Darkroom
A world-first? Creating a traditional wet plate portrait over the internet from 4,000 miles away
With half the world under lockdown and the rest being advised to implement physical distancing and other measures to stop the spread of COVID-19, a traditional approach to studio portraiture and other relatively close-quarters photography needs a rethink...
Making “VIRUS”: A tintype stop motion animation
"You know me, if something bothers my mind, I have to make art out of it. Sadly at this moment, it's the...
Behind the scenes with Saoirse Ronan, Timothée Chalamet and the cast of Little Women on 1860s wet plate photography + photographer Q&A
Going against the grain, the on-set photographer of 2019's Little Women included the use of traditional wet plate photography - also known...
Bringing a 160 year old giant Petzval lens back to life
It was a normal Saturday afternoon in November when I walked into a flea market. I met some friends there and looked...
Four very different darkroom printers test ILFORD’s new Multigrade RC Deluxe paper
ILFORD released a raft of new and updated products in late 2019, one of which was brand new Multigrade RC Deluxe paper....
Developing color negative film at room temperature: the best option that nobody uses?
In the world of home film development, black and white dominates the market. This comes much to the chagrin of many amateur...
New from ILFORD: 35mm and 120 ortho films, MULTIGRADE papers, camera and development kit – Q&A + tests/samples inside
One important voice has been missing from the crowd of new film announcements these past few years, that of 140 year-old ILFORD...
Making colour prints in the darkroom: welcome to RA-4 printing
If you're reading this guide, you're probably new to RA-4 colour printing. Don't worry, until recently, so was I. Over the past...
Cinestill C-41 Quart Kit: extended development, push and pull processing times
I’ve been developing film at home for a while now, and I’ve done everything that I can to get my money's worth...
Greta Thunberg: capturing the voice of the 21st century using 150-year-old wet plate photography
The call came in on the afternoon of Monday 7th October. Shane Balkowitsch would have little under 24 hours to plan a 15-minute wet plate photoshoot with Greta Thunberg at Standing Rock. Naturally, the first thing he did after getting off the phone was to start packing his studio up into the back of his truck — including his portable darkroom.
Anecdotal evidence: My darkroom tricks and treats – by Fred Rosenberg
I’ve been a street photographer and black and white darkroom worker since back when bulk film loaders boasted of “Penny a Frame” - that’s right, $.36 a roll of film.
My darkroom journey – by Keith Moss
I really believe that to be a complete photographer it is imperative to either hone the skill set of printing within a darkroom environment or be knowledgeable of the process.
A practical guide to… Lith printing
When mainstream photography was entangled with the darkroom, the act of printing a photo would show the artist's hand as much as what was photographed.
How I built my darkroom for less than $500
"Oh sure, it may not look like much, but it’s going to be my new photo darkroom."
I said this, with a touch of nostalgia, a bit of a whim, and the driving force of practicality around the return
The Simple Enlarger: compact, portable, low-cost darkroom printing for all
I want to spread the idea that a photographic enlarger is fundamentally a very simple thing.
Not for legal use: Polaroid passport photos on wet plate collodion
Wet plate collodion doesn't spring to mind as either the most practical or in fact, legal approach to creating passport photographs but that didn't stop EMULSIVE interviewee #196 Markus Hofstaetter from giving it a shot.
Markus isn't a stranger
Darkroom technique: fine-tuning the negative – by Monika
Back over the summer of 2018, my beloved Bronica SQ-A became gravely ill, and I sent it off to the camera spa for some TLC.
Appendix B of the Technical Field Guide for the Discerning Analog Photographer: Metering for finite and infinite multiple exposures
Welcome to the second appendix to the Technical Field Guide for the Discerning Analog Photographer.
Appendix A of the Technical Field Guide for the Discerning Analog Photographer: push/pull processing calculations
I originally wrote the full "Technical Field Guide for the Discerning Analog Photographer" as a quick reference for technical photographers in the field.
Cinematic storytelling part 3: developing motion picture film
Welcome to the final (?) part of this three-part series exploring the use of motion picture film in still photography.
