Simon King

Working the Scene from Four Different Perspectives: Protest Photography – by New Exit Photography Group

Expressions of civil unrest have provided many opportunities for photographers to capture the energetic, emotional scenes which are the byproduct of demonstrations, protests, riots, and …

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Film Notes: Current high-speed films, ILFORD Delta 3200 Professional and Kodak T-MAX P3200 - by Simon King and Andrew Blowers

Film Notes: Current high-speed films, ILFORD Delta 3200 Professional and Kodak T-MAX P3200 – by Simon King and Andrew Blowers

I’ve often described how I think that people looking for a different “look” from film would be better suited exposing and developing in a different …

Read moreFilm Notes: Current high-speed films, ILFORD Delta 3200 Professional and Kodak T-MAX P3200 – by Simon King and Andrew Blowers

Embracing winter conditions in my film photography workflow

Embracing winter conditions in my film photography workflow

Winter 2018 was when I really buckled down and took black and white photography seriously, as a response to a few uninspiring grey-feeling colour rolls. …

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A day in the life: London street photography with the Leica M6 - by Simon King

A Day in the Life: London Street Photography with the Leica M6

This article is part diary, part camera review, part lens review, and part film review, all based around my average day-to-day exploits as a film-based street photographer and photojournalist in London.

Film stock review: FPP RetroChrome 400 (EASTMAN EKTACHROME High-Speed Daylight Film 2253) - by Simon King

Film Stock Review: FPP RetroChrome 400 (EASTMAN EKTACHROME High-Speed Daylight Film 2253) – by Simon King

FPP RetroChrome 400 is the name given to a stock of 35mm Kodak EASTMAN EKTACHROME High-Speed Daylight Film 2253 (PDF datasheet) that expired in 2004 …

Read moreFilm Stock Review: FPP RetroChrome 400 (EASTMAN EKTACHROME High-Speed Daylight Film 2253) – by Simon King