Tag: Graflex
Popular right now
Our 20 most recent articles
Review: Comparing FF No.1 and Cinestill Df96 monobath developers
Monobath film developers feel like the in thing for 2018. Whether you’re just thinking about...
Read More
The left of right – Shot on Rollei Infrared 400 at EI 400 (4×5 format)
The left of right Shot on Rollei Infrared 400 at EI 400 Black and white negative film in 4×5...
Read More
Stumps #01 – Shot on Bergger Pancro 400 at EI 200 (4×5 format)
Stumps #01 Shot on Bergger Pancro 400 at EI 200 Black and white film in 4×5 format...
Read More
Above as below – Shot on ILFORD Delta 100 Professional at EI 100 (4×5 format)
Above as below Shot on ILFORD Delta 100 Professional at EI 100 Black and white negative film in...
Read More
Oregon Sunset #02 – Shot on Kodak Portra 400VC at EI 320 (120 format)
Oregon Sunset #02 Kodak Portra 400VC shot at EI 320 Color negative film in 120 format shot as...
Read More
Top half – Shot on Fuji Pro 160NS at EI 100 (120)
Top half Shot on Fuji Pro 160NS at EI 100 Color negative film in 120 format shot as 6×7 ...
Read More
In vein – Shot on Fomapan 200 Creative at EI 200 (4×5 format)
In vein Shot on Fomapan 200 Creative at EI 200 Black and white negative film in 4×5 format...
Read More
To the light – Rollei INFRARED 400 (4×5)
To the light Shot on Rollei INFRARED 400 at EI 12 Black and white negative film in 4×5 format...
Read More
V – Shot on Fomapan 200 Creative at EI 200 (4×5 format)
V Shot on Fomapan 200 Creative at EI 200 Black and white negative film in 4×5 format...
Read More
Bunched up – Shot on Rollei INFRARED 400 at EI 12 (4×5)
Bunched up Shot on Rollei INFRARED 400 at EI 12 Black and white negative film in 4×5 format...
Read More
Where the wild things grow – Shot on Fomapan 200 Creative at EI 200 (4×5 format)
Where the wild things grow Shot on Fomapan 200 Creative at EI 200 Black and white negative film in...
Read More
I am Don Lupo and this is why I shoot film
Today’s interviewee doesn’t always share much of his own work on Twitter but take a...
Read More
Out on a limb – Ultrafine Xtreme 400 (120)
Out on a limb Shot on Ultrafine Xtreme 400 at EI 400 Black and white negative film in 120 format...
Read More
My Return to Film: Todd Reed
In a high tech digital age, why have I chosen to go back to an older, somewhat archaic process of...
Read More
Off the wall – Kodak T-MAX 400 (120)
Off the wall Shot on Kodak T-MAX 400 at EI 400 Black and white negative film in 120 format shot as...
Read More
Lens love: shooting the Kodak Aero Ektar 7″ f/2.5 aka how I found my Kodak Aero Ektar, or how it found me by Isabel Curdes
Up until the day I was able to call it “mine” I had never heard about the...
Read More
Where’s my second coat? – Fuji Pro 400H (120)
Where’s my second coat? Shot on Fuji Pro 400H at EI 400 Color negative film in 120 format...
Read More
Building a naked Aero Ektar Speed Graphic: The AEROgraphic project part 5: Focal plane shutter tuning and rangefinder
Welcome to part five – the penultimate part – of the AEROgraphic project. In this...
Read More
門 / mén / door #02 – Fuji Provia 100F RDP III (4×5)
門 / mén / door #02 Shot on Fuji Provia 100F (RDP III) at EI 100 Color reversal (slide) film in...
Read More
Bougainvillea bonsai – Fuji Provia 100F – RDP III (4×5)
Bougainvillea bonsai Shot on Fuji Provia 100F (RDP III) at EI 100 Color reversal (slide) film in...
Read More
All Categories
Articles (603)
52 Rolls (9)- A Brief History Of (1)
- AEROgraphic (6)
- Challenges (1)
- Community Critique (1)
- Dear Benice (8)
- Film Culture (20)
- Film Love (7)
- Film Parties (39)
- Delta Def Jam (7)
- FP4 Party (15)
- NEOPANTASTIC (3)
- Portra Party (2)
- Summer Film Party (7)
- TMAXParty (5)
- Finding Film (15)
- Horoscope (6)
- My inspiration (3)
- My Return to Film (9)
- News (15)
- Photoset (4)
- Photostory (12)
- Projects (28)
- Secret Santa (16)
- Thoughts (15)
- Travelogue (20)
- What Is (1)
- Why Shoot Film (5)
- Chroma Cameras (1)
- Darkroom (30)
- Developing Film (16)
- Development Times (2)
- My Darkroom (1)
- Printing (3)
- Wet Plate (1)
- Experiments (43)
- Long Exposure (3)
- Reversal Development (1)
- Interviews (204)
- Community Interviews (11)
- Photography (1,115)
- 110 format (4)
- 35mm format (495)
- 5 Frames With (114)
- 65mm format (3)
- Large format (13)
- Medium format (484)
- Reviews (279)
- Camera Reviews (69)
- A&K Cameras (1)
- AGFA Cameras (1)
- Bronica Cameras (6)
- Canon Cameras (2)
- Chamonix Cameras (1)
- Exakta Cameras (1)
- Fuji Cameras (4)
- Gould Cameras (1)
- Hasselblad Cameras (7)
- Holga Cameras (3)
- Impossible Cameras (1)
- Intrepid Cameras (1)
- Kodak Cameras (3)
- Leica Cameras (1)
- Lomography Cameras (3)
- Mamiya Cameras (6)
- Minolta Cameras (1)
- Nagaoka Cameras (1)
- Olympus Cameras (3)
- Pentax Cameras (4)
- Ricoh Cameras (1)
- Rollei Cameras (3)
- Steky Camera Reviews (1)
- Vermeer Cameras (1)
- Voigtlander Cameras (1)
- Yashica Cameras (3)
- Zeiss Cameras (1)
- Zeiss Ikon Cameras (2)
- Zorki Cameras (1)
- Film Reviews (195)
- ADOX Films (2)
- AGFA Films (4)
- Arista Films (1)
- Bergger Films (11)
- CineStill Films (6)
- Dubblefilm films (1)
- Efke Films (1)
- FILM Ferrania Films (10)
- Film List (7)
- Foma Films (4)
- Fuji Films (40)
- ILFORD Films (37)
- JCH Films (4)
- Kodak Films (56)
- Lomography Films (11)
- Luckyfilm Films (4)
- Notes (8)
- Revolog Films (2)
- Rollei Films (13)
- Shanghai Films (1)
- Silberra Films (3)
- Street Candy Films (1)
- Tasma Films (1)
- Ultrafine Films (1)
- Washi Films (3)
- Yodica Films (1)
- Gear Reviews (14)
- Bag Reviews (3)
- Darkroom Equipment (4)
- Lens Reviews (4)
- Scanners (1)
- Strap Reviews (2)
- Print Reviews (3)
All Categories
- Articles (603)
- 52 Rolls (9)
- A Brief History Of (1)
- AEROgraphic (6)
- Challenges (1)
- Community Critique (1)
- Dear Benice (8)
- Film Culture (20)
- Film Love (7)
- Film Parties (39)
- Delta Def Jam (7)
- FP4 Party (15)
- NEOPANTASTIC (3)
- Portra Party (2)
- Summer Film Party (7)
- TMAXParty (5)
- Finding Film (15)
- Horoscope (6)
- My inspiration (3)
- My Return to Film (9)
- News (15)
- Photoset (4)
- Photostory (12)
- Projects (28)
- Secret Santa (16)
- Thoughts (15)
- Travelogue (20)
- What Is (1)
- Why Shoot Film (5)
- Chroma Cameras (1)
- Darkroom (30)
- Developing Film (16)
- Development Times (2)
- My Darkroom (1)
- Printing (3)
- Wet Plate (1)
- Experiments (43)
- Long Exposure (3)
- Reversal Development (1)
- Interviews (204)
- Community Interviews (11)
- Photography (1,115)
- 110 format (4)
- 35mm format (495)
- 5 Frames With (114)
- 65mm format (3)
- Large format (13)
- Medium format (484)
- Reviews (279)
- Camera Reviews (69)
- A&K Cameras (1)
- AGFA Cameras (1)
- Bronica Cameras (6)
- Canon Cameras (2)
- Chamonix Cameras (1)
- Exakta Cameras (1)
- Fuji Cameras (4)
- Gould Cameras (1)
- Hasselblad Cameras (7)
- Holga Cameras (3)
- Impossible Cameras (1)
- Intrepid Cameras (1)
- Kodak Cameras (3)
- Leica Cameras (1)
- Lomography Cameras (3)
- Mamiya Cameras (6)
- Minolta Cameras (1)
- Nagaoka Cameras (1)
- Olympus Cameras (3)
- Pentax Cameras (4)
- Ricoh Cameras (1)
- Rollei Cameras (3)
- Steky Camera Reviews (1)
- Vermeer Cameras (1)
- Voigtlander Cameras (1)
- Yashica Cameras (3)
- Zeiss Cameras (1)
- Zeiss Ikon Cameras (2)
- Zorki Cameras (1)
- Film Reviews (195)
- ADOX Films (2)
- AGFA Films (4)
- Arista Films (1)
- Bergger Films (11)
- CineStill Films (6)
- Dubblefilm films (1)
- Efke Films (1)
- FILM Ferrania Films (10)
- Film List (7)
- Foma Films (4)
- Fuji Films (40)
- ILFORD Films (37)
- JCH Films (4)
- Kodak Films (56)
- Lomography Films (11)
- Luckyfilm Films (4)
- Notes (8)
- Revolog Films (2)
- Rollei Films (13)
- Shanghai Films (1)
- Silberra Films (3)
- Street Candy Films (1)
- Tasma Films (1)
- Ultrafine Films (1)
- Washi Films (3)
- Yodica Films (1)
- Gear Reviews (14)
- Bag Reviews (3)
- Darkroom Equipment (4)
- Lens Reviews (4)
- Scanners (1)
- Strap Reviews (2)
- Print Reviews (3)
Recent Comments