I spent a year preparing to shoot a roll of portraits on Kodak AEROCHROME III Infrared 1443, the false-color infrared-sensitive film manufactured by Kodak for …
Read moreBlood-red Witchery: Portraits on Kodak AEROCHROME III color infrared slide film
I highly recommend the Moscow Subway Metro. As someone who loves spending time exploring underground, this was perhaps an unexpected highlight of my 2019 trip …
Read moreILFORD HP5 PLUS vs Kodak Tri-X 400 at EI 1600 in the Moscow Metro with the Mamiya 7II
No matter where I’m heading travel-wise, I always make a point of doing some sort of online recce before I depart. I think It gives …
Read moreCroatian views and colour tones on a Hasselblad 500C/M and Kodak Portra 160
I set out this Spring and Summer to do a comparative test of Kodak EKTACHROME E100 and Fujifilm Fujichrome Velvia 50 (RVP50). In my lifetime …
Discovered in the depths of the cellar this film from 1987. My oh my expired, brittle and a pain in the major to develop and …
Read moreExpired Film from 1987! Kodacolor VR 400 and the Contaflex Super (New)
I’ve often described how I think that people looking for a different “look” from film would be better suited exposing and developing in a different …
I love street photography, though I don’t consider myself a great photographer neither a master but I really enjoy shooting film. My work as an …
Read moreTrying out night photography with Kodak Tri-X 400 at EI 1600
Any cinephiles reading this have seen Kodak’s DOUBLE-X 5222 shine its magic even if they didn’t know it. It’s the stock that Manhattan, Schindler’s List …
Read moreFilm stock review: Kodak EASTMAN DOUBLE-X (5222) – 35mm format – by Alexander Laurent
I have always been on the fence about Kodak’s T-MAX 400 film. I have been using it on and off for the last ten years now …
After the successful resurrection of 35mm Ektachrome, Kodak announced it would also bring back 120 and large formats. Later we even found out 4×5 large …
Have you ever wondered if magic is real or not? Well, I can tell you that it is, and somehow, Kodak has managed to harness that magic …
I was a Kodak Gold 200 user forever. I’m not really sure why. I think it might have been taking those purple and yellow 3-packs out of my mom’s camera bag from a young age.
This article pits Kodak’s medium format Portra 400 against CineStill’s 800T in a head-to-head.
To the analogue landscape photographer, choosing one’s film stock is one of the most crucial steps in the creative process.
Most of the frames which make up this mini-review are from the first roll of slide film
I’ll begin this review with a quick disclaimer – I’ve been shooting film for less than a year at this point.
Here’s a quick look at a recent shoot of new Kodak EKTACHROME E100 shot at box speed, then up to EI 200, 400 and 800 – one, two and three-stops of push processing. *1
The images below form part
Kodak T-MAX 400 is by far one of my favorite black and white films to shoot. It has a great balance of classic grain and also great latitude. Negatives are easily identified by edge markings stating “TMY-2”.
Give your friends memorable experiences that they will enjoy and remember you by, that’s what I say.
The two most popular consumer films used today are Kodak ColorPlus 200 and Fuji Fujicolor C200.
