There are far too many cameras made by Zeiss from the last century, which is to be expected with a history that goes back over 110 years. While they have recently released their first digital camera, the ZX1, this a little story about why Zeiss stopped producing film cameras. First off, I myself, am not […]
Category: Zeiss Ikon film camera reviews
Read all EMULSIVE reviews of Zeiss Ikon cameras right here.
Box of Magic: The Zeiss Ikon Box Tengor 56/2
This post has been a long time coming as well. Seems as though I have a backlog of ideas to work through, so bear with me. I’ve always had some sort of junk box camera kicking round for decoration, and the few times I’ve used them the results have been a bit of a joke […]
Comparing the Super Ikonta 532/16 and Ensign 12-20 folding cameras
British camera manufacturer Barnet Ross Ensign boldly advertised in the post-Second World War period that photographic development had now moved from Europe to Great Britain.
Camera review – the Zeiss Ikon Nettar II 517/16 6×6 folding camera
I bought my Zeiss Ikon Nettar 6×6 folder in 1992 for $50, pretty much in perfect nick. At the time I was shooting a Mamiya RB67 professionally; exclusively running Fuji Velvia through it for magazine covers and editorial work.
Recensione: vi racconto le mie folding – Zeiss Ikon Ikonta 520/2 & Zeiss Ikon Nettar 515/2
Il panorama della fotografia analogica è ricchissimo di fotocamere e attrezzature prodotte negli ultimi secoli da centinaia di produttori diversi, e questo ci aiuta a capire la bellezza e lo stato di evoluzione che questa Arte (la Fotografia) è riuscita
Camera review: My Zeiss Ikon folders – the Zeiss Ikon Ikonta 520/2 & Zeiss Ikon Nettar 515/2
Over the past two centuries, the film photography panorama has had plenty of cameras and other gear produced from hundreds of manufacturers.