I’m from Seattle, WA, US yet I have been overseas for the last 13 years, working, exploring, and experiencing what you see in travel vlogs. …
Disassembling the only 35mm film holder made for Graflex Cameras isn’t something you get to do every day. Some sixty years ago, a photographer had …
Read moreDisassembling the only 35mm Graflex Film Holder Ever Made
Today’s interviewee is a busy man, he’s a producer and off-air reporter covering the US Congress for NBC News, past Chairman of the Radio & …
Read moreEMULSIVE Interview #220: I am Frank Thorp V and this is why I shoot film
It’s no secret that for many film photographers, taking photos of their cameras is as enjoyable as making photographs with them. Don’t take my word …
Read moreThe evolution of the camera as seen through X-ray imaging
I discovered my love of film photography by accident. Being a collector, I have always frequented thrift stores for anything I could find of interest.
Nook #02
Shot on Kodak AEROCHROME III 1443 at EI 400
Color infrared aerial surveillance film in 4×5 large format
AEROgraphic / Kodak Anastigmat 161mm f/4.5 / Orange #21 filter
Read the Kodak AEROCHROME review / Prints available here
 
Stumps #02
Shot on Bergger Pancro 400 at EI 200
Black and white film in 4×5 format
AEROgraphic (Graflex Pacemaker Speed Graphic) / Kodak Aero Ektar 178mm f/2.5 / Orange #21 filter
Read the Bergger Pancro 400 film reviews here.
Monobath film developers feel like the in thing for 2018.
The left of right
Shot on Rollei Infrared 400 at EI 400
Black and white negative film in 4×5 format
Graflex Speed Graphic, Graflex Optar 135 f/4.7
Developed in Cinestill Df96 monobath
Stumps #01
Shot on Bergger Pancro 400 at EI 200
Black and white film in 4×5 format
AEROgraphic (Graflex Pacemaker Speed Graphic) / Kodak Aero Ektar 178mm f/2.5 / Orange #21 filter
Read the Bergger Pancro 400 film reviews here.
Above as below
Shot on ILFORD Delta 100 Professional at EI 100
Black and white negative film in 4×5 format
Oregon Sunset #02
Kodak Portra 400VC shot at EI 320
Color negative film in 120 format shot as 6×12
Graflex Speed Graphic / Kodak Aero Ektar 178mm f/2.5 / 6×12 film back
Top half
Shot on Fuji Pro 160NS at EI 100
Color negative film in 120 format shot as 6×7
In vein
Shot on Fomapan 200 Creative at EI 200
Black and white negative film in 4×5 format
AEROgraphic / Kodak Aero Ektar 178mm f/2.5
To the light
Shot on Rollei INFRARED 400 at EI 12
Black and white negative film in 4×5 format
AEROgraphic / Kodak Anastigmat 161mm f/4.5 / R72 filter
V
Shot on Fomapan 200 Creative at EI 200
Black and white negative film in 4×5 format
AEROgraphic / Kodak Aero Ektar 178mm f/2.5
Bunched up
Shot on Rollei INFRARED 400 at EI 12
Black and white negative film in 4×5 format
AEROgraphic / Kodak Anastigmat 161mm f/4.5 / R72 filter
Where the wild things grow
Shot on Fomapan 200 Creative at EI 200
Black and white negative film in 4×5 format
AEROgraphic / Kodak Aero Ektar 178mm f/2.5
Today’s interviewee doesn’t always share much of his own work on Twitter but take a peek on Instagram or his website and it’s a totally different story.
I’m so happy to be able to bring you the words and pictures
Out on a limb
Shot on Ultrafine Xtreme 400 at EI 400
Black and white negative film in 120 format shot as 6×12
