Flow – Shot on Kodak Tri-X 400 at EI 51200 (120 format)
Flow Shot on Kodak Tri-X 400 at EI 51200 Black and white negative film in 120 format shot as...
Read MoreAuthor: EMULSIVE
Featured project: PhotoKlassik International magazine – issue one on Kickstarter
PhotoKlassik International is back on Kickstarter shooting for a late September 2018 launch at...
Read More
Stumps #01 – Shot on Bergger Pancro 400 at EI 200 (4×5 format)
Stumps #01 Shot on Bergger Pancro 400 at EI 200 Black and white film in 4×5 format...
Read More
EMULSIVE July 2018: month in review
Welcome to the month that was July 2018 here on EMULSIVE: 31 days, 22 daily photos and 24...
Read More
Second choice – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 800 (35mm format)
Second choice Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 800 Black and white negative film in 35mm...
Read More
EMULSIVE interview #185: I am Tony Vaccaro and this is why I shoot film
It’s impossible to understate Tony Vaccaro’s contribution to the 20th century, be it...
Read More
Picnic time – Shot on Fuji Velvia 100 (RVP100) at EI 100 (35mm format)
Picnic time Shot on Fuji Velvia 100 (RVP100) at EI 100 Color reversal (slide) film in 35mm format...
Read More
To the bitter end – Shot on Fuji Velvia 100 (RVP100) at EI 100 (35mm format)
To the bitter end Shot on Fuji Velvia 100 (RVP100) at EI 100 Color reversal (slide) film in 35mm...
Read More
Single minded – Shot on Fuji Velvia 100 (RVP100) at EI 100 (35mm format)
Single minded Shot on Fuji Velvia 100 (RVP100) at EI 100 Color reversal (slide) film in 35mm...
Read More
5 Frames With… ILFORD FP4 PLUS (EI 125 / 35mm / Minolta X-300) – by Androstreet
I’ve always wanted to try black & white film. So these shots come from my very first...
Read More
Scrambler – Shot on Fuji Velvia 100 (RVP100) at EI 100 (35mm format)
Scrambler Shot on Fuji Velvia 100 (RVP100) at EI 100 Color reversal (slide) film in 35mm format...
Read More
5 o’clock shadow – Shot on Fuji Veliva 100 RVP100 (35mm format)
5 o’clock shadow Shot on Fuji Velvia 100 (RVP100) at EI 100 Color reversal (slide) film in...
Read More
August 2018 film photography horoscope – ‘mystic’ help to better photography
Hallo film lovers. I would like to open this month by addressing some criticism I have received...
Read More
EMULSIVE Secret Santa 2018 Preregistration is now live
Last year’s EMULSIVE Secret Santa event was an unabated success, with 783 players in 46...
Read More
Tricolore #02 – Shot on Fuji Veliva 100 RVP100 (35mm format)
Tricolore #02 Shot on Fuji Velvia 100 (RVP100) at EI 100 Color reversal (slide) film in 35mm...
Read More
Lov is the answer – Shot on Kodak Portra 400VC at EI 200 (120 format)
Lov is the answer Shot on Kodak Portra 400VC at EI 200 Color negative film in 120 format shot as...
Read More
This corner of the earth – Shot on Shanghai GP3 100 at EI 200 (120 format)
This corner of the earth Shot on Shanghai GP3 100 at EI 200 Black and white negative film in 120...
Read More
EMULSIVE June 2018: month in review
Welcome to the month that was June 2018: 30 days, 21 daily photos and 26 articles…all just...
Read More
Claw – ILFORD HP5 PLUS shot at EI 12800 (120 format)
Claw ILFORD HP5 PLUS shot at EI 12800 Black and white negative film in 120 format shot as 6×6...
Read More
Camera review: The mystery 6×7 rangefinder aka “The Nameless Camera”
Everyone enjoys a mystery and here’s an enigma that certainly has me scratching my head. Maybe you...
Read MoreAll Categories
Articles (581)
52 Rolls (9)- A Brief History Of (1)
- AEROgraphic (6)
- Challenges (1)
- Community Critique (1)
- Dear Benice (7)
- Film Culture (20)
- Film Love (7)
- Film Parties (38)
- Delta Def Jam (7)
- FP4 Party (15)
- NEOPANTASTIC (3)
- Portra Party (1)
- Summer Film Party (7)
- TMAXParty (5)
- Finding Film (15)
- Horoscope (6)
- My inspiration (2)
- My Return to Film (8)
- News (11)
- Photoset (4)
- Photostory (11)
- Projects (28)
- Secret Santa (16)
- Thoughts (14)
- Travelogue (20)
- What Is (1)
- Why Shoot Film (5)
- Darkroom (28)
- Developing Film (13)
- Development Times (2)
- My Darkroom (1)
- Printing (3)
- Wet Plate (1)
- Experiments (43)
- Long Exposure (3)
- Reversal Development (1)
- Interviews (201)
- Community Interviews (11)
- Photography (1,088)
- 110 format (4)
- 35mm format (476)
- 5 Frames With (107)
- 65mm format (3)
- Large format (13)
- Medium format (483)
- Reviews (270)
- Camera Reviews (66)
- A&K Cameras (1)
- AGFA Cameras (1)
- Bronica Cameras (6)
- Canon Cameras (2)
- Chamonix Cameras (1)
- Exakta Cameras (1)
- Fuji Cameras (4)
- Gould Cameras (1)
- Hasselblad Cameras (7)
- Holga Cameras (3)
- Impossible Cameras (1)
- Intrepid Cameras (1)
- Kodak Cameras (2)
- Leica Cameras (1)
- Lomography Cameras (3)
- Mamiya Cameras (6)
- Minolta Cameras (1)
- Nagaoka Cameras (1)
- Olympus Cameras (3)
- Pentax Cameras (4)
- Ricoh Cameras (1)
- Rollei Cameras (3)
- Steky Camera Reviews (1)
- Voigtlander Cameras (1)
- Yashica Cameras (3)
- Zeiss Cameras (1)
- Zeiss Ikon Cameras (2)
- Zorki Cameras (1)
- Film Reviews (193)
- ADOX Films (2)
- AGFA Films (4)
- Arista Films (1)
- Bergger Films (11)
- CineStill Films (6)
- Dubblefilm films (1)
- Efke Films (1)
- FILM Ferrania Films (10)
- Film List (7)
- Foma Films (4)
- Fuji Films (39)
- ILFORD Films (37)
- JCH Films (4)
- Kodak Films (55)
- Lomography Films (10)
- Luckyfilm Films (4)
- Notes (7)
- Revolog Films (2)
- Rollei Films (13)
- Shanghai Films (1)
- Silberra Films (3)
- Street Candy Films (1)
- Tasma Films (1)
- Ultrafine Films (1)
- Washi Films (3)
- Yodica Films (1)
- Gear Reviews (11)
- Bag Reviews (3)
- Darkroom Equipment (1)
- Lens Reviews (4)
- Scanners (1)
- Strap Reviews (2)
- Print Reviews (2)
All Categories
- Articles (581)
- 52 Rolls (9)
- A Brief History Of (1)
- AEROgraphic (6)
- Challenges (1)
- Community Critique (1)
- Dear Benice (7)
- Film Culture (20)
- Film Love (7)
- Film Parties (38)
- Delta Def Jam (7)
- FP4 Party (15)
- NEOPANTASTIC (3)
- Portra Party (1)
- Summer Film Party (7)
- TMAXParty (5)
- Finding Film (15)
- Horoscope (6)
- My inspiration (2)
- My Return to Film (8)
- News (11)
- Photoset (4)
- Photostory (11)
- Projects (28)
- Secret Santa (16)
- Thoughts (14)
- Travelogue (20)
- What Is (1)
- Why Shoot Film (5)
- Darkroom (28)
- Developing Film (13)
- Development Times (2)
- My Darkroom (1)
- Printing (3)
- Wet Plate (1)
- Experiments (43)
- Long Exposure (3)
- Reversal Development (1)
- Interviews (201)
- Community Interviews (11)
- Photography (1,088)
- 110 format (4)
- 35mm format (476)
- 5 Frames With (107)
- 65mm format (3)
- Large format (13)
- Medium format (483)
- Reviews (270)
- Camera Reviews (66)
- A&K Cameras (1)
- AGFA Cameras (1)
- Bronica Cameras (6)
- Canon Cameras (2)
- Chamonix Cameras (1)
- Exakta Cameras (1)
- Fuji Cameras (4)
- Gould Cameras (1)
- Hasselblad Cameras (7)
- Holga Cameras (3)
- Impossible Cameras (1)
- Intrepid Cameras (1)
- Kodak Cameras (2)
- Leica Cameras (1)
- Lomography Cameras (3)
- Mamiya Cameras (6)
- Minolta Cameras (1)
- Nagaoka Cameras (1)
- Olympus Cameras (3)
- Pentax Cameras (4)
- Ricoh Cameras (1)
- Rollei Cameras (3)
- Steky Camera Reviews (1)
- Voigtlander Cameras (1)
- Yashica Cameras (3)
- Zeiss Cameras (1)
- Zeiss Ikon Cameras (2)
- Zorki Cameras (1)
- Film Reviews (193)
- ADOX Films (2)
- AGFA Films (4)
- Arista Films (1)
- Bergger Films (11)
- CineStill Films (6)
- Dubblefilm films (1)
- Efke Films (1)
- FILM Ferrania Films (10)
- Film List (7)
- Foma Films (4)
- Fuji Films (39)
- ILFORD Films (37)
- JCH Films (4)
- Kodak Films (55)
- Lomography Films (10)
- Luckyfilm Films (4)
- Notes (7)
- Revolog Films (2)
- Rollei Films (13)
- Shanghai Films (1)
- Silberra Films (3)
- Street Candy Films (1)
- Tasma Films (1)
- Ultrafine Films (1)
- Washi Films (3)
- Yodica Films (1)
- Gear Reviews (11)
- Bag Reviews (3)
- Darkroom Equipment (1)
- Lens Reviews (4)
- Scanners (1)
- Strap Reviews (2)
- Print Reviews (2)
Recent Comments