The details are hazy, but the best I can figure is that my grandfather gave me this camera in 1967 for my fifth birthday. I still have it. It’s an Agfa ISO-RAPID 1. Very basic, and a bit like a Kodak Instamatic, only, can I say… worse? It too shot square frames on AGFA Rapid […]
Author Archives: David Hume
David Hume is an Australian visual artist and photographer. He is best known for abstract landscapes of the Australian Outback. He also worked as a commercial editorial photographer for over 25 years, and has held a number of photographic exhibitions. He currently exhibits both painting and photography.
Why Shoot Film? It’s about where things break down…
As the title says, for me, it’s about where things break down. The beginnings and endings. The edges. There is always a point at which an image breaks down and becomes the mark. Be it a pencil drawing, an oil painting or a photograph. I’ll show you what I mean. We’ll start with an oil […]
Oly travel twins: The Olympus Trip 35 vs the Olympus XA2 in the field
Both these little cameras get a lot of love and I think they deserve it.
Polaroid Originals SX-70 film review and user guide
If you want my Cliff notes on the Impossible/Polaroid Originals SX-70 Film – here they are:
It’s shit – but it’s the only shit we got.It’s useful today in a way the old stuff wasn’t back then.
Allow me
5 Frames… With 25 year-old ILFORD PAN F (EI 50 / 120 format / Zeiss Ikon Nettar 517/16) – by David Hume
I’m not sure if it’s a sign of having too many cameras or failing memory, but I recently slid open the ruby film window of my Nettar and saw there was a film in there that I had no
5 Frames… With Kodak Portra 400 (EI 400 / 120 format / Zeiss Ikon Nettar 517/16)
The Munda Bidi Trail is a wonderful thousand-kilometre dirt bicycle ride between Perth and Albany in Western Australia.
I started down the Albany at the south-west tip of Australia and spent nine days meandering north.
Camera review – the Zeiss Ikon Nettar II 517/16 6×6 folding camera
I bought my Zeiss Ikon Nettar 6×6 folder in 1992 for $50, pretty much in perfect nick. At the time I was shooting a Mamiya RB67 professionally; exclusively running Fuji Velvia through it for magazine covers and editorial work.