5 Frames...


5 Frames... From a car boot sale win on Fomapan 400 Action (35mm Format / EI 400 / Olympus MJU) - by Victor Cachia

5 Frames… From a car boot sale win on Fomapan 400 Action (35mm Format / EI 400 / Olympus MJU) – by Victor Cachia

A few months ago on my Sunday routine at car boot sales looking for old and vintage film cameras I stumbled upon 2 (yes 2) …

Read more5 Frames… From a car boot sale win on Fomapan 400 Action (35mm Format / EI 400 / Olympus MJU) – by Victor Cachia

My Nikon FA + Nikkor 50mm f:1.8 AI, Davy Bruyninckx

5 Frames… Of Old Main Street, Fort Worth, Texas (35mm Format / EI 400 / Nikon FA + Nikkor 50mm f/1.8 AI) – by Davy Bruyninckx

As a film photographer, I am always drawn to some of the more timeworn parts of town, so to speak, and that propensity for the …

Read more5 Frames… Of Old Main Street, Fort Worth, Texas (35mm Format / EI 400 / Nikon FA + Nikkor 50mm f/1.8 AI) – by Davy Bruyninckx

My Minolta X-300 + Tokina SD 70-210mm f/4-5.6, by Olaf Lengler

5 Frames… Shooting Blues Night 1993 with Stan Webb and Chicken Shack on Kodak T-MAX 3200 (35mm Format / EI 3200 / Minolta X-300 + Tokina SD 70-210mm f/4-5.6) – by Olaf Lengler

In autumn 1993 it was time again. The annual Blues Night in the neighboring town of Idar-Oberstein was coming up. This time I also wanted …

Read more5 Frames… Shooting Blues Night 1993 with Stan Webb and Chicken Shack on Kodak T-MAX 3200 (35mm Format / EI 3200 / Minolta X-300 + Tokina SD 70-210mm f/4-5.6) – by Olaf Lengler

My Werra I, Victor Lefelman

5 Frames… Of ILFORD HP5 PLUS on a Werra I (35mm Format / EI 500 / Carl Zeiss Jena 50/2.8 Tessar) – by Victor Lefelman

The Werra I is an east german jewel of a camera, produced from 1954 until 1967 by Cal Zeiss Jena. Love at first glance is …

Read more5 Frames… Of ILFORD HP5 PLUS on a Werra I (35mm Format / EI 500 / Carl Zeiss Jena 50/2.8 Tessar) – by Victor Lefelman

My Kodak Hawkeye No2 Model B, Simon Weller

5 Frames… On original Fujifilm ACROS with a century-old Kodak Hawkeye No2 Model B (120 Format / EI 100) – by Simon Weller

Last year’s lockdown left me simultaneously busy with work and also with lots of time stuck at home I would not have normally had. The …

Read more5 Frames… On original Fujifilm ACROS with a century-old Kodak Hawkeye No2 Model B (120 Format / EI 100) – by Simon Weller

5 Frames... Of Adox KB17 during 'Der Fasching' at the heart of the Black Forest in 1960s Germany (35mm / EI 100 / Asahi Pentax SV + 28mm f/3.5 Super-Takumar) - by Jeremy Greenaway

5 Frames… Of Adox KB 17 during ‘Der Fasching’ at the heart of the Black Forest in 1960s Germany (35mm / EI 100 / Asahi Pentax SV + 28mm f/3.5 Super-Takumar) – by Jeremy Greenaway

Way back in 1963, in the early years of my photojournalism career, a German friend of mine who was about to emigrate to the US …

Read more5 Frames… Of Adox KB 17 during ‘Der Fasching’ at the heart of the Black Forest in 1960s Germany (35mm / EI 100 / Asahi Pentax SV + 28mm f/3.5 Super-Takumar) – by Jeremy Greenaway

5 Frames… Of 15 year expired Agfa Scala 200 on a King Regula Cita III (35mm Format / EI 200 / Tessar f/2.8 lens) – by Y. Savoy

After twenty years hiatus from film photography, I sold all my digital gear and got back to my roots, and what better film than two …

Read more5 Frames… Of 15 year expired Agfa Scala 200 on a King Regula Cita III (35mm Format / EI 200 / Tessar f/2.8 lens) – by Y. Savoy

My Nikon F5 + Nikkor 50mm 1.4 G AF-S, Phil Bateman

5 Frames… Of surreal colour with Lomography Lomochrome Purple XR 100-400 (35mm Format / EI 160 / Nikon F5 + Nikkor 50mm 1.4 G Af-S) – by Phil Bateman

When I first bought a 5 pack of Lomography’s Lomochrome Purple XR 100-400 I wondered if the novelty might wear off after a roll or …

Read more5 Frames… Of surreal colour with Lomography Lomochrome Purple XR 100-400 (35mm Format / EI 160 / Nikon F5 + Nikkor 50mm 1.4 G Af-S) – by Phil Bateman

5 Frames… Testing a Yashica MG-1 with Fujicolor C200 and new light seals (35mm Format / EI 200 / Yashinon 45mm f/2.8) – by Wenhong Ni

The story began around 5 years ago. In March 2016, my friend sent a message telling me she had discovered a film camera while spring …

Read more5 Frames… Testing a Yashica MG-1 with Fujicolor C200 and new light seals (35mm Format / EI 200 / Yashinon 45mm f/2.8) – by Wenhong Ni

Santa RAE 1000, Nikon F3HP and a Nikon Nikkor 50mm f/1.4 AI-S, Oleg Popelyaev

5 Frames… Of Santa RAE 1000 at Christmas in Berlin (35mm Format / EI 1000 / Nikon F3HP + Nikon Nikkor 50mm f/1.4 AI-S) – by Oleg Popelyaev

5 Frames… Of Santa RAE 1000 at Christmas in Berlin (35mm Format / EI 1000 / Nikon F3HP + Nikon Nikkor 50mm f/1.4 AI-S) – …

Read more5 Frames… Of Santa RAE 1000 at Christmas in Berlin (35mm Format / EI 1000 / Nikon F3HP + Nikon Nikkor 50mm f/1.4 AI-S) – by Oleg Popelyaev

My Mamiya 645 Pro and Mamiya Sekor-C 80 mm f:2.8, Bram van der Horst

5 Frames… Of Icelandic industrial edge on Fuji Pro 400H and a Mamiya 645 Pro (120 Format / EI 400 / Mamiya Sekor-C 80 mm f/2.8) – by Bram van der Horst

In between covid lockdowns, my girlfriend and I had the chance to visit Iceland. We went lightweight and camped everywhere. Lightweight except that I had …

Read more5 Frames… Of Icelandic industrial edge on Fuji Pro 400H and a Mamiya 645 Pro (120 Format / EI 400 / Mamiya Sekor-C 80 mm f/2.8) – by Bram van der Horst

My Minox 35 GT, Christian

5 Frames… Of MASSIVE engineering on a tiny camera (Fujicolor Superia X-Tra 400 / 35mm / Minox 35 GT) – by ≈

Last December I went on a trip to the area where my mother was born and where parts of my family still live. It’s an …

Read more5 Frames… Of MASSIVE engineering on a tiny camera (Fujicolor Superia X-Tra 400 / 35mm / Minox 35 GT) – by ≈

My Leica M4 and Voigtlander Color-Skopar 35mm f/2.5 P II, Simon Ducos

5 Frames… At Sharjah’s Fossil Rock on ILFORD HP5 PLUS and a Leica M4 (35mm Format / EI 100 / Voigtlander Color-Skopar 35mm f/2.5 P II) – by Simón Ducos

I have been using a 50mm lens almost exclusively for around two years, and I recently wanted to switch it up. The 35mm focal length …

Read more5 Frames… At Sharjah’s Fossil Rock on ILFORD HP5 PLUS and a Leica M4 (35mm Format / EI 100 / Voigtlander Color-Skopar 35mm f/2.5 P II) – by Simón Ducos

My 1920 Graflex RB Tele 4x5 and Voigtlander Heliar 210mm f/4.5

5 Frames… Around Hai Phong, Vietnam on my 1920 Graflex RB Tele 4×5 and ILFORD HP5 PLUS (4×5 Format / EI 400 / Voigtlander Heliar 210mm f/4.5 c.1920 lens) – by Stuart Kinkade

I’m from Seattle, WA, US yet I have been overseas for the last 13 years, working, exploring, and experiencing what you see in travel vlogs. …

Read more5 Frames… Around Hai Phong, Vietnam on my 1920 Graflex RB Tele 4×5 and ILFORD HP5 PLUS (4×5 Format / EI 400 / Voigtlander Heliar 210mm f/4.5 c.1920 lens) – by Stuart Kinkade

5 Frames... Of macro photography on Fuji Velvia 50 (35mm / EI 50 / Nikon FM2 + Nikon 105mm f/2.8 AI-s Micro-Nikkor + Nikon Pk-3 extension tube) - by Joshua Wright

5 Frames… Of macro photography on Fuji Velvia 50 (35mm / EI 50 / Nikon FM2 + Nikon 105mm f/2.8 AI-s Micro-Nikkor + Nikon Pk-3 extension tube) – by Joshua Wright

With winter bearing down upon us, my family and I visited the Roger Williams Park Botanical Center in Providence, RI USA for a little weather …

Read more5 Frames… Of macro photography on Fuji Velvia 50 (35mm / EI 50 / Nikon FM2 + Nikon 105mm f/2.8 AI-s Micro-Nikkor + Nikon Pk-3 extension tube) – by Joshua Wright

My Canon AE-1 + FD 70-210mm f/4, Josh Knowles

5 Frames… Testing a Canon AE-1 on Kodak Portra 400 (35mm Format / EI 125 / Canon AE-1 + FD 70-210mm f/4) – by Josh Knowles

“Miss Kozun, you look fantastic! Love the outfit” … “Thanks! It was either this or I was going to be wearing a giraffe onesie all …

Read more5 Frames… Testing a Canon AE-1 on Kodak Portra 400 (35mm Format / EI 125 / Canon AE-1 + FD 70-210mm f/4) – by Josh Knowles

My Mamiya RB67 and Mamiya Sekor C 127mm f/3.8, Alex Furman

5 Sheets… Of Fujifilm Instax Square Monochrome on a Mamiya RB67 (EI 800 / Mamiya Sekor C 127mm f/3.8) – by Alex Furman

I’ve spent over a decade of my life living and breathing photography. Like many, I started with digital but quickly realized that I wanted a …

Read more5 Sheets… Of Fujifilm Instax Square Monochrome on a Mamiya RB67 (EI 800 / Mamiya Sekor C 127mm f/3.8) – by Alex Furman

Lomography Babylon Kino 13 and my Nikon FE, Orrin Heath

5 Frames… Of Japanese waterfalls with Lomography Babylon Kino 13 (35mm / EI 12 / Nikon FE) – by Orrin Heath

Monochrome waterfalls. Inspired by how my results with Lomography Potsdam Kino 100 came out, I decided to try out Lomography Babylon Kino ISO 13 film. …

Read more5 Frames… Of Japanese waterfalls with Lomography Babylon Kino 13 (35mm / EI 12 / Nikon FE) – by Orrin Heath

Zeiss Ikon Nettar II 518/16 my and its Novar-anastigmat 75mm f/6.3, Dylan Smith

5 Frames… On Fujifilm Pro 400H on a Zeiss Ikon Nettar II 518/16 (EI 400 / 120 Format / Novar-anastigmat 75mm f/6.3) – by Dylan Smith

5 Frames… On Fujifilm Pro 400H on a Zeiss Ikon Nettar II 518/16 (EI 400 / 120 Format / Novar-anastigmat 75mm f/6.3) – by Dylan …

Read more5 Frames… On Fujifilm Pro 400H on a Zeiss Ikon Nettar II 518/16 (EI 400 / 120 Format / Novar-anastigmat 75mm f/6.3) – by Dylan Smith

CONTAX S2b + Zeiss Planar T- 50mm f-1.4, Ryan Steven Green

5 Frames… Of Pentabo Clortino on Expired Kodak EASTMAN 200T 5293 (35mm format / EI 50 / CONTAX S2b + Zeiss Planar T* 50mm f/1.4) – by Ryan Steven Green

As a subject, payphones are not new to me. For over three years I have been documenting them on my smartphone for my IG account …

Read more5 Frames… Of Pentabo Clortino on Expired Kodak EASTMAN 200T 5293 (35mm format / EI 50 / CONTAX S2b + Zeiss Planar T* 50mm f/1.4) – by Ryan Steven Green