EMULSIVE: Your film photography journey starts here...

The vast White: Two months on Svalbard in the arctic winter, a film photography diary – by Josua Schindewolf

by Josua Schindewolf

Guides & How-Tos

Repurposing orphaned instant cameras: Creating the Polaroid “SX-450”

by Jim Skelton

New Fugufilm 400 slide film: More test roll shots + Bellamy Hunt Q&A

by EM

A new “everyday” film from CineStill: 400Dynamic in 35mm and 120 format

by EM

25% cheaper than both Portra and Ektar: the return of Kodak Gold 200 film in 120 format

by EM

The new Lomography DigitaLIZA + / Max film scanning kits for 35mm and 120 film

by EM

Enter the Leica M4: Upgrading my Barnack Leica

by Simón Ducos

My Nikon F Nikkor OC 35mm + macro tube, Aislinn Chuahiock

6 Frames… Of macro-ish photos on ADOX COLOR MISSION 200 and a Nikkor OC 35mm + macro tube (EI 200 / 35mm Format / Nikon F)

by Aislinn Chuahiock

My Minolta X-370 + Minolta MD 50mm f/1.4, Jon Woodhams

5 Frames… Just northeast of Memphis on Classic EZ 400 (35mm / EI 400 / Minolta X-370 + Minolta MD 50mm f/1.4) – by Jon Woodhams

by EM

5 Frames… Of visible and present grain on ILFORD HP5 PLUS + FX-37 (35mm format / EI 400 Nikon F2 + DE-1 + Nikon Nikkor 35mm f/2.8 AI) – by Emilio Romero

by Emilio Romero

5 Frames… With a Lumenbox lens and Rollei Retro 400S (35mm format / EI 400 / Voigtlander Bessa L)

by Sonny Rosenberg

Why every film photographer should keep roll notes – by Wesley Verhoeve

by Wesley Verhoeve

5 Frames… Of Kodak Tri-X 400 35mm and a Lomo LC-A (35mm Format / EI 400 / Lomo Minitar 1 32mm f/2.8)

by Matt Andrews

5 Frames… At the farm on ILFORD HP5 PLUS and Voigtlander ULTRON SL II 40mm F/2 (35mm format / EI 400 / Nikon FM3A) – by Michael

by Michael

5 Frames... Of Kodak Portra 400 on a Kodak M35 plastic camera - by Kerry Constantino

5 Frames… Of Kodak Portra 400 on a Kodak M35 plastic camera – by Kerry Constantino

by Kerry Constantino

5 Frames… At St Athan Boys’ Village on Cinestill 800T / Canon A-1 + Canon FDn 50mm f/1.8

by Ellis Thomas

5 Orthochromatic Frames… Of Washi A (35mm format / El 50 / Minolta SR-T 303b + MD F1.7/50mm)

by Olaf

Latest featured reviews

Zeiss Ikon Contaflex Super

Opinion: Why did Zeiss stop making cameras?

Mini-review: The Canon A-1 in Thailand

Meopta Magnifax 4 darkroom enlarger: All you need to know

READ MORE >

5 Frames of my lockdown on Classic EZ 400 film, a Voigtländer Bessa-R and Nikon FM2 (Skopar 35mm f/2.5 and Voigtländer Ultron 40mm f/2 lenses)

by Mitch Walker, Jr

Month in review: June 2021

by EM

5 Frames of… Tulips on overexposed Fujicolor C200 (Leica R3, Macro-Elmarit 60mm f/2.8) – by Charles Mutter

by Charles Mutter

5 Frames... In the fog with an Agfa Optima I and NoColorStudio No. 10 film (35mm Format / EI 100 / Agfa Color-Agnar f/2.8/45mm) - by Olaf

5 Frames… In the fog with an Agfa Optima I and NoColorStudio No. 10 film (35mm Format / EI 100 / Agfa Color-Agnar f/2.8/45mm)

by Olaf

5 Frames… Of Dresden Neustadt on Kodak Portra 160 (35mm format / EI 160 / Minolta SRT MC-II + Minolta MC 35mm f2.8) – by Konrad Kiesel

by Konrad Kiesel

5 Frames… Of portraits on ILFORD HP5 PLUS (120 Format / EI 320 / Green #11 filter Bronica SQ-A + Zenzanon PS 150mm + S-18 extension tube) – by Cameron Breze

by Cameron Breze

Latest guides and how-tos

Restoring the moldiest, most rusty camera lens I’ve ever seen: How bad (or good) could it be?

Elevating the humble cyanotype…with a UV-enlarger!

My Quest to make art for the living room wall - Part 1: Iterating contact prints by Sarah Hall

My Quest to make art for the living room wall – Part 1: Iterating contact prints

READ MORE >

Latest film photographer interviews

EMULSIVE Interview: I am Daniel Boklage and this is why I shoot film

EMULSIVE Interview #228: I am Daniel Boklage and this is why I shoot film

EMULSIVE Interview #227 - I am Lucy Ridges and this is why I shoot film

EMULSIVE Interview #227: I am Lucy Ridges and this is why I shoot film (NSFW)

Canon A1- FDn 50mm f/1.4 - Fuji Superia X-TRA 400

EMULSIVE Interview #226: I am Brian Dubois and this is why I shoot film

Andrea Bianchi - Hasselblad SWC - Fujichrome Provia 100F Expired and X process

EMULSIVE Interview #225: I am Andrea Bianchi and this is why I shoot film

Lifeguard

EMULSIVE Interview #224: I am David Imel and this is why I shoot film

Shot on Nikon F2 in 2019, hand printed selenium toned and hand coloured. London

EMULSIVE Interview #223: I am Ellen Rogers and this is why I shoot film (Mildly NSFW)

Latest 5 film camera reviews

Rheinmetall Weltax + Meyer-Optik Trioplan f/3.5 75mm

Rheinmetall Weltax + Meyer-Optik Trioplan f/3.5 75mm + Lomography Redscale and Kodak Portra 160… A review (kind of)

by Martin Siegel

Konica C35 EFP - Black

A creative machine: The Konica C35 EFP

by Diego Boccacci

The Lipca Rollop II. Portrait by Nikon F80, Sigma 105mm f/2.8 OS HSM, and ILFORD HP5 PLUS (@ EI 1600).

Crash! Bang! Rollop! What a Picture! A review and test of the Lipca Rollop II TLR

by Nigel Fishwick

Canon AL-1

The Canon AL-1: Do opposites attract?

by Alex Nevelychko

Camera review: The LEGO VIP Rewards Vintage Camera + build video

Camera review: The LEGO VIP Rewards Vintage Camera + build video

by EM

RETO Ultra Wide & Slim

Mini-review: The RETO Ultra Wide & Slim – Experiences and a change in attitude to P&S cameras

by Toby Van de Velde

Cover: Film review - ADOX HR-50, a high-resolution film with a boost

Film review: ADOX HR-50, a high-resolution film with a boost

by Astrid Robertsson

The Contax RX: My search for the perfect camera

by Paul Turner

Camera Review: Pentax ME Super (featuring Portra 400 and the SMC-M series lenses) - NY Trevor Hong

Camera Review: Pentax ME Super (featuring Portra 400 and the SMC-M series lenses) – By Trevor Hong

by Trevor Hong

Latest 5 film stock reviews

Kentmere Pan 400 at EI3200 – A low-cost, high speed alternative?

by Philip Harrison

Chromogenic inspiration: ILFORD XP2 Super - Andrea Bianchi

Chromogenic inspiration: ILFORD XP2 Super – Andrea Bianchi

by Andrea Bianchi

Svema Foto 65 – Shooting Expired Film from 1989

by Gavin Lyons

My Pentax MX and SMC Pentax-M 50mm f/1.7

Film review: Cinestill 50D on Zurich’s smaller streets – Pentax MX and SMC Pentax-M 50mm f/1.7

by Astrid Robertsson

Taking Stock: A shootout with 3 very different color films highlights creative possibilities – Kodak Portra, Fuji C200 and Fuji Velvia 100

by Isaac D. Pacheco

Purple nights on Lomochrome Purple with the Pixels and Grain Collective

by Pixels and Grain Collective

Film stock review: Cinestill BWXX - by Simon King

Film stock review: Cinestill BWXX

by Simon King

Foma Retropan 320 Soft: A valuable way of seeing

by Yorgo Douramacos

Blood-red Witchery: Portraits on Kodak AEROCHROME III color infrared slide film

Blood-red Witchery: Portraits on Kodak AEROCHROME III color infrared slide film

by Mikhail Kostin

New to film photography? Read this:

How-tos & Guides

Pentax 67 panoramic photographs - 35mm film mask

Shooting 35mm panoramic photographs with the Pentax 67

Pricing your work: Economies of print, or “assigning worth when value is subjective”

Zeiss Ikon Box Tengor 56:2 and Luna Pro

How-To: Push-metering for simple cameras

Start at the Stop: How to respool 35mm film into 127 (and 120) backing paper

Cover - EVERYTHING YOU WANTED TO KNOW ABOUT AUTO (THYRISTOR) FLASH PHOTOGRAPHY ...BUT WERE AFRAID TO ASK

Everything you wanted to know about auto (thyristor) flash photography …but were afraid to ask

The Remora-01: An alternative Polaroid SX-70 battery

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