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Find all EMULSIVE reviews, covering films, cameras, bags and other film photography gear here.

Camera review: the Nikon FE 2 – by Mac MacDonald

Over the past few months, I’ve been trying to settle on “the one.” The one 35mm film camera that will serve all my photography...

The Ultimate guide to the Hasselblad 2000FCW, a focal plane shutter...

The Hasselblad 2000FCW was the third in the legendary Swedish company's family of 6x6 focal plane shutter cameras. If you want to be able to...

Camera review: the Olympus IS-5000 bridge camera – by Tom Perry

2002 was a funny time for film cameras. Technically, they were as good as they could get in terms of specs - most SLRs...

Camera review: the Hasselblad 903 SWC

I’ve been photographing with analog cameras for over a decade now and this isn’t my first Hasselblad (previously owning a V-Series 500CM). I now...

Camera review: the RealitySoSubtle 6×12

I have been using digital cameras for the past 20 years. Like many of us, my love of photography began when I was a...

Film Review: Kodak Pro Image 100

I’ll begin this review with a quick disclaimer - I’ve been shooting film for less than a year at this point. During this time,...

Book review: “Bert Hardy’s Britain” – by James Horrobin

Photography books are a funny thing to me, they’re often big, cumbersome things that are far more expensive than their wordy cousins. If you’re like...

Camera review: the Fuji Panorama GX617, a legendary panoramic behemoth

Beloved of landscape photographers, especially those involved with supplying images for calendars and home decor products both before and well into the digital camera...

Camera review: Pentax 67 – by Jeremy Dyson

It’s a beast, this Pentax. It weighs a ton and it’s hard to hang on to. It’s slow, has a terrible synch speed and...

Film review: Kodak EKTACHROME E100 – shot at EI 100, 200,...

Here's a quick look at a recent shoot of new Kodak EKTACHROME E100 shot at box speed, then up to EI 200, 400 and...

Field notes: Kodak Professional T-MAX 400

Welcome to Field Notes: bite-sized film reviews covering the essential information you need to help make an informed decision when choosing a photographic film...

Camera review: the Vermeer Anamorphic pinhole camera – no lens, lots...

Sometimes, when visiting websites or just browsing pinhole pictures, I would stumble upon strange images that were created with a Vermeer anamorphic camera from...

Book review: All about “All About Saul Leiter”

A while back, I made a bit of noise on EMULSIVE and via an email to the Sunny 16 Podcast about photographers talking more...

Review: Comparing FF No.1 and Cinestill Df96 monobath developers

Monobath film developers feel like the in thing for 2018. Whether you're just thinking about jumping into home developing, or are an old hand,...

Camera review: First impressions of the Chroma Camera 4×5 AKA what’s...

This isn’t so much of a review, more of a first-impressions-comparison. My experience with different 4x5, large format cameras is minimal, having bought an MPP...

Film review: A new film from Fuji? Introducing Fuji Super HR-20,...

A new film from Fuji? As puzzling as this might sound given the company's penchant for discontinuing film stocks recently, it is an easy...

Film review: my Fuji slide affair – by Denys Trofimchuk

I have always had a love/hate relationship with color film. I think it's mostly because I rarely got the results I wanted or imagined...

Every single film stock still made today – Part 7: the...

This is the final part of my series covering every single one of the 180+ photographic film stocks still being made today. I'll be breaking...

Lens review: Pentax prime comparison – five lenses head to head...

If I am not shooting a Half Frame Camera, there is an overwhelming probability that I am shooting a Pentax instead. I have been...

Film tests: getting the best out of FERRANIA P30 Alpha part...

A few months ago, I wrote about the results of my tests on FERRANIA P30 Alpha in various developers. Today, I'm back with part two. Part...