This series of textile collages began with finding a collection of seemingly random Polaroid images from my late Great Aunt Thelma’s house. As one of the executors of her estate, my father asked me and my mother to help go through her belongings at her small home in Oklahoma. Among our findings were boxes and […]
Category: Photosets and stories
Find all film photography photosets and photostories submitted by EMULSIVE contributors here.
Posted inPhotosets and stories
The King’s Trail: Documenting my hike through the Swedish Lappland on the Leica M4 and Kodak ULTRAMAX 400
Above the Arctic Circle, amidst the wide green plains, enclosed in looming blue peaks, the ‘King’s Trail’ covers 400km of land devoid of civilisation, save for the indigenous Sami, their reindeer, and the occasional shelter. Here is where I found myself last year, Leica M4 in hand, photographing one of the most beautiful places on […]
Posted inPhotosets and stories
Photo story: Dérive, Panama City
In August of 2021, I was sent to Panama to work as a documentary photographer on a campaign. Because of one reason or another, I had a lot of free time on my hands to explore Panama City and its surroundings. I ended up spending two months in the country, strolling the streets, alleys and […]
Posted inPhotosets and stories
The Good, the Bad, and the Ugly of large format street portraits
Like most large format photographers, I started shooting large format with a 4×5″ monorail camera, but the bulk of my LF work was shot on a wood 8×10″ field camera, and then a 4×10″ panorama camera. The 4×10 is a rather weird format at the best of times — and the subject of this article! […]
Posted inFeatured projects
Polarity, A Lockdown Project
“Polarity” is a current project of the Pixels and Grain Collective. Very simply, these are portraits of power and telecommunications poles in our local neighbourhoods, made by members of the collective in Sydney and Thailand during the 2021 coronavirus lockdowns. 2021 was optimistic in Sydney. We had more or less crushed the coronavirus numbers […]
Posted inPhotosets and stories
Zürich Pride 2021 on Cinestill 50D and BWxx film / Pentax MX and SMC-Pentax-M 50mm f/1.7 lens – by Astrid Robertsson
In September I went to pride for the first time since coming out. I didn’t intend to take a lot of photos but I always have a camera with me and in a hurry to get to the bus I picked some film to put in my bag to shoot. I chose Cinestill 50D because […]
Posted inPhotosets and stories
Documenting Miami on a Leica M2 and 35mm Kodak Ektar 100 film
Back in January 2020, before the pandemic started, I traveled with my family to Miami Beach. We stayed at a hotel in Collins Avenue, in South Beach. As I would be doing a lot of street photography, I carried my Leica M2 with a Summaron 35mm 1:2.8. Despite the fact that most of my work […]
Posted inPhotosets and stories
The wild bear in my neighborhood: Documenting Halloween 2021’s Bangkok lèse-majesté protests on 35mm film
Let’s say there’s this wild bear in your neighborhood. He terrorizes the children and snaps his teeth at the elderly. He breaks into people’s homes, stomps on their plants, destroys their lawn furniture, and eats their food. Although the bear is being his bear-self, people are frustrated and they have concerns. The wild bear in […]
Posted inPhotosets and stories
47 Nearby Gasoline Stations on Kodak Tri-X 400
Climate change will force humans to cut their dependency on fossil fuels or the consequences will be catastrophic. But how can we really grasp and put our consumption of oil into a relatable context? Numbers as such millions of oil barrels produced per year don’t seem to make sense to anyone outside of the oil […]
Posted inPhotosets and stories
Everything changes: An homage to East London’s Brick Lane
Selling goods this way — on rickety wooden tables or simply strewn on the floor — won’t be around forever. It’s too old-fashioned. A short walk away shows an inkling of what will happen; Old Spitalfields market has modernized. Restaurants, coffee stalls, and even the odd designer clothing shop line its edges and if you’re […]
Posted inPhotosets and stories
Beerol: How I learned to stop worrying and develop film in gas station beer
When I saw Fat Tire and Field Mag announce their contest to develop film in beer I knew I was entering a rabbit hole, but I couldn’t have possibly known how far that rabbit hole went, or what I’d find at the bottom. While I’d been told about Caffenol and its derivative formulas for developing […]
Posted inPhotosets and stories
Photoset: A proper farewell to Johan on original Fujifilm NEOPAN 100 ACROS
My good friend Johan recently moved from Gothenburg, Sweden to Berlin, Germany. I wanted to give him a proper farewell and give myself the best chance to emotionally process the loss of him moving. So, according to the proper virus distancing rules we met up on a cold and windy March day in 2021, walked […]
Posted inPhotosets and stories
16-minute snapshots of life: Making Huge Full-roll darkroom proof sheets for my friends
I started taking pictures in Berkeley, CA. during the summer of 1980, with a Nikomat FT2 and a 55/3.5 Micro-Nikkor given by my father (I still have both). He had the habit of systematically buying a few fresh rolls for every shoot (mostly birds and reptiles) so, when I stayed with him, there was a […]
Posted inPhotosets and stories
3 simple lessons: What I saw (and learned) shooting street photography in 1990s New York
I made my first experiences as a street photographer in New York in the 1990s. During this time I learned a lot about New York and photography. The conclusions I drew for myself about photographic approaches have been confirmed over the years, and I’d like to share them with you. This is how it all […]
Posted inPhotosets and stories
A Leica in the Limousin: Photographic Bliss in 1980s Rural France on Agfapan 100 Professional
It was in the backwaters of France that I decided to do the research right here for my Master’s in anthropology. Almost every morning, the sun crept over the forested hills at seven but was quickly pushed away by dark clouds, which brought rain the entire day until sunset, where our perennial star showed the […]
Posted inPhotosets and stories
Getting a 6×6 kick on Portugal’s Route 66 with a Rolleicord, Yashica and Hasselblad 500C
Bobby Troup and his wife Cynthia Hare sang the feeling of crossing one of America’s longest roads, way-way back in 1946 with the line, “Get your kicks, on Route 66.” Later that year Nat King Cole would record the song and contribute to making this dusty road — running more than 2000 miles all the […]
Posted inArticles
Shooting expired Agfa Scala 200X as a negative film: the Historic Port of Santos, Brazil
Agfa Scala 200X is a black and white transparency film, well known in its day for being the only option for generating slides in monochrome. Even back when it was readily available it was still hard to find a lab that could process it. I had never shot with it because of the high price […]
Posted inPhotosets and stories
After 56 years: The last days of Riviera Salon on Kodak Portra 400
On an early grey wet and gloomy Friday morning I walk through Cape Town’s Thibault Square in search of Riviera Salon. With the weather hanging heavy and dark over the city and over myself, I feel a bitter weariness pulling at me and I know the story I’m most likely about to hear is certainly […]
Posted inPhotosets and stories
Fairchild K-20: the making of a meaningful portrait
A friend of mine gave me some 4×5 film a while back. It was originally purchased by her dad in 1979, who at the time was a professional photographer. He used mainly 120 medium format and 4×5 film for his work in that era, but did a ton of aerial work on a Fairchild K-20. […]
Posted inPhotosets and stories
Graz on lockdown with snapped film: Kodak ColorPlus 200 and Olympus OM-1 with Zuiko 55mm f/1.2
Have you ever broken photographic film? Broken as in snapped it in half and then opened the back of the camera to see what no photographer wants to see: naked undeveloped exposed film? Fret not you have not lost everything. In this post, I made the mistake of opening the camera thinking the film was […]
