Zeiss Ikon Film Camera Reviews

Comparing the Super Ikonta 532-16 and Ensign 12-20 folding cameras

Comparing the Super Ikonta 532/16 and Ensign 12-20 folding cameras – by Tony Warren

British camera manufacturer Barnet Ross Ensign boldly advertised in the post-Second World War period that photographic development had now moved from Europe to Great Britain.

Cover - Camera Review - ZEISS IKON NETTAR II 518-16

Camera review – the Zeiss Ikon Nettar II 517/16 6×6 folding camera – by David Hume

I bought my Zeiss Ikon Nettar 6×6 folder in 1992 for $50, pretty much in perfect nick. At the time I was shooting a Mamiya RB67 professionally; exclusively running Fuji Velvia through it for magazine covers and editorial work.

Bottom: Zeiss Ikon Ikonta 520/2 (Ikonta C) with Novar-Anastigmat 105mm f/1:6.3 (~1928) - Top: Zeiss Ikon Nettar 515/2 with Nettar-Anastigmat 110mm f/1:4.5 (~1931)

Recensione: vi racconto le mie folding – Zeiss Ikon Ikonta 520/2 & Zeiss Ikon Nettar 515/2

Il panorama della fotografia analogica è ricchissimo di fotocamere e attrezzature prodotte negli ultimi secoli da centinaia di produttori diversi, e questo ci aiuta a capire la bellezza e lo stato di evoluzione che questa Arte (la Fotografia) è riuscita

Left: Zeiss Ikon Ikonta 520/2 (Ikonta C) with Novar-Anastigmat 105mm f/1:6.3 (~1928) - Right: Zeiss Ikon Nettar 515/2 with Nettar-Anastigmat 110mm f/1:4.5 (~1931)

Camera review: My Zeiss Ikon folders – the Zeiss Ikon Ikonta 520/2 & Zeiss Ikon Nettar 515/2

Over the past two centuries, the film photography panorama has had plenty of cameras and other gear produced from hundreds of manufacturers.