Film review: finding my ‘do anything’ film for 4×5….a tale of...
I have been shooting 4x5 for about five years. I use it for much of my personal work, and love the tonality and rendering it gives my images.
Finding Film part 13: ILFORD HP5 PLUS
Having finished my rolls of ILFORD Delta 100 and 400 Professional for part 12 of this series, I decided to carry on with the Ilford theme, and shoot some HP5, the last of Ilford’s offerings I am yet to try.
Finding Film part 12: Ilford Delta 100 and 400 Professional
Before I begin this month’s #FindingFilm, I’ll give you advance warning. Go and put the kettle on, make a brew, and settle in. This is going to be a long one.
Ah Delta……Delta, Delta, Delta.
Finding film part 11: ILFORD SFX 200
Welcome back to another round of #FindingFilm! At the time of writing, it has been a while since I have been out with the camera, shooting black and white film.
Film review: ILFORD HP5 PLUS in 35mm, 120 and sheet formats
There's much more to HP5 PLUS than meets the eye - something that regular shooters of this film will be more than aware of.
Finding film part 7: Let there be light AKA a disaster...
Hello again, EMULSIVE readers.
Finding film part 6: taking it slow with ILFORD Pan F...
Having had a lot of very average weather lately, I was delighted to see a weekend of sunshine!
Long exposure film tests part two: ILFORD HP5 PLUS, ILFORD Delta...
Welcome to part two of my long exposure test results.
Finding film part 4: ILFORD FP4+ strikes back
Welcome back to my year long series discovering film stocks: finding film. This week’s article takes a slight deviation from the norm, in that I am using a film I have already used before; ILFORD FP4+.
Long exposure film tests part one: ILFORD PAN F+, ILFORD FP4+,...
Long exposure film photography is a technique central to my currently ongoing photography project, Where We Meet.
Capturing the smooth extensions of water movement, contrasted with static elements of the shoreline is the key to this visual narrative.
Cheat sheet: ILFORD FP4 PLUS development times – EI 100 to...
Over the years I've built up a large bank of development times and schemes for many black and white films, old and new;
Push processing ILFORD HP5 PLUS from EI 800 to EI 6400
Hi! My name is Daniel and I live in Helsinki, Finland.
Amore al primo rullo: ILFORD HP5 PLUS
Quando EMULSIVE mi ha chiesto di scrivere qualcosa su ilford HP5 plus sono rimasto molto sorpreso e anche un po’ preoccupato: non sono un tecnico e non sono un fotografo professionista e non ho neanche molta esperienza.
Bene, probabilmente vi
Love at first roll: ILFORD HP5 PLUS
When EM asked to me to write something about ILFORD HP5 PLUS I was very surprised and a little worried.
I’m not a technician, I’m not a professional photographer and I also don't have too much experience, so you're probably
A paean to ILFORD PAN F PLUS or: there’s something about...
Sub 100 ISO films...
There's mystique about them; smooth, finely grained, challenging. Something for the true pros and "serious types".
Black and white film high EI shootout part 2: Kodak Tri-X...
The high EI shootout is back for part two: the pushening.
Poorly executed references to the terrible sequel that was Highlander 2 aside, I'm hoping that you'll find this extension of part one just as informative as the first and
Black and white film high EI shootout part 1: Kodak Tri-X...
A few months ago I wrote a post about experimenting with pushing Kodak Tri-X from ISO 800 to 12800.
Film notes: ILFORD FP4 PLUS 125
Following on from our recent review, here's a quick reference for ILFORD's fine detail, old school contrast monster, FP4 PLUS.
Here's what they have to say:
"For high quality black and white photography, ILFORD FP4 PLUS is unrivaled.
Film stock review: ILFORD FP4 PLUS in 35mm, 120 format and...
Looking for a medium speed black and white film with buckets of character and great, deep contrast at moderate box speed? Pack ILFORD FP4 PLUS.
