Tag: Kodak EASTMAN DOUBLE-X 5222
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Super absorbent – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400 (35mm format)
Super absorbent Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400 Black and white negative film in...
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5 Frames With… Cinestill BwXX (35mm / EI 250 / Pentax Spotmatic SP II) – by Donna Macauley
When Cinestill reintroduced their BwXX 250 film stock, I was intrigued and bought a roll...
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Second choice – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 800 (35mm format)
Second choice Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 800 Black and white negative film in 35mm...
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Every single film stock still made today – Part 4: Kodak to Maco Direct (v3)
Update 02: 2018-10-04 Update 01: 2018-09-20 Welcome to part four of this series exploring every...
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Scratched to bits – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 250 (35mm format)
Scratched to bits Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 250 Black and white negative film in...
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5 Frames With… Kodak EASTMAN Double-X 5222 (EI 250 / 35mm / Contax G2) – by Frank Wu
I couldn’t resist trying this film. The truth is I am eager to experiment with any emulsion I...
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Famous express – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600 (35mm)
Famous express Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600 Black and white negative film in...
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EMULSIVE interview #172: I am Joy Celine Asto and this is why I shoot film
It’s a pleasure to be able to bring you all the work and words of Joy Celine Asto, whom some...
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Stark – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400 (35mm)
Stark Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400 Black and white negative film in 35mm format ...
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I am #EMULSIVE and this is why I shoot film
Welcome to this week’s EMULSIVE interview! Today’s interviewee is someone a few of you...
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I am Lilly Schwartz and this is why I shoot film
It’s a pleasure to be able to bring you Lilly Schwartz or @blaurebell, as she’s know...
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I am Kikie Wilkins and this is why I shoot film
Welcome one and all! Today we’re sitting down with Enrique “Kikie” Wilkins,...
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Torsion – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400 (35mm)
Torsion Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600 Black and white negative film in 35mm...
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What is it? – Eastman Double-X 5222 (35mm)
What is it? Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 800 Black and white negative film in 35mm...
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EMULSIVE 52 Rolls 2016 – Week 18-21 update
I started off my last 52 Rolls update saying I was BORED. Well, by the time week 18 (May 2-8,...
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Should’ve posted to Instagram – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400 (35mm)
Should’ve posted to Instagram Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400 Black and white...
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Everything must go – Shot on EASTMAN DOUBLE-X 5222 at EI 250 (35mm)
Everything must go Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 250 Black and white negative film in...
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Bound – Shot on EASTMAN DOUBLE-X 5222 at EI 1600 (35mm)
Bound Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600 Black and white negative film in 35mm format...
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Bamboozled – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 800 (35mm)
Bamboozled Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 800 Black and white negative film in 35mm...
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Looking out – Kodak EASTMAN DOUBLE-X 5222 (35mm)
Looking out Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 800 Black and white film in 35mm format Push...
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All Categories
- Articles (597)
- 52 Rolls (9)
- A Brief History Of (1)
- AEROgraphic (6)
- Challenges (1)
- Community Critique (1)
- Dear Benice (7)
- Film Culture (20)
- Film Love (7)
- Film Parties (39)
- Delta Def Jam (7)
- FP4 Party (15)
- NEOPANTASTIC (3)
- Portra Party (2)
- Summer Film Party (7)
- TMAXParty (5)
- Finding Film (15)
- Horoscope (6)
- My inspiration (2)
- My Return to Film (9)
- News (15)
- Photoset (4)
- Photostory (11)
- Projects (28)
- Secret Santa (16)
- Thoughts (14)
- Travelogue (20)
- What Is (1)
- Why Shoot Film (5)
- Chroma Cameras (1)
- Darkroom (30)
- Developing Film (16)
- Development Times (2)
- My Darkroom (1)
- Printing (3)
- Wet Plate (1)
- Experiments (43)
- Long Exposure (3)
- Reversal Development (1)
- Interviews (203)
- Community Interviews (11)
- Photography (1,108)
- 110 format (4)
- 35mm format (491)
- 5 Frames With (112)
- 65mm format (3)
- Large format (13)
- Medium format (483)
- Reviews (278)
- Camera Reviews (69)
- A&K Cameras (1)
- AGFA Cameras (1)
- Bronica Cameras (6)
- Canon Cameras (2)
- Chamonix Cameras (1)
- Exakta Cameras (1)
- Fuji Cameras (4)
- Gould Cameras (1)
- Hasselblad Cameras (7)
- Holga Cameras (3)
- Impossible Cameras (1)
- Intrepid Cameras (1)
- Kodak Cameras (3)
- Leica Cameras (1)
- Lomography Cameras (3)
- Mamiya Cameras (6)
- Minolta Cameras (1)
- Nagaoka Cameras (1)
- Olympus Cameras (3)
- Pentax Cameras (4)
- Ricoh Cameras (1)
- Rollei Cameras (3)
- Steky Camera Reviews (1)
- Vermeer Cameras (1)
- Voigtlander Cameras (1)
- Yashica Cameras (3)
- Zeiss Cameras (1)
- Zeiss Ikon Cameras (2)
- Zorki Cameras (1)
- Film Reviews (194)
- ADOX Films (2)
- AGFA Films (4)
- Arista Films (1)
- Bergger Films (11)
- CineStill Films (6)
- Dubblefilm films (1)
- Efke Films (1)
- FILM Ferrania Films (10)
- Film List (7)
- Foma Films (4)
- Fuji Films (40)
- ILFORD Films (37)
- JCH Films (4)
- Kodak Films (55)
- Lomography Films (11)
- Luckyfilm Films (4)
- Notes (7)
- Revolog Films (2)
- Rollei Films (13)
- Shanghai Films (1)
- Silberra Films (3)
- Street Candy Films (1)
- Tasma Films (1)
- Ultrafine Films (1)
- Washi Films (3)
- Yodica Films (1)
- Gear Reviews (14)
- Bag Reviews (3)
- Darkroom Equipment (4)
- Lens Reviews (4)
- Scanners (1)
- Strap Reviews (2)
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