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EM

EM
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Overlord at EMULSIVE.org and all-round benevolent gestalt entity.

Photography: Meeting place – Shot on Fuji Velvia 50 RVP50 at...

Meeting place Shot on Fuji Velvia 50 (RVP 50) at EI 50 Color reversal (slide) film in 120 format shot as 6x6      

Photography: Wow, what a difference! – Shot on Fuji Provia 100F...

Wow, what a difference! Shot on Fuji Provia 100F (RDP III) at EI 100. Color reversal (slide) film in 120 format shot as 6x6. Cross processed.      

EMULSIVE October 2018: month in review

Welcome to the 31 days, 24 articles and 23 Daily Photo posts that was October 2018 here on EMULSIVE In case you're wondering, November's...

5 Frames With… ILFORD FP4 PLUS (EI 125 / 35mm /...

Paris is my favourite city for photography and I go there as often as I can. For shooting film, I like to take my...

Photography: PADI certified – Shot on Oriental Seagull 100 at EI...

PADI certified Shot on Oriental Seagull 100 at EI 100. Black and white negative film in 35mm format. Nikon F 100, Nikkor 50mm f/1.8 AF-D.    

Ready to roll – Shot on Fuji Velvia 100 RVP100 at...

Ready to roll Shot on Fuji Velvia 100 (RVP100) at EI 100 Color reversal film in 35mm format Cross processed Read the Fuji Velvia 100 (RVP 100) review...

EMULSIVE Interview #193: I am Lee Gavin and this is why...

I managed to grab some time with Lee Gavin, an English film photographer and teacher based in Kent, UK. Over to you, Lee.     Hi Lee, what's...

Photography: Y? – Shot on Oriental Seagull 100 at EI 100...

Y? Shot on Oriental Seagull 100 at EI 100. Black and white negative film in 35mm format. Nikon F 100, Nikkor 50mm f/1.8 AF-D.    

Photography: My spot – Shot on Fuji Provia 100F RDP III...

My spot Shot on Fuji Provia 100F (RDP III) at EI 100 Color reversal (slide) film in 120 format shot as 6x6 Read the Fuji Provia 100F (RDP...

Photography: Buttcrack – Shot on Oriental Seagull 100 at EI 200...

Buttcrack Shot on Oriental Seagull 100 at EI 200. Black and white negative film in 35mm format. Nikon F 100, Nikkor 50mm f/1.8 AF-D.    

Welcome to EMULSIVE v3

For readers without a long memory, the last major design update to EMULSIVE was way back in February 2016, just 7 short months after...

Camera review: the RealitySoSubtle 6×12

I have been using digital cameras for the past 20 years. Like many of us, my love of photography began when I was a...

EMULSIVE September 2018: month in review

Welcome to the 30 days, 27 articles and 20 Daily Photo posts that made up September 2018 here on EMULSIVE. I know this recap...

EMULSIVE interview #192: I am Maxime Evangelista and this is why...

This week's interviewee has been shooting film for a little over a year at the time of writing. Fresh blood! Let's see what he...

Photography: Tanked – Shot on Kodak PROFESSIONAL ELITE Chrome 100 EB-3...

Tanked Shot on Kodak PROFESSIONAL ELITE Chrome 100 (EB-3) at EI 100 Color reversal (slide) film in 35mm format Cross processed      

Photography: Framed – Shot on Kodak EKTACHROME 100VS (E100VS) at EI...

Framed Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 Color reversal (slide) film in 35mm format Leica M6 TTL + Voigtlander 21mm f/4      

Photography: Baroo? – Shot on Kodak EKTACHROME 64T (EPY) at EI...

Baroo? Shot on Kodak EKTACHROME 64T (EPY) at EI 64 Color reversal (slide) film in 35mm format      

Photography: Stumps #02 – Shot on Bergger Pancro 400 at EI...

Stumps #02 Shot on Bergger Pancro 400 at EI 200 Black and white film in 4×5 format AEROgraphic (Graflex Pacemaker Speed Graphic) / Kodak Aero Ektar 178mm f/2.5 / Orange...

5 Frames With… Fuji Provia 100F RDPIII (EI 400 / 120...

I don’t shoot as much E6 film as I want to. Part of it is that I love the ease and practicality of B/W,...

Photography: Tiered – Shot on Kodak EKTACHROME 100VS (E100VS) at EI...

Tiered Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 Color reversal (slide) film in 35mm format Cross processed