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I can't begin to tell you how happy I am to finally bring today's interviewee to these pages.
5 o'clock shadow Shot on ILFORD HP5 PLUS at EI 400.Black and white negative film in 120 format shot as 6x6.Hasselblad 2000FCW / Carl Zeiss Planar F 80mm f/2.8. Read the ILFORD HP5 PLUS review. Development notesKodak HC-110 1+47
Dead center Shot on Kodak AEROCHROME III 1443 at EI 400Color infrared aerial surveillance film in 120 format shot as 6×6Shot with #21 orange filterHasselblad 2000FCW / Carl Zeiss Planar F 80mm f/2.8 Read the Kodak AEROCHROME review Dead
Hungry work Shot on ILFORD Delta 400 Professional at EI 400.Black and white negative film in 35mm format.Horizon S3 Pro.
Rested Shot on Kodak AEROCHROME III 1443 at EI 400 Color infrared aerial surveillance film in 120 format shot as 6×6 Shot with #21 orange filter Hasselblad 2000FCW / Carl Zeiss Planar F 80mm f/2.8 Read the Kodak AEROCHROME
I took a short holiday to rest my weary soul and as fate would have it, bumped into Hamish in a pub in London.
Creator, mentor, ambassador.
This article pits Kodak's medium format Portra 400 against CineStill's 800T in a head-to-head.
I've known today's interviewee online for a few years now, and even had the pleasure of meeting her back in 2018*.
As a bit of a make-up episode for the shambles that was a poorly considered "April Fools" joke, Hamish and I talk about bad April Fools Day jokes (naturally), responsibility, respect of creative ownership, trolling and burned shoulder of
Some weeks ago I got a call from Dan K asking if I was interested in reviewing his new photo book, "The Latent Image".
This very special extended and-only-coincidentally-released-on-April-1st episode of the HPP features a little over an hour of insight and inspiration mostly driven by Bellamy over at Japan Camera Hunter. We talk about internet trolls, the value of clear photographic intent
In a surprising turn of events, some of our community's most well known and respected podcasts have taken the decision to merge into a single entity and are calling themselves the "Classic Film Negatives Sunny Lensless Studio Podcast" (CFNSLSP
Office space Shot on Fuji NEOPAN 100 ACROS at EI 400 Black and white negative film in 35mm format Push processed 2 stops Nikon F100 + Nikkor 85mm f/1.4 AF-D + ISCO Cinemascope Ultra Star Plus 2.1 Development notes