Articles The vast White: Two months on Svalbard in the arctic winter, a film photography diary – by Josua Schindewolf by Josua Schindewolf Guides & How-Tos Repurposing orphaned instant cameras: Creating the Polaroid “SX-450” by Jim Skelton New Fugufilm 400 slide film: More test roll shots + Bellamy Hunt Q&A by EM A new “everyday” film from CineStill: 400Dynamic in 35mm and 120 format by EM 25% cheaper than both Portra and Ektar: the return of Kodak Gold 200 film in 120 format by EM The new Lomography DigitaLIZA + / Max film scanning kits for 35mm and 120 film by EM Enter the Leica M4: Upgrading my Barnack Leica Keep reading by Simón Ducos Articles 5 Frames… Just northeast of Memphis on Classic EZ 400 (35mm / EI 400 / Minolta X-370 + Minolta MD 50mm f/1.4) – by Jon Woodhams by EM 5 Frames… 5 Frames… Of visible and present grain on ILFORD HP5 PLUS + FX-37 (35mm format / EI 400 Nikon F2 + DE-1 + Nikon Nikkor 35mm f/2.8 AI) – by Emilio Romero by Emilio Romero 5 Frames… 5 Frames… With a Lumenbox lens and Rollei Retro 400S (35mm format / EI 400 / Voigtlander Bessa L) by Sonny Rosenberg Opinion Why every film photographer should keep roll notes – by Wesley Verhoeve by Wesley Verhoeve 5 Frames… Of Kodak Tri-X 400 35mm and a Lomo LC-A (35mm Format / EI 400 / Lomo Minitar 1 32mm f/2.8) by Matt Andrews 5 Frames… At the farm on ILFORD HP5 PLUS and Voigtlander ULTRON SL II 40mm F/2 (35mm format / EI 400 / Nikon FM3A) – by Michael by Michael 5 Frames… Of Kodak Portra 400 on a Kodak M35 plastic camera – by Kerry Constantino by Kerry Constantino 5 Frames… At St Athan Boys’ Village on Cinestill 800T / Canon A-1 + Canon FDn 50mm f/1.8 by Ellis Thomas 5 Orthochromatic Frames… Of Washi A (35mm format / El 50 / Minolta SR-T 303b + MD F1.7/50mm) by Olaf 5 Frames of my lockdown on Classic EZ 400 film, a Voigtländer Bessa-R and Nikon FM2 (Skopar 35mm f/2.5 and Voigtländer Ultron 40mm f/2 lenses) by Mitch Walker, Jr Latest featured reviews Opinion: Why did Zeiss stop making cameras? Mini-review: The Canon A-1 in Thailand Meopta Magnifax 4 darkroom enlarger: All you need to know READ MORE > Month in review: June 2021 by EM 5 Frames of… Tulips on overexposed Fujicolor C200 (Leica R3, Macro-Elmarit 60mm f/2.8) – by Charles Mutter by Charles Mutter 5 Frames… In the fog with an Agfa Optima I and NoColorStudio No. 10 film (35mm Format / EI 100 / Agfa Color-Agnar f/2.8/45mm) by Olaf 5 Frames… Of Dresden Neustadt on Kodak Portra 160 (35mm format / EI 160 / Minolta SRT MC-II + Minolta MC 35mm f2.8) – by Konrad Kiesel by Konrad Kiesel 5 Frames… Of portraits on ILFORD HP5 PLUS (120 Format / EI 320 / Green #11 filter Bronica SQ-A + Zenzanon PS 150mm + S-18 extension tube) – by Cameron Breze by Cameron Breze 5 Frames… Of a day at the slopes on Kodak Gold 200 (35mm Format / EI400 / Canon EOS 1N + Canon 50mm 1.8 STM) by JP Latest guides and how-tos Restoring the moldiest, most rusty camera lens I’ve ever seen: How bad (or good) could it be? Elevating the humble cyanotype…with a UV-enlarger! My Quest to make art for the living room wall – Part 1: Iterating contact prints READ MORE > Latest film photographer interviews EMULSIVE Interview #228: I am Daniel Boklage and this is why I shoot film EMULSIVE Interview #227: I am Lucy Ridges and this is why I shoot film (NSFW) EMULSIVE Interview #226: I am Brian Dubois and this is why I shoot film EMULSIVE Interview #225: I am Andrea Bianchi and this is why I shoot film EMULSIVE Interview #224: I am David Imel and this is why I shoot film EMULSIVE Interview #223: I am Ellen Rogers and this is why I shoot film (Mildly NSFW) Latest 5 film camera reviews Rheinmetall Weltax + Meyer-Optik Trioplan f/3.5 75mm + Lomography Redscale and Kodak Portra 160… A review (kind of) by Martin Siegel A creative machine: The Konica C35 EFP by Diego Boccacci Crash! Bang! Rollop! What a Picture! A review and test of the Lipca Rollop II TLR by Nigel Fishwick The Canon AL-1: Do opposites attract? by Alex Nevelychko Camera review: The LEGO VIP Rewards Vintage Camera + build video by EM Mini-review: The RETO Ultra Wide & Slim – Experiences and a change in attitude to P&S cameras by Toby Van de Velde Film review: ADOX HR-50, a high-resolution film with a boost by Astrid Robertsson The Contax RX: My search for the perfect camera by Paul Turner Camera Review: Pentax ME Super (featuring Portra 400 and the SMC-M series lenses) – By Trevor Hong by Trevor Hong Latest 5 film stock reviews Kentmere Pan 400 at EI3200 – A low-cost, high speed alternative? by Philip Harrison Chromogenic inspiration: ILFORD XP2 Super – Andrea Bianchi by Andrea Bianchi Svema Foto 65 – Shooting Expired Film from 1989 by Gavin Lyons Film review: Cinestill 50D on Zurich’s smaller streets – Pentax MX and SMC Pentax-M 50mm f/1.7 by Astrid Robertsson Taking Stock: A shootout with 3 very different color films highlights creative possibilities – Kodak Portra, Fuji C200 and Fuji Velvia 100 by Isaac D. Pacheco Purple nights on Lomochrome Purple with the Pixels and Grain Collective by Pixels and Grain Collective Film stock review: Cinestill BWXX by Simon King Foma Retropan 320 Soft: A valuable way of seeing by Yorgo Douramacos Blood-red Witchery: Portraits on Kodak AEROCHROME III color infrared slide film by Mikhail Kostin New to film photography? Read this: How-tos & Guides Shooting 35mm panoramic photographs with the Pentax 67 Pricing your work: Economies of print, or “assigning worth when value is subjective” How-To: Push-metering for simple cameras Start at the Stop: How to respool 35mm film into 127 (and 120) backing paper Everything you wanted to know about auto (thyristor) flash photography …but were afraid to ask The Remora-01: An alternative Polaroid SX-70 battery Email newsletter Subscribe to: Daily digest Weekly digest Leave this field empty if you’re human: Support EMULSIVE Find out how you can help support EMULSIVE from as little as $2 a month on Patreon.Learn more Buy analog
Articles The vast White: Two months on Svalbard in the arctic winter, a film photography diary – by Josua Schindewolf by Josua Schindewolf
Articles 5 Frames… Just northeast of Memphis on Classic EZ 400 (35mm / EI 400 / Minolta X-370 + Minolta MD 50mm f/1.4) – by Jon Woodhams by EM
5 Frames… 5 Frames… Of visible and present grain on ILFORD HP5 PLUS + FX-37 (35mm format / EI 400 Nikon F2 + DE-1 + Nikon Nikkor 35mm f/2.8 AI) – by Emilio Romero by Emilio Romero
5 Frames… 5 Frames… With a Lumenbox lens and Rollei Retro 400S (35mm format / EI 400 / Voigtlander Bessa L) by Sonny Rosenberg
5 Frames… Of Kodak Tri-X 400 35mm and a Lomo LC-A (35mm Format / EI 400 / Lomo Minitar 1 32mm f/2.8) by Matt Andrews
5 Frames… At the farm on ILFORD HP5 PLUS and Voigtlander ULTRON SL II 40mm F/2 (35mm format / EI 400 / Nikon FM3A) – by Michael by Michael
5 Frames… Of Kodak Portra 400 on a Kodak M35 plastic camera – by Kerry Constantino by Kerry Constantino
5 Frames… At St Athan Boys’ Village on Cinestill 800T / Canon A-1 + Canon FDn 50mm f/1.8 by Ellis Thomas
5 Frames of my lockdown on Classic EZ 400 film, a Voigtländer Bessa-R and Nikon FM2 (Skopar 35mm f/2.5 and Voigtländer Ultron 40mm f/2 lenses) by Mitch Walker, Jr
5 Frames of… Tulips on overexposed Fujicolor C200 (Leica R3, Macro-Elmarit 60mm f/2.8) – by Charles Mutter by Charles Mutter
5 Frames… In the fog with an Agfa Optima I and NoColorStudio No. 10 film (35mm Format / EI 100 / Agfa Color-Agnar f/2.8/45mm) by Olaf
5 Frames… Of Dresden Neustadt on Kodak Portra 160 (35mm format / EI 160 / Minolta SRT MC-II + Minolta MC 35mm f2.8) – by Konrad Kiesel by Konrad Kiesel
5 Frames… Of portraits on ILFORD HP5 PLUS (120 Format / EI 320 / Green #11 filter Bronica SQ-A + Zenzanon PS 150mm + S-18 extension tube) – by Cameron Breze by Cameron Breze
5 Frames… Of a day at the slopes on Kodak Gold 200 (35mm Format / EI400 / Canon EOS 1N + Canon 50mm 1.8 STM) by JP
Rheinmetall Weltax + Meyer-Optik Trioplan f/3.5 75mm + Lomography Redscale and Kodak Portra 160… A review (kind of) by Martin Siegel
Mini-review: The RETO Ultra Wide & Slim – Experiences and a change in attitude to P&S cameras by Toby Van de Velde
Camera Review: Pentax ME Super (featuring Portra 400 and the SMC-M series lenses) – By Trevor Hong by Trevor Hong
Film review: Cinestill 50D on Zurich’s smaller streets – Pentax MX and SMC Pentax-M 50mm f/1.7 by Astrid Robertsson
Taking Stock: A shootout with 3 very different color films highlights creative possibilities – Kodak Portra, Fuji C200 and Fuji Velvia 100 by Isaac D. Pacheco
Purple nights on Lomochrome Purple with the Pixels and Grain Collective by Pixels and Grain Collective