This article pits Kodak's medium format Portra 400 against CineStill's 800T in a head-to-head.
To the analogue landscape photographer, choosing one’s film stock is one of the most crucial steps in the creative process.
Most of the frames which make up this mini-review are from the first roll of slide film
Here's a quick look at a recent shoot of new Kodak EKTACHROME E100 shot at box speed, then up to EI 200, 400 and 800 - one, two and three-stops of push processing. *1 The images below form part
Give your friends memorable experiences that they will enjoy and remember you by, that's what I say.
The two most popular consumer films used today are Kodak ColorPlus 200 and Fuji Fujicolor C200.
Kodak T-MAX 100 is undoubtedly the film I prefer after Tri-X 400 but despite this T-Grain appreciation, I have never been able to fully appreciate T-MAX 400.
Update 03: 2018-11-20 Welcome to part four of this series exploring every single film stock (including instant film, dry plates, etc.), still being made today.
And this is where my journey of home developing begins! After a couple of disappointments - in rapid succession - of the work of some photo labs, it was time to take full responsibility for all the loosely cut last
This whole project started when I realized I had been blindly allegiant to certain black and white films for a number of years without any particular rhyme or reason.
I wasn’t overly keen on writing a film review when EM first suggested it.
New Kodak T-MAX 3200 (TMZ) is flat out great news for film lovers for the additional choice and for what it says about Kodak Alaris's confidence in the market.
At the end of 2017 I mentioned to Aislinn Chuahiock that I'd received some 35mm Kodak Portra 800 to test out and was planning on pitting it against Lomography's Color Negative 800 in a side-by-side review. In her infinite wisdom
Late March 2017: During my last article I touched on the fact that I was beginning to get stuck in a photographic rut.
In December of 2010, when the last rolls of Kodachrome were processed, (one of them mine), I became melancholy and wrote a very short personal perspective on this iconic film. What you see below is the result. Rewind about
Welcome to part two of my journey with film in 2017.
The high EI shootout is back for part two: the pushening. Poorly executed references to the terrible sequel that was Highlander 2 aside, I'm hoping that you'll find this extension of part one just as informative as the first and
A few months ago I wrote a post about experimenting with pushing Kodak Tri-X from ISO 800 to 12800.
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