Jae Song | Oct 16, 2018 | 2
Camera review: the Kodak Instamatic 500 or, why I love 126 format film – by Ian Fleming
The Kodak Instamatic 500 was the “jewel in the crown’ of the Kodak Instamatic line. This my review of the camera and a shout out for the underloved 126 format.
I love film, have always shot it, it’s my age ☺ I had a brief excursion into digital but came back to film with even more passion.
I shoot nearly every format, from 8×10 all the way down to 35mm (I sold my 110 kit last year). I love Polaroid, Impossible Project, now Polaroid Originals and my trusty SX-70. I develop my own B&W and now develop my own C41, much encouraged by listening to the FPP Podcasts. My first camera, at age 10 was a Kodak Instamatic 25. It was this camera that started my photographic love.
Some years back I bought an Instamatic 500 for around £15, I think, after reading a recommendation on the web somewhere.
What you get
A high-quality camera, made in Germany, the clue!! A coupled Gossen light meter, and a collapsible Schneider 38mm f/2.8 lens with Compur shutter that shoots square format. Oh, it has a hot shoe, PC Sync, tripod socket and shutter that accepts a cable release.
I think you are probably understanding the attraction, especially as these can often be picked up on eBay for £5.
The Shutter has 500/1 sec – 1/30 sec speeds plus B and the focus is ‘manual’ zone focus down to 2.5’. There has to be a downside, and you’d be right: the coupled light meter, on my example, works well, but 126 cartridges had a sort of early “DX Coding” system using a notch on the cartridge and a little lever that moved depending on the notch position.
This is not really relevant if you reload the cartridges or even if you shoot very expired colour film and I use a light meter on “sunny 16”.
Ergonomics wise, it’s a lovely low profile, not too heavy (400g) street camera, with a nearly silent shutter. There’s a nice bright viewfinder, manual zone focus and manual aperture.
Shooting 126 film
To use 126 film, you will either shoot an old expired cartridge, or reload one with modern film. I prefer to reload and reuse the backing paper, this means the camera works reasonably well, and you can really get the best from the lovely lens/shutter combination.
126 film originally had 1 perforation per frame rather than 35mm’s 8 perfs. per frame. In a lot of early cameras, this single hole not only told the camera where each frame was, it actually cocked the shutter, meaning that “reloads’ can be troublesome in the classic Kodak Instamatic 104s, etc.
My experience with the Instamatic 500 is that it works pretty much trouble free. I’m not going to detail, reloading 126 here, there is loads of good information on the web for that, so please Google away but it’s worth noting that Camerahack’s Fakmatic adaptor.
I reload the cartridges, usually with Kodak Gold 200, and I prefer the 12 shot cartridge – you get to see your results quicker. I develop the film myself, but you could always send it to your favourite lab. As it’s normal 35mm film.
You will get perforations in the top of your shot if you use 35mm film. The bottom ones are masked out by the cartridge. I happen to like this, but you can always crop them out.
The camera produces lovely images and is lovely to use. I think this represents very good value for money as a camera, I just wish Lomography would please make 126 again, there are loads of good cameras out there.
Another camera to consider is the Boots Pakmatic, yes Boots the Chemist (in the UK). It has a Rodenstock lens and an uncoupled meter, which you set the ASA on, as per any light meter. This camera is worth considering too, it was made by Braun, and is also known as the Braun Paxette 28BC.
Kodak Instamatic 500 technical specifications
|Camera name||Kodak Instamatic 500|
|Format||126 film cartridge making 28x28mm exposures|
(reloadable with 35mm film)
(1966 in the US)
|Viewfinder||Optical viewfinder with framelines and parallax correction markings|
|Shutter||Compur leaf shutter|
B, 1/30 sec - 1/500 sec
|Lens||Retractable Schneider-Kreuznach Xenar 38mm f/2.8 38mm (4-elements) with minimum aperture of f/22.|
Close focus of 70cm
|Accessories||Kodak Retina 32mm lens hoods|
Kodak Retina 29.5mm filters
Threaded cable release
|Metering||Gossen selenium meter with match needle indicator in viewfinder|
|Flash||Hot shoe and X-sync PC connection|
|With lens collapsed:|
120 x 55 x 65 (W x D x H)
With lens extended:
120 x 60 x 65 (W x D x H)
Write for EMULSIVE
The driving force behind EMULSIVE is knowledge transfer, specifically creating more of it in the film photography community. You can help by contributing your thoughts, work and ideas to inspire others reading these pages.
Take action and help drive an open, collaborative community: all you need do is read this and then drop me a line.
Lend your support
Like what you see here? You can support EMULSIVE by helping to contribute to the community voice on this website (see above), or by heading on over to the EMULSIVE Patreon page and considering financial support from as little as $2 a month.
As if that’s not enough, there’s also an EMULSIVE print and apparel store over at Society 6, currently showcasing over two dozen t-shirt designs and over a dozen unique prints of photographs made by yours truly
In short, I want to continue building this platform and I’d love your help to make that happen.