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Home » Cameron Zucker

Author Archives: Cameron Zucker

Based in Northern Arizona and at-home in the entire American Southwest, I strive to create images which reveal the extraordinary hidden just behind the ordinary. If I can drive to it, hike to it, or cling to it just long enough to take a photograph, my camera will be there. Draining batteries and validating temperature ratings since 2017.

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Check out Cameron's website.
Arista.EDU Ultra 200 (Fomapan 200 Creative)
Posted inFoma Bohemia Film Stock Reviews

Shooting 4×5 in 2021: Affordable Czechnology with Fomapan 200 Creative

by Cameron ZuckerOctober 31, 2021October 31, 2021

Like many commodities affected by the COVID pandemic, photographic film prices have soared to unprecedented heights. I acutely remember 25 sheet boxes of ILFORD Delta 100 Professional 4×5 film selling for $45 at my local camera store in 2019, only to see that price rise almost 70% to $65 in September 2021 — before tax. […]

Beerol: How I learned to stop worrying and develop film in gas station beer
Posted inPhotosets and stories

Beerol: How I learned to stop worrying and develop film in gas station beer

by Cameron ZuckerOctober 17, 2021October 17, 2021

When I saw Fat Tire and Field Mag announce their contest to develop film in beer I knew I was entering a rabbit hole, but I couldn’t have possibly known how far that rabbit hole went, or what I’d find at the bottom. While I’d been told about Caffenol and its derivative formulas for developing […]

Pentax 67, SMC 105mm f/2.4 lens and Portra 16
Posted in5 Frames..., Articles

5 Frames… At Raid Area 51 on Kodak Portra 160 (EI 100 / 120 format / Pentax 67)

by Cameron ZuckerMay 1, 2020July 4, 2021

I shot the Area 51 Raid 2019 on a Pentax 67 using Portra 160, and it was (almost) the perfect camera for the job.

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EMULSIVE is (among other things) a space for film photographers of all backgrounds to spread knowledge, experience and thoughts about everything related to film photography.

  • 5 Frames… Of panoramas in Grenoble on Kodak Panchromatic Separation Film 2238 (35mm Format / EI 12 / Horizon Perfekt + OF-28p 28mm f/2.8 MC lens) – by Alfonso Carpio Rovira
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