• All articles
    • 5 Frames…
    • Everything darkroom / wet printing
    • Film experiments + souping
    • Featured community projects
    • Global Film Lab Map
    • Guides & How-Tos
    • News
    • EMULSIVE Secret Santa
    • Opinion pieces
  • All reviews
    • Film camera reviews
      • Instant film camera review
      • 110 film cameras
      • 35mm film cameras
        • 35mm P&S/AF cameras
        • 35mm rangefinder cameras
        • 35mm SLR film cameras
        • 35mm zone/scale focus cameras
      • Medium format film cameras
        • Medium format P&S/AF cameras
        • Medium format rangefinder cameras
        • Medium format SLR cameras
        • Medium format TLR cameras
        • Medium format zone/scale focus cameras
      • Large format camera
    • Film stock reviews
    • Bag reviews
    • Lens/strap/accessory reviews
    • Print reviews
  • Guides / How-to
  • Interviews
    • Community interviews
    • Film photographer interviews
    • In conversation with…
    • My First Roll…
    • My return to film…
  • More
    • Film parties
    • Photography
      • 110 format film photography
      • 35mm format film photography
      • Medium format film photography
      • 65mm format film photography
      • Large format film photography
    • Sitemap
    • EMULSIVE Store
    • Write for EMULSIVE
    • Login
  • About
  • Submit
  • Contact
  • Buy stuff
  • Your account
    • Sign-in
    • Sign-up
    • Recover password
  • Facebook
  • Instagram
  • Pinterest
  • Reddit
  • Twitter
  • YouTube
  • Mastadon
  • 5 Frames…
  • Darkroom
  • Featured community projects
  • Film camera reviews
  • Film stock reviews
  • Film photographer interviews

More links

  • About
  • Submit
  • Buy stuff
  • Contact
  • Policies
  • Login
  • 5 Frames…
  • Darkroom
  • Featured community projects
  • Film camera reviews
  • Film stock reviews
  • Film photographer interviews

More links

  • About
  • Submit
  • Buy stuff
  • Contact
  • Policies
  • Login
Skip to content
  • About
  • Submit
  • Contact
  • Buy stuff
  • Your account
    • Sign-in
    • Sign-up
    • Recover password
  • Facebook
  • Instagram
  • Pinterest
  • Reddit
  • Twitter
  • YouTube
  • Mastadon
EMULSIVE

EMULSIVE

film.photography

  • All articles
    • 5 Frames…
    • Everything darkroom / wet printing
    • Film experiments + souping
    • Featured community projects
    • Global Film Lab Map
    • Guides & How-Tos
    • News
    • EMULSIVE Secret Santa
    • Opinion pieces
  • All reviews
    • Film camera reviews
      • Instant film camera review
      • 110 film cameras
      • 35mm film cameras
        • 35mm P&S/AF cameras
        • 35mm rangefinder cameras
        • 35mm SLR film cameras
        • 35mm zone/scale focus cameras
      • Medium format film cameras
        • Medium format P&S/AF cameras
        • Medium format rangefinder cameras
        • Medium format SLR cameras
        • Medium format TLR cameras
        • Medium format zone/scale focus cameras
      • Large format camera
    • Film stock reviews
    • Bag reviews
    • Lens/strap/accessory reviews
    • Print reviews
  • Guides / How-to
  • Interviews
    • Community interviews
    • Film photographer interviews
    • In conversation with…
    • My First Roll…
    • My return to film…
  • More
    • Film parties
    • Photography
      • 110 format film photography
      • 35mm format film photography
      • Medium format film photography
      • 65mm format film photography
      • Large format film photography
    • Sitemap
    • EMULSIVE Store
    • Write for EMULSIVE
    • Login
Home » Chris Storey
Avatar - Chris Storey

Author Archives: Chris Storey

My love of photography began during a year-long work deployment to Antarctica. Starting with zero experience in photography, a Nikon F3, a few lenses, a lot of film, access to a stocked darkroom, and a couple of introductory books I began my journey into film photography in 1987.

Once I learned to develop and print my own black and white prints, and even color slides, I was hooked. Going from seeing something to holding a physical print of it in my hand is still magical after all these years.

I enjoy shooting 35mm and medium format in various toy and vintage cameras, modern SLR’s and rangefinder systems, with Polaroid thrown in from time to time to change the aesthetic. Even when shooting digitally, I seem to always return to film and the thoughtful experience that film provides.

Check out Chris's website.
A Year In Plastic 2009 - Week 52, Dec 31st 2009
Posted inFeatured projects

A Year in Plastic: One film, one camera, one week, one picture, one year (Jan 1 – Dec 31, 2009)

Avatar - Chris Storeyby Chris StoreyJuly 10, 2022July 10, 2022

This project presented images of the world around me as and when I found them, all captured through the lens of a plastic toy camera. Completed in 2009, the project involved taking one picture at a time, once a week, on one camera, for one year. Every week’s picture stands alone, as it was found, […]

  • Latest
  • Popular
Latest
Popular

Subscribe

* indicates required



Subscribe to:

Marketing Permissions: Please select all the ways you would like to hear from EMULSIVE:



New to film photography? Read this:

Related reading

Kentmere 400 -35mm - EI 400 - Fuji Discovery 90 - Ivan Mendez
5 Frames… With Kentmere 400 (EI 400 / 35mm format / Fujifilm Discovery 90)
I'm watching you - Kodak Ektar 100 shot at ISO100. Color negative film in 35mm format.
Photography: I’m watching you – Shot on Kodak Ektar 100 at EI 100 (35mm format)
Cover: The Hypersensitive Podcast
Curmudgeonly commentary: the Hypersensitive Photographers Podcast episode 00
Red Sisters - Fuji GW690III, Kodak Aerochrome
EMULSIVE interview #128: I am Gareth Buckett and this is why I shoot film
My Voigtländer Bessa III 667 with its Heliar 80mm f/3.5 lens
5 Frames… Fujifilm NEOPAN 100 ACROS on a Voigtländer Bessa III 667 (120 Format / EI 64 / Heliar 80mm f/3.5)
5 Frames With... KODAK Panchromatic Separation Film 2238 (35mm / EI 20 Nikon F4) - by Tony Grisier
5 Frames… With Kodak Panchromatic Separation Film 2238 (EI 20 / 35mm format / Nikon F4)
Find out how you can help support EMULSIVE from as little as $2 a month on Patreon.Learn more
EMULSIVE
  • Facebook
  • Instagram
  • Pinterest
  • Reddit
  • Twitter
  • YouTube
  • Mastadon

EMULSIVE is (among other things) a space for film photographers of all backgrounds to spread knowledge, experience and thoughts about everything related to film photography.

  • 5 Frames… Of Kodak PPF Pro 400, expired 1999 (120 Format / EI 50 / Mamiya RB67 + Mamiya Sekor C 90mm f/3.8 and 50mm f/4.5) – by Pablo Cruz Villalba
  • 5 Frames… From Devotion chapter one: “Girls” – Kodak Tri-X 400 (120 format / EI 400 / Yashica 635) – by Lisa K Cho
  • 510 Pyro. My new favourite developer? – by Chris Chinnock 
  1. Robert Shanebrook on 5 Frames… Of Kodak PPF Pro 400, expired 1999 (120 Format / EI 50 / Mamiya RB67 + Mamiya Sekor C 90mm f/3.8 and 50mm f/4.5) – by Pablo Cruz VillalbaMarch 26, 2023
  2. EM on Camera review: Me and My Yashica-D (80mm f/3.5) TLRMarch 26, 2023
  3. Alasdair J Mackintosh on 5 Frames… Of Kodak Plus-X Professional 125 / 120 / EI 50 / Ansco Speedex 4.5 Special + Agfa Solinar 85mm f/4.5) – by Rodolfo E. RamírezMarch 24, 2023
  • About
  • Submit
  • Buy stuff
  • Contact
  • Policies
  • Login
Privacy & Cookies: This site uses cookies. By continuing to use this website, you agree to their use.
To find out more, including how to control cookies, see here: Cookie Policy
© 2015-2023 EMULSIVE.