The Hypersensitive Podcast Episode 09: The “religion” of film, photographic self-indulgence and other musings…
Recorded on February 7th, Hamish and I managed to fill an hour and forty minutes with pure photography talk. No commentary on...
EMULSIVE January 2020: month in review
These are the 31 days and 33 articles that made EMULSIVE in January 2020, starting (as always) with a list of the "top ten"...
EMULSIVE interview #213: I am Ryan HK and this is why I shoot film
Have you ever heard off an off-the-grid professional film photographer? You have now. Ladies and gentlemen, introducing Ryan HK.
5 Frames… With Kodak T-MAX 400 (EI 400 / 35mm format / Canon 7) – by Jason Lucey
This past summer, I became interested in Kodak T-MAX 400 in 35mm format. I was hoping for a film stock that was...
Behind the scenes with Saoirse Ronan, Timothée Chalamet and the cast of Little Women on 1860s wet plate photography + photographer Q&A
Going against the grain, the on-set photographer of 2019's Little Women included the use of traditional wet plate photography - also known...
How to shoot expired film or, no you do not need to add one stop per decade
There is a “rule” for shooting expired film. This "rule" states that when shooting expired film, one should add one stop of...
Four very different darkroom printers test ILFORD’s new Multigrade RC Deluxe paper
ILFORD released a raft of new and updated products in late 2019, one of which was brand new Multigrade RC Deluxe paper....
Five major film studios ink new 2020 deal to secure the future of motion pictures shot on film
Coming from Kodak's Fourth Annual Kodak Film Awards is the news that five of the six major Hollywood film studios -- Disney,...
EMULSIVE interview #212: I am Alys Tomlinson and this is why I shoot film
Welcome to the latest EMULSIVE interview, featuring none other than Alys Tomlinson, Sony World Photography Awards, Photographer of the Year 2018. There's...
My year on film in 115 photos: A 2019 retrospective or, my not-a-365-project
What follows is my 2019 in film photography, a 365 photography project that was absolutely not a 365 project. In this article,...
EMULSIVE interview #211: I am Graham Spinks and this is why I shoot film
Greetings and welcome to this week's fresh EMULSIVE interview - number 211 to be specific. I have great pleasure in introducing you...
Billingham AVEA 7 和 AVEA 8 侧口袋好用吗?
我使用 AVEA 7 和 AVEA 8 已经年，它们一直挂在我 Billingham 包两侧。对于 大部分人来说，AVEA 系列侧袋是一种固定在 Billingham Hadley、S、f/stop 等 系列相机包上的侧包。
EMULSIVE December 2019: month in review
These are the 31 days and 34 articles that made EMULSIVE in December 2019, starting with a list of the "top ten" as decided...
EMULSIVE interview #210: I am Carlos Lopez Medrano and this is why I shoot film
Welcome to 2020 here on EMULSIVE! I hope you all had a peaceful ringing in of the new year. For my part,...
The Hypersensitive Podcast Episode 08.1: Motivation, stopping -ISM and powering the Matrix
Update: The sped-up version has been taken down 😉
Update: Approximately 0.5% of all listeners hated the "commute optimised"...
EMULSIVE’s most popular articles of 2019
And here it is, the final listicle of 2019: the most popular articles of the year as decided by you. For a...
EMULSIVE’s most popular film camera reviews of 2019
Here's one for all you gear heads, this year's most popular camera reviews on EMULSIVE. It probably comes as no surprise that...
EMULSIVE’s most popular film stock reviews of 2019
There are a few days left for 2019 but fingers crossed, it's the first year for quite some time where we haven't...
EMULSIVE’s most popular darkroom related articles of 2019
If you're on social media, you will have no doubt noticed an uptick in darkroom-related activities in our community. From home processing...
EMULSIVE’s most popular featured community projects of 2019
Passion projects abound in our global film photography community - you're reading one right now - and I've been lucky enough to...
