Film review: Kodak ColorPlus 200 and Fuji Fujicolor C200 compared
The two most popular consumer films used today are Kodak ColorPlus 200 and Fuji Fujicolor C200. For someone new to the analog world, these...
Repulsion to attraction: my Kodak T-MAX 400 story so far
Kodak T-MAX 100 is undoubtedly the film I prefer after Tri-X 400 but despite this T-Grain appreciation, I have never been able to fully...
Every single film stock still made today – Part 4: Kodak...
Update 03: 2018-11-20
Welcome to part four of this series exploring every single film stock (including instant film, dry plates, etc.), still being made today....
Four seasons with: Kodak EASTMAN Plus-X 5231 – by Marco Calemme
And this is where my journey of home developing begins! After a couple of disappointments - in rapid succession - of the work of some...
Film review: comparing Fuji ACROS 100, ILFORD Delta 100 Professional and...
This whole project started when I realized I had been blindly allegiant to certain black and white films for a number of years without...
Film review: Kodak EKTACHROME E100G – by James King
I wasn’t overly keen on writing a film review when EM first suggested it. I usually stick to Kodak Portra or Tri-X; films that...
High Speed Journey – Kodak T-MAX 3200 and Kodak Recording Film...
New Kodak T-MAX 3200 (TMZ) is flat out great news for film lovers for the additional choice and for what it says about Kodak...
Blind film review: Fuji Natura 1600, Kodak Portra 800 and Lomography...
At the end of 2017 I mentioned to Aislinn Chuahiock that I'd received some 35mm Kodak Portra 800 to test out and was planning on pitting...
Finding film part 5: All GAS-ed up and time for T-MAX...
Late March 2017: During my last article I touched on the fact that I was beginning to get stuck in a photographic rut. I...
Film Love: Kodak Kodachrome and me by Perry J. Resnick
In December of 2010, when the last rolls of Kodachrome were processed, (one of them mine), I became melancholy and wrote a very short...
Finding film part 2: expanding my horizons with Kodak Tri-X 400,...
Welcome to part two of my journey with film in 2017. As you read in part one, I'll be using this series to share...
Black and white film high EI shootout part 2: Kodak Tri-X...
The high EI shootout is back for part two: the pushening.
Poorly executed references to the terrible sequel that was Highlander 2 aside, I'm hoping...
Black and white film high EI shootout part 1: Kodak Tri-X...
A few months ago I wrote a post about experimenting with pushing Kodak Tri-X from ISO 800 to 12800. It went down quite well and...
Film review: Kodak Portra 400BW – 120 format
Well here's something you don't see every day, or every week for that matter. Ladies and gents, I'd like to introduce you to the...
Photoset #01- Kodak Ektar 100 – +1-stop push with +1 over...
As regular readers will know, I've been doing #FILMSWAPs for close to six months now and things are going great guns. Since it all started back in...
Film Review: Kodak EASTMAN DOUBLE-X (5222) – 35mm format
EMULSIVE: By way of a quick preface, regular readers and followers of EMULSIVE-related ramblings on Twitter will be familiar with our Interview and Photographer's Daypack series...
Film review: Kodak AEROCHROME III Infrared Film (1443)
Kodak AEROCHROME is a pointless film stock and should not be bought, or shot by anyone. Save your money and go buy some expired...
Film review – Kodak VISION3 250D 35mm + 65mm motion picture...
The Imitation Game, Les Miserables, Lincoln, The Wolf of Wall Street, 12 Years a Slave and Argo...oh, and the upcoming Star Wars: Episode VII.
What...
Push processing Kodak Tri-X 400 from EI 800 to EI 12800
Covering the results of experimenting with Kodak Tri-X 400, article picks up from my original Kodak Tri-X 400 review and will show you single-stop pushes from EI...
Field notes – Kodak Tri-X 400
Another quick reference guide for you all. This time it's Kodak Tri-X 400. As this article proved, Tri-X 400 is is the best film black...
