5 Frames With... SREDA K250D (35mm / EI 200 / Original LOMO Kompact Automat (LC-A) - by Lorraine Healy

5 Frames… With SREDA K250D (EI 200 / 35mm format / Original LOMO Kompact Automat (LC-A) – by Lorraine Healy

Last January, Steve Dowling of Kosmo Foto, wrote an intriguing post about a Moscow-based film store that was repackaging old emulsions and selling them out …

Read more5 Frames… With SREDA K250D (EI 200 / 35mm format / Original LOMO Kompact Automat (LC-A) – by Lorraine Healy

Cover - Holga 135BC Review

Camera review: the Holga 135BC – by Lorraine Healy

When I was writing my eBook on the Holga cameras, I made the assumption that I would be covering as many Holga models as I could get my hands on—medium format Holgas, that is.

JCH Streetpan 400 BW - Marcha Mujeres

Mini review: JCH Streetpan 400 & Rollei CN 200 (AGFA Digibase 200) – by Lorraine Healy

The first time I saw EM’s “Secret Santa” idea was just before Christmas 2015 and, whether because I was fairly new to EMULSIVE, or because I was too thick to comprehend a wonderful concept, I didn’t sign up.

When I

Cinestill 800T shot with a LCA+ in a “B line” station in Buenos Aires, Argentina.

Film review: Cinestill 800T vs Fuji 800 (35mm) inside the Buenos Aires underground aka Subterranean Explorations

Regular contributor Lorraine Healy is back, this time with a comparison of CineStill’s 800T against the mighty Fuji 800 of yesteryear that was also recently featured in the Lomography Magazine (details for the curious are below.