Tag: Kodak
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I am Anil Mistry and this is why I shoot film
It’s Anil Mistry, everyone. To regular readers or EMULSIVE and listeners of the Sunny16...
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Featured project : Vues sur mer – by Daphne Schnitzer
The road to this photo book wasn’t paved in roses exactly – more like sea salt! – but it did...
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Scratched to bits – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 250 (35mm format)
Scratched to bits Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 250 Black and white negative film in...
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Just a lick – Shot on Kodak ULTRA MAX at EI 1600 (35mm Format)
Just a lick Shot on Kodak ULTRA MAX at EI 1600. Color negative film in 35mm format. Push processed...
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Seat to seat – Shot on Kodak Hawkeye Traffic Surveillance Color Film 2486 at EI 400 (35mm format)
Seat to seat Shot on Kodak Hawkeye Traffic Surveillance Color Film 2486 EI 400 Color negative film...
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Camera review: Yashica-mat 124G TLR – by Milan Juza
As a 6×6 format twin lens reflex camera, the Yashica Mat-124 TLR is considered a great...
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I am Daphne Schnitzer and this is why I shoot film
A huge welcome to Daphne Schnitzer, past 5 Frames With contributor here on EMULSIVE and pinhole...
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By a nose – Kodak PROFESSIONAL ELITE Chrome 100 – EB-3 (35mm format)
By a nose Shot on Kodak PROFESSIONAL ELITE Chrome 100 (EB-3) at EI 100. Color reversal (slide)...
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5 Frames With… Kodak Tri-X 400 (EI 1600 / 120 / Hasselblad 500CM) – by Michael C. Duke
My 94-year-old grandmother, Jeanne Samuels, lives a fully independent life. Her independence,...
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Developing expired large format black and white film – by Scott Hays
If you are old enough, you will remember a time when expired film was like kryptonite to a...
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Above as below – Shot on ILFORD Delta 100 Professional at EI 100 (4×5 format)
Above as below Shot on ILFORD Delta 100 Professional at EI 100 Black and white negative film in...
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Test shots: Revolog Kosmo (35mm) + Bronica ETRSi – by Nils Karlson
A few weeks ago, Nils suggested putting together an unorthodox camera/film review that he felt...
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Granatum – Shot on Kodak EKTACHROME 100VS E100VS at EI 100 (120 format)
Granatum Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 Color reversal (slide) film in 120...
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5 Frames With… Kodak ColorPlus 200 (EI 200 / 35mm Leica M6) – by Adib Mufty
After a long struggle trying to find the right lens for my Leica M6, I decided to give the...
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Altitude sickness – Kodak EKTACHROME E200 at EI 200 (120 format)
Altitude sickness Shot on Kodak EKTACHROME E200 at EI 200 Color reversal (slide) film in 120...
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5 Frames With… Kodak EKTACHROME 64T (EI 64 / 35mm / Leica M6) – by Etienne Despois
The photos I present you were made with my Leica M6, 35mm Summicron and Kodak EKTACHROME 64T,...
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Film review: comparing Fuji ACROS 100, ILFORD Delta 100 Professional and Kodak T-MAX 100 – by Daniel Marinelli
This whole project started when I realized I had been blindly allegiant to certain black and white...
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Saw – Shot on Kodak VISION3 250D 5207 at EI 500 (35mm format)
Saw Shot on Kodak VISION3 250D (5207) at EI 500 Color negative motion picture film in 35mm format...
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The staircase – Shot on Kodak Vericolor 160 VPS 6006 (120 format)
The staircase Shot on Kodak Vericolor 160 VPS 6006 at EI 100 Color negative film in 120 format...
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Twins – Shot on Kodak T-MAX 3200 at EI 800 (35mm format)
Twins Shot on (new) Kodak T-MAX 3200 at EI 800 Black and white negative film in 35mm format Pull...
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