Film stock review: Cinestill BWXX – by Simon King
I started writing this article in 2019 and left it as a draft for EM here for quite a while. The reason for this is …
Blood-red Witchery: Portraits on Kodak AEROCHROME III color infrared slide film
I spent a year preparing to shoot a roll of portraits on Kodak AEROCHROME III Infrared 1443, the false-color infrared-sensitive film manufactured by Kodak for …
Read moreBlood-red Witchery: Portraits on Kodak AEROCHROME III color infrared slide film
ILFORD HP5 PLUS vs Kodak Tri-X 400 at EI 1600 in the Moscow Metro with the Mamiya 7II
I highly recommend the Moscow Subway Metro. As someone who loves spending time exploring underground, this was perhaps an unexpected highlight of my 2019 trip …
Read moreILFORD HP5 PLUS vs Kodak Tri-X 400 at EI 1600 in the Moscow Metro with the Mamiya 7II
Croatian views and colour tones on a Hasselblad 500C/M and Kodak Portra 160
No matter where I’m heading travel-wise, I always make a point of doing some sort of online recce before I depart. I think It gives …
Read moreCroatian views and colour tones on a Hasselblad 500C/M and Kodak Portra 160
My 2020 lockdown journey: a comparative test of Kodak EKTACHROME E100 and Fujifilm Velvia 50 (bonus Portra/Lomography included)
I set out this Spring and Summer to do a comparative test of Kodak EKTACHROME E100 and Fujifilm Fujichrome Velvia 50 (RVP50). In my lifetime …
Expired Film from 1987! Kodacolor VR 400 and the Contaflex Super (New)
Discovered in the depths of the cellar this film from 1987. My oh my expired, brittle and a pain in the major to develop and …
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Film Notes: Current high-speed films, ILFORD Delta 3200 Professional and Kodak T-MAX P3200 – by Simon King and Andrew Blowers
I’ve often described how I think that people looking for a different “look” from film would be better suited exposing and developing in a different …
Trying out night photography with Kodak Tri-X 400 at EI 1600
I love street photography, though I don’t consider myself a great photographer neither a master but I really enjoy shooting film. My work as an …
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Film stock review: Kodak EASTMAN DOUBLE-X (5222) – 35mm format – by Alexander Laurent
Any cinephiles reading this have seen Kodak’s DOUBLE-X 5222 shine its magic even if they didn’t know it. It’s the stock that Manhattan, Schindler’s List …
Read moreFilm stock review: Kodak EASTMAN DOUBLE-X (5222) – 35mm format – by Alexander Laurent
Kodak T-MAX 400: An honest film stock review
I have always been on the fence about Kodak’s T-MAX 400 film. I have been using it on and off for the last ten years now …
Shooting expired Kodak EKTACHROME 100 in 220 and 4×5 format: why I’m excited medium and large format is coming back
After the successful resurrection of 35mm Ektachrome, Kodak announced it would also bring back 120 and large formats. Later we even found out 4×5 large …
Film review: The magic of TMZ – Kodak T-MAX P3200
Have you ever wondered if magic is real or not? Well, I can tell you that it is, and somehow, Kodak has managed to harness that magic …
Film review: Kodak Gold 200 vs Fujicolor C200 comparison – by Dan Marinelli
I was a Kodak Gold 200 user forever. I’m not really sure why. I think it might have been taking those purple and yellow 3-packs out of my mom’s camera bag from a young age.
Blind film review #02: CineStill 800T vs Kodak Portra 400 in 120 format
This article pits Kodak’s medium format Portra 400 against CineStill’s 800T in a head-to-head.
Film stock review: Comparing Kodak Ektar 100 to Fujifilm Velvia 50 – by Gregor Sinclair
To the analogue landscape photographer, choosing one’s film stock is one of the most crucial steps in the creative process.
My first time with slide film: new Kodak EKTACHROME E100
Most of the frames which make up this mini-review are from the first roll of slide film
Film stock review: Kodak Pro Image 100
I’ll begin this review with a quick disclaimer – I’ve been shooting film for less than a year at this point.
Film stock review: Kodak EKTACHROME E100 – shot at EI 100, 200, 400 + 800 first impressions
Here’s a quick look at a recent shoot of new Kodak EKTACHROME E100 shot at box speed, then up to EI 200, 400 and 800 – one, two and three-stops of push processing. *1
The images below form part
Film notes: Kodak Professional T-MAX 400
Kodak T-MAX 400 is by far one of my favorite black and white films to shoot. It has a great balance of classic grain and also great latitude. Negatives are easily identified by edge markings stating “TMY-2”.
Film love: Shooting Kodak EKTACHROME Infrared EIR color infrared film
Give your friends memorable experiences that they will enjoy and remember you by, that’s what I say.
