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FPP RetroChrome 400 is the name given to a stock of 35mm Kodak EASTMAN EKTACHROME High-Speed Daylight Film 2253 (PDF datasheet) that...
Last year I published a short list of analogue photographers who were valuable (at least to me) in some way; ones who...
A lot of my early digital work was rooted in colour theory, and as a result (despite wanting to limit my film photography to black and white) I have shot through as many different colour films as I could find.
Contact sheets are an incredibly useful tool when it comes to reviewing and learning from your own approach to photography, and when curating a series of shots down to one final "keeper." I am an advocate of constant review
Film can be daunting for some, but I find it is worth the investment of time and money, as long as you understand exactly what your expectations are from the medium.
There are a few reasons it's taken me so long to become comfortable with shooting Tri-X, and I thought it might be useful to share these, both so that I can understand my process more coherently (as with most
Although I’ve been experimenting with a few different films, using ILFORD Delta 3200 Professional at LFW, some Fuji Neopan for Street, and some CineStill for low light nights, I am yet to find a film stock I am consistently
It has been a couple of months since my first post, on Why I Shoot Film, and I thought that now would be a great time to provide an update.