• All articles
    • 5 Frames…
    • Everything darkroom / wet printing
    • Film experiments + souping
    • Featured community projects
    • Global Film Lab Map
    • Guides & How-Tos
    • News
    • EMULSIVE Secret Santa
    • Opinion pieces
  • All reviews
    • Film camera reviews
      • Instant film camera review
      • 110 film cameras
      • 35mm film cameras
        • 35mm P&S/AF cameras
        • 35mm rangefinder cameras
        • 35mm SLR film cameras
        • 35mm zone/scale focus cameras
      • Medium format film cameras
        • Medium format P&S/AF cameras
        • Medium format rangefinder cameras
        • Medium format SLR cameras
        • Medium format TLR cameras
        • Medium format zone/scale focus cameras
      • Large format camera
    • Film stock reviews
    • Bag reviews
    • Lens/strap/accessory reviews
    • Print reviews
  • Guides / How-to
  • Interviews
    • Community interviews
    • Film photographer interviews
    • In conversation with…
    • My First Roll…
    • My return to film…
  • More
    • Film parties
    • Photography
      • 110 format film photography
      • 35mm format film photography
      • Medium format film photography
      • 65mm format film photography
      • Large format film photography
    • Sitemap
    • EMULSIVE Store
    • Write for EMULSIVE
    • Login
  • About
  • Submit
  • Contact
  • Buy stuff
  • Your account
    • Sign-in
    • Sign-up
    • Recover password
  • Facebook
  • Instagram
  • Pinterest
  • Reddit
  • Twitter
  • YouTube
  • 5 Frames…
  • Darkroom
  • Featured community projects
  • Film camera reviews
  • Film stock reviews
  • Film photographer interviews

More links

  • About
  • Submit
  • Buy stuff
  • Contact
  • Policies
  • Login
  • 5 Frames…
  • Darkroom
  • Featured community projects
  • Film camera reviews
  • Film stock reviews
  • Film photographer interviews

More links

  • About
  • Submit
  • Buy stuff
  • Contact
  • Policies
  • Login
Skip to content
  • About
  • Submit
  • Contact
  • Buy stuff
  • Your account
    • Sign-in
    • Sign-up
    • Recover password
  • Facebook
  • Instagram
  • Pinterest
  • Reddit
  • Twitter
  • YouTube
EMULSIVE

EMULSIVE

film.photography

  • All articles
    • 5 Frames…
    • Everything darkroom / wet printing
    • Film experiments + souping
    • Featured community projects
    • Global Film Lab Map
    • Guides & How-Tos
    • News
    • EMULSIVE Secret Santa
    • Opinion pieces
  • All reviews
    • Film camera reviews
      • Instant film camera review
      • 110 film cameras
      • 35mm film cameras
        • 35mm P&S/AF cameras
        • 35mm rangefinder cameras
        • 35mm SLR film cameras
        • 35mm zone/scale focus cameras
      • Medium format film cameras
        • Medium format P&S/AF cameras
        • Medium format rangefinder cameras
        • Medium format SLR cameras
        • Medium format TLR cameras
        • Medium format zone/scale focus cameras
      • Large format camera
    • Film stock reviews
    • Bag reviews
    • Lens/strap/accessory reviews
    • Print reviews
  • Guides / How-to
  • Interviews
    • Community interviews
    • Film photographer interviews
    • In conversation with…
    • My First Roll…
    • My return to film…
  • More
    • Film parties
    • Photography
      • 110 format film photography
      • 35mm format film photography
      • Medium format film photography
      • 65mm format film photography
      • Large format film photography
    • Sitemap
    • EMULSIVE Store
    • Write for EMULSIVE
    • Login
Home » Chris Storey
Avatar - Chris Storey

Author Archives: Chris Storey

My love of photography began during a year-long work deployment to Antarctica. Starting with zero experience in photography, a Nikon F3, a few lenses, a lot of film, access to a stocked darkroom, and a couple of introductory books I began my journey into film photography in 1987.

Once I learned to develop and print my own black and white prints, and even color slides, I was hooked. Going from seeing something to holding a physical print of it in my hand is still magical after all these years.

I enjoy shooting 35mm and medium format in various toy and vintage cameras, modern SLR’s and rangefinder systems, with Polaroid thrown in from time to time to change the aesthetic. Even when shooting digitally, I seem to always return to film and the thoughtful experience that film provides.

Check out Chris's website.
A Year In Plastic 2009 - Week 52, Dec 31st 2009
Posted inFeatured projects

A Year in Plastic: One film, one camera, one week, one picture, one year (Jan 1 – Dec 31, 2009)

Avatar - Chris Storeyby Chris StoreyJuly 10, 2022July 10, 2022

This project presented images of the world around me as and when I found them, all captured through the lens of a plastic toy camera. Completed in 2009, the project involved taking one picture at a time, once a week, on one camera, for one year. Every week’s picture stands alone, as it was found, […]

  • Latest
  • Popular
Latest
Popular

Subscribe

* indicates required



Subscribe to:

Marketing Permissions: Please select all the ways you would like to hear from EMULSIVE:



New to film photography? Read this:

Related reading

Hey, you're in my sho...never mind - Kodak Tri-X 400 shot at EI 800. Black and white negative film in 35mm format. Push processed one stop.
Two years of EMULSIVE – a retrospective
Developing film beaker and thermometer
Cheat sheet: Kodak Tri-X 400 development times – EI 200 to EI 25600
Flow - Shot on Kodak Tri-X 400 at EI 51200. Black and white negative film in 120 format shot as 6x6. Push processed seven stops.
Photography: Flow – Shot on Kodak Tri-X 400 at EI 51200 (120 format)
Voigtländer Perkeo I - Front
5 Frames… Of the Chaophraya River on Kosmo Foto Mono 100 (EI 100 / 120 format / Voigtländer Perkeo I)
5 Frames… Of downtown Porto Alegre on Kodak 200T in a Canon AT-1 and 35mm f/2.8 FD (35mm Format / EI 200)
New Paper Blues - Pre-rolled cyanotype paper for your 35mm film camera
New “Paper Blues”: Pre-rolled cyanotype paper for your 35mm film camera
Find out how you can help support EMULSIVE from as little as $2 a month on Patreon.Learn more
EMULSIVE
  • Facebook
  • Instagram
  • Pinterest
  • Reddit
  • Twitter
  • YouTube

EMULSIVE is (among other things) a space for film photographers of all backgrounds to spread knowledge, experience and thoughts about everything related to film photography.

  • 5 Frames… Of Polaroid Color SX-70 Film at the tiny Greek island of Anafi (ISO 160 / Polaroid SX-70 + 116mm f/8 lens) – by George Pavlopoulos
  • Lomography special effect film comparison: Metropolis, Purple, Turquoise, Redscale
  • 5 Frames… Of the Gatineau River on LOW ISO Color film (35mm format / EI 1.6 / Nikon FA + Nikkor 20mm f/2.8D) – by Alex Saucier
  1. Jacob on How to shoot expired film or, no you do not need to add one stop per decadeAugust 9, 2022
  2. Ryan Gabbard on Lomography special effect film comparison: Metropolis, Purple, Turquoise, RedscaleAugust 8, 2022
  3. Ryan Gabbard on Lomography special effect film comparison: Metropolis, Purple, Turquoise, RedscaleAugust 8, 2022
  • About
  • Submit
  • Buy stuff
  • Contact
  • Policies
  • Login
Privacy & Cookies: This site uses cookies. By continuing to use this website, you agree to their use.
To find out more, including how to control cookies, see here: Cookie Policy
© 2015-2022 EMULSIVE.