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Tag: Kodak

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Experimenting with Kodak Tri-X 400: shooting from ...

Posted by EMULSIVE | Jun 25, 2015 | Articles, Experiments, Film Reviews, Kodak Films, Reviews

I am Craig Pindell and this is why I shoot film

Posted by EMULSIVE | Aug 18, 2015 | Interviews

I am #EMULSIVE and this is why I shoot film

Posted by EMULSIVE | Mar 22, 2017 | Interviews

Film review – Kodak VISION3 250D 35mm motion...

Posted by EMULSIVE | Aug 5, 2015 | Film Reviews, Kodak Films, Reviews

EMULSIVE x Kodak Alaris Community Interview: Submi...

Posted by EMULSIVE | Sep 30, 2016 | Articles, Community Interviews, Film Culture

Film review: Kodak EKTACHROME 100VS (E100VS) color...

Posted by EMULSIVE | Jun 1, 2015 | Articles, Film Reviews, Kodak Films, Reviews

Our 20 most recent articles

Camera review: the Kodak Instamatic 500 or, why I love 126 format film – by Ian Fleming

by Ian Fleming | Aug 16, 2018 | Articles, Camera Reviews, Kodak Cameras, Reviews

The Kodak Instamatic 500 was the “jewel in the crown’ of the Kodak Instamatic line. This my review...

Seventeen sticks – Shot on Kodak EKTACHROME Professional Plus 100 (6005) at EI 100 (120 format)

by EMULSIVE | Aug 16, 2018 | Medium format, Photography

Seventeen sticks Shot on Kodak EKTACHROME Professional Plus 100 (6005) at EI 100 Color reversal...

Film review: Kodak ColorPlus 200 and Fuji Fujicolor C200 compared

by Howard Xiaopeng | Aug 14, 2018 | Articles, Film Reviews, Fuji Films, Kodak Films, Reviews

The two most popular consumer films used today are Kodak ColorPlus 200 and Fuji Fujicolor C200....

Flow – Shot on Kodak Tri-X 400 at EI 51200 (120 format)

by EMULSIVE | Aug 13, 2018 | Medium format, Photography

Flow Shot on Kodak Tri-X 400 at EI 51200 Black and white negative film in 120 format shot as...

5 Frames With… Cinestill BwXX (35mm / EI 250 / Pentax Spotmatic SP II) – by Donna Macauley

by Donna Macauley | Aug 10, 2018 | 5 Frames With, Articles

When Cinestill reintroduced their BwXX 250 film stock, I was intrigued and bought a roll...

Second choice – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 800 (35mm format)

by EMULSIVE | Aug 9, 2018 | 35mm format, Photography

Second choice Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 800 Black and white negative film in 35mm...

EMULSIVE interview #187: I am Tony Vaccaro and this is why I shoot film

by EMULSIVE | Aug 8, 2018 | Interviews

It’s impossible to understate Tony Vaccaro’s contribution to the 20th century, be it...

Lov is the answer – Shot on Kodak Portra 400VC at EI 200 (120 format)

by EMULSIVE | Jul 31, 2018 | Medium format, Photography

Lov is the answer Shot on Kodak Portra 400VC at EI 200 Color negative film in 120 format shot as...

To a point – Shot on Kodak 500T (5219) at EI 500 (35mm format)

by EMULSIVE | Jul 26, 2018 | 35mm format, Photography

To a point Shot on Kodak 500T (5219) at EI 500 Color motion picture film in 35mm format ...

Don’t leave your sh1t at the beach – Shot on Kodak Ektar 100 at EI 100 (35mm format)

by EMULSIVE | Jul 25, 2018 | 35mm format, Photography

Don’t leave your sh1t at the beach Shot on Kodak Ektar 100 at EI 100 Color negative film in...

Sibling rivalry: Fujica GS645 & GS645S street photography shootout – by Michael Duke

by Michael C. Duke | Jul 24, 2018 | Articles, Camera Reviews, Fuji Cameras, Reviews

The Fujica GS645 Professional and its sibling GS645S Professional are very much alike, but...

5 Frames With….Kodak EKTACHROME Infrared EIR (35mm / EI 200 / Olympus OM-1n) – by Sandeep Sumal

by Sandeep Sumal | Jul 23, 2018 | 5 Frames With, Articles

I’ve have had a roll of Kodak EKTACHROME Infrared EIR in my fridge for a year or so now....

5 Frames With… Kodak Tri-X 400 (35mm / EI400 / Canon AE-1) – by Colleen Bryant

by Colleen Bryant | Jul 21, 2018 | 5 Frames With, Articles

The images in this series are abstracted Houston landscapes, shot on 35mm film. I use double,...

老街 / lǎo jiē / Old Street – Shot on Kodak ULTRA MAX 800 at EI 800 (35mm format)

by EMULSIVE | Jul 18, 2018 | 35mm format, Photography

老街 / lǎo jiē / Old Street Shot on Kodak ULTRA MAX 800 at EI 800 Color negative film in 35mm...

Welcome to #PortraParty 2018: celebrating 20 years of Kodak Portra films

by EMULSIVE | Jul 16, 2018 | Articles, Film Parties, Portra Party

It’s Kodak Portra’s 20th anniversary and we’re here to celebrate! Kodak Portra...

From below – Shot on Kodak AEROCHROME III 1443 (35mm format)

by EMULSIVE | Jul 16, 2018 | 35mm format, Photography

From below Shot on Kodak AEROCHROME III 1443 at EI 400 Color infrared aerial surveillance film in...

Repulsion to attraction: my Kodak T-MAX 400 story so far

by Mauro Pastore | Jul 12, 2018 | Articles, Film Reviews, Kodak Films, Reviews, Thoughts

Kodak T-MAX 100 is undoubtedly the film I prefer after Tri-X 400 but despite this T-Grain...

Dripping red – Shot on Kodak AEROCHROME III 1443 (35mm format)

by EMULSIVE | Jul 12, 2018 | 35mm format, Photography

Dripping red Shot on Kodak AEROCHROME III 1443 at EI 400 Color infrared aerial surveillance film...

Pumped-up – Shot on Kodak Ektar 100 at EI 100 (120 format)

by EMULSIVE | Jul 9, 2018 | Medium format, Photography

Pumped-up Shot on Kodak Ektar 100 at EI 100 Color negative film in 120 format shot as 6×6 ...

5 Frames With… Kodak Portra 400 (EI 320 / 120 Format / Mamiya 7) – by Kathleen E. Johnson

by Kathleen Johnson | Jun 29, 2018 | 5 Frames With, Articles

On August 21, 2017, thousands of people converged on Alliance, Nebraska, as one of the prime Solar...

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