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Category: CineStill Films

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Film review: Cinestill 800T vs Fuji 800 (35mm) ins...

Posted by Lorraine Healy | Jun 2, 2017 | Articles, CineStill Films, Film Reviews, Reviews

Every single film stock still made today – P...

Posted by EMULSIVE | Apr 4, 2018 | ADOX Films, AGFA Films, Arista Films, Articles, Bergger Films, CineStill Films, Dubblefilm films, FILM Ferrania Films, Film Reviews

A word on: Cinestill 800T (35mm) – by Phil H...

Posted by Philip Harrison | Aug 18, 2017 | Articles, CineStill Films, Film Reviews, Reviews

Film review: Thoughts on using CineStill 50D in th...

Posted by James Silvester | May 21, 2018 | Articles, CineStill Films, Film Reviews, Reviews

Our 20 most recent articles

Film review: Thoughts on using CineStill 50D in the Arctic Circle – by James Silvester

by James Silvester | May 21, 2018 | Articles, CineStill Films, Film Reviews, Reviews

Having read a selection of blog posts and reviews about the CineStill range of 120 and 135 films I...

Every single film stock still made today – Part 1: ADOX to Dubblefilm

by EMULSIVE | Apr 4, 2018 | ADOX Films, AGFA Films, Arista Films, Articles, Bergger Films, CineStill Films, Dubblefilm films, FILM Ferrania Films, Film Reviews

Update 01: 2018-08-19 If you’re anything like me, you’ve probably wondered how many...

A word on: Cinestill 800T (35mm) – by Phil Harrison

by Philip Harrison | Aug 18, 2017 | Articles, CineStill Films, Film Reviews, Reviews

I thought CineStillFilm 800T would be a fun film to try and used my Leica M2 and Summarit-M 50mm...

Film review: Cinestill 800T vs Fuji 800 (35mm) inside the Buenos Aires underground aka Subterranean Explorations by Lorraine Healy

by Lorraine Healy | Jun 2, 2017 | Articles, CineStill Films, Film Reviews, Reviews

Regular contributor Lorraine Healy is back, this time with a comparison of CineStill’s 800T...

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