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Home » Kodak EASTMAN DOUBLE-X 5222

Tag: Kodak EASTMAN DOUBLE-X 5222

Posted inPhotosets and stories

Zürich Pride 2021 on Cinestill 50D and BWxx film / Pentax MX and SMC-Pentax-M 50mm f/1.7 lens – by Astrid Robertsson

Avatar - Astrid Robertssonby Astrid RobertssonDecember 11, 2021December 11, 2021

In September I went to pride for the first time since coming out. I didn’t intend to take a lot of photos but I always have a camera with me and in a hurry to get to the bus I picked some film to put in my bag to shoot. I chose Cinestill 50D because […]

Posted in35mm format

Photography: Anamorphic Test #03 – Shot on Kodak Eastman Double-X (5222) at EI 800 (35mm Format)

Avatar - EMby EMMay 13, 2021December 26, 2021

Part of my ongoing 35mm anamorphic tests on film… Shot on Kodak Eastman Double-X (5222) at EI 800Black and white negative film in 35mm formatPush processed 3 stopsNikon F100, Nikkor 85mm f/1.8 AF-D + ISCO Ultra Star 2.1

Film stock review: Cinestill BWXX - by Simon King
Posted inReviews

Film stock review: Cinestill BWXX

by Simon KingApril 4, 2021August 28, 2021

I started writing this article in 2019 and left it as a draft for EM here for quite a while. The reason for this is that while I enjoy writing, I don’t often think that my “reviews” are especially the most I have to offer. I wrote a disparaging follow up to a piece I’d […]

Posted inBest Of

EMULSIVE’S most popular film stock reviews of 2020

Avatar - EMby EMDecember 29, 2020August 28, 2021

There are a few days left for 2020 (well, 2 at the time of publication) and like 2019, we didn’t see any film stocks being discontinued. A small blessing, given everything else that’s been going on. I was hoping for official news of a couple of new film stocks at least but you’ll have to […]

Nikon FE2 and Nikkor 50mm f/1.8
Posted in5 Frames..., Articles

5 Frames… On Kodak Eastman Double-X 5222 (EI 250 / 35mm format / Nikon FE2)

Avatar - Jor-El Tby Jor-El TJuly 1, 2020July 31, 2021

I don’t know how common a problem this is in the film community, but I’m the type of photographer who loads multiple cameras with film (for different occasions of course) and then takes forever finishing them all. When I started taking a darkroom class at my local art college, I knew I would have to […]

Nikon F100 and Nikkor 50mm f/1.8G - Brian Ferguson
Posted in5 Frames..., Articles

5 Frames… In Copenhagen with CineStill BwXX (35mm format / EI 250 / Nikon F100)

Avatar - Brian Fergusonby Brian FergusonMay 31, 2020July 31, 2021

Scrolling through my Instagram feed introduced me to the wonderful world of CineStill. I had been having an extensive internal debate over which CineStill stock to buy and where to shoot it, but a pre-Christmas 2019 trip to Copenhagen ended up forcing my hand. After the usual trawls through the local camera shops (the best […]

Posted inKodak Film Stock Reviews

Film stock review: Kodak EASTMAN DOUBLE-X (5222) – 35mm format

Avatar - Alexander Laurentby Alexander LaurentMay 25, 2020November 13, 2021

Any cinephiles reading this have seen Kodak’s DOUBLE-X 5222 shine its magic even if they didn’t know it. It’s the stock that Manhattan, Schindler’s List and Raging Bull were shot on, as well as parts of Casino Royale, Kill Bill, and Momento. When shot properly, it yields fantastic results. Those familiar with Cinestill’s films may […]

My year on film: A 2019 retrospective or, my not-a-365-project
Posted inOpinion

My year on film in 115 photos: A 2019 retrospective or, my not-a-365-project

Avatar - EMby EMJanuary 19, 2020July 31, 2021

What follows is my 2019 in film photography, a 365 photography project that was absolutely not a 365 project. In this article, I share the results from 115 of the sheets/rolls of film I shot in 2019. It boils down to over one hundred photographs taken by yours truly, all wrapped up in a couple […]

5 Frames With… Kodak EASTMAN Double-X 5222 (EI 200 / 35mm / Nikon FE2) - by Justin Emanuel
Posted in5 Frames..., Articles

5 Frames… With Kodak EASTMAN Double-X 5222 (EI 200 / 35mm format / Nikon FE2)

Avatar photoby Justin EmanuelAugust 12, 2019July 31, 2021

After all the roads and film stocks I’ve shot with over the last couple of months, all have lead to Eastman Kodak Double-X 5222. I’ve been searching for that go-to film by trying pretty much everything out there.

Reviewing the CONTAX AX: autofocusing manual focus lenses
Posted inCONTAX film camera reviews

An early swansong? Reviewing the CONTAX AX: autofocusing manual lenses

Avatar - EMby EMAugust 6, 2019February 5, 2022

When it comes to autofocusing manual lenses on film cameras there is really only one option: the unique and relatively short-lived CONTAX AX. Chunky sibling of the CONTAX RX and…

Seeing spots - Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400. Black and white negative film in 35mm format. Push processed 2/3 stop.
Posted in35mm format, Photography

Photography: Seeing spots – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400 (35mm format)

Avatar - EMby EMFebruary 3, 2019July 31, 2021

Seeing spots
Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400
Black and white negative film in 35mm format
Push processed 2/3 stop

 

Development notes
Kodak HC-110 1+31(B): 21°C/68°F, 07:30 (N+2/3)
1 minute presoak, 30 seconds initial

Muckcatcher - Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600. Black and white negative film in 35mm format. Push processed 2+2/3 stops
Posted in35mm format, Darkroom printing, Photography

Photography: Muckcatcher – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600 (35mm format)

Avatar - EMby EMNovember 5, 2018July 31, 2021

Muckcatcher

Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600
Black and white negative film in 35mm format
Push processed 22/3 stops

 

Development notes
Rodinal 1+25: 21°C/70°F, 14:30 (N+22/3)
1 minute presoak, 30 seconds initial agitation, 1 inversions

Under cover - Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600. Black and white negative film in 35mm format. Push processed 2+2/3 stops.
Posted in35mm format, Photography

Photography: Under cover – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600 (35mm format)

Avatar - EMby EMOctober 29, 2018July 31, 2021

Under cover

Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600
Black and white negative film in 35mm format
Push processed 22/3 stops

 

Development notes
Rodinal 1+25: 21°C/70°F, 14:30 (N+22/3)
1 minute presoak, 30 seconds initial agitation, 1

Keep your head down - Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600. Black and white negative film in 35mm format. Push processed 2+2/3 stops.
Posted in35mm format, Photography

Photography: Keep your head down – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600 (35mm format)

Avatar - EMby EMOctober 26, 2018July 31, 2021

Keep your head down

Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600
Black and white negative film in 35mm format
Push processed 22/3 stops

 

Development notes
Rodinal 1+25: 21°C/70°F, 14:30 (N+22/3)
1 minute presoak, 30 seconds initial

Area secured - Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600. Black and white negative film in 35mm format. Push processed 2+2/3 stops.
Posted in35mm format, Photography

Photography: Area secured – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600 (35mm format)

Avatar - EMby EMOctober 22, 2018July 31, 2021

Area secured

Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600Black and white negative film in 35mm formatPush processed 22/3 stops

Development notesRodinal 1+25: 21°C/70°F, 14:30 (N+22/3)1 minute presoak, 30 seconds initial agitation, 1 inversions / 30

Super absorbent - Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400. Black and white negative film in 35mm format. Push processed 2.3 stop.
Posted in35mm format, Photography

Photography: Super absorbent – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400 (35mm format)

Avatar - EMby EMAugust 29, 2018July 31, 2021

Super absorbent

Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400
Black and white negative film in 35mm format
Push processed 2/3 stop

 

Development notes
Kodak HC-110: 1+31(B), 21°C/70°F, 06:45 (N+2/3)
No presoak, 1-minute initial agitation, 5

Cinestill BwXX (35mm, EI 250, Pentax Spotmatic SP II), Donna Macauley
Posted in5 Frames..., Articles

5 Frames… With Cinestill BwXX (EI 250 / 35mm format / Pentax Spotmatic SP II)

Avatar - Donna Macauleyby Donna MacauleyAugust 10, 2018July 31, 2021

When Cinestill reintroduced their BwXX 250 film stock, I was intrigued and bought a roll immediately. Like their other film stocks, BwXX 250 is movie film re-engineered for still cameras.

Second choice - Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400. Black and white negative film in 35mm format. Push processed 2/3 stop.
Posted in35mm format, Photography

Photography: Second choice – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 800 (35mm format)

Avatar - EMby EMAugust 9, 2018July 31, 2021

Second choice

Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 800
Black and white negative film in 35mm format
Push processed 1 and 2/3 stops

 

 

Cover - Every Film Stock Still Made 4 - Kodak to MACO DIRECT
Posted inArticles

Every single film stock still made today – Part 4: Kodak to Maco Direct (v4)

Avatar - EMby EMMay 30, 2018August 7, 2022

Update 03: 2018-11-20

Welcome to part four of this series exploring every single film stock (including instant film, dry plates, etc.), still being made today.

Scratched to bits - Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 250. Black and white negative film in 35mm format. Push processed 1 stop.
Posted in35mm format, Photography

Photography: Scratched to bits – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 250 (35mm format)

Avatar - EMby EMMay 22, 2018July 31, 2021

Scratched to bits

Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 250
Black and white negative film in 35mm format
Push processed 1 stop

 

 

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EMULSIVE is (among other things) a space for film photographers of all backgrounds to spread knowledge, experience and thoughts about everything related to film photography.

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