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Simon is a London based photographer and photojournalist. He is currently working on long term personal projects, and has been shooting on 35mm film since late 2016.
You can follow his work on Instagram, or read his personal blog, both linked below.
Contact sheets are a fantastic resource for film photographers, and can also be used by digital artists - although applying these ideas to a digital workflow can often distort the result (but I'll come back to this later).
This article is part diary, part camera review, part lens review, and part film review, all based around my average day-to-day exploits as a film-based street photographer and photojournalist in London.
A lot of my early digital work was rooted in colour theory, and as a result (despite wanting to limit my film photography to black and white) I have shot through as many different colour films as I could find.
Contact sheets are an incredibly useful tool when it comes to reviewing and learning from your own approach to photography, and when curating a series of shots down to one final "keeper." I am an advocate of constant review
There are a few reasons it's taken me so long to become comfortable with shooting Tri-X, and I thought it might be useful to share these, both so that I can understand my process more coherently (as with most
Although I’ve been experimenting with a few different films, using ILFORD Delta 3200 Professional at LFW, some Fuji Neopan for Street, and some CineStill for low light nights, I am yet to find a film stock I am consistently
Although I'm still only starting out with my exploration of film photography I have a few images already that I feel indicate where my style and taste will arrive.
The images I shoot on film are very distinct from my