Category: Kodak Films
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Field notes: Kodak Professional T-MAX 400
Welcome to Field Notes: bite-sized film reviews covering the essential information you need to...
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5 frames with… Kodak T-MAX 100 ( EI 25 / 35mm / Yashica Samurai X3.0) – Dan Marinelli
This camera came out of left field to me. I have run the #halfframeclub for almost 2 years, but...
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Film love: shooting Kodak EKTACHROME Infrared EIR color infrared film – by Sina Farhat
Give your friends memorable experiences that they will enjoy and remember you by, that’s...
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5 Frames With… Kodak Tri-X 400 (35mm / EI 800 / Nikon FM2) – by Sara and Gonçalo (Brothers on Film)
We are brothers. Twins actually! Boy and Girl. We have a passion for analog photography and we...
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5 Frames With… Kodak Ektar 100 (120 format / EI 100 / Hasselblad 503CX) – by Nick Orloff
After a more than 20 year break from taking anything much more than ‘happy snaps’...
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5 Frames With… Kodak Verichrome Pan 100 (EI 100 / 4×5 / CAMERADACTYL 4×5) – by Ethan Moses
I wrote a whole long blah-blah about this camera I made here. I also shipped a few cameras to some...
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5 Frames With… Kodak Portra (EI 400 / 4×5 / Cameradactyl 4×5) – by Azikiwe Mohammed
In my normal photography I shoot color but when testing 4 x 5 cameras I prefer black and white...
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Film review: Kodak ColorPlus 200 and Fuji Fujicolor C200 compared
The two most popular consumer films used today are Kodak ColorPlus 200 and Fuji Fujicolor C200....
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5 Frames With… Cinestill BwXX (35mm / EI 250 / Pentax Spotmatic SP II) – by Donna Macauley
When Cinestill reintroduced their BwXX 250 film stock, I was intrigued and bought a roll...
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5 Frames With….Kodak EKTACHROME Infrared EIR (35mm / EI 200 / Olympus OM-1n) – by Sandeep Sumal
I’ve have had a roll of Kodak EKTACHROME Infrared EIR in my fridge for a year or so now....
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5 Frames With… Kodak Tri-X 400 (35mm / EI400 / Canon AE-1) – by Colleen Bryant
The images in this series are abstracted Houston landscapes, shot on 35mm film. I use double,...
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5 Frames With… Kodak Ektar 100 (EI 100 / 120 format / Mamiya 7) – by Jacob Firsel
It is said that landscapes should be shot with, at the very least, a medium-film camera. So much...
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Repulsion to attraction: my Kodak T-MAX 400 story so far
Kodak T-MAX 100 is undoubtedly the film I prefer after Tri-X 400 but despite this T-Grain...
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5 Frames With… Kodak Portra 400 (EI 320 / 120 Format / Mamiya 7) – by Kathleen E. Johnson
On August 21, 2017, thousands of people converged on Alliance, Nebraska, as one of the prime Solar...
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5 Frames With… Kodak ColorPlus 200 (El 100 / 35mm / Mamiya 7 + Panoramic Kit) – by Martin Jeffery
I have lusted after a Hasselblad XPan for a while, but the prices have gone through the roof to...
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5 Frames With… Kodak T-MAX P3200 (EI 3200 / 35mm / Canon EOS 1V) – by Raymond van Mil
My choice for black and white film has always been Kodak T-MAX, so when the news broke the new/old...
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5 Frames With… Fujifilm Superia 200 (35mm / EI 100 / Pentax Super-A) – by Aivaras Sidla
Looking back on the track for a little green bag (a little green box of film actually ☺)....
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Every single film stock still made today – Part 4: Kodak to Maco Direct (v3)
Update 02: 2018-10-04 Update 01: 2018-09-20 Welcome to part four of this series exploring every...
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Four seasons with: Kodak EASTMAN Plus-X 5231 – by Marco Calemme
And this is where my journey of home developing begins! After a couple of disappointments –...
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5 Frames With… Kodak Tri-X 400 (EI 1600 / 120 / Hasselblad 500CM) – by Michael C. Duke
My 94-year-old grandmother, Jeanne Samuels, lives a fully independent life. Her independence,...
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All Categories
- Articles (603)
- 52 Rolls (9)
- A Brief History Of (1)
- AEROgraphic (6)
- Challenges (1)
- Community Critique (1)
- Dear Benice (8)
- Film Culture (20)
- Film Love (7)
- Film Parties (39)
- Delta Def Jam (7)
- FP4 Party (15)
- NEOPANTASTIC (3)
- Portra Party (2)
- Summer Film Party (7)
- TMAXParty (5)
- Finding Film (15)
- Horoscope (6)
- My inspiration (3)
- My Return to Film (9)
- News (15)
- Photoset (4)
- Photostory (12)
- Projects (28)
- Secret Santa (16)
- Thoughts (15)
- Travelogue (20)
- What Is (1)
- Why Shoot Film (5)
- Chroma Cameras (1)
- Darkroom (30)
- Developing Film (16)
- Development Times (2)
- My Darkroom (1)
- Printing (3)
- Wet Plate (1)
- Experiments (43)
- Long Exposure (3)
- Reversal Development (1)
- Interviews (204)
- Community Interviews (11)
- Photography (1,115)
- 110 format (4)
- 35mm format (495)
- 5 Frames With (114)
- 65mm format (3)
- Large format (13)
- Medium format (484)
- Reviews (279)
- Camera Reviews (69)
- A&K Cameras (1)
- AGFA Cameras (1)
- Bronica Cameras (6)
- Canon Cameras (2)
- Chamonix Cameras (1)
- Exakta Cameras (1)
- Fuji Cameras (4)
- Gould Cameras (1)
- Hasselblad Cameras (7)
- Holga Cameras (3)
- Impossible Cameras (1)
- Intrepid Cameras (1)
- Kodak Cameras (3)
- Leica Cameras (1)
- Lomography Cameras (3)
- Mamiya Cameras (6)
- Minolta Cameras (1)
- Nagaoka Cameras (1)
- Olympus Cameras (3)
- Pentax Cameras (4)
- Ricoh Cameras (1)
- Rollei Cameras (3)
- Steky Camera Reviews (1)
- Vermeer Cameras (1)
- Voigtlander Cameras (1)
- Yashica Cameras (3)
- Zeiss Cameras (1)
- Zeiss Ikon Cameras (2)
- Zorki Cameras (1)
- Film Reviews (195)
- ADOX Films (2)
- AGFA Films (4)
- Arista Films (1)
- Bergger Films (11)
- CineStill Films (6)
- Dubblefilm films (1)
- Efke Films (1)
- FILM Ferrania Films (10)
- Film List (7)
- Foma Films (4)
- Fuji Films (40)
- ILFORD Films (37)
- JCH Films (4)
- Kodak Films (56)
- Lomography Films (11)
- Luckyfilm Films (4)
- Notes (8)
- Revolog Films (2)
- Rollei Films (13)
- Shanghai Films (1)
- Silberra Films (3)
- Street Candy Films (1)
- Tasma Films (1)
- Ultrafine Films (1)
- Washi Films (3)
- Yodica Films (1)
- Gear Reviews (14)
- Bag Reviews (3)
- Darkroom Equipment (4)
- Lens Reviews (4)
- Scanners (1)
- Strap Reviews (2)
- Print Reviews (3)
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