Medium format

And then there was one - Shot on Kodak Portra 160 at EI 160. Color negative film in 120 format shot as 6x6.

Photography: And then there was one – Shot on Kodak Portra 160 at EI 160 (120 format)

And then there was one Shot on Kodak Portra 160 at EI 160Color negative film in 120 format shot as 6×6 Hasselblad 2000FCW / Carl Zeiss Planar …

Read morePhotography: And then there was one – Shot on Kodak Portra 160 at EI 160 (120 format)

Scripted delivery - Shot on CatLABS X-Film 80 at EI 50 - Black and white negative in 120 format shot as 6×6 - Pull processed 2/3 stops

Photography: Scripted delivery – Shot on CatLABS X-Film 80 at EI 50 (120 format)

Scripted delivery Shot on CatLABS X-Film 80 at EI 50Black and white negative in 120 format shot as 6×6Pull processed 2/3 stops Hasselblad 2000FCW / Carl Zeiss …

Read morePhotography: Scripted delivery – Shot on CatLABS X-Film 80 at EI 50 (120 format)

Nature always wins - Shot on CatLABS X-Film 80 at EI 50 - Black and white negative in 120 format shot as 6×6 - Pull processed 2/3 stops

Photography: Nature always wins – Shot on CatLABS X-Film 80 at EI 50 (120 format)

Nature always wins Shot on CatLABS X-Film 80 at EI 50Black and white negative in 120 format shot as 6×6Pull processed 2/3 stops Hasselblad 2000FCW / Carl …

Read morePhotography: Nature always wins – Shot on CatLABS X-Film 80 at EI 50 (120 format)

Overprotected Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 Color reversal (slide) film in 35mm format Nikon F6 + Nikkor 85mm f/1.8 AF-D

Photography: Overprotected – Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 (35mm format)

Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100Color reversal (slide) film in 35mm formatNikon F6 + Nikkor 85mm f/1.8 AF-D Read the EKTACHROME 100VS reviewRead the EKTACHROME 100VS experimentation …

Read morePhotography: Overprotected – Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 (35mm format)

On the job - shot on ILFORD Delta 400 at EI 25600. Black and white negative film in 120 format shot as 6x6. Push processed 6-stops.

Photography: On the job – Shot on ILFORD Delta 400 Professional at EI 25600 (120 format)

On the job Shot on ILFORD Delta 400 Professional at EI 25600Black and white negative film in 120 format shot as 6×6Push processed 6-stops Hasselblad …

Read morePhotography: On the job – Shot on ILFORD Delta 400 Professional at EI 25600 (120 format)

Tread carefully - ILFORD HP5 PLUS shot at EI 3200. Black and white negative in 120 format shot as 6x6. Push processed 3 stops.

Photography: Tread carefully – Shot on ILFORD HP5 PLUS at EI 3200 (120 format)

Tread carefully

Shot on ILFORD HP5 PLUS at EI 3200Black and white negative in 120 format shot as 6x6Push processed 3 stops

Hasselblad 2000FCW / Carl Zeiss Planar F 80mm f/2.8

Development notesKodak HC-110 1+47 (E): 20°C/68°F, 12:45

Side entrance - Shot on Fujifilm NEOPAN 100 ACROS at EI 200. Black and white negative film in 120 format shot as 6x6. 1-stop push process.

Photography: Side entrance #02 – Shot on Fuji NEOPAN 100 ACROS at EI 200 (120 format)

Side entrance #02

Shot on Fujifilm NEOPAN 100 ACROS at EI 200Black and white negative film in 120 format shot as 6×61-stop push process

Hasselblad 2000FCW / Carl Zeiss Planar F 80mm f/2.8

 

Development notesKodak HC-110 1+47 (E

5 o'clock shadow - Shot on ILFORD HP5 PLUS at EI 400. Black and white negative film in 120 format shot as 6x6. Hasselblad 2000 FCW / Carl Zeiss Planar F 80mm f/2.8.

Photography: 5 o’clock shadow – Shot on ILFORD HP5 PLUS at EI 400 (120 format)

5 o’clock shadow

Shot on ILFORD HP5 PLUS at EI 400.Black and white negative film in 120 format shot as 6×6.Hasselblad 2000FCW / Carl Zeiss Planar F 80mm f/2.8.

Read the ILFORD HP5 PLUS review.

Development notesKodak HC-110 1+47

Dead center - Shot on Kodak AEROCHROME III 1443 at EI 400. Color infrared aerial surveillance film in 120 format shot as 6x6. Shot with #21 orange filter.

Photography: Dead center – Shot on Kodak AEROCHROME III 1443 at EI 400 (120 format)

Dead center

Shot on Kodak AEROCHROME III 1443 at EI 400Color infrared aerial surveillance film in 120 format shot as 6×6Shot with #21 orange filterHasselblad 2000FCW / Carl Zeiss Planar F 80mm f/2.8

Read the Kodak AEROCHROME review

Dead

Rested - Shot on Kodak AEROCHROME III 1443 at EI 400. Color infrared aerial surveillance film in 120 format shot as 6x6. Shot with #21 orange filter.

Photography: Rested – Shot on Kodak AEROCHROME III 1443 at EI 400 (120 format)

Rested

Shot on Kodak AEROCHROME III 1443 at EI 400
Color infrared aerial surveillance film in 120 format shot as 6×6
Shot with #21 orange filter
Hasselblad 2000FCW / Carl Zeiss Planar F 80mm f/2.8

Read the Kodak AEROCHROME

Pads - Shot on Kodak AEROCHROME III 1443 at EI 400. Color infrared aerial surveillance film in 120 format shot as 6x9. Shot with #21 orange filter.

Photography: Pads – Shot on Kodak AEROCHROME III 1443 (Large format)

Pads
Shot on Kodak AEROCHROME III 1443 at EI 400
Color infrared aerial surveillance film in 120 format shot as 6×9
Shot with #21 orange filter

Read the Kodak AEROCHROME review

 

 

 

Cup holder as standard - Shot on ILFORD HP5 PLUS at EI 400. Black and white negative film in 120 format shot as 6x9. Fuji GW690III + EBC Fujinon 90mm f/3.5.

Photography: Cup holder as standard – Shot on ILFORD HP5 PLUS at EI 400 (120 format)

Cup holder as standard
Shot on ILFORD HP5 PLUS at EI 400.
Black and white negative film in 120 format shot as 6×9.
Fuji GW690III + EBC Fujinon 90mm f/3.5.

 

Development notes
Kodak HC-110: 1+31(B), 20°C/68°F, 05:00

Leave it to burn - Shot on ILFORD FP4 PLUS at EI 800. Black and white negative film in 120 format shot as 6x9. Push processed 2⅔-stops. Fuji GW690III + EBC Fujinon 90mm f/3.5.

Photography: Leave it to burn – Shot on ILFORD FP4 PLUS at EI 800 (120 format)

Leave it to burn
Shot on ILFORD FP4 PLUS at EI 800.
Black and white negative film in 120 format shot as 6×9.
Push processed 2⅔-stops.
Fuji GW690III + EBC Fujinon 90mm f/3.5.

 

Development notes
Kodak HC-110: 1+31(B

Up and to the right #02 - ILFORD SFX 200 shot at EI 6. Black and white infrared sensitive film in 120 format shot as 6x6. Zeiss Distagon CFi 50mm f/4 + R72 IR filter.

Photography: Up and to the right #02 Shot on ILFORD SFX 200 shot at EI 6 (120 format)

Up and to the right #02
Shot on ILFORD SFX 200 at EI 6
Black and white infrared sensitive film in 120 format shot as 6×6
Zeiss Distagon CFi 50mm f/4 + R72 IR filter