Disassembling the only 35mm film holder made for Graflex Cameras isn’t something you get to do every day. Some sixty years ago, a photographer had a distinct need to shoot 35mm on a 2×3″ format Graflex SLR and they were not going to wait for the market to catch up. What they created is most likely the only 35mm roll holder ever designed for large format Graflex cameras.
Inevitably it found its way into an online auction and, like so many other excessively rare photographic items, the real value and historical importance of it were not fully realized by the seller.
Since my work is focused almost primarily on Graflex cameras, I was acutely aware that Graflex had never manufactured such a film holder and this must have been completed by someone with a certain degree of machine skill. Given the incredibly rare opportunity of being the current owner of this film holder, I decided it would be beneficial to the photographic community to partially disassemble it and document the mechanics for posterity in this YouTube video:
As you can see from the video, the back only further proved the genius of its very capable creator by showing a resourceful blend of cannibalized camera parts and many hand-made components. Further research indicates the sprocket mechanism may have been this one from
After the initial posting of the video, several members of the community came together to help identify the parts that constitute this film back. We already knew the base frame was taken from 2×3″ pack film attachment, but I was surprised to learn the 35mm sprocket was taken from a Simplex movie projector patented by Louis S Frappier. Even more interestingly, the fiberboard that the main body is carved from is an asbestos-containing phenolic resin cloth usually sold to power plants to make switch panels and electrical insulators.
The combination of found materials and handmade parts tells an incredible story of both photographic and mechanical mastery. Being able to disassemble such a rare item like this was an eye-opening experience, not only to see an innovative mechanical system but to really dig into someone’s passion project from generations past.
This film holder is likely the result of being in between generations of film photography, one foot in the 1930s with large format SLR’s and the other foot in the 1960s with 35mm film and cheap camera gear to cannibalize.
It makes me wonder what their real day job was and if they ever went on to make anything else.
Share your knowledge, story or project
At the heart of EMULSIVE is the concept of helping promote the transfer of knowledge across the film photography community. You can support this goal by contributing your thoughts, work, experiences and ideas to inspire the hundreds of thousands of people who read these pages each month. Check out the submission guide here.
If you like what you're reading you can also help this personal passion project by heading on over to the EMULSIVE Patreon page and giving as little as a dollar a month. There's also print and apparel over at Society 6, currently showcasing over two dozen t-shirt designs and over a dozen unique photographs available for purchase.