The darkroom is, I believe, the ultimate escape — if you are a photographer, that is. Whether you call it a she-shed, a man cave, darkroom or by another name, once the door is firmly shut and sealed, it’s just you and your art. It gives you focus — pun intended. Just remember, no touchscreens […]
6×12 isn’t exactly a format you come across very often; it’s wide, but not so wide you’d call it panoramic, to put it into perspective, an Xpan has an aspect ratio of 2.4:1, 6×12 is 2:1. Still, to me, 6×12 is the perfect aspect ratio for landscapes. Producing 6 shots from a roll of 120 […]
This is just a bit of fun with my Leica M6 and the new Leica M-mount Lomography Atoll 17mm f/2.8 wide angle lens. This isn’t really a review, it’s certainly not too technical, and I’m not going to talk about edge sharpness at f/4 or the lens’ micro-contrast: It’s one user’s experiences with & opinions […]
I’ve been developing my own film now for over ten years, using Paterson system tanks and reels. The process of finishing a roll, getting out the dark bag and getting the film onto the Paterson spool has become almost second nature and, when all goes well, almost meditative. A few moments of calm. Does it […]
I am familiar with flash photography. Much of what I shoot digitally, either in the studio or in the real world, is done with flash. On camera, off-camera, one flash, 6 strobes, no problem. I am, however, no hero. Shooting flash with digital is simple. I am good at simple things. I would even go […]
Disassembling the only 35mm film holder made for Graflex Cameras isn’t something you get to do every day. Some sixty years ago, a photographer had a distinct need to shoot 35mm on a 2×3″ format Graflex SLR and they were not going to wait for the market to catch up. What they created is most […]
A few months ago I was catching up with CAMERADACTYL’s Ethan Moses when we got to talking about projects that would have the most impact on the film photography community. I happened to mention my pet peeve: the lack of a modern equivalent to the Kodak Pakon, an automated full-roll film scanner. Fast forward to […]
During this worldwide quarantine, as everyone was generally confined to their homes, I too was stuck inside but still had the desire to get out and shoot. When that wasn’t a possibility, I started to shoot from the inside looking out. I started documenting the city around me using a mirror reflex lens. You may […]
I’ve been remiss in writing on this blog, and for that I apologize. I return to form in a new year with a review to share. I’ve been searching for years for the right bag. Not just a camera bag, because those are thick on the ground. I use a camera bag differently than some, […]
Lots of chatter about Rolleinars lately, I’ve only had mine since October ’15. A Rolleinar is a set of close-up lenses that fit on the front of your Rolleiflex. This shortens the working distance to your subject at the cost of minimal distortion and arguable loss of quality. The magnifier goes down below on the taking […]
A few years ago, when I was first getting into serious photography and before I started exploring analog, I purchased a Lensbaby Composer lens for my Canon DSLR. For those who haven’t heard of the Lensbaby, it’s a (rather expensive for what it is) selective focus manual lens. Basically, you decide which part of the […]
First impression count but a longer term opinion is often more important when making an investment. These are my thoughts 6 months in…
我使用 AVEA 7 和 AVEA 8 已经年，它们一直挂在我 Billingham 包两侧。对于 大部分人来说，AVEA 系列侧袋是一种固定在 Billingham Hadley、S、f/stop 等 系列相机包上的侧包。
I’ve been hanging these off my Billinghams for years. For the uninitiated, Billingham’s AVEA end pockets are small add-on packs which clip onto either…
Most people will never see, hold, or use the Bronica S2A’s Nikon Nikkor-Q 25CM f/4 lens. In fact, Tony Hilton’s authoritative Bronica S2A book “Bronica: The Early History and Definitive Collector’s Guide” lists only five known copies.
What if you had a scanning solution for color negative and black and white film that enabled you to scan and convert a whole roll of 35mm film in less than 15 minutes and all that in next to
Monobath film developers feel like the in thing for 2018.
If I am not shooting a Half Frame Camera, there is an overwhelming probability that I am shooting a Pentax instead.
In 2006 or so a good friend of mine sold off his 150mm f/2.8 Schneider Xenotar large format lens.
I’m going to go out on a limb and say that for me, the new Billingham Hadley Small Pro is pretty much the perfect daily use camera bag. Believe me, I’m as surprised as you.