Kodak


5 Frames… Of a ghost town called Chicago in January 2021 (Kodak T-MAX 400 (35mm Format / EI 320 / Nikon F + Nikkor NC Auto 24mm f/2.8 pre-AI) – by Michael D. Watson

It’s the beginning of 2021 and COVID is still running full force. I am a freelance corporate photographer and COVID-19 has decimated my business. So …

Read more5 Frames… Of a ghost town called Chicago in January 2021 (Kodak T-MAX 400 (35mm Format / EI 320 / Nikon F + Nikkor NC Auto 24mm f/2.8 pre-AI) – by Michael D. Watson

5 Frames... Of sharp shots on a soft lens with Kodak Portra 400 + flash (35mm Format / EI 400 / Olympus OM-1n + G. Zuiko 55mm f/1.2) - By Trevor Hong

5 Frames… Of sharp shots on a soft lens with Kodak Portra 400 + flash (35mm Format / EI 400 / Olympus OM-1n + G. Zuiko 55mm f/1.2) – By Trevor Hong

Oh … well, this is more of a story of how I quit film and then went back to it again. You see, I was …

Read more5 Frames… Of sharp shots on a soft lens with Kodak Portra 400 + flash (35mm Format / EI 400 / Olympus OM-1n + G. Zuiko 55mm f/1.2) – By Trevor Hong

5 Frames… Of my (maybe) new favourite film, Kodak Ektar 100 (120 Format / EI 100 / Kowa Six + Kowa 85mm f/2.8) – by Tim Rangi

Ever since I started shooting medium format film, I’ve been searching for a favourite film stock and I think I may have found it in …

Read more5 Frames… Of my (maybe) new favourite film, Kodak Ektar 100 (120 Format / EI 100 / Kowa Six + Kowa 85mm f/2.8) – by Tim Rangi

Kodak Color Plus 200 and a Vivitar Powershot, Tessa Klingensmith

5 Frames… Of Christmas double exposures on Kodak Color Plus 200 and a Vivitar Powershot (35mm Format / EI 200) – by Tessa Klingensmith

On Christmas Eve I polished up my Vivitar Powershot Point and Shoot 35mm camera that I rescued from the recycle bin at work and loaded …

Read more5 Frames… Of Christmas double exposures on Kodak Color Plus 200 and a Vivitar Powershot (35mm Format / EI 200) – by Tessa Klingensmith

Shot 100 years ago: Developing Kodak Premo-Pack 4×5 film from a Rochester Premo B camera

Shot 100 years ago: Developing Kodak Premo-Pack 4×5 film from a Rochester Premo B camera ~ by Salvador Busquets One of the most fascinating things …

Read moreShot 100 years ago: Developing Kodak Premo-Pack 4×5 film from a Rochester Premo B camera

5 Frames... Of the Atayde Brothers Circus on Kodak T-MAX 400 (EI 400 / 120 Format / Hasselblad 503CX + Planar CF 80mm f/2.8) - by Abel Montesino

5 Frames… Of the Circo Atayde Hermanos on Kodak T-MAX 400 (EI 400 / 120 Format / Hasselblad 503CX + Planar CF 80mm f/2.8) – by Abel Montesino

Do you remember the first camera that made you fall in love or impress you? By this, I mean a time when you knew nothing …

Read more5 Frames… Of the Circo Atayde Hermanos on Kodak T-MAX 400 (EI 400 / 120 Format / Hasselblad 503CX + Planar CF 80mm f/2.8) – by Abel Montesino

5 Frames… On 30+ year expired Kodak Panatomic X driving through New Mexico (EI 32 / Nikon F3 / Voigtlander Nokton 58mm f/1.4) – by Andrew Collins

The bulk loader was a deal and came with mystery film. It had a label that said ‘Plus X 125’ so I loaded a small …

Read more5 Frames… On 30+ year expired Kodak Panatomic X driving through New Mexico (EI 32 / Nikon F3 / Voigtlander Nokton 58mm f/1.4) – by Andrew Collins

35mm Kodak Portra 160

5 Frames… Of Mountain biking in the Valtellinesi Alps on Kodak Portra 160 (Canon A-1 and Canon FD 50mm f/1.8) – by Ulysse Daessle

Autumn is always a great time of the year up there in the mountains. You can be pretty sure to find great colors and different …

Read more5 Frames… Of Mountain biking in the Valtellinesi Alps on Kodak Portra 160 (Canon A-1 and Canon FD 50mm f/1.8) – by Ulysse Daessle

Shooting expired Agfa Scala 200X as a negative film: the Historic Port of Santos, Brazil

Agfa Scala 200X is a black and white transparency film, well known in its day for being the only option for generating slides in monochrome. …

Read moreShooting expired Agfa Scala 200X as a negative film: the Historic Port of Santos, Brazil

My Kodak Brownie Flash IV, Cliff McMahon-Docherty

5 Frames… Over 8 months on a Kodak Brownie Flash IV with respooled Kodak Portra 160 (620 Format / EI 160) – by Cliff McMahon-Docherty

This ‘five frames’ might more properly be called ‘eight frames’ because it was inspired by an idea in the autumn of 2019 to dig out …

Read more5 Frames… Over 8 months on a Kodak Brownie Flash IV with respooled Kodak Portra 160 (620 Format / EI 160) – by Cliff McMahon-Docherty

EMULSIVE’S most popular film stock reviews of 2020

There are a few days left for 2020 (well, 2 at the time of publication) and like 2019, we didn’t see any film stocks being …

Read moreEMULSIVE’S most popular film stock reviews of 2020

EMULSIVE’S most popular darkroom related articles of 2020

Here’s listicle #2 for this year, and it’s 100% focused on darkroom alchemy. From bringing back Kodachrome (development, that is!), to RA-4 color printing, to …

Read moreEMULSIVE’S most popular darkroom related articles of 2020

EMULSIVE’S most popular “5 Frames” of 2020

If you’re celebrating, Merry Christmas! If you’re not, welcome to the end of a year which, well, that’s enough about that. I made a promise …

Read moreEMULSIVE’S most popular “5 Frames” of 2020

5 Frames... Of Yosemite National Park on a Yashica Mat-124 G and Kodak Portra 400 (120 Format / EI 400) - By Simon Kim

5 Frames… Of Yosemite National Park on a Yashica Mat-124 G and Kodak Portra 400 (120 Format / EI 400) – By Simon Kim

In order to reduce the number of folks that are visiting Yosemite National Park due to Covid-19, only a handful of park passes were being …

Read more5 Frames… Of Yosemite National Park on a Yashica Mat-124 G and Kodak Portra 400 (120 Format / EI 400) – By Simon Kim

5 Frames... Of the Saskatchewan prairies on Kodak AEROCHROME III Infrared Film 1443 (120 Format - EI 400 - Mamiya C330 Professional S) - by Bob St-Cyr

5 Frames… Of the Saskatchewan prairies on Kodak AEROCHROME III Infrared Film 1443 (120 Format / EI 400 / Mamiya C330 Professional S) – by Bob St-Cyr

What an amazing way to visualise the world. I have pursued the joys and wonders of film photography and darkroom work for some decades now …

Read more5 Frames… Of the Saskatchewan prairies on Kodak AEROCHROME III Infrared Film 1443 (120 Format / EI 400 / Mamiya C330 Professional S) – by Bob St-Cyr

Lomography Sprocket Rocket - Steve Jones

5 Frames of Kodak VISION3 500T 5219 developed in RA-4 chemistry (35mm Format / EI 500 / Lomography Sprocket Rocket) – by Steve Jones

5 Frames of Kodak VISION3 500T 5219 developed in RA-4 chemistry (35mm Format / EI 500 / Lomography Sprocket Rocket) – by Steve Jones Like …

Read more5 Frames of Kodak VISION3 500T 5219 developed in RA-4 chemistry (35mm Format / EI 500 / Lomography Sprocket Rocket) – by Steve Jones

5 Frames... Of double exposure on Kodak Portra 160 (35mm Format / EI 160 / Minolta SRT 101 + MC Rokkor 35mm f/2.8) - by Nick Rees

5 Frames… Of double exposures on Kodak Portra 160 (35mm Format / EI 160 / Minolta SRT 101 + MC W.Rokkor 35mm f/2.8) – by Nick Rees

When it comes to double exposure photography, I’ve never really seemed to get it quite right. Whether that is by not underexposing enough or just …

Read more5 Frames… Of double exposures on Kodak Portra 160 (35mm Format / EI 160 / Minolta SRT 101 + MC W.Rokkor 35mm f/2.8) – by Nick Rees

Kodak Technical Pan 2415 slides

5 Frames… Of Kodak Technical Pan 2415 developed as slides (35mm Format / EI 50 / Olympus OM-1 + Zuiko Auto-W 28mmm f/2.8) – by Fabio da Silveira

2020 is a different year in every way. So how about using a technical ISO 50 film and doing a reverse process to get a …

Read more5 Frames… Of Kodak Technical Pan 2415 developed as slides (35mm Format / EI 50 / Olympus OM-1 + Zuiko Auto-W 28mmm f/2.8) – by Fabio da Silveira