Category: Kodak Films
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Every single film stock still made today – Part 4: Kodak to Maco Direct
Welcome to part four of this series exploring every single film stock (including instant film, dry...
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Four seasons with: Kodak EASTMAN Plus-X 5231 – by Marco Calemme
And this is where my journey of home developing begins! After a couple of disappointments –...
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Film review: comparing Fuji ACROS 100, ILFORD Delta 100 Professional and Kodak T-MAX 100 – by Daniel Marinelli
This whole project started when I realized I had been blindly allegiant to certain black and white...
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Film review: Kodak EKTACHROME E100G – by James King
I wasn’t overly keen on writing a film review when EM first suggested it. I usually stick to Kodak...
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Blind film review: Fuji Natura 1600, Kodak Portra 800 and Lomography Color Negative 800 (35mm)
At the end of 2017 I mentioned to Aislinn Chuahiock that I’d received some 35mm Kodak Portra...
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Finding film part 5: All GAS-ed up and time for T-MAX 400
Late March 2017: During my last article I touched on the fact that I was beginning to get stuck in...
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Film Love: Kodak Kodachrome and me by Perry J. Resnick
In December of 2010, when the last rolls of Kodachrome were processed, (one of them mine), I...
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Finding film part 2: expanding my horizons with Kodak Tri-X 400, Rodinal and Ilford DD-X
Welcome to part two of my journey with film in 2017. As you read in part one, I’ll be using...
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Black and white film high EI shootout part 2: Kodak Tri-X 400, T-MAX 400 and Ilford HP5+, Delta 400 at EI 25600
The high EI shootout is back for part two: the pushening. Poorly executed references to the...
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Black and white film high EI shootout part 1: Kodak Tri-X 400, T-MAX 400 and Ilford HP5+, Delta 400 at EI 12800
A few months ago I wrote a post about experimenting with pushing Kodak Tri-X from ISO 800 to...
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Film review: Kodak Portra 400BW – 120 format
Well here’s something you don’t see every day, or every week for that matter. Ladies...
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Photoset #01- Kodak Ektar 100 – +1-stop push with +1 over development
As regular readers will know, I’ve been doing #FILMSWAPs for close to six months now and...
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Film Review: Kodak EASTMAN DOUBLE-X (5222) – 35mm format
EMULSIVE: By way of a quick preface, regular readers and followers of EMULSIVE-related ramblings...
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Film review: Kodak AEROCHROME III Infrared Film (1443)
Kodak AEROCHROME is a pointless film stock and should not be bought, or shot by anyone. Save your...
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Film review – Kodak VISION3 250D 35mm motion picture film (5207)
The Imitation Game, Les Miserables, Lincoln, The Wolf of Wall Street, 12 Years a Slave and...
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Experimenting with Kodak Tri-X 400: shooting from EI 800 to EI 12800
Covering the results of experimenting with Kodak Tri-X 400, article picks up from my original...
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Experiments: cross processing and pushing Kodak EKTACHROME E100VS (E100VS)
Picking up from the original review, we’re going to talk about experiment with Kodak...
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Film review: Kodak TRI-X 400 black and white negative film – 35mm, 120 and large formats
I originally wanted to start this article off with a divisive answer to the question,...
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Film review: Kodak EKTACHROME 100VS (E100VS) color slide film – 35mm and 120 format
Today we’ll be reviewing a wonderful slide film, Kodak EKTACHROME E100VS in 120 format. This...
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