Blind film review #02: CineStill 800T vs Kodak Portra 400 in 120 format
This article pits Kodak’s medium format Portra 400 against CineStill’s 800T in a head-to-head.
Film stock review: CineStill 50D in the Arctic Circle
Having read a selection of blog posts and reviews about the CineStill range of 120 and 135 films I was intrigued.
Every single film stock still made today – Part 1: ADOX to Dubblefilm (v3)
Update 02: 2018-09-20
If you’re anything like me, you’ve probably wondered how many fresh film stocks are still in production and available for purchase today.
A word on: Cinestill 800T (35mm) – by Phil Harrison
I thought CineStillFilm 800T would be a fun film to try and used my Leica M2 and Summarit-M 50mm f2.5 lens (with lens hood) to shoot a roll in and around the Manchester Art Museum, Rylands Library and the surrounds.
Film review: Cinestill 800T vs Fuji 800 (35mm) inside the Buenos Aires underground aka Subterranean Explorations
Regular contributor Lorraine Healy is back, this time with a comparison of CineStill’s 800T against the mighty Fuji 800 of yesteryear that was also recently featured in the Lomography Magazine (details for the curious are below.
