I don’t remember when it started, but at some point in the last five years, I began using photography as a means to explore a place. I believe that with photography, one is always getting to know new areas, or at the very least getting new perspectives on old areas, but it isn’t always with […]
Category: 5 Frames…
Exploring the beauty of film photography stocks, five frames at a time. Produced in conjunction with Hamish Gill over at 35mmc, find all EMULSIVE ‘5 Frames…’ articles here.
Submissions are open to all, and can include frames taken on rolls and sheets of film, wet/dry plates, and instant film. To get started, click the “Submit” link in the menu at the top of the page.
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5 Frames… As an ode to unsung photography heroes (Fujifilm NEOPAN 100 ACROS / 35mm format / EI 100 / Nikon F + Nikon Micro-Nikkor 55mm f/2.8)
No, this ode is not about the camera, lens and film mentioned in the headline and shown in the photo below. The praises of NEOPAN 100 ACROS film, the „F“ and the Micro-Nikkor have been proclaimed in countless other contributions on this site and on many others. This is more about a device that lends […]
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5 Frames… On Agfa APX 100 with an Olympus OM-10 + Zuiko 50mm f/1.8 – by Thomas Garrard
I’m quite new to photography, I inherited my first camera in 2022 after the passing of my Grandfather — an Olympus OM-10. Previously I’d not really enjoyed photography and just took snapshots on my phone as mementos of places I’d been. However, in receiving his camera and slide collection, and seeing the care he’d taken […]
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5 Frames… In Florence on expired ILFORD PAN F PLUS (35mm Format / EI 10 Contax RTS III + Carl Zeiss Distagon 2,8/28mm) – by Julian Ruoss
Heya, I’m Julian, and this will be – hopefully – my first contribution to 5 Frames, a series of articles that I enjoy a lot. It was in March or April this year (2022) when I found that roll of ILFORD PAN F PLUS while strolling through a flea market. One reason I bought it […]
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5 Frames… At the Tatacoa Desert on Kodak Color Plus 200 and a Nikon FM2n (35mm Format / El 200 / Nikon Nikkor 28-105mm AF macro f/3.5-4.5D) – by Juan Roa
I wanted to visit Colombia’s Tatacoa Desert before traveling to the US, and asked my friend Susana if she would like to take a motorcycle trip there. She immediately said YES! We traveled from Cali, and our trip was around 16 hours (driving) and stayed in a wonderful place called Orion camp base, specialises in […]
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5 Frames… Of Orwo UN54 in Florence on a Canon FTb (35mm Format / EI 160 / Canon FD 70-210mm f/4.0 zoom lens – by Sergio Palazzi
I discovered the existence of Orwo films during my short, full immersion trip in the changing Berlin of March 1990. Cheap as they were, I bought many BW rolls and used most of them (but some are still waiting in a drawer!). I forgot about Orwo for roughly 25 years, then I tried a reel […]
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5 Frames… Of golden hour on a Balda Baldi 29 and Fomapan 100 Classic (120 format / EI 100 / Baldanar 80mm f/2.9 Triplet) – by Leon Blankenhorn
Where your comfort zone ends is where you discover something new and fun. Keeping that euphemism in mind, I decided against a slow and cozy morning one Sunday in this past August, and went to get my bike out of the shed instead. The lockdowns in recent history have blessed many of us with new […]
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5 Frames… Of Eid-al-Fitr 2022 on Fuji Superia 1600 and a Pentax ME (35mm format / EI 1600 / SMC Pentax-M 28mm f/2.8) – by Yusuf Husain
This story begins on Eid, the last day of the holy month of Ramadan. Usually, on Eid, you give cash as gifts. But instead, a friend gave me an expired roll of Fuji Superia 1600. Context: Superia 1600 wasn’t necessarily a hard film to find when it was still produced but these days, it’s reached […]
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5 Frames… Of “Sinostill” 800T a cheaper alternative to Cinestill 800T? (EI 800/35mm format/Nikon F3 + Micro-Nikkor 55mm f/2.8) – by Wenhong
Cinestill 800T is popular these days and many people use it to get unique-looking pictures. However, I am hesitant to use this film due to its high cost; 35mm Cinestill 800T sells for USD23 per roll in my local shops and is more expensive than Kodak Portra 800. A few months back when I shopped […]
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5 Frames… Through Western Canada on CineStill 400D (35mm Format / EI 400 / Lomography LC-A+) – by Julia Beyer
When I go on vacations where I know that amazing landscapes are awaiting me, the decision of which film and camera to take with me always takes me a long time. I try to think as carefully as possible if the colors of the film match the scenery I expect to see, and the camera […]
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5 Frames… Of expired FotoStop Colour Print Film 200 (EI 200 / 35mm format / Olympus OM-1) – by Ed Worthington
Hello again everyone. As I’ve said before, the pinch on new film prices has had me going through the rolls of long expired mystery film that I’ve had stored away for who knows how long and shooting them without a care of what the results really look like. So join me as I delve back […]
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5 Frames… Of street photography in Buenos Aires on the Mamiya RB67 (120 format / EI 100 / Kodak T-MAX 100) – by Simón Ducos
In the summer of 2019, I sold my trusty Olympus XA in order to buy my then-dream camera: the Mamiya RB67. Although these cameras are vastly different, the XA being ideal for travel and street photography while the RB is more for studio shoots and still-life, I was convinced that when the time came I […]
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5 Frames of… Redscaled Kodak ULTRA MAX 400 (35mm format / EI 100, Canon AE-1 + Canon FD 50mm f/1.8) – by Piper McManamon
A friend of mine told me once that she had a special surprise in mind for a roll of film she was shooting. She left me in the dark about what exactly it was for about a week until the roll was completed and she showed me the results. The photos were all bathed in […]
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5 Frames…With expired Boots Universal 400 (EI 400 / 35mm format / Olympus OM-1) – by Ed Worthington
Well, it’s been a spell since I wrote anything here so firstly, hello everyone, I’m back for a bit. Well, kind of. I thought I’d write a series of short articles in the 5 Frames flavour as I’ve had an idea and I’ve missed talking about shooting film with strangers on the internet. If you’re […]
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5 Frames… ILFORD HP5 PLUS (35mm format / EI 400 / FED-3 Type B + Voigtlander Nokton 50mm f/1.5 Aspherical LTM)
After having shot black and white film for a while but always having shied away from properly developing it at home (I had developed a few rolls of film in Cinestill Df96 monobath — these were just test rolls and didn’t really have much archival or sentimental value), I decided to go straight for gold […]
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5 Frames… Mostly at Pismo Beach on Kodak T-MAX 400 (35mm format / EI 400 / Canon A2E + Canon 50mm f/1.8 EF II) – by Austin Newell
A pretty common thing I end up doing to get some much-needed film shooting in, is bringing my camera with me to the beach when me and my wife travel out of town. I love to people watch and It’s even better if I can snap some genuine moments along the way. While I love […]
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5 Frames… Of Cinestill 50D and a contemporary dancer aka, “Scatter in Four” (120 format / EI 50 / Hasselblad 503CX + Carl Zeiss Planar 80mm f/2.8) – by Abel M
They are the elements with which one afternoon we go out to try to capture the vibration that emotions produce during the dance movement. These five photographs are the first of a photographic project that seeks the relationship of the person with the movement. So the way I found to approach the objective of the […]
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5 Frames… Of New York City on ILFORD HP5 PLUS (35mm format / EI 320 / Nikon FM2 + Nikon Nikkor 50mm f/1.2) – by Ray Quy
I’ve primarily been a digital photographer; however, with the pestering of my college friend, I’ve picked up film photography. I grew up watching my father take pictures of me and my family with cameras, one of which is the Nikon FM2 that I used to take these images. And of all of the cameras I’ve […]
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5 Frames… Around my Houston neighborhood on Adox CMS 20 II Pro (EI 20 / 35mm Format / Minolta X-700 + MD Rokkor 35mm f/2.8) – by Joseph Jacobs
Hi, my name is Joseph, and I am a recovering analog gear addict (a resounding “Hi Joseph” from the interwebs). Yes…back in 2017, at the beginning of my “analog journey”, I found myself obsessively buying all of the cheap film cameras that Etsy and eBay could offer. They simply looked cool (am I right here, […]
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5 Frames… Of Polaroid Color SX-70 Film at the tiny Greek island of Anafi (ISO 160 / Polaroid SX-70 + 116mm f/8 lens) – by George Pavlopoulos
The journey to the island of Anafi takes me more than half a day from Athens, and returning every summer has become something more than a ritual: it’s a seal that marks one more time around the sun. The small Cycladic island doesn’t seem to belong in the digital era, and that’s probably why I […]
