“The rituals are symbolic actions, an enormous signifier that without transmitting anything, the community recognizes in them signs of identity.” The Disappearance of Rituals, Byung-Chul Han What is the meaning of a tradition? Recently, I was invited to a celebration, a party to commemorate the 15th birthday of a coworker’s granddaughter, with whose family we […]
Tag: Kodak
Film stock review: Three rolls with “Made in USA” Fujifilm 400
Fujifilm’s Superia X-TRA 400 35mm film has been a stock mainstay of Walmart and many other Superstores and drug stores in the USA for decades. As you might be aware, Fujifilm has recently been having supply problems, and many stores here in the US have been out of stock of for months on end. Suspicion […]
5 Frames… Of Zeche Zollverein on Silberra Color 50 (120 Format / EI 125 / Mamiya 645 1000s + Sekor-C 45mm f/2.8, 80mm f/2.8 and 150mm f/4) – by Ernst-Jan de Vries
Nowadays, more and more companies are selling bulk-loaded/rebranded Kodak Aerocolor 2460 for still photography. One of the first companies to do this was Silberra from St. Peterburg in spring of 2021. They brought out three iterations, Silberra Color 50, 100, and 160. According to them, all films with their own unique colours but in fact, […]
6 Frames… Of Prague on six films on a Plaubel Makina 67 (120 format / EI 100-50 / Nikkor 2.8/80mm – by Frédéric Schneider
In the summer of 2022 I had a fantastic photo week in Prague (Czech Republic) with my friend João. I used six different films with my Plaubel Makina 67. The weather was sunny and warm (up to 38°C on one day, but Czech beer helped a lot to keep cool) with some clouds all over […]
5 Frames… Of Kodak PPF Pro 400, expired 1999 (120 Format / EI 50 / Mamiya RB67 + Mamiya Sekor C 90mm f/3.8 and 50mm f/4.5) – by Pablo Cruz Villalba
I recently bought a Mamiya RB67 with a Mamiya Sekor C 50mm f/4.5 and a 90mm f/3.8. After a month’s CLA, I got it back and as luck would have it, a few expired rolls were waiting for it. I was eager to shoot a lot of rolls with the camera, since I’m used to […]
5 Frames… From Devotion chapter one: “Girls” – Kodak Tri-X 400 (120 format / EI 400 / Yashica 635) – by Lisa K Cho
My new project, “Devotion” takes its inspiration from my newfound love and commitment to my hometown, Hawaii. The series invites the viewer to see Hawaii through my lens as I revisit memories from my youth, collaborate with the new wave of creatives, and explore the deep relationships we have with one another and our community. […]
5 Frames… Kodak Potra 400 / 35mm / EI 320 / Voigtländer Bessa R3a + Voigtländer Nokton Classic 35mm 1.4 II – by Marco Rotondo
This story goes all the way back to 2001 when I went on a vacation in the beautiful Salento region of southern Italy. That time I not only met and fell in love with my wife, but I also fell in love with the beautiful villages, landscapes and charismatic people of this region.
Going home again… and leaving with the big sky (on Kodak Portra 400)
In 1940, a book by Thomas Wolfe titled You Can’t Go Home Again was published posthumously. The title has become a famous saying, the meaning of which indicates (to many), that while you can return to the place where you grew up, things will always have changed to the extent that they become unrecognizable, that […]
5 Frames… Of Kodak Plus-X Professional 125 / 120 / EI 50 / Ansco Speedex 4.5 Special + Agfa Solinar 85mm f/4.5) – by Rodolfo E. Ramírez
The 1950s saw the release of the Ansco Speedex 4.5 Special, a 6×6 folding camera made in Germany and sold by Ansco and Agfa under the names Speedex and Isolette. The camera lineup offered a range of models with diverse lens and shutter configurations to suit different budgets. As a piece of photographic equipment, the […]
The Pure Land: Mexico – by Willem van den Heever
Mexico, or perhaps more specifically, Mexico City – the Pure land. Pure not in the sense of not being mixed with any other matter or free from dirt, but pure in the sense of honest, real, unobscured, and unobstructed, something quite scarce in this modern day and age. Maybe unknowingly and unconsciously I was drawn […]
5 Frames… Of street photography in Buenos Aires on the Mamiya RB67 (120 format / EI 100 / Kodak T-MAX 100) – by Simón Ducos
In the summer of 2019, I sold my trusty Olympus XA in order to buy my then-dream camera: the Mamiya RB67. Although these cameras are vastly different, the XA being ideal for travel and street photography while the RB is more for studio shoots and still-life, I was convinced that when the time came I […]
5 Frames of… Redscaled Kodak ULTRA MAX 400 (35mm format / EI 100, Canon AE-1 + Canon FD 50mm f/1.8) – by Piper McManamon
A friend of mine told me once that she had a special surprise in mind for a roll of film she was shooting. She left me in the dark about what exactly it was for about a week until the roll was completed and she showed me the results. The photos were all bathed in […]
Featured Project: Enter the Forest by Alexandre Miguel Maia
Hi I’m Alex, and I’m currently finishing up a book about the forests I photographed for six years between 2014 and 2020. I hope that I can give you some insight into how I approached it and that I might be able to motivate and inspire you as well to create your own project in […]
Penny for your thoughts: Documenting a unique bike race on medium format film
Having traveled internationally for years in search of compelling imagery, I sometimes feel like there aren’t many unique events left to cover in my own backyard. That’s obviously not the case, as the world (even my small corner of it) is filled with undiscovered wonders. This reassuring fact was driven home recently when a friend […]
5 Frames… At Beers & Cameras Sacramento on expired Kodak Supra 400 (35mm / EI 25 / Leica M3 with 50mm f/2 Dual-Range Summicron)
Much to the joy of us Northern California film shooters, Beer & Cameras Sacramento recently reawakened after its long Covid slumber. To mark the occasion, I brought my Leica M3, the awesome 50mm f/2 Dual-Range Summicron, and an expired roll of Kodak Supra 400 to their meetup at a local brewery. Of course, the meetup […]
5 Frames… Of ILFORD HP5 PLUS on a shelf queen Kodak Tourist (620 format / EI 400 / Kodet 86mm f/12.5)
Up until the past few years, most of the film cameras that I have in my possession have been for decoration. The small shelves I purchased make them a perfect addition to my home office. On the rare occasion I pick one up, it is usually to dust it off, not to take photos with. […]
A Year in Plastic: One film, one camera, one week, one picture, one year (Jan 1 – Dec 31, 2009)
This project presented images of the world around me as and when I found them, all captured through the lens of a plastic toy camera. Completed in 2009, the project involved taking one picture at a time, once a week, on one camera, for one year. Every week’s picture stands alone, as it was found, […]
5 Frames… And Five Life Lessons from a Kodak Brownie – by Dan Kehlenbach
Introduced in 1900, the Kodak Brownie was instrumental in bringing photography to the masses. It sold for US$1.00 (around US$44 in 2022 terms), and included film and processing. Essentially a cardboard box with a plastic lens, this simple design revolutionized photography and allowed people from all walks of life to take pictures. My Brownie, the […]
Hidden in Plain Sight: A 36-Day Quest to Discover the Daily Miracle of Nature’s Quiet Moments – by Dan Kehlenbach
The concept seemed simple — pick a specific place and explore it every day for thirty-six days, use only one camera and one lens, and take one photograph each day. One click of the shutter. With film. No second chances, no do-overs. I’ve been fascinated by this notion ever since watching Jim Brandenburg’s Chased by […]
5 Frames… Of cold-weather testing airships by the arctic circle on Kodak Portra 160 (35mm Format / EI 160 / Contax G1 + Planar 45mm f/2) – by Igor Immfun
At the time I shot these frames, I had owned the Contax G1 for a little less than two months. It was my first film camera and I fell in love with her immediately. You just want to hold it in your hands and enjoy the genius of the people who created it. I won’t […]