Shot on JCH Streetpan 400 at EI 80035mm format black and white film in 35mm formatPush processed 1-stop Development notesKodak HC-110: 1+47(E), 20°C/68°F, 11:30 (N+1)No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse A delivery in 4 parts… – Shot on JCH Streetpan 400 at EI 800 (35mm Format) A delivery in 4 parts… – […]
Category: Photography
This is a space for my photography – me, EM. In here you’ll find photos I’ve taken shot with various cameras and over a hundred film stocks.
Photography: Pecan pie – Shot on Kodak Portra 400VC at EI 320 (120 Format)
Shot on Kodak Portra 400VC at EI 320 (120 Format). Color negative film in 120 format shot as 6×6. Hasselblad 2000FCW + Hasselblad Planar F 80mm f/2.8
Photography: Power up – Shot on Fuji Provia 100F (RDP III) at EI 100 (120 format)
Shot on Fuji Provia 100F (RDP III) at EI 100Color reversal (slide) film in 120 format shot as 6x6Cross processed in C-41 ChemistryHasselblad 2000FCW + Hasselblad Planar F 80mm f/2.8 Read the Fuji Provia 100F (RDP III) review here.Read the Fuji Provia 100F (RDP III) cross processing and push processing guide here. Power-up – Shot on Fuji Provia 100F (RDP III) at EI […]
Photography: Be careful out back – Shot on Lomography Color Negative 800 at EI 800 (120 Format)
Shot on Lomography Color Negative 800 at EI 800.Color negative film in 120 format shot as 6×6.Hasselblad 2000FCW + Hasselblad Planar F 80mm f/2.8. Check out my Lomography CN 800 vs Kodak Portra 800 vs Fuji Natura 1600 (day and night) blind film test.
Photography: It can wait – Shot on Fuji Provia 100F (RDP III) at EI 100 (120 format)
Shot on Fuji Provia 100F (RDP III) at EI 100Color reversal (slide) film in 120 format shot as 6x6Cross processed in C-41 ChemistryHasselblad 2000FCW + Hasselblad Planar F 80mm f/2.8 Read the Fuji Provia 100F (RDP III) review here.Read the Fuji Provia 100F (RDP III) cross processing and push processing guide here. It can wait – Shot on Fuji Provia 100F (RDP […]
Photography: Under the over – Shot on Kodak Ektar 100 at EI 200 (35mm format)
Shot on Kodak Ektar 100 at EI 100Color negative film in 35mm formatNikon F6 + Nikkor 85mm f/1.8 AF-D
Photography: Light and shadow – Shot on Lomography Color Negative 800 at EI 800 (120 Format)
Both shot on Lomography Color Negative 800 (EI 800, meter readings differ by 2-stops).Color negative film in 120 format shot at 6×6.Hasselblad 2000FCW + Hasselblad Planar F 80mm f/2.8. Check out Lomography CN 800 vs Kodak Portra 800 vs Fuji Natura 1600 (day and night) in my blind film test.
Photography: Welcome – Shot on Fuji Provia 100F (RDP III) at EI 100 (120 format)
Shot on Fuji Provia 100F (RDP III) at EI 100Color reversal (slide) film in 120 format shot as 6x6Cross processed in C-41 ChemistryHasselblad 2000FCW + Hasselblad Planar F 80mm f/2.8 Read the Fuji Provia 100F (RDP III) review here.Read the Fuji Provia 100F (RDP III) cross processing and push processing guide here. Welcome – Shot on Fuji Provia 100F (RDP III) at EI […]
Photography: Cloccian – Shot on LomoChrome Metropolis XR 100–400 at EI 400 (120 format)
Shot on LomoChrome Metropolis XR 100–400 at EI 400Color negative film in 120 formatHasselblad 2000FCW + Hasselblad Planar F 80mm f/2.8 Cloccian – Shot on LomoChrome Metropolis XR 100–400 at EI 400 (120 format)
Photography: Tear it down, tear it all down – Shot on Fuji Provia 100F (RDP III) at EI 100 (120 format)
Shot on Fuji Provia 100F (RDP III) at EI 100Color reversal (slide) film in 120 format shot as 6x6Cross processed in C-41 ChemistryHasselblad 2000FCW + Hasselblad Planar F 80mm f/2.8 Read the Fuji Provia 100F (RDP III) review here.Read the Fuji Provia 100F (RDP III) cross processing and push processing guide here.
Photography: Don’t head towards the light – Shot on Kodak EKTACHROME E100G at EI 1600 (35mm format)
Shot on Kodak EKTACHROME E100G at EI 1600Color reversal (slide) film in 35mm formatCross processed and push processed 4-stopsRicoh GR1s + GR Lens 28mm f/2.8 lens Read the Kodak EKTACHROME E100G review here.
Photography: Second choice – Shot on Kodak EKTACHROME E100VS at EI 100 (120 format)
Shot on Kodak EKTACHROME E100VS at EI 100Color reversal (slide) film in 120 format shot as 6x6Cross processed Read the EKTACHROME 100VS reviewRead the EKTACHROME 100VS experimentation guide (push and cross-processing) Hasselblad 2000FCW + Carl Zeiss Planar F 80mm f/2.8 Second choice – Shot on Kodak EKTACHROME E100VS at EI 100 (120 format, cross processed, Hasselblad 2000FCW […]
Photography: Hanging hopes out to dry – Shot on Kodak EKTACHROME E100VS at EI 100 (120 format)
Shot on Kodak EKTACHROME E100VS at EI 100Color reversal (slide) film in 120 format shot as 6x6Cross processed Read the EKTACHROME 100VS reviewRead the EKTACHROME 100VS experimentation guide (push and cross-processing) Hasselblad 2000FCW + Carl Zeiss Planar F 80mm f/2.8 Hanging hopes out to dryShot on Kodak EKTACHROME E100VS at EI 100Color reversal (slide) film in 120 […]
Photography: Get the steps – Shot on Shanghai GP3 100 at EI 100 (120 Format)
Shot on Shanghai GP3 100 at EI 100Black and white negative film in 120 format shot as 6×9Fuji GW690III + EBC Fujinon 90mm f/3.5 Development notesKodak HC-110: 1+47(E), 20°C/68°F, 06:30 (N)2x 1-minute presoaks, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse Get the steps – Shot on Shanghai GP3 100 at EI 100. Black and white […]
Photography: Via Jäger – Shot on Fujifilm NEOPAN 100 ACROS II at EI 100 (120 Format)
Shot on Fuji NEOPAN 100 ACROS II at EI 100 (read the ACROS vs ACROS II comparison here)Black and white negative film in 120 format shot as 6×6Hasselblad 2000FCW + Carl Zeiss Planar F 80mm f/2.8 Development notesKodak HC-110 1+31 (B): 20°C/68°F, 04:45 (N)1 minute presoak, 30 seconds initial agitation, 1 inversions / 30 seconds, 5 minute rinse
Photography: Water damage #05 – Shot on Kodak Plus-X at E125 (120 Format)
Shot on Kodak Plus-X at E125 (120 Format)Color negative film in 120 format shot as 6×6Hasselblad 2000FCW + Hasselblad Planar F 80mm f/2.8 Water damage #05 – Shot on Kodak Plus-X at E125 (120 Format)
Photography: Water damage #04 – Shot on Kodak Plus-X at E125 (120 Format)
Shot on Kodak Plus-X at E125 (120 Format)Color negative film in 120 format shot as 6×6Hasselblad 2000FCW + Hasselblad Planar F 80mm f/2.8 Water damage #04 – Shot on Kodak Plus-X at E125 (120 Format)
Photography: Water damage #03 – Shot on Kodak Plus-X at E125 (120 Format)
Shot on Kodak Plus-X at E125 (120 Format)Color negative film in 120 format shot as 6×6Hasselblad 2000FCW + Hasselblad Planar F 80mm f/2.8 Water damage #03 – Shot on Kodak Plus-X at E125 (120 Format)
Photography: Water damage #01 – Shot on Kodak Plus-X at E125 (120 Format)
Shot on Kodak Plus-X at E125 (120 Format)Color negative film in 120 format shot as 6×6Hasselblad 2000FCW + Hasselblad Planar F 80mm f/2.8 Water damage #01 – Shot on Kodak Plus-X at E125 (120 Format)
Photography: Winding down – Shot on Fuji Pro 400H at EI 400 (120 Format)
Shot on Fuji Pro 400H at EI 400.Color negative film in 120 format shot as 6×9.Fuji GW690III + EBC Fujinon 90mm f/3.5. Winding down – Shot on Fuji Pro 400H at EI 400. Color negative film in 120 format shot as 6×9. Fuji GW690III + EBC Fujinon 90mm f/3.5.