kathleen E. Johnson
On August 21, 2017, thousands of people converged on Alliance, Nebraska, as one of the prime Solar...
Waiting time – Shot on Tri-X 400 at EI 800 (120 format)
Waiting time Shot on Kodak Tri-X 400 at EI 800 Black and white negative film in 120 format shot as...
Zero – Shot on Kodak ColorPlus 200 at EI 200 (35mm format)
Zero Shot on Kodak ColorPlus 200 at EI 200 Color negative film in 35mm format Write for...
Top to bottom – Shot on Fuji Acros 100 at EI 100 (120 format)
Top to bottom Shot on Fuji Acros 100 at EI 100 Black and white negative film in 120 format shot as...
Chop chop – Shot on Kodak Ektar 100 at EI 800 (120 format)
Chop chop Shot on Kodak Ektar 100 at EI 800 Color negative film in 120 format shot as 6×6...
5 Frames With… Impossible Project I-Type Color (Polaroid Originals One Step 2) – by Ed Worthington
Up until recently I wasn’t one for instant photography at all, I’d tried it with an Instax but...
Threading the needle – Shot on Shanghai GP3 100 at EI 100 (120 format)
Threading the needle Shot on Shanghai GP3 100 at EI 100 Black and white negative film in 120...
5 Frames With… Kodak ColorPlus 200 (El 100 / 35mm / Mamiya 7 + Panoramic Kit) – by Martin Jeffery
I have lusted after a Hasselblad XPan for a while, but the prices have gone through the roof to...
Transition 05 – Shot on Rollei Superpan 200 at EI 200 (120 format)
Transition 05 Shot on Rollei Superpan 200 at EI 200 Black and white negative film shot as 6×6...
How-to: creating a photo book, some do’s and don’ts – by Anil Mistry
Photographs become something special when printed. You can touch them, feel them, and get up close...
Transition 04 – Shot on Rollei Superpan 200 at EI 200 (120 format)
Transition 04 Shot on Rollei Superpan 200 at EI 200 Black and white negative film shot as 6×6...
The Hasselblad V-System master guide: CF, CF FLE and IHI lenses
I kicked off the previous article in this series by stating that in its V-System, Hasselblad...
Transition 03 – Shot on Rollei Superpan 200 at EI 200 (120 format)
Transition 03 Shot on Rollei Superpan 200 at EI 200 Black and white negative film shot as 6×6...
Transition 02 – Shot on Rollei Superpan 200 at EI 200 (120 format)
Transition 02 Shot on Rollei Superpan 200 at EI 200 Black and white negative film shot as 6×6...
Announcing: CineStill Df96 “DEVELOPER&FIX” Monobath
Hot off the press: there’s a new black and white monobath developer from the Brothers Wright...
![Introducing the pixl-latr: democratising the digitisation of film [with exclusive creator Q&A]](https://i1.wp.com/emulsive.org/wp-content/uploads/2018/06/pixl-latr-Cover.jpg?resize=627%2C376&ssl=1)
Introducing the pixl-latr: democratising the digitisation of film [with exclusive creator Q&A]
Innovative solutions for digitising film abound, from homegrown solutions using copy stands,...
Transition 01 – Shot on Rollei Superpan 200 at EI 200 (120 format)
Transition 01 Shot on Rollei Superpan 200 at EI 200 Black and white negative film shot as 6×6...
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