Category: Photography
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Photography: Split #08 – Shot on Silberra COLOR160 at EI 160 (35mm Format)
Shot on Silberra COLOR160 at EI 160Color negative film in 35mm formatNikon F6, Nikkor 85mm f/1.8 AF-D
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Photography: Danger close – Shot on ILFORD Delta 100 Professional at EI 200 (120 Format)
Danger close – Shot on ILFORD Delta 100 Professional at EI 200 (120 Format)
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Photography: Side on – Shot on Lomography Color Negative 800 at EI 800 (35mm Format)
Shot on Lomography Color Negative 800 at EI 800Color negative film in 35mm formatNikon F100 + Nikkor 85mm f/1.8 AF-D
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Photography: Tinkledbell – Shot on Fujifilm NEOPAN 100 ACROS II at EI 400 (35mm Format)
Fujifilm NEOPAN 100 ACROS II shot at EI 400Black and white negative film in 35mm formatNikon F6 + Nikkor 85mm f/1.8 AF-D Development notesKodak HC-110: 1+31(B), 20°C/68°F, 10:00 (N+2)No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse
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Photography: Swap shop – Shot on Silberra U400 at EI 400 (35mm Format)
Leverage Shot on Kodak Hawkeye Traffic Surveillance Black and White Film 2485 at EI 800 Black and white negative film in 35mm format Push processed one-stop
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Photography: Be with you in just a moment – Shot on Kodak Ektar 100 at EI 100 (120 Format)
Shot on Kodak Ektar 100 at EI 100Color negative film in 120 format shot as 6×6Hasselblad 2000FCW + Carl Zeiss Planar F 80mm f/2.8
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Photography: By a nose – Rollei RPX 400 (35mm)
Leverage Shot on Kodak Hawkeye Traffic Surveillance Black and White Film 2485 at EI 800 Black and white negative film in 35mm format Push processed one-stop
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Photography: Big night – Kodak Hawkeye Traffic Surveillance Black and White Film 2485 (35mm)
Leverage Shot on Kodak Hawkeye Traffic Surveillance Black and White Film 2485 at EI 800 Black and white negative film in 35mm format Push processed one-stop
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Photography: Diffuse purpose – Shot on Kodak T-MAX 100 at EI 100 (120 Format)
Shot on Kodak T-MAX 100 at EI 100Black and white negative film in 120 format shot as 6×6Hasselblad 2000FCW / Carl Zeiss Planar F 80mm f/2.8 Development notesKodak HC-110: 1+47(E), 20°C/68°F, 09:45 (N)No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse
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Photography: Got you covered – Shot on Kodak Tri-X 400 at EI 800 (120 Format)
Shot on Kodak Tri-X 400 at EI 800Black and white negative film in 120 format shot as 6×6Holga 120GN + 60mm f/8 lens Development notesKodak HC-110 1+47 (E): 20°C/68°F, 08:15 (N+1)1 minute presoak, 30 seconds initial agitation, 1 inversions / 30 seconds, 5 minute rinse
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Photography: On the up, up, up and up – Shot on Kodak T-MAX 400 at EI 400 (120 Format)
Shot on Kodak T-MAX 400 at EI 400Black and white negative film in 120 format shot as 6×9Fuji GW690III + EBC Fujinon 90mm f/3.5. Development notesKodak HC-110: 1+47(E), 20°C/68°F, 09:15 (N)No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse
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Photography: Into darkness – Shot on Kodak Tri-X 400 at EI 800 (120 Format)
Shot on Kodak Tri-X 400 at EI 800Black and white negative film in 120 format shot as 6×6Holga 120GN + 60mm f/8 lens Development notesKodak HC-110 1+47 (E): 20°C/68°F, 08:15 (N+1)1 minute presoak, 30 seconds initial agitation, 1 inversions / 30 seconds, 5 minute rinse
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Photography: Failing light – Shot on Fuji Provia 100F (RDP III) at EI 100 (4×5 format)
Autumn glow Shot on Fuji Provia 100F (RDP III) at EI 100Color reversal (slide) film in 4×5 formatAEROgraphic: Kodak Aero Ektar 7″ (178mm) f/2.5 + Graflex Pacemaker Speed Graphic Read the Fuji Provia 100F (RDP III) review here.
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Photography: I find this uncomfortable – Shot on ILFORD FP4 PLUS at EI 500 (35mm Format)
Shot on ILFORD FP4 PLUS at EI 500.Black and white negative film in 35mm format.Push processed 2-stops.Nikon F6 + Nikon 70-200mm f/2.8 VR / Nikon Super Coolscan 4000 ED Read the full ILFORD FP4 PLUS review here. Development notesILFORD ILFOTEC LC29: 1+19, 20°C / 68°F, 14:15 (N+2)No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse
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Photography: Splish splash – Shot on Fujifilm NEOPAN 100 ACROS II
Shot on Fuji NEOPAN 100 ACROS II at EI 400 (read the ACROS vs ACROS II comparison here)Black and white negative film in 35mm formatNikon FM3a + Hasselblad Carl Zeiss Planar F 80mm f/2.8 Development notesKodak HC-110 1+31 (B): 20°C/68°F, 10:00 (N+2)1 minute presoak, 30 seconds initial agitation, 1 inversions / 30 seconds, 5 minute rinse
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Photography: Laundry day – Shot on Fujifilm NEOPAN 100 SS at EI 200 (35mm Format)
Shot on Fujifilm NEOPAN 100 SSBlack and white negative film in 35mm formatNikkormat FT3 + Nikon NIKKOR 50mm f/1.4 AI-S Development notesKodak HC-110 1+47 (E), 20°C/68°F, 06:15 (N+1)No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse
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Photography: Corona – Shot on Kosmo Foto Agent Shadow at EI 400 + #15 yellow filter (35mm Format)
Shot on Kosmo Foto Agent Shadow at EI 400 + #15 yellow filterBlack and white negative film in 35mm FormatLeica M2 and 7Artisans 75mm f/1.25 Development notesILFORD ILFOTEC LC29: 1+29, 20°C/68°F, 11:00 (N)No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse
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Photography: Lei Day – Shot on Kodak Portra 400VC at EI 320 (120 Format)
Shot on Kodak Portra 400VC at EI 320 (120 Format). Color negative film in 120 format shot as 6×6. Hasselblad 2000FCW + Hasselblad Planar F 80mm f/2.8
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Photography: Pretty boy – Shot on Fujifilm NEOPAN 100 ACROS II at EI 400 (35mm Format)
Shot on Fuji NEOPAN 100 ACROS II at EI 400 (read the ACROS vs ACROS II comparison here)Black and white negative film in 35mm formatNikon FM3a + Nikon Nikkor 50mm f/1.2 AI-S Development notesKodak HC-110 1+31 (B): 20°C/68°F, 10:00 (N+2)1 minute presoak, 30 seconds initial agitation, 1 inversions / 30 seconds, 5 minute rinse