Opinion What can you do if an idea seems “too big”? by Simon King Guides & How-Tos How-to: Shoot Fujifilm Instax on a Polaroid BigShot by Nicholas Morganti Articles Review: Kodak Pocket Instamatic 10 + Lomography Tiger CN200 film by Anna Shotadze News New film cameras from PENTAX / Ricoh Imaging? “Film Project Start” by EM Articles Documenting Sport Is Your Gang (SIYG) and social outreach in Colombia by Jeff Dojillo LATEST 5 Frames… As an ode to unsung photography heroes (Fujifilm NEOPAN 100 ACROS / 35mm format / EI 100 / Nikon F + Nikon Micro-Nikkor 55mm f/2.8) by Jens Kotlenga 5 Frames… On Agfa APX 100 with an Olympus OM-10 + Zuiko 50mm f/1.8 – by Thomas Garrard by Thomas Garrard 5 Frames… In Florence on expired ILFORD PAN F PLUS (35mm Format / EI 10 Contax RTS III + Carl Zeiss Distagon 2,8/28mm) – by Julian Ruoss by Julian Ruoss Making trichromes with Solarfast dye: A cheap and fast alternative to gum bichromate printing?? by Chad Hill 5 Frames… 5 Frames… At the Tatacoa Desert on Kodak Color Plus 200 and a Nikon FM2n (35mm Format / El 200 / Nikon Nikkor 28-105mm AF macro f/3.5-4.5D) – by Juan Roa by Juan Roa 5 Frames… 5 Frames… Of Orwo UN54 in Florence on a Canon FTb (35mm Format / EI 160 / Canon FD 70-210mm f/4.0 zoom lens – by Sergio Palazzi by Sergio Palazzi Featured Film stock review: Santa Color 100 by Rick Davy Articles Film Stock Review: CineStill 400D by Ryan Gabbard Articles 6 Frames… Of Kodak Ektar 100 in Paris on a Canon A-1 (35mm Format / EI 100 / Multiple lenses) – by Nick Orloff by EM 5 Frames… Of golden hour on a Balda Baldi 29 and Fomapan 100 Classic (120 format / EI 100 / Baldanar 80mm f/2.9 Triplet) – by Leon Blankenhorn by EM Street photography in 1974: Shooting a hand-me-down Leica llla in Paris – by Gerard J. van den Broek by Gerard J. van den Broek How-to: Shoot 120 & 35mm film in a Polaroid pack film camera by Jim Skelton 5 Frames… Of Eid-al-Fitr 2022 on Fuji Superia 1600 and a Pentax ME (35mm format / EI 1600 / SMC Pentax-M 28mm f/2.8) – by Yusuf Husain by EM 5 Frames… Of “Sinostill” 800T a cheaper alternative to Cinestill 800T? (EI 800/35mm format/Nikon F3 + Micro-Nikkor 55mm f/2.8) – by Wenhong by Wenhong The Pure Land: Mexico – by Willem van den Heever by Willem van den Heever Latest featured reviews Camera review: Loving Lomography’s New LomoApparat 21mm wide-angle camera Lomography special effect film comparison: Metropolis, Purple, Turquoise, Redscale Camera review: The Exakta TL 1000 READ MORE > How New Exit Group photographs community by Simon King A few thoughts on overcoming photography blocks by Simón Ducos EMULSIVE Santa 2022, a gift-giver’s guide by Aislinn Chuahiock 5 Frames… Through Western Canada on CineStill 400D (35mm Format / EI 400 / Lomography LC-A+) – by Julia Beyer by Julia Beyer EMULSIVE Secret Santa 2022: Registration for year 8 is open until November 13th by EM Photos, photographing, and why: A photo essay shot in Red Hook, Brooklyn on a Pentax 6×7 by Armaan Ahmed Latest guides and how-tos How-to: Develop paper negatives “out and about” with a field development kit – by Jim Skelton How-to: Shoot paper negatives with a Polaroid pack film Land Camera Build log: Take one Polaroid Model 455 and one Instax 100 camera and what do you get? A serious hack job READ MORE > Latest film photographer interviews EMULSIVE Interview #228: I am Daniel Boklage and this is why I shoot film EMULSIVE Interview #227: I am Lucy Ridges and this is why I shoot film (NSFW) EMULSIVE Interview #226: I am Brian Dubois and this is why I shoot film EMULSIVE Interview #225: I am Andrea Bianchi and this is why I shoot film EMULSIVE Interview #224: I am David Imel and this is why I shoot film EMULSIVE Interview #223: I am Ellen Rogers and this is why I shoot film (Mildly NSFW) Latest 5 film camera reviews Opinion: Why did Zeiss stop making cameras? by Gavin Lyons Mini-review: The Canon A-1 in Thailand by James Patrick Rheinmetall Weltax + Meyer-Optik Trioplan f/3.5 75mm + Lomography Redscale and Kodak Portra 160… A review (kind of) by Martin Siegel Enter the Leica M4: Upgrading my Barnack Leica by Simón Ducos A creative machine: The Konica C35 EFP by Diego Boccacci Crash! Bang! Rollop! What a Picture! A review and test of the Lipca Rollop II TLR by Nigel Fishwick Film review: A roll of Kodak Portra 800 (Nikon F3 + Nikkor 50mm f/1.8 AI-S) – by Dorothy Key by Dorothy Key The Canon AL-1: Do opposites attract? by Alex Nevelychko Camera review: The LEGO VIP Rewards Vintage Camera + build video by EM Latest 5 film stock reviews My adventures somewhere in-between medium & large formats on 120 format Kodak Gold 200 by Nick Orloff Film review: ADOX HR-50, a high-resolution film with a boost by Astrid Robertsson Kentmere Pan 400 at EI3200 – A low-cost, high speed alternative? by Philip Harrison Chromogenic inspiration: ILFORD XP2 Super – Andrea Bianchi by Andrea Bianchi Svema Foto 65 – Shooting Expired Film from 1989 by Gavin Lyons Film review: Cinestill 50D on Zurich’s smaller streets – Pentax MX and SMC Pentax-M 50mm f/1.7 by Astrid Robertsson Taking Stock: A shootout with 3 very different color films highlights creative possibilities – Kodak Portra, Fuji C200 and Fuji Velvia 100 by Isaac D. Pacheco Purple nights on Lomochrome Purple with the Pixels and Grain Collective by Pixels and Grain Collective Film stock review: Cinestill BWXX by Simon King New to film photography? Read this: Email newsletter Subscribe to: Daily digest Weekly digest Leave this field empty if you’re human: Support EMULSIVE Find out how you can help support EMULSIVE from as little as $2 a month on Patreon.Learn more
5 Frames… As an ode to unsung photography heroes (Fujifilm NEOPAN 100 ACROS / 35mm format / EI 100 / Nikon F + Nikon Micro-Nikkor 55mm f/2.8) by Jens Kotlenga
5 Frames… On Agfa APX 100 with an Olympus OM-10 + Zuiko 50mm f/1.8 – by Thomas Garrard by Thomas Garrard
5 Frames… In Florence on expired ILFORD PAN F PLUS (35mm Format / EI 10 Contax RTS III + Carl Zeiss Distagon 2,8/28mm) – by Julian Ruoss by Julian Ruoss
Making trichromes with Solarfast dye: A cheap and fast alternative to gum bichromate printing?? by Chad Hill
5 Frames… 5 Frames… At the Tatacoa Desert on Kodak Color Plus 200 and a Nikon FM2n (35mm Format / El 200 / Nikon Nikkor 28-105mm AF macro f/3.5-4.5D) – by Juan Roa by Juan Roa
5 Frames… 5 Frames… Of Orwo UN54 in Florence on a Canon FTb (35mm Format / EI 160 / Canon FD 70-210mm f/4.0 zoom lens – by Sergio Palazzi by Sergio Palazzi
Articles 6 Frames… Of Kodak Ektar 100 in Paris on a Canon A-1 (35mm Format / EI 100 / Multiple lenses) – by Nick Orloff by EM
5 Frames… Of golden hour on a Balda Baldi 29 and Fomapan 100 Classic (120 format / EI 100 / Baldanar 80mm f/2.9 Triplet) – by Leon Blankenhorn by EM
Street photography in 1974: Shooting a hand-me-down Leica llla in Paris – by Gerard J. van den Broek by Gerard J. van den Broek
5 Frames… Of Eid-al-Fitr 2022 on Fuji Superia 1600 and a Pentax ME (35mm format / EI 1600 / SMC Pentax-M 28mm f/2.8) – by Yusuf Husain by EM
5 Frames… Of “Sinostill” 800T a cheaper alternative to Cinestill 800T? (EI 800/35mm format/Nikon F3 + Micro-Nikkor 55mm f/2.8) – by Wenhong by Wenhong
5 Frames… Through Western Canada on CineStill 400D (35mm Format / EI 400 / Lomography LC-A+) – by Julia Beyer by Julia Beyer
Photos, photographing, and why: A photo essay shot in Red Hook, Brooklyn on a Pentax 6×7 by Armaan Ahmed
Build log: Take one Polaroid Model 455 and one Instax 100 camera and what do you get? A serious hack job
Rheinmetall Weltax + Meyer-Optik Trioplan f/3.5 75mm + Lomography Redscale and Kodak Portra 160… A review (kind of) by Martin Siegel
Film review: A roll of Kodak Portra 800 (Nikon F3 + Nikkor 50mm f/1.8 AI-S) – by Dorothy Key by Dorothy Key
My adventures somewhere in-between medium & large formats on 120 format Kodak Gold 200 by Nick Orloff
Film review: Cinestill 50D on Zurich’s smaller streets – Pentax MX and SMC Pentax-M 50mm f/1.7 by Astrid Robertsson
Taking Stock: A shootout with 3 very different color films highlights creative possibilities – Kodak Portra, Fuji C200 and Fuji Velvia 100 by Isaac D. Pacheco
Purple nights on Lomochrome Purple with the Pixels and Grain Collective by Pixels and Grain Collective