Blind film review #02: CineStill 800T vs Kodak Portra 400 in...
This article pits Kodak's medium format Portra 400 against CineStill's 800T in a head-to-head.
Film stock review: Comparing Kodak Ektar 100 to Fujifilm Velvia 50...
To the analogue landscape photographer, choosing one’s film stock is one of the most crucial steps in the creative process.
My first time with slide film: new Kodak EKTACHROME E100
Most of the frames which make up this mini-review are from the first roll of slide film
Film stock review: Kodak Pro Image 100
I’ll begin this review with a quick disclaimer - I’ve been shooting film for less than a year at this point.
Film stock review: Kodak EKTACHROME E100 – shot at EI 100,...
Here's a quick look at a recent shoot of new Kodak EKTACHROME E100 shot at box speed, then up to EI 200, 400 and 800 - one, two and three-stops of push processing. *1
The images below form part
Film notes: Kodak Professional T-MAX 400
Kodak T-MAX 400 is by far one of my favorite black and white films to shoot. It has a great balance of classic grain and also great latitude. Negatives are easily identified by edge markings stating "TMY-2".
Film love: Shooting Kodak EKTACHROME Infrared EIR color infrared film
Give your friends memorable experiences that they will enjoy and remember you by, that's what I say.
Film stock review: Comparing Kodak ColorPlus 200 and Fuji Fujicolor C200
The two most popular consumer films used today are Kodak ColorPlus 200 and Fuji Fujicolor C200.
Repulsion to attraction: my Kodak T-MAX 400 story so far
Kodak T-MAX 100 is undoubtedly the film I prefer after Tri-X 400 but despite this T-Grain appreciation, I have never been able to fully appreciate T-MAX 400.
Every single film stock still made today – Part 4: Kodak...
Update 03: 2018-11-20
Welcome to part four of this series exploring every single film stock (including instant film, dry plates, etc.), still being made today.
Four seasons with: Kodak EASTMAN Plus-X 5231 – by Marco Calemme
And this is where my journey of home developing begins! After a couple of disappointments - in rapid succession - of the work of some photo labs, it was time to take full responsibility for all the loosely cut last
Comparing Fuji NEOPAN 100 ACROS, ILFORD Delta 100 Professional and Kodak...
This whole project started when I realized I had been blindly allegiant to certain black and white films for a number of years without any particular rhyme or reason.
Film stock review: Kodak EKTACHROME 100G (E100G) – by James King
I wasn’t overly keen on writing a film review when EM first suggested it.
High Speed Journey – Kodak T-MAX P3200 and Kodak Recording Film...
New Kodak T-MAX 3200 (TMZ) is flat out great news for film lovers for the additional choice and for what it says about Kodak Alaris's confidence in the market.
Blind film review #01: Fuji Natura 1600 vs Kodak Portra 800...
At the end of 2017 I mentioned to Aislinn Chuahiock that I'd received some 35mm Kodak Portra 800 to test out and was planning on pitting it against Lomography's Color Negative 800 in a side-by-side review.
In her infinite wisdom
Finding film part 5: All GAS-ed up and time for T-MAX...
Late March 2017: During my last article I touched on the fact that I was beginning to get stuck in a photographic rut.
Film Love: Kodak Kodachrome and me by Perry J. Resnick
In December of 2010, when the last rolls of Kodachrome were processed, (one of them mine), I became melancholy and wrote a very short personal perspective on this iconic film. What you see below is the result.
Rewind about
Finding film part 2: expanding my horizons with Kodak Tri-X 400,...
Welcome to part two of my journey with film in 2017.
Black and white film high EI shootout part 2: Kodak Tri-X...
The high EI shootout is back for part two: the pushening.
Poorly executed references to the terrible sequel that was Highlander 2 aside, I'm hoping that you'll find this extension of part one just as informative as the first and
Black and white film high EI shootout part 1: Kodak Tri-X...
A few months ago I wrote a post about experimenting with pushing Kodak Tri-X from ISO 800 to 12800.
