I’ve used my Olympus XA so slowly over the last few months that I only recently developed a roll with some of the images I made with it while in Sofia, Bulgaria over Christmas 2020 last year. I still use the XA for snapshot, point-and-shoot colour images, which in Bulgaria left me with quite muted […]
I started writing this article in 2019 and left it as a draft for EM here for quite a while. The reason for this is that while I enjoy writing, I don’t often think that my “reviews” are especially the most I have to offer. I wrote a disparaging follow up to a piece I’d […]
My film development workflow shifted in 2020 and became almost entirely based around semi-stand methods. Previously I had used ILFORD DD-X and taken great care over timings and chemistry – including for stand dev, but as I’ve found more of my projects start to come together I have not been able to dedicate myself in […]
Two street photographers make their case for their preferred wide-angle focal length, explaining what works to fulfill their respective vision.
The Peter Pan Cup is a yearly 100m race, a swim across the icy-cold Serpentine Lido in Hyde Park. Swimmers have met in the park every Christmas morning since 1864, and the titular “Peter Pan Cup” was first donated in 1904 by author J.M. Barrie himself. Participants must acclimatise themselves to the cold across the year, […]
Expressions of civil unrest have provided many opportunities for photographers to capture the energetic, emotional scenes which are the byproduct of demonstrations, protests, riots, and other manifestations. Crowds offer such a dynamic set of possibilities that I’ve even heard some describe protests as being “cheating,” or “too easy – fish in a barrel.” While it’s […]
I’ve found myself with quite a backlog to develop from the last few weeks of sun, but encountered an issue I hadn’t really faced before when developing – the heatwave we’ve been having here in the UK means that all of my chemicals would be quite a bit above the recommended 20°. Temperature is an […]
I wrote an article here on EMULSIVE in April 2019 where I discussed some of the steps I made early on in my film photography process. I covered my earliest roll in 2016 to my then most recent work on Kodak Tri-X 400. I had sampled almost everything on offer by ILFORD, quite a few […]
White teaching a recent workshop I joked that street photography was the only genre where people would buy £3k worth of cameras and lenses and then deliberately use them to make out of focus, grainy, imperfect images. This led to a pretty interesting discussion about the merits to imperfection, and I think some of those […]
I’ve often described how I think that people looking for a different “look” from film would be better suited exposing and developing in a different way before they’d see any benefit from switching emulsions. Unless someone is searching for a specific “effect” in terms of grain structure, or halation, then most films will produce fairly […]
The idea I’d like to unpack in this article is based on some of the thoughts I’ve had while reflecting on my role when it comes to making photographs. I think that most of my recent writing has been produced in an effort to untangle preconceptions and assumptions that I seem to have been carrying […]
I’ve already written about using film in general to achieve specific goals in the genres of Street and Documentary photography, which is my chosen pursuit. However, I haven’t gone into much detail on the specifics of why black and white film specifically appeals to me currently for storytelling imagery. The association of black and white […]
For a while now, my photography goal has been on capturing a more energetic, or emotionally resonating type of moment than my earlier style, which was a little more withdrawn, involving distant figures and light architecture. The shift to film allowed me to constantly concentrate on finding the next “worthy” scene to work, as opposed […]
I am usually hesitant to assign labels on my photography, I think out of concern that a definition may limit my mentality, and…
During my recent trip to India, where I had 9 full days with which to shoot, I shot 23 rolls out of the 44 I had chosen to take. I am usually frugal with my shutter, and try and make my images in as few actuations as possible. I gave myself a little more leeway […]
One of the things I tried while in India was to set myself a simple challenge: to shoot a “perfect” roll of 36 exposures.
Contact sheets are a fantastic resource for film photographers, and can also be used by digital artists – although applying these ideas to a digital workflow can often distort the result (but I’ll come back to this later).
I recently wrote an article about the way I find the film process is an asset to an honest approach to documentary photography. This is a topic I feel quite strongly about, especially in the current media climate where the veracity of many aspects of media reporting, from video to photo to interviews require scrutiny […]
I’ve always found the limitation of image format to be fairly arbitrary, and have enjoyed using “alternative” crops (where possible) in my work. I enjoy using the Hasselblad XPan for its panoramic field of view and almost comic-book double-spread feeling, and I like the work of Fan Ho, especially the ones where he cropped down […]
Winter 2018 was when I really buckled down and took black and white photography seriously, as a response to a few uninspiring grey-feeling colour rolls. I wanted to take command of that grey aesthetic, and quickly went through pushed ILFORD XP2 Super, Delta 3200 Professional, Delta 400 Professional, and even some SFX 200, looking to […]