I think we’ve all been here, buying a camera and lens rated by a seller as “very good” and not realizing all the photos had the lens caps on. When the Minolta X-370 with this lens arrived, opening the box filled my living room with a smell like broccoli and fish had been dumped in […]
Author Archives: David Hancock
David Hancock is a professional writer and photographer in the Denver metro area. He specializes in dog, portrait, and event photography. David is most well known online for his film and technique-oriented photography YouTube Channel, David Hancock. David is also the author of the novel Jackalope Hunting.
Posted inNews
5119 Cameras’ large format pinhole cameras now on Kickstarter + creator Q&A with David Hancock
I recently had the opportunity to talk with David Hancock about his recently launched Kickstarter campaign: large format pinhole cameras from 5119 Cameras. You may know David from his eponymous YouTube channel and articles here on EMULSIVE. Ninth-generation Iterations. The final cameras have improved, aluminum shutters and shock-cord-retained film holder backs for improved usability. David […]
Posted inArticles, News
An end of year photo competition by the David Hancock YouTube Channel
Many of EMULSIVE’s readers know David Hancock and his self-titled David Hancock Channel on YouTube. David got in touch with me a little while ago asking if I’d be able to help him promote his end of year photo competition for 2020. always happy to assist spread the good word, I invited David to do […]
Posted inFeatured, Lens Reviews, Reviews
The Unique Nikon Nikkor-Q 25CM f/4 for Bronica S2/S2A
Most people will never see, hold, or use the Bronica S2A’s Nikon Nikkor-Q 25CM f/4 lens. In fact, Tony Hilton’s authoritative Bronica S2A book “Bronica: The Early History and Definitive Collector’s Guide” lists only five known copies.
Posted in5 Frames..., Articles
5 Frames… With Kodak EKTACHROME E100 (EI 100 / 35mm format / Olympus OM-4T)
The OM-4 represented the pinnacle of Olympus film camera development. The multi-spot metering function, unique to the OM-3 and OM-4 bodies, afforded photographers the greatest manual exposure control in any film camera produced.
