When Adox photo released their new film Color Mission, I knew I had to test it out. I purchased two rolls and received them just in time for St. Patrick’s Day in Dublin! I arrived early to find a good spot because my goal was to have enough crowd around me to capture the people […]
Category: 5 Frames…
Exploring the beauty of film photography stocks, five frames at a time. Produced in conjunction with Hamish Gill over at 35mmc, find all EMULSIVE ‘5 Frames…’ articles here.
Submissions are open to all, and can include frames taken on rolls and sheets of film, wet/dry plates, and instant film. To get started, click the “Submit” link in the menu at the top of the page.
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5 Frames… Of panoramas in Grenoble on Kodak Panchromatic Separation Film 2238 (35mm Format / EI 12 / Horizon Perfekt + OF-28p 28mm f/2.8 MC lens) – by Alfonso Carpio Rovira
This past Easter I planned a trip to Grenoble, a good opportunity to take landscape shots of the French Alps. At the same time, I was been keen to try out an attractive low ISO film that I received in the last Secret Santa (thanks EM); a roll of Kodak Panchromatic Separation Film 2238, a panchromatic […]
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6 Frames… Of macro-ish photos on ADOX COLOR MISSION 200 and a Nikkor OC 35mm + macro tube (EI 200 / 35mm Format / Nikon F)
I’m happy to have been able to shoot a roll of ADOX’s COLOR MISSION 200! I know rolls of this are hard to come by, and I really hope they release more of it soon. From what I understand this is a completely new color film that was resurrected by ADOX from a past R&D project. […]
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5 Frames… Of visible and present grain on ILFORD HP5 PLUS + FX-37 (35mm format / EI 400 Nikon F2 + DE-1 + Nikon Nikkor 35mm f/2.8 AI) – by Emilio Romero
To begin with, it is always difficult to refer to a particular combination of camera, developer, and film that one is not used to using regularly, but I think for sure that this one is certainly worth taking a look at; the developer FX-37 in combination with ILFORD HP5 PLUS. Certainly, and as I imagine […]
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5 Frames… With a Lumenbox lens and Rollei Retro 400S (35mm format / EI 400 / Voigtlander Bessa L)
I think that I first stumbled upon Jorge Otero’s wonderful little Lumenbox on Etsy when I was searching for pinhole cameras. The Lumenbox is very much not a pinhole camera. It uses a simple meniscus lens to achieve a wonderful swirly distortion that I was immediately entranced with. 5 Frames… With a Lumenbox lens and […]
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5 Frames… Of Kodak Tri-X 400 35mm and a Lomo LC-A (35mm Format / EI 400 / Lomo Minitar 1 32mm f/2.8)
Until late March this year (last week at the time of writing), I hadn’t shot a roll of film in more than 10 years, since around the time Kodak discontinued Plus-X. I recently discovered that a great independent lab (Boutique Film Lab) opened up in my hometown of Nashville, TN, a few years ago and […]
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5 Frames… At the farm on ILFORD HP5 PLUS and Voigtlander ULTRON SL II 40mm F/2 (35mm format / EI 400 / Nikon FM3A) – by Michael
I was recently in a farming community outside Columbia, Missouri, where my in-laws have a wonderful farm. It’s where my wife, my daughter, and I go to get away from the city and relax. My mother-in-law had just returned from a cattle auction the week before and she brought several new cows home with her. […]
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5 Frames… Of Kodak Portra 400 on a Kodak M35 plastic camera – by Kerry Constantino
The reputation of Kodak Portra 400 precedes itself. Warm, forgiving, with a soft grain that shows up velvety. The colors that Portra highlights well are warm ones; reds, ambers, earthy browns, mossy greens, and turquoise. Skin tones are true and highlights can sometimes appear just a touch golden. It’s one of my favorite films, and […]
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5 Frames… At St Athan Boys’ Village on Cinestill 800T / Canon A-1 + Canon FDn 50mm f/1.8
On August 8th 1925, Boys’ Village opened up near St. Athan, South Wales. It was a holiday camp designed to provide some much-needed relief for Welsh miners from the intensity of work in the coal mines, and was essentially a small village with it’s own swimming pool, gymnasium, and cricket pitch. The list of facilities […]
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5 Orthochromatic Frames… Of Washi A (35mm format / El 50 / Minolta SR-T 303b + MD F1.7/50mm)
What I hesitated for a long time. No, I don’t need this camera. Why should I? I have a Minolta X-300 and I’m very happy with it, so why should I get an SR-T 101 or 303? Damn, it’s fully mechanical and except for a light meter, doesn’t need any power. All right, in no […]
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5 Frames of my lockdown on Classic EZ 400 film, a Voigtländer Bessa-R and Nikon FM2 (Skopar 35mm f/2.5 and Voigtländer Ultron 40mm f/2 lenses)
Being on voluntary lockdown on COVID leads to boredom, but it also lead me to explore my vast collection of photography books which I began to draw inspiration from for a little project. I love portrait work especially informal and street portraits. I began this little project two years ago at the start of the […]
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5 Frames of… Tulips on overexposed Fujicolor C200 (Leica R3, Macro-Elmarit 60mm f/2.8) – by Charles Mutter
I am endlessly fascinated by tulips. So far, so unoriginal. Even supermarket bouquets can yield extraordinary beauty, especially if left a little longer than most florists would deem appropriate. And our local florist often has really unusual, dramatic blooms – parrot tulips, “double” tulips that burst out like peonies… Usually, I photograph them indoors, the […]
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5 Frames… In the fog with an Agfa Optima I and NoColorStudio No. 10 film (35mm Format / EI 100 / Agfa Color-Agnar f/2.8/45mm)
A few months ago there was a presentation of various black and white films on emulsive.org. It made me curious. Without further ado, I ordered the High ISO Set with films No. 99 and No. 10 from NoColorStudio in Lithuania. No. 99 has ISO 990 and No. has ISO 100. ISO 100 is High ISO? […]
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5 Frames… Of Dresden Neustadt on Kodak Portra 160 (35mm format / EI 160 / Minolta SRT MC-II + Minolta MC 35mm f2.8) – by Konrad Kiesel
Lately, I found myself in the urge of shooting my trusty old Minolta SRT MC-II. While firing away some shots, to see if the shutter sounds reasonable at different speeds, I came to realise that I must have loaded some film into it at some point. Also I could not remember what film I loaded […]
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5 Frames… Of portraits on ILFORD HP5 PLUS (120 Format / EI 320 / Green #11 filter Bronica SQ-A + Zenzanon PS 150mm + S-18 extension tube) – by Cameron Breze
These frames were selected from a recent test shoot on my new (to me) Bronica SQ-A and first medium format shots that I had ever taken with extension tubes. I began my film journey mainly by accident; I had taken digital photos for years prior to giving film a shot. It had never crossed my […]
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5 Frames… Of a day at the slopes on Kodak Gold 200 (35mm Format / EI400 / Canon EOS 1N + Canon 50mm 1.8 STM)
I’ve been into photography since 2004 when I first picked up a Canon AE-1. Since then I’ve explored many different brands and lens combinations for both professional work and hobbyist work, however shooting film always takes me back to a certain purity. I do love the manual aspect of shooting film especially 120 in my […]
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6 Frames… Of morning pinholes on an ONDU 6×12 Multiformat and Rollei Superpan 200
I have shot film since my childhood, but I completely switched to film 5 years ago. During all this time I gained a lot of experience experimenting with different film, formats, and cameras and gradually realized what I like most — the square format and slowed down shooting. This naturally led me to the idea […]
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5 Frames… Ending in a Pacific sunset on Kodak Portra 400 (35mm Format / EI 400 / Canon A-1 + Canon 50mm 1.4) – by Zak DenHartigh
This past November, I had the opportunity to visit a close friend of mine in Los Angeles, California. Given the current situation with covid, I didn’t really know what to expect on my trip. I was worried that there may not be enough going on to enjoy or photograph. I am thankful that there ended […]
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5 Frames… From an old, familiar Pentax K1000 on Kodak T-MAX 400 (35mm Format / EI 400 + SMC Pentax-M 28mm f/2.8)
I brought my Pentax K1000 (a combined birthday and Christmas gift in 1988) back into service in 2021, after a decades-long hiatus from it, and after 15 or so years of not shooting film at all. I was surprised to find myself every bit as happy to be shooting film as I had been when […]
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5 Frames… at Austin FC on ILFORD Delta 3200 Professional (35mm Format / EI 3200 / Pentax IQZoom 160)
My mom’s favorite camera was her Canon AE-1 (no P). My dad convinced her to give it to their tour guide in Hong Kong on their honeymoon. He said he would replace it with a nicer camera, which my mom swears was an AE-1P, but I’m not sure where they would’ve found one new in […]
