Featured projects Hidden in Plain Sight: A 36-Day Quest to Discover the Daily Miracle of Nature’s Quiet Moments – by Dan Kehlenbach by Dan Kehlenbach Opinion A look back at my personal One-Shot-Per-Week challenge of 2021 – by Tim Soderstrom by Tim Soderstrom My adventures somewhere in-between medium & large formats on 120 format Kodak Gold 200 by Nick Orloff Unidentified Black Male, or 8 out of 10 frames: Creating a small body of personal portraiture on Fuji FP-100c instant film with a Graflex Crown Graphic by Tony Sebastian Ukpo The vast White: Two months on Svalbard in the arctic winter, a film photography diary – by Josua Schindewolf by Josua Schindewolf Repurposing orphaned instant cameras: Creating the Polaroid “SX-450” by Jim Skelton New Fugufilm 400 slide film: More test roll shots + Bellamy Hunt Q&A Keep reading by EM 5 Frames… 5 Frames… Of a weekend in NYC on ILFORD Delta 3200 Professional (EI 3200 / 35mm format / Nikon FM2 + Nikon Nikkor 50mm f/1.8 AF-D) by Matthew T Rader 5 Frames… 5 Frames… Of ILFORD FP4 PLUS with my new Contax clone (35mm format / EI 100 / Kiev-4a + Jupiter 8M 50mm f/2) – by John Tarrant by EM 5 Frames… 5 Frames… At Westonbirt Arboretum on ILFORD Delta 100 Professional Rolleicord Va + Xenar 75mm f/3.5 by EM Exakta film camera reviews Camera review: The Exakta TL 1000 by Bill Watts 5 Frames… Of cold-weather testing airships by the arctic circle on Kodak Portra 160 (35mm Format / EI 160 / Contax G1 + Planar 45mm f/2) – by Igor Immfun by Igor Immfun 5 Frames… Of Charleston on Kodak EKTACHROME Infrared film (35mm format / EI 400 / Canon EOS 3 + Canon 17-40 f/4) – by Daniel Kompass by Daniel Kompass Film review: A roll of Kodak Portra 800 (Nikon F3 + Nikkor 50mm f/1.8 AI-S) – by Dorothy Key by Dorothy Key 5 Frames… Around Blois on LomoChrome Purple XR 100-400 (35mm format / EI 200 / Yashica FX – 3 + Yashica Lens ML 50mm f/2) – by Steven Munday by EM 5 Frames… Over 3 years on Kodak Portra 400, starting in New Orleans and finishing at Venice Beach (35mm format / EI 400 / Pentax Spotmatic + Super Takumar 50mm f/1.4) by Eric Houge 5 Frames… Of Strasbourg on ILFORD Delta 400 Professional with the “wrong” developer (35mm format / EI 1600 / Rollei 35TE + Tessar f3.5/40mm) – by Olaf by Olaf Latest featured reviews Opinion: Why did Zeiss stop making cameras? Mini-review: The Canon A-1 in Thailand Meopta Magnifax 4 darkroom enlarger: All you need to know READ MORE > 5 Frames… In Covington, Tennessee, with expired Kodak T400CN (35mm / EI 400 / Minolta X-370 + Minolta MD 50mm f/1.4) – by Jon Woodhams by Jon Woodhams 5 Frames… Of Dublin’s St Patrick’s Day on Adox Color Mission 200 (35mm Format / EI 200 / Leica M6 + Voigtlander 35mm f/2.5 Color Skopar) – by Valentine de Villemeur by Valentine de Villemeur 5 Frames… Of panoramas in Grenoble on Kodak Panchromatic Separation Film 2238 (35mm Format / EI 12 / Horizon Perfekt + OF-28p 28mm f/2.8 MC lens) – by Alfonso Carpio Rovira by Alfonso Carpio Rovira 6 Frames… Of macro-ish photos on ADOX COLOR MISSION 200 and a Nikkor OC 35mm + macro tube (EI 200 / 35mm Format / Nikon F) by Aislinn Chuahiock 5 Frames… Just northeast of Memphis on Classic EZ 400 (35mm / EI 400 / Minolta X-370 + Minolta MD 50mm f/1.4) – by Jon Woodhams by Jon Woodhams 5 Frames… Of visible and present grain on ILFORD HP5 PLUS + FX-37 (35mm format / EI 400 Nikon F2 + DE-1 + Nikon Nikkor 35mm f/2.8 AI) – by Emilio Romero by Emilio Romero Latest guides and how-tos Restoring the moldiest, most rusty camera lens I’ve ever seen: How bad (or good) could it be? Elevating the humble cyanotype…with a UV-enlarger! My Quest to make art for the living room wall – Part 1: Iterating contact prints READ MORE > Latest film photographer interviews EMULSIVE Interview #228: I am Daniel Boklage and this is why I shoot film EMULSIVE Interview #227: I am Lucy Ridges and this is why I shoot film (NSFW) EMULSIVE Interview #226: I am Brian Dubois and this is why I shoot film EMULSIVE Interview #225: I am Andrea Bianchi and this is why I shoot film EMULSIVE Interview #224: I am David Imel and this is why I shoot film EMULSIVE Interview #223: I am Ellen Rogers and this is why I shoot film (Mildly NSFW) Latest 5 film camera reviews Rheinmetall Weltax + Meyer-Optik Trioplan f/3.5 75mm + Lomography Redscale and Kodak Portra 160… A review (kind of) by Martin Siegel Enter the Leica M4: Upgrading my Barnack Leica by Simón Ducos A creative machine: The Konica C35 EFP by Diego Boccacci Crash! Bang! Rollop! What a Picture! A review and test of the Lipca Rollop II TLR by Nigel Fishwick The Canon AL-1: Do opposites attract? by Alex Nevelychko Camera review: The LEGO VIP Rewards Vintage Camera + build video by EM Film review: ADOX HR-50, a high-resolution film with a boost by Astrid Robertsson Mini-review: The RETO Ultra Wide & Slim – Experiences and a change in attitude to P&S cameras by Toby Van de Velde The Contax RX: My search for the perfect camera by Paul Turner Latest 5 film stock reviews Kentmere Pan 400 at EI3200 – A low-cost, high speed alternative? by Philip Harrison Chromogenic inspiration: ILFORD XP2 Super – Andrea Bianchi by Andrea Bianchi Svema Foto 65 – Shooting Expired Film from 1989 by Gavin Lyons Film review: Cinestill 50D on Zurich’s smaller streets – Pentax MX and SMC Pentax-M 50mm f/1.7 by Astrid Robertsson Taking Stock: A shootout with 3 very different color films highlights creative possibilities – Kodak Portra, Fuji C200 and Fuji Velvia 100 by Isaac D. Pacheco Purple nights on Lomochrome Purple with the Pixels and Grain Collective by Pixels and Grain Collective Film stock review: Cinestill BWXX by Simon King Foma Retropan 320 Soft: A valuable way of seeing by Yorgo Douramacos Blood-red Witchery: Portraits on Kodak AEROCHROME III color infrared slide film by Mikhail Kostin New to film photography? Read this: How-tos & Guides Shooting 35mm panoramic photographs with the Pentax 67 Pricing your work: Economies of print, or “assigning worth when value is subjective” How-To: Push-metering for simple cameras Start at the Stop: How to respool 35mm film into 127 (and 120) backing paper Everything you wanted to know about auto (thyristor) flash photography …but were afraid to ask The Remora-01: An alternative Polaroid SX-70 battery Email newsletter Subscribe to: Daily digest Weekly digest Leave this field empty if you’re human: Support EMULSIVE Find out how you can help support EMULSIVE from as little as $2 a month on Patreon.Learn more Buy analog
Featured projects Hidden in Plain Sight: A 36-Day Quest to Discover the Daily Miracle of Nature’s Quiet Moments – by Dan Kehlenbach by Dan Kehlenbach
Opinion A look back at my personal One-Shot-Per-Week challenge of 2021 – by Tim Soderstrom by Tim Soderstrom
My adventures somewhere in-between medium & large formats on 120 format Kodak Gold 200 by Nick Orloff
Unidentified Black Male, or 8 out of 10 frames: Creating a small body of personal portraiture on Fuji FP-100c instant film with a Graflex Crown Graphic by Tony Sebastian Ukpo
The vast White: Two months on Svalbard in the arctic winter, a film photography diary – by Josua Schindewolf by Josua Schindewolf
5 Frames… 5 Frames… Of a weekend in NYC on ILFORD Delta 3200 Professional (EI 3200 / 35mm format / Nikon FM2 + Nikon Nikkor 50mm f/1.8 AF-D) by Matthew T Rader
5 Frames… 5 Frames… Of ILFORD FP4 PLUS with my new Contax clone (35mm format / EI 100 / Kiev-4a + Jupiter 8M 50mm f/2) – by John Tarrant by EM
5 Frames… 5 Frames… At Westonbirt Arboretum on ILFORD Delta 100 Professional Rolleicord Va + Xenar 75mm f/3.5 by EM
5 Frames… Of cold-weather testing airships by the arctic circle on Kodak Portra 160 (35mm Format / EI 160 / Contax G1 + Planar 45mm f/2) – by Igor Immfun by Igor Immfun
5 Frames… Of Charleston on Kodak EKTACHROME Infrared film (35mm format / EI 400 / Canon EOS 3 + Canon 17-40 f/4) – by Daniel Kompass by Daniel Kompass
Film review: A roll of Kodak Portra 800 (Nikon F3 + Nikkor 50mm f/1.8 AI-S) – by Dorothy Key by Dorothy Key
5 Frames… Around Blois on LomoChrome Purple XR 100-400 (35mm format / EI 200 / Yashica FX – 3 + Yashica Lens ML 50mm f/2) – by Steven Munday by EM
5 Frames… Over 3 years on Kodak Portra 400, starting in New Orleans and finishing at Venice Beach (35mm format / EI 400 / Pentax Spotmatic + Super Takumar 50mm f/1.4) by Eric Houge
5 Frames… Of Strasbourg on ILFORD Delta 400 Professional with the “wrong” developer (35mm format / EI 1600 / Rollei 35TE + Tessar f3.5/40mm) – by Olaf by Olaf
5 Frames… In Covington, Tennessee, with expired Kodak T400CN (35mm / EI 400 / Minolta X-370 + Minolta MD 50mm f/1.4) – by Jon Woodhams by Jon Woodhams
5 Frames… Of Dublin’s St Patrick’s Day on Adox Color Mission 200 (35mm Format / EI 200 / Leica M6 + Voigtlander 35mm f/2.5 Color Skopar) – by Valentine de Villemeur by Valentine de Villemeur
5 Frames… Of panoramas in Grenoble on Kodak Panchromatic Separation Film 2238 (35mm Format / EI 12 / Horizon Perfekt + OF-28p 28mm f/2.8 MC lens) – by Alfonso Carpio Rovira by Alfonso Carpio Rovira
6 Frames… Of macro-ish photos on ADOX COLOR MISSION 200 and a Nikkor OC 35mm + macro tube (EI 200 / 35mm Format / Nikon F) by Aislinn Chuahiock
5 Frames… Just northeast of Memphis on Classic EZ 400 (35mm / EI 400 / Minolta X-370 + Minolta MD 50mm f/1.4) – by Jon Woodhams by Jon Woodhams
5 Frames… Of visible and present grain on ILFORD HP5 PLUS + FX-37 (35mm format / EI 400 Nikon F2 + DE-1 + Nikon Nikkor 35mm f/2.8 AI) – by Emilio Romero by Emilio Romero
Rheinmetall Weltax + Meyer-Optik Trioplan f/3.5 75mm + Lomography Redscale and Kodak Portra 160… A review (kind of) by Martin Siegel
Mini-review: The RETO Ultra Wide & Slim – Experiences and a change in attitude to P&S cameras by Toby Van de Velde
Film review: Cinestill 50D on Zurich’s smaller streets – Pentax MX and SMC Pentax-M 50mm f/1.7 by Astrid Robertsson
Taking Stock: A shootout with 3 very different color films highlights creative possibilities – Kodak Portra, Fuji C200 and Fuji Velvia 100 by Isaac D. Pacheco
Purple nights on Lomochrome Purple with the Pixels and Grain Collective by Pixels and Grain Collective