film.photography
Bunched up
Shot on Rollei INFRARED 400 at EI 12
Black and white negative film in 4×5 format
AEROgraphic / Kodak Anastigmat 161mm f/4.5 / R72 filter
Where the wild things grow
Shot on Fomapan 200 Creative at EI 200
Black and white negative film in 4×5 format
AEROgraphic / Kodak Aero Ektar 178mm f/2.5
Today’s interviewee doesn’t always share much of his own work on Twitter but take a peek on Instagram or his website and it’s a totally different story.
I’m so happy to be able to bring you the words and pictures
Out on a limb
Shot on Ultrafine Xtreme 400 at EI 400
Black and white negative film in 120 format shot as 6×12
In a high tech digital age, why have I chosen to go back to an older, somewhat archaic process of shooting film?
In a simple statement – “It feeds my soul”
For some strange reason, I have never been on
Off the wall
Shot on Kodak T-MAX 400 at EI 400
Black and white negative film in 120 format shot as 6×12
Graflex Pacemaker Speed Graphic / Kodak Aero Ektar 7″ (178mm) f/2.5
Up until the day I was able to call it “mine” I had never heard about the Burnett-Combo or David Burnett and I was completely unaware of the cult status of Kodak’s Aero Ektar lens.
So why did I buy
Where’s my second coat?
Shot on Fuji Pro 400H at EI 400
Color negative film in 120 format shot as 6×12
Welcome to part five – the penultimate part – of the AEROgraphic project. In this article you will finally be finishing your build.
門 / mén / door #02
Shot on Fuji Provia 100F (RDP
Bougainvillea bonsai
Shot on Fuji Provia 100F (RDP III) at EI 100
Color reversal (slide) film in 4×5 format
Kodak Aero Ektar 7″ (178mm) f/2.5 – Graflex Pacemaker Speed Graphic
Read the Fuji Provia 100F (RDP III) review here.
 
門 / mén / door #01
Ilford Pan F+ shot at EI 32
Black and white negative film in 120 format shot as 6×12
Kodak Aero Ektar 7″ (178mm) f/2.5 – Graflex Pacemaker Speed Graphic
Welcome to the final stretch. If you’ve made it this far then you’re very close to seeing your AEROgraphic project come together.
Welcome to part three of the AEROgraphic Project!
There’s no time for preamble, as this is where things start to get really interesting (and fun).
Welcome back for part two of the naked Aero Ektar Speed Graphic project.
Creeping up
Shot on Kodak Portra 800 at EI 800Color negative film in 120 format shot as 6×12
Creeping upShot on Kodak Portra 800 shot at EI 800.Color negative film in 120 format shot as 6×12.
This is the first of a six-part series in which I will describe the process of creating a “naked” Graflex Pacemaker Speed Graphic 4×5 camera and Kodak Aero Ektar lens combination;
Roll up, roll up! It’s time for another update!
This time I’ll be taking you through week 22-25 2016, or as normal people say it, May 30th to June 26th.
Oregon Sunset
Kodak Portra 400VC shot at EI 320
Color negative film in 120 format shot as 6×12
Graflex Speed Graphic / Kodak Aero Ektar 178mm f/2.5 / 6×12 film back
Death Valley Approach #01
Kodak Pro 400 MC 6059 shot at EI 320
Color negative film in 120 format shot as 6×12
Graflex Speed Graphic
Kodak Aero Ektar 178/2.5
6×12 film back
