The mighty Fujica Panorama G617 Professional was the camera that made me return to shooting on film. After I’d sold my film gear and gone …
Read moreThe mighty Fujica Panorama G617 Professional camera review
In 2016 I decided to back the TwoFourths DIY 617 Kickstarter project, paying about $185 for a kit that would let me use two lenses …
Read moreBuilding a point and shoot 6×17 camera: the TwoFourths DIY camera kit
When it comes to medium format cameras we’re spoilt for choice. This is not surprising considering that 120 film was the main format used by professionals and enthusiasts alike for a good chunk of the 20th century before 35mm film took over.
British camera manufacturer Barnet Ross Ensign boldly advertised in the post-Second World War period that photographic development had now moved from Europe to Great Britain.
I continue to carry film cameras long after the world has gone digital. We had a darkroom when I was growing up and I learned to develop film and print photos when I was about 10.
In 1900, Eastman Kodak introduced the original Brownie camera, the first in a long-running series of affordable, easy-to-use cameras for the general public.
I’ve been photographing with analog cameras for over a decade now and this isn’t my first Hasselblad (previously owning a V-Series 500CM).
The Kodak Instamatic 500 was the “jewel in the crown’ of the Kodak Instamatic line.
It’s been a little while since I have gone out to do some shooting with my Holga.
Well well well, a review on my thoughts about using a Holga, specifically the Holga 120N. A glow-in-the-dark version, which is very useful, said no one ever.
The LCA 120 camera is part of the LCA family of cameras, but I believe it is the only one which is a creation of the Lomography Society and not a reworking of the old U.S.S.R .
