I stand at the edge of the forest, my dilapidated Canon in hand. Mist rises from the trees, as two pigeons snap their wings in hasty exit. A path snakes ahead, deep into the wooded dark. Raising my camera, I peer through the scuffed lens. I hold my finger to the shutter, waiting for the […]
Category: Darkroom
Find all of EMULSIVE’s darkroom-related articles right here.
Posted inFeatured Projects
My new portrait project: “Inspired”, passionate artists and a 145-year-old Dallmeyer 3B 290mm f/3 Portrait Petzval lens
I have been looking for this historical artwork for some years – a useable Dallmeyer 3B Portrait Petzval 290mm f/3 lens made during the 70s — the1870s. Finally, I got it (with some help). The lens is at the heart of my project, “Inspired”, which will be published in a book — you can register […]
Posted inArticles
Announcing the new 35mm & 120 format Intrepid colour Enlarger: coming March 19th 2021
News just in from the folks over at Intrepid Camera: a new model of their Intrepid Enlarger that can make colour and black and white darkroom prints from 35mm and 120 format film (up to 6×9!) According to the folks at Intrepid, the new enlarger comes after “more than a year of extensive testing, designing […]
Posted inDeveloping Film
My approach to Rodinal semi-stand film development
My film development workflow shifted in 2020 and became almost entirely based around semi-stand methods. Previously I had used ILFORD DD-X and taken great care over timings and chemistry – including for stand dev, but as I’ve found more of my projects start to come together I have not been able to dedicate myself in […]
Posted inOpinion
Seasonal Reflections of an Analogue Photographer
“It’s Christmas Theo, it’s the time of miracles” Hans Gruber, Beloved Christmas Terrorist Christmas is a piece of family-orientated theatre, rich with idiosyncratic traditions that only exist within our own eccentric little bubbles, along with the shared, large scale infectious hysteria of a nation psyching itself up for some overly indulgent festive respite. The glittery […]
Posted inArticles
A deeper dive into CineStill Simplified Cs2 chemistry: ECN-2 + CINESTILL = ?
We are the Brothers Wright, the photographers and creators behind CineStill. Ever since the beta tests of CineStill 800T processed in C-41 chemistry, and especially once we began designing simplified chemical processes, we have been asked many technical questions about motion picture processing and still photography. Over the years, we have done our best to […]
Posted inPrinting
Printing from slide film using RA-4 reversal processing
Being partial to shooting some slide film where financially possible has always left me with a big frustration when it comes to viewing my precious slide film photos. I own a slide projector and a very good 35mm scanner but with the last real darkroom process for printing slide film: ILFORD’s Cibachrome having been out […]
Posted inWet Plate
Introducing MentalCollodion: Shining light on mental health struggles by Simon Riddell
In the Summer of 2021 something special is coming to the Scottish Highlands (and hopefully elsewhere), courtesy of Simon Riddell, a van, a large camera, and a lot of chemicals! No, it’s not a sequel to Human Traffic, it’s a bold and exciting project from the man who helped bring us One Shot: Inchindown, the film […]
Posted inWet Plate
Visualising the Unspeakable: Exploring Post-Traumatic Stress Disorder with wet plate photography
Even when the camera is focused on a single subject, photographic portraiture rarely, if ever, speaks with just one voice. It is this multifaceted layering, be it intentional or otherwise, that generates intrigue and keeps us coming back for another look, drawn to some inexplicable detail that refuses to sit quietly on the page. Historical […]
Posted inDarkroom
Results WILL vary: An introduction to the endless creative expression of gum printing
Gum printing or, to give it it’s full name, gum bichromate printing can seem daunting. Certainly, it takes more of commitment in time and materials than cyanotype. But after cyanotype, gum is one of the simplest and most flexible alternative processes to dive into. Gum printing is expressive, painterly and fun; and to show you […]
Posted inDeveloping Film
They took my Kodachrome away…so I brought it back
Legend has it there was once a film that held in its grasp the bright greens of summer and made all the world a sunny day. That was until a fateful day in 2010 when Kodak brought it’s benevolent reign to a fateful halt. We are, of course, talking about Kodachrome, the legendary color reversal […]
Posted inDarkroom
Trying out solarisation in the darkroom
Being in lockdown has given me more time to consider expanding my repertoire of darkroom techniques. One of these is something a little different to what I would normally try: Solarisation. It’s a technique I’m sure many are familiar with, it is new to me and to be honest, some of the images I’ve seen […]
Posted inDeveloping Film
Learning to develop my first roll of film
Due to the current pandemic situation and resultant lock-down rules, I’ve decided now would be a good time to learn how to develop film at home. Since I got back into shooting film a few years ago, the thought of developing my own photos at home has crossed my mind on more than one occasion. […]
Posted inWet Plate
A world-first? Creating a traditional wet plate portrait over the internet from 4,000 miles away
With half the world under lockdown and the rest being advised to implement physical distancing and other measures to stop the spread of COVID-19, a traditional approach to studio portraiture and other relatively close-quarters photography needs a rethink…
Posted inWet Plate
Making “VIRUS”: A tintype stop motion animation
“You know me, if something bothers my mind, I have to make art out of it. Sadly at this moment, it’s the virus — COVID-19 — so I put my thoughts and feelings onto seven wet plates to make a stop motion animation.” Regular readers will no doubt be familiar with Markus Hofstaetter through my […]
Posted inArticles
Behind the scenes with Saoirse Ronan, Timothée Chalamet and the cast of Little Women on 1860s wet plate photography + photographer Q&A
Going against the grain, the on-set photographer of 2019’s Little Women included the use of traditional wet plate photography – also known as tintypes – to capture Saoirse Ronan, Laura Dern, Timothée Chalamet, Emma Watson, James Norton and the rest of the production’s cast. It’s not very often that a unit still photographer gets to […]
Posted inWet Plate
Bringing a 160 year old giant Petzval lens back to life
It was a normal Saturday afternoon in November when I walked into a flea market. I met some friends there and looked around a little bit. In the end, I bought this Gasc and Charconnet 500mm petzval lens. If you are as old as I am and have seen the movie “Big trouble in little […]
Posted inPrinting
Four very different darkroom printers test ILFORD’s new Multigrade RC Deluxe paper
ILFORD released a raft of new and updated products in late 2019, one of which was brand new Multigrade RC Deluxe paper. Called “MG V” by some in our community, I was provided a box some weeks before the official release to either test myself or give away as part of a competition/event. I decided […]
Posted inDarkroom
Developing color negative film at room temperature: the best option that nobody uses?
In the world of home film development, black and white dominates the market. This comes much to the chagrin of many amateur photographers looking to tinker and professional photographers looking to save a little money by developing colour film at home. Resources for color film development (C-41 for negative film and E-6 for slide film) […]
Posted inNews
New from ILFORD: 35mm and 120 ortho films, MULTIGRADE papers, camera and development kit – Q&A + tests/samples inside
One important voice has been missing from the crowd of new film announcements these past few years, that of 140 year-old ILFORD PHOTO. So, it was a pleasant surprise when the company began teasing the launch of four new products. What could they be? Speculation as to what these four images represented sent members of […]
