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Kodak Film Stock Reviews
Looking for a review of a Kodak film stock? We’ve got you covered: read every EMULSIVE review of Kodak film photography stocks right here, including Kodak Tri-X 400, Kodak T-MAX 400, Kodak AEROCHROME and Kodak EKTACHROME.
Film Notes: Current high-speed films, ILFORD Delta 3200 Professional and Kodak T-MAX P3200 – by Simon King and Andrew Blowers
I've often described how I think that people looking for a different "look" from film would be better suited exposing and developing...
Trying out night photography with Kodak Tri-X 400 at EI 1600
I love street photography, though I don’t consider myself a great photographer neither a master but I really enjoy shooting film. My...
Film stock review: Kodak EASTMAN DOUBLE-X (5222) – 35mm format – by Alexander Laurent
Any cinephiles reading this have seen Kodak’s DOUBLE-X 5222 shine its magic even if they didn’t know it. It’s the stock that...
Kodak T-MAX 400: An honest film stock review
I have always been on the fence about Kodak's T-MAX 400 film. I have been using it on and off for the...
Shooting expired Kodak EKTACHROME 100 in 220 and 4×5 format: why I’m excited medium and large format is coming back
After the successful resurrection of 35mm Ektachrome, Kodak announced it would also bring back 120 and large formats. Later we even found...
Film review: The magic of TMZ – Kodak T-MAX P3200
Have you ever wondered if magic is real or not? Well, I can tell you that it is, and somehow, Kodak has managed to...
Film review: Kodak Gold 200 vs Fujicolor C200 comparison – by Dan Marinelli
I was a Kodak Gold 200 user forever. I'm not really sure why. I think it might have been taking those purple and yellow 3-packs out of my mom's camera bag from a young age.
Blind film review #02: CineStill 800T vs Kodak Portra 400 in 120 format
This article pits Kodak's medium format Portra 400 against CineStill's 800T in a head-to-head.
Film stock review: Comparing Kodak Ektar 100 to Fujifilm Velvia 50 – by Gregor Sinclair
To the analogue landscape photographer, choosing one’s film stock is one of the most crucial steps in the creative process.
My first time with slide film: new Kodak EKTACHROME E100
Most of the frames which make up this mini-review are from the first roll of slide film
Film stock review: Kodak Pro Image 100
I’ll begin this review with a quick disclaimer - I’ve been shooting film for less than a year at this point.
Film stock review: Kodak EKTACHROME E100 – shot at EI 100, 200, 400 + 800 first impressions
Here's a quick look at a recent shoot of new Kodak EKTACHROME E100 shot at box speed, then up to EI 200, 400 and 800 - one, two and three-stops of push processing. *1
The images below form part
Film notes: Kodak Professional T-MAX 400
Kodak T-MAX 400 is by far one of my favorite black and white films to shoot. It has a great balance of classic grain and also great latitude. Negatives are easily identified by edge markings stating "TMY-2".
Film love: Shooting Kodak EKTACHROME Infrared EIR color infrared film
Give your friends memorable experiences that they will enjoy and remember you by, that's what I say.
Film stock review: Comparing Kodak ColorPlus 200 and Fuji Fujicolor C200
The two most popular consumer films used today are Kodak ColorPlus 200 and Fuji Fujicolor C200.
Repulsion to attraction: my Kodak T-MAX 400 story so far
Kodak T-MAX 100 is undoubtedly the film I prefer after Tri-X 400 but despite this T-Grain appreciation, I have never been able to fully appreciate T-MAX 400.
Every single film stock still made today – Part 4: Kodak to Maco Direct (v4)
Update 03: 2018-11-20
Welcome to part four of this series exploring every single film stock (including instant film, dry plates, etc.), still being made today.
Four seasons with: Kodak EASTMAN Plus-X 5231 – by Marco Calemme
And this is where my journey of home developing begins! After a couple of disappointments - in rapid succession - of the work of some photo labs, it was time to take full responsibility for all the loosely cut last
Comparing Fuji NEOPAN 100 ACROS, ILFORD Delta 100 Professional and Kodak T-MAX 100 – by Dan Marinelli
This whole project started when I realized I had been blindly allegiant to certain black and white films for a number of years without any particular rhyme or reason.
Film stock review: Kodak EKTACHROME 100G (E100G) – by James King
I wasn’t overly keen on writing a film review when EM first suggested it.
