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EMULSIVE
Articles
All articles
Long form
Multi-part series
A Brief History Of…
Darkroom related
Experiments
Featured Projects
Global Film Lab Map
How-to
News
Secret Santa
Travelogues
Interviews
Film Photographer Interviews
Community Interviews
In Conversation With…
Return to Film
Photography
5 Frames With…
110 format
35mm format
Medium format
65mm format
Large format
Reviews
All film stock reviews
All film camera reviews
All gear reviews
All print reviews
All bag reviews
More
Film parties
FP4 Party
NEOPANTASTIC
Summer Film Party
TMAXParty
Portra Party
Trending Now
How to: Connect legacy film scanners to modern computers
5 Frames With… Kodak EASTMAN Double-X 5222 (35mm / EI 250 / Canon A-1) – by Philipp Balunovic
Photography: Up and over – Shot on Kodak PROFESSIONAL ELITE Chrome 100 EB-3 (35mm format)
Photography: London – Shot on Kodak Portra 160 at EI 160 (35mm format)
5 Frames With… Fujifilm Pro 400H (EI 400 / 120 / Zenza Bronica SQ-A) – by Chris Hunter
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How to: Connect legacy film scanners to modern computers
EM
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June 25, 2019
5 Frames With… Kodak EASTMAN Double-X 5222 (35mm / EI 250 / Canon A-1) – by Philipp Balunovic
Philipp Balunovic
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June 24, 2019
Photography: Up and over – Shot on Kodak PROFESSIONAL ELITE Chrome 100 EB-3 (35mm format)
EM
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June 23, 2019
Photography: London – Shot on Kodak Portra 160 at EI 160 (35mm format)
EM
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June 22, 2019
5 Frames With… Fujifilm Pro 400H (EI 400 / 120 / Zenza Bronica SQ-A) – by Chris Hunter
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June 21, 2019
UPDATE: New film from Shanghai: GP3 100 now in 35mm format…plus 120 format updates
EM
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June 21, 2019
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Latest film camera reviews
The best medium format camera ever made – Mamiya 6 MF review
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June 20, 2019
My first Impressions with the Bronica ETRSi
Maxime Evangelista
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The Nikon F2: an everyday camera for the 21st Century
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Camera Review: Mamiya 645 Pro, plastic fantastic? – Kikie Wilkins
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April 2, 2019
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Latest film stock reviews
How to: Connect legacy film scanners to modern computers
EM
-
June 25, 2019
5 Frames With… Kodak EASTMAN Double-X 5222 (35mm / EI 250 / Canon A-1) – by Philipp Balunovic
Philipp Balunovic
-
June 24, 2019
Photography: Up and over – Shot on Kodak PROFESSIONAL ELITE Chrome 100 EB-3 (35mm format)
EM
-
June 23, 2019
Photography: London – Shot on Kodak Portra 160 at EI 160 (35mm format)
EM
-
June 22, 2019
5 Frames With… Fujifilm Pro 400H (EI 400 / 120 / Zenza Bronica SQ-A) – by Chris Hunter
Chris Hunter
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June 21, 2019
UPDATE: New film from Shanghai: GP3 100 now in 35mm format…plus 120 format updates
EM
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June 21, 2019
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Other recent reviews
Color drama: Negative Lab Pro v2… Finding the right workflow for scanning color film at home
Ludwig Hagelstein
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Review: Comparing FF No.1 and Cinestill Df96 monobath developers
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October 2, 2018
Lens review: Pentax prime comparison – five lenses head to head from 40mm to 55mm – by Dan Marinelli
Daniel Marinelli
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September 18, 2018
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Recent interviews
The EMULSIVE x CineStill Community Interview: results time
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June 12, 2019
EMULSIVE Interview #200: I am Jonathan Canlas and this is why I shoot film
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June 5, 2019
EMULSIVE Interview #199: I am Agi Ch and this is why I shoot film
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May 15, 2019
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Recent 5 Frames...
5 Frames With… Kodak EASTMAN Double-X 5222 (35mm / EI 250 / Canon A-1) – by Philipp Balunovic
Philipp Balunovic
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June 24, 2019
5 Frames With… Fujifilm Pro 400H (EI 400 / 120 / Zenza Bronica SQ-A) – by Chris Hunter
Chris Hunter
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June 21, 2019
5 Frames With… Kodak Vision 3 500T 5129 (EI 1600 / 35mm / Nikon FA) – by Adam Carl
Adam Carl
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June 17, 2019
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