Peeled apart for good: the creative obligation not to f**k it...

For about a year and a half, every time I opened my fridge I saw my last remaining 10 exposure pack of Fuji FP 100C instant film, and every time I opened said fridge I was reluctant to take it

Comparing Fuji ACROS 100, ILFORD Delta 100 Professional and Kodak T-MAX...

This whole project started when I realized I had been blindly allegiant to certain black and white films for a number of years without any particular rhyme or reason.

Every single film stock still made today – Part 2: FILM...

Update 01: 2018-09-20 Welcome to part two of this series, looking at all the fresh film stocks still being produced today. In part one I covered every film stock from ADOX to Dubblefilm.

Blind film review #01: Fuji Natura 1600 vs Kodak Portra 800...

At the end of 2017 I mentioned to Aislinn Chuahiock that I'd received some 35mm Kodak Portra 800 to test out and was planning on pitting it against Lomography's Color Negative 800 in a side-by-side review. In her infinite wisdom

Finding Film part 9: Fumbling Fuji NEOPAN Acros 100

In my last article, I discussed my adventures with the Lomography Lady Gray 400.

Comparing Fujifilm NEOPAN 100 ACROS to… Fujifilm NEOPAN 100 ACROS –...

Looking back at my Lightroom folders I can see that I started taking photography more seriously in 2013 when I acquired an entry-level DSLR. One of the things I really wasn’t taking to was all those menus and buttons.

Investigating Fuji INSTAX Mini Monochrome, Color and the Fuji SP-2 Printer

I’m going to call this an informal assessment, because it’s neither properly a product review, nor a test report.

Thoughts on Fuji NEOPAN 1600 AKA: let your film fulfil its...

Some weeks back I bought 3 rolls of expired Fuji Neopan 1600.

Film review: Fuji Instax Mini Monochrome

Welcome to - to the best of my knowledge - the world's first review of Fuji Instax Mini Monochrome!

Film love: DISCONTINUED… Working with Fuji NEOPAN – by Walter Rothwell

A mother informs her son that his best friend has just died... ”Just thought I should tell you, Peter is dead.” Stunned silence. “Why don’t you go down the road and play with Paul instead, I know you’ve never met

Esperimenti fotografici con Fuji Instanx in bianco e nero

English version here: https://emulsive.org/experiments/black-and-white-fuji-instax-photographic-experiments   Mi chiamo WhatsBehindThat e faccio foto. La mia prima foto e’ stata fatta con una Yashica, dopo che mio fratello mi spiego’ come leggere la tabella dei valori dietro al flash e come impostare

Experimenting with black and white photography on colour Fuji INSTAX

Versione in Italiano e qui: https://emulsive.org/experiments/esperimenti-fotografici-con-fuji-instanx-in-bianco-e-nero   My name is WhatsBehindThat and I make photos. I took my first shots with a Yashica film camera (after my brother explained me how to read the table of values behind the

Film notes: Fuji Velvia 100 (RVP 100)

Here we are again with more field notes.

Film stock review: Fujifilm FUJICHROME Velvia 100 (RVP 100) in 35mm,...

I've not always had the best time shooting Fujifilm's Velvia 100 over the years, or to give it it's proper name, Fujifilm FUJICHROME Velvia 100.

Film notes: Fuji Provia 100F (RDPIII)

Following on from my review of Fuji Provia 100F (RDP III), here's our quick reference for (nearly) everyone's favourite slide film. Here's what Fuji have to say: "FUJICHROME PROVIA 100F Professional is an ultra-high-quality, daylight-type ISO 100-color reversal film. With

Experiments: cross processing and push processing Fuji Provia 100F (RDP III)

Picking up from my original Provia 100F review, I'm going to talk about how we can experiment with this film and the kinds of results you can expect. In this article, we'll be talking about pushing, cross processing and

Film stock review: Fuji Provia 100F (RDP III) color slide film...

Today we'll be reviewing Fuji's Provia 100F (RDP III) color slide film. Provia 100F is one of my go-to slide films when I want flexibility and true-to-life color.

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