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Stumps #02 - Shot on Bergger Pancro 400 at EI 200. Black and white film in 4x5 format. Graflex Pacemaker Speed Graphic, Kodak Aero Ektar 178mm f/2.5. Orange 21 filter.

Stumps #02 – Shot on Bergger Pancro 400 at EI 200...

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Review: Comparing FF No.1 and Cinestill Df96 monobath developers

Articles
The left of right - Shot on Rollei Infrared 400 at EI 400. Black and white negative film in 4x5 format. Graflex Speed Graphic, Graflex Optar 135mm f/4.7. Developed in Cinestill Df96 monobath.

The left of right – Shot on Rollei Infrared 400 at...

Large format
Stumps #01 - Shot on Bergger Pancro 400 at EI 200. Black and white film in 4x5 format. Graflex Pacemaker Speed Graphic. Kodak Aero Ektar 178mm f/2.5. Orange #21 filter.

Stumps #01 – Shot on Bergger Pancro 400 at EI 200...

Large format
Above as below - Shot on ILFORD Delta 100 Professional at EI 100. Black and white negative film in 4x5 format.

Above as below – Shot on ILFORD Delta 100 Professional at...

Medium format
Oregon Sunset - Kodak Portra 400VC shot at EI 320. Color negative film in 120 format shot as 6x12. Graflex Speed Graphic. Kodak Aero Ektar 178mm f/2.5. 6x12 film back.

Oregon Sunset #02 – Shot on Kodak Portra 400VC at EI...

Medium format
Top half - Shot on Fuji Pro 160NS at EI 100. Color negative film in 120 format shot as 6x7.

Top half – Shot on Fuji Pro 160NS at EI 100...

Medium format
In vein - Fomapan 200 Creative shot at EI 200 - Black and white negative film in 4x5 format - AEROgraphic - Kodak Aero Ektar 178 f2.5 - Fomapan 200 Creative shot at EI 200 - Black and white negative film in 4x5 format - AEROgraphic - Kodak Aero Ektar 178 f2.5

In vein – Shot on Fomapan 200 Creative at EI 200...

Large format
To the light - Shot on Rollei IR 400 at EI 12 - Black and white negative film in 4x5 format - AEROgraphic - Kodak Anastigmat 161mm f/4.5.

To the light – Rollei INFRARED 400 (4×5)

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V - Fomapan 200 Creative shot at EI 200 - Black and white negative film in 4x5 format - AEROgraphic - Kodak Aero Ektar 178 f2.5 - Fomapan 200 Creative shot at EI 200 - Black and white negative film in 4x5 format - AEROgraphic - Kodak Aero Ektar 178 f2.5

V – Shot on Fomapan 200 Creative at EI 200 (4×5...

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Bunched up - Shot on Rollei IR 400 at EI 12 - Black and white negative film in 4x5 format - AEROgraphic - Kodak Anastigmat 161mm f/4.5.

Bunched up – Shot on Rollei INFRARED 400 at EI 12...

Large format
Where the wild things grow - Shot on Fomapan 200 Creative at EI 200 - Black and white negative film in 4x5 format - AEROgraphic - Kodak Aero Ektar 178 f2.5

Where the wild things grow – Shot on Fomapan 200 Creative...

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Alyse - Nikon F3HP, Kodak Tri-X 400 film

I am Don Lupo and this is why I shoot film

Film Photographer Interviews
Out on a limb - Shot on Ultrafine Xtreme 400 at EI 400. Black and white negative film in 120 format shot as 6x12.

Out on a limb – Ultrafine Xtreme 400 (120)

Medium format
North Dome, Yosemite – Crown Graphic 4x5 with Optar 127mm – Ektapan 100

My Return to Film: Todd Reed

Articles
Off the wall - Shot on Kodak T-MAX 400 at EI 400. Black and white negative film in 120 format shot as 6x12. Graflex Pacemaker Speed Graphic / Kodak Aero Ektar 7 (178mm) f/2.5.

Off the wall – Kodak T-MAX 400 (120)

Medium format
Fuji Velvia 100 - Graflex Speed Graphic - Kodak Aero Ektar 7-inch (178mm) f:2.5 (2)

Lens love: shooting the Kodak Aero Ektar 7″ f/2.5 aka how...

Articles
Where's my second coat? - Shot on Fuji Pro 400H at EI 400. Color negative film in 120 format shot as 6x12.

Where’s my second coat? – Fuji Pro 400H (120)

Medium format
Speed Graphic - Rangefinder (Key)

Building a naked Aero Ektar Speed Graphic: The AEROgraphic project part...

AEROgraphic
門 / mén / door #02 - Fuji Provia 100F (RDP III) shot at EI 100. Color reversal (slide) film in 4x5 format. Kodak Aero Ektar 7" (178mm) f/2.5 - Graflex Pacemaker Speed Graphic.

門 / mén / door #02 – Fuji Provia 100F RDP...

Large format
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