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EM

EM
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Overlord at EMULSIVE.org and all-round benevolent gestalt entity.

Photography: Up and to the right #02 Shot on ILFORD SFX...

Up and to the right #02 Shot on ILFORD SFX 200 at EI 6 Black and white infrared sensitive film in 120 format shot as 6x6 Zeiss...

Curmudgeonly commentary: welcome to the Hypersensitive Photographers Podcast episode 0

Back in June 2018, I received a Facebook message from that bloke Hamish Gill. It simply read, "We should do a sporadic podcast". I...

How to build a photography website in 2019…what you need to...

The new year is upon us but it needn't be filled with broken resolutions, especially if you've committed yourself to create a new photography...

EMULSIVE’s most popular articles of 2018

It's the final part of this amazing series of 2018 listcles. Thank you for bearing with these lazy posts and rest safe in the knowledge...

EMULSIVE’s most popular #5FramesWith articles of 2018

I started "5 Frames With..." with Hamish over at 35mmc. The idea being to create a series of short, accessible articles showing off both the...

EMULSIVE’s most popular film photography experimentation articles of 2018

Life would be boring without experimentation and this fifth article for 2018's lazy post listicles should help you scratch that itch...or not. Either way, it's...

EMULSIVE’s most popular film stock reviews of 2018

It's the fourth article in 2018's end-of-year lazy post, this time counting down the most popular film reviews here on EMULSIVE over the course...

EMULSIVE’s most popular film photographer interviews of 2018

It's day three of the second annual lazy post week here on EMULSIVE but as with 2017, there's nothing lazy about the folks featured...

EMULSIVE’s most popular film camera reviews of 2018

Merry Christmas to everyone celebrating today! It's time for the second of seven "Best Of 2018" articles, so if you're quite done stuffing your...

EMULSIVE’s most popular film photography posts of 2018

2017's end of year listicles seem like they went down pretty well, so I've decided to put my personal prejudice against them to one...

Interview 194: I am Ezequiel Grimaldi and this is why I...

I'm pleased to be able to introduce today's fresh interview with Ezequiel Grimaldi, film photographer based in Spain's San Sebastian. I'll keep this short so you...

Photography: No garbage! – Shot on Kodak T-MAX 400 at EI...

No garbage! Shot on Kodak T-MAX 400 at EI 400 Black and white negative film in 120 format shot as 6×6      

Photography: On point – Shot on Fuji Provia 100F RDP III...

On point Shot on Fuji Provia 100F (RDP III) at EI 100. Color reversal (slide) film in 120 format shot as 6x6. Cross processed.      

5 Frames With… Kodak Portra 400 (EI 400 / 35mm /...

Rustic fishing piers and floating docks, colorful fishing boats, and historic buildings are ideal subjects for film photography. I found all of these at...

Photography: Lunch – Shot on Kodak ColorPlus 200 at EI 200

Lunch Shot on Kodak ColorPlus 200 at EI 200. Color negative film in 35mm format. Olympus XA. More samples here.      

EMULSIVE November 2018: month in review

Welcome to the month that was November 2018 here on EMULSIVE. I had a bit of a short circuit, resulting in 12 photo posts...

Photography: 1, 2, 3… – Shot on Fuji Velvia 50 RVP50...

1, 2, 3... Shot on Fuji Velvia 50 (RVP 50) at EI 50 Color reversal (slide) film in 120 format shot as 6x4.5    

Photoset: Malcolm in Millennia – by Chris Mena

Over the summer of 2018 I had the opportunity to visit Cincinnati and experience the people of The Queen City. Carrying my Olympus OM-10...

Call for questions: the EMULSIVE x CineStill Film Community Interview

It’s time to introduce the latest in this series of EMULSIVE Community Interviews, this time we're going one-on-one (one-on-two?) with the Brothers Wright, the...

Photography: Left – Shot on Fuji Velvia 50 RVP50 at EI...

Left Shot on Fuji Velvia 50 (RVP 50) at EI 50 Color reversal (slide) film in 120 format shot as 6x4.5