News New film day! Say hello to HARMAN Phoenix 200, a brand new mid-speed colour film by EM Articles EMULSIVE Secret Santa 2023: Registration for year 9 is open until November 19th by EM Articles Deep price cuts on fresh 120 film from Lomography as of October 18th 2023 by EM Featured projects Beacons Through Time: East Coast US lighthouses captured on solargraphs by Christian Fiedler Fujifilm Film Stock Reviews Film stock review: Three rolls with “Made in USA” Fujifilm 400 by Mark Frey LATEST My First Roll… With a Yashica Mat 124G by Antonio Miše The Contax 645: Not just a wedding camera by Tom Sebastiano 5 Frames… Of tradition on a Kodak Pro Image 100 (35mm Format / EI 100 / Nikon F4 + Nikkor 24mm f/2.8 AF) – By Abel M by abel M 5 Frames… Of a Rhode Island Spring on Cinestill 400D (35mm Format / EI 800 / Nikon F4 + Nikon Nikkor 50mm f/1.8 AI-S) – by J Balcourt by J Balcourt 5 Frames… 5 Frames… Of the peripheries of Boston on JCH StreetPan 400 (35mm Format / EI 200 / Pentax K1000 + SMC Pentax-A f/2 50mm) – by Anthony L. Barron by Anthony L. Barron 5 Frames… 5 Frames… Of ILFORD HP5 PLUS on my 3D printed camera (120 format / EI 400 / custom shutter and Surplus Meniscus 65mm f/10 lens) – by Mark Hiltz by Mark Hiltz 5 Frames… 5 Frames… Of Mexico City, Xalapa, Veracruz on ILFORD Pan 400 (35mm Format / EI 400 / Olympus XA2 + D-Zuiko 35mm f/3.5) by Brian Lopez Guides & How-Tos How-to: Make DIY your own black and white transparencies (slides) by Stephen Riley Travelogue Travelogue: Fujicolor in Paris on a Nikon L35AF by Mark John Hiemstra 5 Frames… Walking from Marble Arch to Bond Street on Fomapan 100 Classic (35mm Format / EI 100 / Canon EOS 650 + Canon 28-105mm f/3.5-4.5 EF USM II) by Steve Hutchings Fallen grace: The beauty of fallen leaves by Peter Rockstroh Rant: Analysing analogue grandpas. Or, sucking the joy out of photography online since Jan 1st 1983 by Ed Worthington A month in the South of Italy on a Leica M4 and ILFORD HP5 PLUS by Simón Ducos How-to: Convert an automatic Polaroid pack film camera to use manual shutter speeds by Jim Skelton 5 Frames… Flying over Apulia on ILFORD HP5 PLUS (35mm Format / EI 400 / Coca-Cola Can Camera) – by Andrea Bianchi by Andrea Bianchi Latest featured reviews Shooting and developing lightly expired 60-year-old medium format Dekopan F17 black and white film “Faux” Panoramic Camera Mods with the Ansco Pix Panorama 510 Pyro. My new favourite developer? – by Chris Chinnock READ MORE > 5 Frames… Of a Montreal Winter on Fuji Velvia 100 (120 format / EI 100 / Rolleicord Vb) by Joe Mastromatteo 8 Frames… Of my newborn son on ILFORD HP5 PLUS (35mm Format / Nikon Nikkormat / Nikkor 50mm f/1.4 AI-S) – by Spencer Cameron by Spencer Cameron 5 Frames… Of Zeche Zollverein on Silberra Color 50 (120 Format / EI 125 / Mamiya 645 1000s + Sekor-C 45mm f/2.8, 80mm f/2.8 and 150mm f/4) – by Ernst-Jan de Vries by Ernst-Jan de Vries An ideal match: 120 roll film cameras and the square format by Michael Chiusano 5 Frames… Ektachrome 160T expired in poor conditions cross processed in ECN-2 (120 Format / EI160 / Mamiya RB67 + Mamiya Sekor C 50mm f/4.5) – by Pablo Cruz Villalba by Pablo Cruz Villalba 5 Frames… On my grandparents’ Kodak Brownie No. 2 Model E (120 format / Fomapan 400 Action) – by Ross Gardner by Ross Gardner Latest guides and how-tos How-to: Shoot Fujifilm Instax on a Polaroid BigShot How-to: Shoot 120 & 35mm film in a Polaroid pack film camera How-to: Develop paper negatives “out and about” with a field development kit – by Jim Skelton READ MORE > Latest film photographer interviews EMULSIVE Interview #228: I am Daniel Boklage and this is why I shoot film EMULSIVE Interview #227: I am Lucy Ridges and this is why I shoot film (NSFW) EMULSIVE Interview #226: I am Brian Dubois and this is why I shoot film EMULSIVE Interview #225: I am Andrea Bianchi and this is why I shoot film EMULSIVE Interview #224: I am David Imel and this is why I shoot film EMULSIVE Interview #223: I am Ellen Rogers and this is why I shoot film (Mildly NSFW) Latest 5 film camera reviews Review: Kodak Pocket Instamatic 10 + Lomography Tiger CN200 film by Anna Shotadze Camera review: Loving Lomography’s New LomoApparat 21mm wide-angle camera by Aislinn Chuahiock Camera review: The Exakta TL 1000 by Bill Watts Opinion: Why did Zeiss stop making cameras? by Gavin Lyons Mini-review: The Canon A-1 in Thailand by James Patrick Rheinmetall Weltax + Meyer-Optik Trioplan f/3.5 75mm + Lomography Redscale and Kodak Portra 160… A review (kind of) by Martin Siegel Film stock review: Santa Color 100 by Rick Davy Enter the Leica M4: Upgrading my Barnack Leica by Simón Ducos A creative machine: The Konica C35 EFP by Diego Boccacci Latest 5 film stock reviews Film Stock Review: CineStill 400D by Ryan Gabbard Film review: A roll of Kodak Portra 800 (Nikon F3 + Nikkor 50mm f/1.8 AI-S) – by Dorothy Key by Dorothy Key My adventures somewhere in-between medium & large formats on 120 format Kodak Gold 200 by Nick Orloff Film review: ADOX HR-50, a high-resolution film with a boost by Astrid Robertsson Kentmere Pan 400 at EI3200 – A low-cost, high speed alternative? by Philip Harrison Chromogenic inspiration: ILFORD XP2 Super – Andrea Bianchi by Andrea Bianchi Svema Foto 65 – Shooting Expired Film from 1989 by Gavin Lyons Film review: Cinestill 50D on Zurich’s smaller streets – Pentax MX and SMC Pentax-M 50mm f/1.7 by Astrid Robertsson Taking Stock: A shootout with 3 very different color films highlights creative possibilities – Kodak Portra, Fuji C200 and Fuji Velvia 100 by Isaac D. Pacheco New to film photography? Read this: Email newsletter Type your email… Subscribe Support EMULSIVE Find out how you can help support EMULSIVE from as little as $2 a month on Patreon.Learn more
Featured projects Beacons Through Time: East Coast US lighthouses captured on solargraphs by Christian Fiedler
Fujifilm Film Stock Reviews Film stock review: Three rolls with “Made in USA” Fujifilm 400 by Mark Frey
5 Frames… Of tradition on a Kodak Pro Image 100 (35mm Format / EI 100 / Nikon F4 + Nikkor 24mm f/2.8 AF) – By Abel M by abel M
5 Frames… Of a Rhode Island Spring on Cinestill 400D (35mm Format / EI 800 / Nikon F4 + Nikon Nikkor 50mm f/1.8 AI-S) – by J Balcourt by J Balcourt
5 Frames… 5 Frames… Of the peripheries of Boston on JCH StreetPan 400 (35mm Format / EI 200 / Pentax K1000 + SMC Pentax-A f/2 50mm) – by Anthony L. Barron by Anthony L. Barron
5 Frames… 5 Frames… Of ILFORD HP5 PLUS on my 3D printed camera (120 format / EI 400 / custom shutter and Surplus Meniscus 65mm f/10 lens) – by Mark Hiltz by Mark Hiltz
5 Frames… 5 Frames… Of Mexico City, Xalapa, Veracruz on ILFORD Pan 400 (35mm Format / EI 400 / Olympus XA2 + D-Zuiko 35mm f/3.5) by Brian Lopez
5 Frames… Walking from Marble Arch to Bond Street on Fomapan 100 Classic (35mm Format / EI 100 / Canon EOS 650 + Canon 28-105mm f/3.5-4.5 EF USM II) by Steve Hutchings
Rant: Analysing analogue grandpas. Or, sucking the joy out of photography online since Jan 1st 1983 by Ed Worthington
5 Frames… Flying over Apulia on ILFORD HP5 PLUS (35mm Format / EI 400 / Coca-Cola Can Camera) – by Andrea Bianchi by Andrea Bianchi
5 Frames… Of a Montreal Winter on Fuji Velvia 100 (120 format / EI 100 / Rolleicord Vb) by Joe Mastromatteo
8 Frames… Of my newborn son on ILFORD HP5 PLUS (35mm Format / Nikon Nikkormat / Nikkor 50mm f/1.4 AI-S) – by Spencer Cameron by Spencer Cameron
5 Frames… Of Zeche Zollverein on Silberra Color 50 (120 Format / EI 125 / Mamiya 645 1000s + Sekor-C 45mm f/2.8, 80mm f/2.8 and 150mm f/4) – by Ernst-Jan de Vries by Ernst-Jan de Vries
5 Frames… Ektachrome 160T expired in poor conditions cross processed in ECN-2 (120 Format / EI160 / Mamiya RB67 + Mamiya Sekor C 50mm f/4.5) – by Pablo Cruz Villalba by Pablo Cruz Villalba
5 Frames… On my grandparents’ Kodak Brownie No. 2 Model E (120 format / Fomapan 400 Action) – by Ross Gardner by Ross Gardner
Rheinmetall Weltax + Meyer-Optik Trioplan f/3.5 75mm + Lomography Redscale and Kodak Portra 160… A review (kind of) by Martin Siegel
Film review: A roll of Kodak Portra 800 (Nikon F3 + Nikkor 50mm f/1.8 AI-S) – by Dorothy Key by Dorothy Key
My adventures somewhere in-between medium & large formats on 120 format Kodak Gold 200 by Nick Orloff
Film review: Cinestill 50D on Zurich’s smaller streets – Pentax MX and SMC Pentax-M 50mm f/1.7 by Astrid Robertsson
Taking Stock: A shootout with 3 very different color films highlights creative possibilities – Kodak Portra, Fuji C200 and Fuji Velvia 100 by Isaac D. Pacheco
