Shot on Kodak EKTACHROME E100G at EI 1600Color reversal (slide) film in 35mm formatCross processed and push processed 4-stopsRicoh GR1s + GR Lens 28mm f/2.8 lens Read the Kodak EKTACHROME E100G review here.
Author Archives: EM
I'm EM, founder, overlord, and editor-in-chief at EMULSIVE.org. I may be a benevolent gestalt entity but contrary to increasingly popular belief, I am not an AI.
Posted inMedium format
Photography: Second choice – Shot on Kodak EKTACHROME E100VS at EI 100 (120 format)
Shot on Kodak EKTACHROME E100VS at EI 100Color reversal (slide) film in 120 format shot as 6x6Cross processed Read the EKTACHROME 100VS reviewRead the EKTACHROME 100VS experimentation guide (push and cross-processing) Hasselblad 2000FCW + Carl Zeiss Planar F 80mm f/2.8 Second choice – Shot on Kodak EKTACHROME E100VS at EI 100 (120 format, cross processed, Hasselblad 2000FCW […]
Posted inMedium format
Photography: Hanging hopes out to dry – Shot on Kodak EKTACHROME E100VS at EI 100 (120 format)
Shot on Kodak EKTACHROME E100VS at EI 100Color reversal (slide) film in 120 format shot as 6x6Cross processed Read the EKTACHROME 100VS reviewRead the EKTACHROME 100VS experimentation guide (push and cross-processing) Hasselblad 2000FCW + Carl Zeiss Planar F 80mm f/2.8 Hanging hopes out to dryShot on Kodak EKTACHROME E100VS at EI 100Color reversal (slide) film in 120 […]
Posted inNews
The return of a classic: A new sub-US$30 Vivitar Ultra-Wide Slim 35mm film camera clone from The RETO Project
The folks over at The RETO Project have released their second camera, the RETO Ultra Wide & Slim 35mm film camera. As the name implies it comes with an ultra-wide lens 22mm f/11, at 28mm deep, it’s about as slim as the Ricoh GR1 / R1 series and best of all, at around the same […]
Posted inMedium format
Photography: Get the steps – Shot on Shanghai GP3 100 at EI 100 (120 Format)
Shot on Shanghai GP3 100 at EI 100Black and white negative film in 120 format shot as 6×9Fuji GW690III + EBC Fujinon 90mm f/3.5 Development notesKodak HC-110: 1+47(E), 20°C/68°F, 06:30 (N)2x 1-minute presoaks, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse Get the steps – Shot on Shanghai GP3 100 at EI 100. Black and white […]
Posted inMedium format
Photography: Via Jäger – Shot on Fujifilm NEOPAN 100 ACROS II at EI 100 (120 Format)
Shot on Fuji NEOPAN 100 ACROS II at EI 100 (read the ACROS vs ACROS II comparison here)Black and white negative film in 120 format shot as 6×6Hasselblad 2000FCW + Carl Zeiss Planar F 80mm f/2.8 Development notesKodak HC-110 1+31 (B): 20°C/68°F, 04:45 (N)1 minute presoak, 30 seconds initial agitation, 1 inversions / 30 seconds, 5 minute rinse
Posted inBest Of
EMULSIVE’s most popular articles of 2021
And here it is, my final listicle — and article — of 2021: the most popular articles of the year as decided by you. I couldn’t have asked for a better mix: experience-led reviews, new gear announcements and overcoming adversity, and the sharing of hard-earned knowledge. For the first time since I started EMULSIVE back […]
Posted inBest Of
EMULSIVE’S most popular film camera reviews of 2021
Not long to go until the end of 2021 now, so let’s start wrapping things up with a look at this year’s most popular film camera reviews. From Leica to Kiev, and Nikon to Mamiya (with a bunch in between), here’s this year’s top 12 reviews as chosen by you.
Posted inFilm camera reviews
EMULSIVE’S most popular film stock reviews of 2021
With just 2 days left until the end of 2021, here’s a quick look back at the most popular film stock reviews on EMULSIVE this year as decided by you! ~ EM
Posted inBest Of
EMULSIVE’S most popular darkroom-related articles of 2021
Here’s listicle #2 for this year, and it’s 100% focused on the darkroom. From pricing your prints to cyanotype printing or building a camera, this list has you covered…the list goes on. Darkroom and darkroom-related work continues to increase through our community as more and more photographers find themselves coming back to traditional film development […]
Posted inBest Of
EMULSIVE’s most popular “5 Frames” of 2021
If you’re celebrating today, Merry Christmas to you and yours! If you’re not, welcome to the end of the year that 2020 won 😉 If it’s your first time here, this is the beginning of a week-long look back at the best of EMULSIVE’s articles and photography for the year just gone in the form […]
Posted inArticles
Month in review: May 2021
These are the 31 days and 33 articles that made EMULSIVE in May 2021. As usual, you’ll find a recap of all the articles published, starting with the most popular 10 articles of the month in order of publication (as decided by you).
Posted inMedium format
Photography: Water damage #05 – Shot on Kodak Plus-X at E125 (120 Format)
Shot on Kodak Plus-X at E125 (120 Format)Color negative film in 120 format shot as 6×6Hasselblad 2000FCW + Hasselblad Planar F 80mm f/2.8 Water damage #05 – Shot on Kodak Plus-X at E125 (120 Format)
Posted inMedium format
Photography: Water damage #04 – Shot on Kodak Plus-X at E125 (120 Format)
Shot on Kodak Plus-X at E125 (120 Format)Color negative film in 120 format shot as 6×6Hasselblad 2000FCW + Hasselblad Planar F 80mm f/2.8 Water damage #04 – Shot on Kodak Plus-X at E125 (120 Format)
Posted inMedium format
Photography: Water damage #03 – Shot on Kodak Plus-X at E125 (120 Format)
Shot on Kodak Plus-X at E125 (120 Format)Color negative film in 120 format shot as 6×6Hasselblad 2000FCW + Hasselblad Planar F 80mm f/2.8 Water damage #03 – Shot on Kodak Plus-X at E125 (120 Format)
Posted inMedium format
Photography: Water damage #01 – Shot on Kodak Plus-X at E125 (120 Format)
Shot on Kodak Plus-X at E125 (120 Format)Color negative film in 120 format shot as 6×6Hasselblad 2000FCW + Hasselblad Planar F 80mm f/2.8 Water damage #01 – Shot on Kodak Plus-X at E125 (120 Format)
Posted in5 Frames...
5 Frames… On ILFORD FP4 PLUS (35mm / EI 125 / Nikon F100 + Nikkor 50mm f/1.8 AF-D)
Mid October is really the time of year that marks the end of summer in Greece, with the first rainy days starting to appear, it was on such a rainy day I visited the new National Gallery of Greece in Athens along with friends. The building that the gallery is housed in was recently renovated, […]
Posted inMedium format
Photography: Winding down – Shot on Fuji Pro 400H at EI 400 (120 Format)
Shot on Fuji Pro 400H at EI 400.Color negative film in 120 format shot as 6×9.Fuji GW690III + EBC Fujinon 90mm f/3.5. Winding down – Shot on Fuji Pro 400H at EI 400. Color negative film in 120 format shot as 6×9. Fuji GW690III + EBC Fujinon 90mm f/3.5.
Posted in35mm format
Photography: Split #08 – Shot on Silberra COLOR160 at EI 160 (35mm Format)
Shot on Silberra COLOR160 at EI 160Color negative film in 35mm formatNikon F6, Nikkor 85mm f/1.8 AF-D Split #08 – Shot on Silberra COLOR160 at EI 160. Color negative film in 35mm format. Nikon F6, Nikkor 85mm f/1.8 AF-D
Posted in5 Frames...
5 Frames… Of sepia transparencies with Fomapan 100 Classic on a Homemade 4×5 camera + a Carl Zeiss Jena Tessar 150mm f/4.5
Last winter I built myself a 4×5 camera, mostly from plywood and aluminium. I bought a Carl Zeiss Jena Tessar 4.5/150 for it on eBay, which was made in 1939 but already has an anti-reflex coating. My go-to film is Foma Bohemia’s Fomapan 100 Classic and I have shot about 100 sheets of it. I […]
