Graflex archives on EMULSIVE

The Party of Trump - Graflex Speed Graphic, ILFORD HP5 PLUS

EMULSIVE Interview #220: I am Frank Thorp V and this is why I shoot film

July 8, 2020July 8, 2020 by EM

Today’s interviewee is a busy man, he’s a producer and off-air reporter covering the US Congress for NBC News, past Chairman of the Radio & … Read more

The evolution of the camera as seen through X-ray imaging

June 10, 2020June 10, 2020 by EM

It’s no secret that for many film photographers, taking photos of their cameras is as enjoyable as making photographs with them. Don’t take my word … Read more

Film photography in album cover design – by Josh Doss

August 25, 2019May 7, 2019 by Josh Doss

I discovered my love of film photography by accident. Being a collector, I have always frequented thrift stores for anything I could find of interest.

Nook #02 - Shot on Kodak AEROCHROME III 1443 at EI 400. Color infrared aerial surveillance film in 4x5 large format. Shot with #21 orange filter.

Photography: Nook #02 – Shot on Kodak AEROCHROME III 1443 (Large format)

August 25, 2019February 23, 2019 by EM

Nook #02
Shot on Kodak AEROCHROME III 1443 at EI 400
Color infrared aerial surveillance film in 4×5 large format
AEROgraphic / Kodak Anastigmat 161mm f/4.5 / Orange #21 filter

Read the Kodak AEROCHROME review / Prints available here

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Stumps #02 - Shot on Bergger Pancro 400 at EI 200. Black and white film in 4x5 format. Graflex Pacemaker Speed Graphic, Kodak Aero Ektar 178mm f/2.5. Orange 21 filter.

Photography: Stumps #02 – Shot on Bergger Pancro 400 at EI 200 (4×5 format)

August 25, 2019November 13, 2018 by EM

Stumps #02

Shot on Bergger Pancro 400 at EI 200
Black and white film in 4×5 format
AEROgraphic (Graflex Pacemaker Speed Graphic) / Kodak Aero Ektar 178mm f/2.5 / Orange #21 filter

Read the Bergger Pancro 400 film reviews here.

Review: Comparing FF No.1 and Cinestill Df96 monobath developers

May 17, 2020October 2, 2018 by EM

Monobath film developers feel like the in thing for 2018.

The left of right - Shot on Rollei Infrared 400 at EI 400. Black and white negative film in 4x5 format. Graflex Speed Graphic, Graflex Optar 135mm f/4.7. Developed in Cinestill Df96 monobath.

Photography: The left of right – Shot on Rollei Infrared 400 at EI 400 (4×5 format)

August 25, 2019September 3, 2018 by EM

The left of right

Shot on Rollei Infrared 400 at EI 400
Black and white negative film in 4×5 format
Graflex Speed Graphic, Graflex Optar 135 f/4.7
Developed in Cinestill Df96 monobath

Stumps #01 - Shot on Bergger Pancro 400 at EI 200. Black and white film in 4x5 format. Graflex Pacemaker Speed Graphic. Kodak Aero Ektar 178mm f/2.5. Orange #21 filter.

Photography: Stumps #01 – Shot on Bergger Pancro 400 at EI 200 (4×5 format)

August 25, 2019August 10, 2018 by EM

Stumps #01

Shot on Bergger Pancro 400 at EI 200
Black and white film in 4×5 format
AEROgraphic (Graflex Pacemaker Speed Graphic) / Kodak Aero Ektar 178mm f/2.5 / Orange #21 filter

Read the Bergger Pancro 400 film reviews here.

Above as below - Shot on ILFORD Delta 100 Professional at EI 100. Black and white negative film in 4x5 format.

Photography: Above as below – Shot on ILFORD Delta 100 Professional at EI 100 (4×5 format)

August 25, 2019May 4, 2018 by EM

Above as below

Shot on ILFORD Delta 100 Professional at EI 100
Black and white negative film in 4×5 format

Oregon Sunset - Kodak Portra 400VC shot at EI 320. Color negative film in 120 format shot as 6x12. Graflex Speed Graphic. Kodak Aero Ektar 178mm f/2.5. 6x12 film back.

Photography: Oregon Sunset #02 – Shot on Kodak Portra 400VC at EI 320 (120 format)

August 25, 2019March 13, 2018 by EM

Oregon Sunset #02

Kodak Portra 400VC shot at EI 320
Color negative film in 120 format shot as 6×12
Graflex Speed Graphic / Kodak Aero Ektar 178mm f/2.5 / 6×12 film back

Top half - Shot on Fuji Pro 160NS at EI 100. Color negative film in 120 format shot as 6x7.

Photography: Top half – Shot on Fuji Pro 160NS at EI 100 (120)

August 25, 2019January 18, 2018 by EM

Top half
Shot on Fuji Pro 160NS at EI 100
Color negative film in 120 format shot as 6×7

In vein - Fomapan 200 Creative shot at EI 200 - Black and white negative film in 4x5 format - AEROgraphic - Kodak Aero Ektar 178 f2.5 - Fomapan 200 Creative shot at EI 200 - Black and white negative film in 4x5 format - AEROgraphic - Kodak Aero Ektar 178 f2.5

Photography: In vein – Shot on Fomapan 200 Creative at EI 200 (4×5 format)

August 25, 2019August 25, 2017 by EM

In vein

Shot on Fomapan 200 Creative at EI 200
Black and white negative film in 4×5 format
AEROgraphic / Kodak Aero Ektar 178mm f/2.5

To the light - Shot on Rollei IR 400 at EI 12 - Black and white negative film in 4x5 format - AEROgraphic - Kodak Anastigmat 161mm f/4.5.

Photography: To the light – Rollei INFRARED 400 (4×5)

August 25, 2019August 24, 2017 by EM

To the light

Shot on Rollei INFRARED 400 at EI 12
Black and white negative film in 4×5 format
AEROgraphic / Kodak Anastigmat 161mm f/4.5 / R72 filter

V - Fomapan 200 Creative shot at EI 200 - Black and white negative film in 4x5 format - AEROgraphic - Kodak Aero Ektar 178 f2.5 - Fomapan 200 Creative shot at EI 200 - Black and white negative film in 4x5 format - AEROgraphic - Kodak Aero Ektar 178 f2.5

Photography: V – Shot on Fomapan 200 Creative at EI 200 (4×5 format)

August 25, 2019August 23, 2017 by EM

Shot on Fomapan 200 Creative at EI 200
Black and white negative film in 4×5 format
AEROgraphic / Kodak Aero Ektar 178mm f/2.5

Bunched up - Shot on Rollei IR 400 at EI 12 - Black and white negative film in 4x5 format - AEROgraphic - Kodak Anastigmat 161mm f/4.5.

Photography: Bunched up – Shot on Rollei INFRARED 400 at EI 12 (4×5)

August 25, 2019August 22, 2017 by EM

Bunched up

Shot on Rollei INFRARED 400 at EI 12
Black and white negative film in 4×5 format
AEROgraphic / Kodak Anastigmat 161mm f/4.5 / R72 filter

Where the wild things grow - Shot on Fomapan 200 Creative at EI 200 - Black and white negative film in 4x5 format - AEROgraphic - Kodak Aero Ektar 178 f2.5

Photography: Where the wild things grow – Shot on Fomapan 200 Creative at EI 200 (4×5 format)

August 25, 2019August 21, 2017 by EM

Where the wild things grow

Shot on Fomapan 200 Creative at EI 200
Black and white negative film in 4×5 format
AEROgraphic / Kodak Aero Ektar 178mm f/2.5

Alyse - Nikon F3HP, Kodak Tri-X 400 film

EMULSIVE interview #142: I am Don Lupo and this is why I shoot film

August 25, 2019May 31, 2017 by EM

Today’s interviewee doesn’t always share much of his own work on Twitter but take a peek on Instagram or his website and it’s a totally different story.

I’m so happy to be able to bring you the words and pictures

Out on a limb - Shot on Ultrafine Xtreme 400 at EI 400. Black and white negative film in 120 format shot as 6x12.

Photography: Out on a limb – Ultrafine Xtreme 400 (120)

May 17, 2020May 17, 2017 by EM

Out on a limb
Shot on Ultrafine Xtreme 400 at EI 400
Black and white negative film in 120 format shot as 6×12

North Dome, Yosemite – Crown Graphic 4x5 with Optar 127mm – Ektapan 100

My Return to Film: Todd Reed

August 25, 2019May 15, 2017 by Todd Reed

In a high tech digital age, why have I chosen to go back to an older, somewhat archaic process of shooting film?

In a simple statement – “It feeds my soul”

For some strange reason, I have never been on

Off the wall - Shot on Kodak T-MAX 400 at EI 400. Black and white negative film in 120 format shot as 6x12. Graflex Pacemaker Speed Graphic / Kodak Aero Ektar 7 (178mm) f/2.5.

Photography: Off the wall – Kodak T-MAX 400 (120)

April 14, 2020May 15, 2017 by EM

Off the wall
Shot on Kodak T-MAX 400 at EI 400
Black and white negative film in 120 format shot as 6×12
Graflex Pacemaker Speed Graphic / Kodak Aero Ektar 7″ (178mm) f/2.5