Graflex
EMULSIVE Interview #220: I am Frank Thorp V and this is why I shoot film
Today's interviewee is a busy man, he's a producer and off-air reporter covering the US Congress for NBC News, past Chairman of...
The evolution of the camera as seen through X-ray imaging
It's no secret that for many film photographers, taking photos of their cameras is as enjoyable as making photographs with them. Don't...
Film photography in album cover design – by Josh Doss
I discovered my love of film photography by accident. Being a collector, I have always frequented thrift stores for anything I could find of interest.
Photography: Nook #02 – Shot on Kodak AEROCHROME III 1443 (Large format)
Nook #02
Shot on Kodak AEROCHROME III 1443 at EI 400
Color infrared aerial surveillance film in 4x5 large format
AEROgraphic / Kodak Anastigmat 161mm f/4.5 / Orange #21 filter
Read the Kodak AEROCHROME review / Prints available here
Photography: Stumps #02 – Shot on Bergger Pancro 400 at EI 200 (4×5 format)
Stumps #02
Shot on Bergger Pancro 400 at EI 200
Black and white film in 4×5 format
AEROgraphic (Graflex Pacemaker Speed Graphic) / Kodak Aero Ektar 178mm f/2.5 / Orange #21 filter
Read the Bergger Pancro 400 film reviews here.
Review: Comparing FF No.1 and Cinestill Df96 monobath developers
Monobath film developers feel like the in thing for 2018.
Photography: The left of right – Shot on Rollei Infrared 400 at EI 400 (4×5 format)
The left of right
Shot on Rollei Infrared 400 at EI 400
Black and white negative film in 4x5 format
Graflex Speed Graphic, Graflex Optar 135 f/4.7
Developed in Cinestill Df96 monobath
Photography: Stumps #01 – Shot on Bergger Pancro 400 at EI 200 (4×5 format)
Stumps #01
Shot on Bergger Pancro 400 at EI 200
Black and white film in 4x5 format
AEROgraphic (Graflex Pacemaker Speed Graphic) / Kodak Aero Ektar 178mm f/2.5 / Orange #21 filter
Read the Bergger Pancro 400 film reviews here.
Photography: Above as below – Shot on ILFORD Delta 100 Professional at EI 100 (4×5 format)
Above as below
Shot on ILFORD Delta 100 Professional at EI 100
Black and white negative film in 4x5 format
Photography: Oregon Sunset #02 – Shot on Kodak Portra 400VC at EI 320 (120 format)
Oregon Sunset #02
Kodak Portra 400VC shot at EI 320
Color negative film in 120 format shot as 6x12
Graflex Speed Graphic / Kodak Aero Ektar 178mm f/2.5 / 6x12 film back
Photography: Top half – Shot on Fuji Pro 160NS at EI 100 (120)
Top half
Shot on Fuji Pro 160NS at EI 100
Color negative film in 120 format shot as 6x7
Photography: In vein – Shot on Fomapan 200 Creative at EI 200 (4×5 format)
In vein
Shot on Fomapan 200 Creative at EI 200
Black and white negative film in 4x5 format
AEROgraphic / Kodak Aero Ektar 178mm f/2.5
Photography: To the light – Rollei INFRARED 400 (4×5)
To the light
Shot on Rollei INFRARED 400 at EI 12
Black and white negative film in 4x5 format
AEROgraphic / Kodak Anastigmat 161mm f/4.5 / R72 filter
Photography: V – Shot on Fomapan 200 Creative at EI 200 (4×5 format)
V
Shot on Fomapan 200 Creative at EI 200
Black and white negative film in 4x5 format
AEROgraphic / Kodak Aero Ektar 178mm f/2.5
Photography: Bunched up – Shot on Rollei INFRARED 400 at EI 12 (4×5)
Bunched up
Shot on Rollei INFRARED 400 at EI 12
Black and white negative film in 4x5 format
AEROgraphic / Kodak Anastigmat 161mm f/4.5 / R72 filter
Photography: Where the wild things grow – Shot on Fomapan 200 Creative at EI 200 (4×5 format)
Where the wild things grow
Shot on Fomapan 200 Creative at EI 200
Black and white negative film in 4x5 format
AEROgraphic / Kodak Aero Ektar 178mm f/2.5
EMULSIVE interview #142: I am Don Lupo and this is why I shoot film
Today's interviewee doesn't always share much of his own work on Twitter but take a peek on Instagram or his website and it's a totally different story.
I'm so happy to be able to bring you the words and pictures
Photography: Out on a limb – Ultrafine Xtreme 400 (120)
Out on a limb
Shot on Ultrafine Xtreme 400 at EI 400
Black and white negative film in 120 format shot as 6x12
My Return to Film: Todd Reed
In a high tech digital age, why have I chosen to go back to an older, somewhat archaic process of shooting film?
In a simple statement - "It feeds my soul"
For some strange reason, I have never been on
Photography: Off the wall – Kodak T-MAX 400 (120)
Off the wall
Shot on Kodak T-MAX 400 at EI 400
Black and white negative film in 120 format shot as 6x12
Graflex Pacemaker Speed Graphic / Kodak Aero Ektar 7" (178mm) f/2.5
