I set out this Spring and Summer to do a comparative test of Kodak EKTACHROME E100 and Fujifilm Fujichrome Velvia 50 (RVP50). In my lifetime …
I think there’s a pretty big misconception about shooting slide film. We’ve all heard the stories about how slide film is ridiculously hard to shoot, …
Understandably, I was very excited to hear the news of Fujifilm bringing back NEOPAN 100 ACROS in the form of ACROS II earlier this year. …
I was a Kodak Gold 200 user forever. I’m not really sure why. I think it might have been taking those purple and yellow 3-packs out of my mom’s camera bag from a young age.
A lot of my early digital work was rooted in colour theory, and as a result (despite wanting to limit my film photography to black and white) I have shot through as many different colour films as I could find.
To the analogue landscape photographer, choosing one’s film stock is one of the most crucial steps in the creative process.
I have always had a love/hate relationship with color film.
The two most popular consumer films used today are Kodak ColorPlus 200 and Fuji Fujicolor C200.
For about a year and a half, every time I opened my fridge I saw my last remaining 10 exposure pack of Fuji FP 100C instant film, and every time I opened said fridge I was reluctant to take it
This whole project started when I realized I had been blindly allegiant to certain black and white films for a number of years without any particular rhyme or reason.
Update 01: 2018-09-20
Welcome to part two of this series, looking at all the fresh film stocks still being produced today. In part one I covered every film stock from ADOX to Dubblefilm.
At the end of 2017 I mentioned to Aislinn Chuahiock that I’d received some 35mm Kodak Portra 800 to test out and was planning on pitting it against Lomography’s Color Negative 800 in a side-by-side review.
In her infinite wisdom
Looking back at my Lightroom folders I can see that I started taking photography more seriously in 2013 when I acquired an entry-level DSLR. One of the things I really wasn’t taking to was all those menus and buttons.
I’m going to call this an informal assessment, because it’s neither properly a product review, nor a test report.
Some weeks back I bought 3 rolls of expired Fuji Neopan 1600.
Welcome to – to the best of my knowledge – the world’s first review of Fuji Instax Mini Monochrome!
A mother informs her son that his best friend has just died… ”Just thought I should tell you, Peter is dead.”
Stunned silence.
“Why don’t you go down the road and play with Paul instead, I know you’ve never met
English version here: https://emulsive.org/experiments/black-and-white-fuji-instax-photographic-experiments
Mi chiamo WhatsBehindThat e faccio foto.
La mia prima foto e’ stata fatta con una Yashica, dopo che mio fratello mi spiego’ come leggere la tabella dei valori dietro al flash e come impostare
Versione in Italiano e qui: https://emulsive.org/experiments/esperimenti-fotografici-con-fuji-instanx-in-bianco-e-nero
My name is WhatsBehindThat and I make photos.
I took my first shots with a Yashica film camera (after my brother explained me how to read the table of values behind the
