Kodak EASTMAN DOUBLE-X 5222


EMULSIVE’S most popular film stock reviews of 2020

There are a few days left for 2020 (well, 2 at the time of publication) and like 2019, we didn’t see any film stocks being …

Read moreEMULSIVE’S most popular film stock reviews of 2020

Nikon F100 and Nikkor 50mm f/1.8G - Brian Ferguson

5 Frames… In Copenhagen with CineStill BwXX (35mm format / EI 250 / Nikon F100) – by Brian Ferguson

Scrolling through my Instagram feed introduced me to the wonderful world of CineStill. I had been having an extensive internal debate over which CineStill stock …

Read more5 Frames… In Copenhagen with CineStill BwXX (35mm format / EI 250 / Nikon F100) – by Brian Ferguson

Film stock review: Kodak EASTMAN DOUBLE-X (5222) – 35mm format – by Alexander Laurent

Any cinephiles reading this have seen Kodak’s DOUBLE-X 5222 shine its magic even if they didn’t know it. It’s the stock that Manhattan, Schindler’s List …

Read moreFilm stock review: Kodak EASTMAN DOUBLE-X (5222) – 35mm format – by Alexander Laurent

My year on film: A 2019 retrospective or, my not-a-365-project

My year on film in 115 photos: A 2019 retrospective or, my not-a-365-project

What follows is my 2019 in film photography, a 365 photography project that was absolutely not a 365 project. In this article, I share the …

Read moreMy year on film in 115 photos: A 2019 retrospective or, my not-a-365-project

5 Frames With… Kodak EASTMAN Double-X 5222 (EI 200 / 35mm / Nikon FE2) - by Justin Emanuel

5 Frames… With Kodak EASTMAN Double-X 5222 (EI 200 / 35mm format / Nikon FE2) – by Justin Emanuel

After all the roads and film stocks I’ve shot with over the last couple of months, all have lead to Eastman Kodak Double-X 5222. I’ve been searching for that go-to film by trying pretty much everything out there.

Reviewing the CONTAX AX: autofocusing manual focus lenses

An early swansong? Reviewing the CONTAX AX: autofocusing manual lenses

When it comes to autofocusing manual lenses on film cameras there is really only one option: the unique and relatively short-lived CONTAX AX. Chunky sibling of the CONTAX RX and…

Seeing spots - Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400. Black and white negative film in 35mm format. Push processed 2/3 stop.

Photography: Seeing spots – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400 (35mm format)

Seeing spots
Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400
Black and white negative film in 35mm format
Push processed 2/3 stop

 

Development notes
Kodak HC-110 1+31(B): 21°C/68°F, 07:30 (N+2/3)
1 minute presoak, 30 seconds initial

Muckcatcher - Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600. Black and white negative film in 35mm format. Push processed 2+2/3 stops

Photography: Muckcatcher – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600 (35mm format)

Muckcatcher

Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600
Black and white negative film in 35mm format
Push processed 22/3 stops

 

Development notes
Rodinal 1+25: 21°C/70°F, 14:30 (N+22/3)
1 minute presoak, 30 seconds initial agitation, 1 inversions

Under cover - Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600. Black and white negative film in 35mm format. Push processed 2+2/3 stops.

Photography: Under cover – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600 (35mm format)

Under cover

Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600
Black and white negative film in 35mm format
Push processed 22/3 stops

 

Development notes
Rodinal 1+25: 21°C/70°F, 14:30 (N+22/3)
1 minute presoak, 30 seconds initial agitation, 1

Keep your head down - Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600. Black and white negative film in 35mm format. Push processed 2+2/3 stops.

Photography: Keep your head down – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600 (35mm format)

Keep your head down

Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600
Black and white negative film in 35mm format
Push processed 22/3 stops

 

Development notes
Rodinal 1+25: 21°C/70°F, 14:30 (N+22/3)
1 minute presoak, 30 seconds initial

Area secured - Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600. Black and white negative film in 35mm format. Push processed 2+2/3 stops.

Photography: Area secured – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600 (35mm format)

Area secured

Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600Black and white negative film in 35mm formatPush processed 22/3 stops

Development notesRodinal 1+25: 21°C/70°F, 14:30 (N+22/3)1 minute presoak, 30 seconds initial agitation, 1 inversions / 30

Super absorbent - Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400. Black and white negative film in 35mm format. Push processed 2.3 stop.

Photography: Super absorbent – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400 (35mm format)

Super absorbent

Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400
Black and white negative film in 35mm format
Push processed 2/3 stop

 

Development notes
Kodak HC-110: 1+31(B), 21°C/70°F, 06:45 (N+2/3)
No presoak, 1-minute initial agitation, 5

Second choice - Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400. Black and white negative film in 35mm format. Push processed 2/3 stop.

Photography: Second choice – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 800 (35mm format)

Second choice

Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 800
Black and white negative film in 35mm format
Push processed 1 and 2/3 stops

 

 

Cover - Every Film Stock Still Made 4 - Kodak to MACO DIRECT

Every single film stock still made today – Part 4: Kodak to Maco Direct (v4)

Update 03: 2018-11-20

Welcome to part four of this series exploring every single film stock (including instant film, dry plates, etc.), still being made today.

Famous express - Shot on Kodak Eastman Double-X 5222 at EI 1600. Black and white motion picture film in 35mm format. Push processed 2 and 2/3 stops.

Photography: Famous express – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600 (35mm)

Famous express

Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600Black and white negative film in 35mm formatPush processed 2 and 2/3 stops

Famous expressShot on Kodak Eastman Double-X 5222 at EI 1600.Black and white motion picture film in

Fugue - Nikon FE2 + Kodak EASTMAN-X 5222

EMULSIVE interview #172: I am Joy Celine Asto and this is why I shoot film

It’s a pleasure to be able to bring you all the work and words of Joy Celine Asto, whom some of you may remember from her article introducing Manila back at the top of 2017.