This article is part diary, part camera review, part lens review, and part film review, all based around my average day-to-day exploits as a film-based street photographer and photojournalist in London.
Although I’ve played around in the past I’ve never really had the motivation to seriously print my film photographs. My usual workflow involves scanning my negatives, and then releasing them digitally. When I’ve sold prints in the past I’ve used my local labs drum scanner for high quality results which are then printed in the same […]
FPP RetroChrome 400 is the name given to a stock of 35mm Kodak EASTMAN EKTACHROME High-Speed Daylight Film 2253 (PDF datasheet) that expired in 2004 and is bulk loaded and sold by the Film Photography Project. The film was apparently very well cold-stored, meaning that it is still very useable without needing to change anything […]
Last year I published a short list of analogue photographers who were valuable (at least to me) in some way; ones who offer either inspiration or education. The response to this was very wholesome, and people in the comments seemed to enjoy both the concept of the list and my selection. I thought it would […]
I recently travelled to New York – the second time in my life, but my first visit as a photographer. I intended to shoot the entire trip on film only, and decided to take a roll of something I’d never shot before to have some results that would be a bit different to what I’m […]
After some recent discussions with my peers, I’ve started to feel that “honesty” is an underrated quality in many genres of photography. I’ve given the topic a lot of thought, in order to take some personal steps to ensure my integrity, especially when it comes to what is shown in my images. When it comes […]
A lot of my early digital work was rooted in colour theory, and as a result (despite wanting to limit my film photography to black and white) I have shot through as many different colour films as I could find.
Contact sheets are an incredibly useful tool when it comes to reviewing and learning from your own approach to photography, and when curating a series of shots down to one final “keeper.” I am an advocate of constant review
Film can be daunting for some, but I find it is worth the investment of time and money, as long as you understand exactly what your expectations are from the medium.
There are a few reasons it’s taken me so long to become comfortable with shooting Tri-X, and I thought it might be useful to share these, both so that I can understand my process more coherently (as with most
Although I’ve been experimenting with a few different films, using ILFORD Delta 3200 Professional at LFW, some Fuji Neopan for Street, and some CineStill for low light nights, I am yet to find a film stock I am consistently
It has been a couple of months since my first post, on Why I Shoot Film, and I thought that now would be a great time to provide an update.
Although I’m still only starting out with my exploration of film photography I have a few images already that I feel indicate where my style and taste will arrive.
The images I shoot on film are very distinct from my