Category: Luckyfilm Films
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Every single film stock still made today – Part 4: Kodak to Maco Direct (v3)
Update 02: 2018-10-04 Update 01: 2018-09-20 Welcome to part four of this series exploring every...
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Film review: Lucky New SHD 100 Part 3 – 35mm EI 400 (bracketed +/- 1 stop)
Welcome to part three of my review of Luckyfilm’s NEW SHD 100 black and white negative film,...
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Film Review: Lucky New SHD 100 Part 2 – 35mm EI 25 (bracketed +/- 1 stop)
Welcome to part two of my review of Luckyfilm’s NEW SHD 100 black and white negative film....
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Film review: Lucky New SHD 100 part 1 – 35mm EI 100 (bracketed +/- 1 stop)
Lucky Film SHD 100 black and white film was one of a number of versions of colour, black and...
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Articles (603)
52 Rolls (9)- A Brief History Of (1)
- AEROgraphic (6)
- Challenges (1)
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- Photoset (4)
- Photostory (12)
- Projects (28)
- Secret Santa (16)
- Thoughts (15)
- Travelogue (20)
- What Is (1)
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- Chroma Cameras (1)
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- Developing Film (16)
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- My Darkroom (1)
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- Experiments (43)
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- Film Reviews (195)
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- FILM Ferrania Films (10)
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- ILFORD Films (37)
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- Notes (8)
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- Shanghai Films (1)
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- Street Candy Films (1)
- Tasma Films (1)
- Ultrafine Films (1)
- Washi Films (3)
- Yodica Films (1)
- Gear Reviews (14)
- Bag Reviews (3)
- Darkroom Equipment (4)
- Lens Reviews (4)
- Scanners (1)
- Strap Reviews (2)
- Print Reviews (3)
All Categories
- Articles (603)
- 52 Rolls (9)
- A Brief History Of (1)
- AEROgraphic (6)
- Challenges (1)
- Community Critique (1)
- Dear Benice (8)
- Film Culture (20)
- Film Love (7)
- Film Parties (39)
- Delta Def Jam (7)
- FP4 Party (15)
- NEOPANTASTIC (3)
- Portra Party (2)
- Summer Film Party (7)
- TMAXParty (5)
- Finding Film (15)
- Horoscope (6)
- My inspiration (3)
- My Return to Film (9)
- News (15)
- Photoset (4)
- Photostory (12)
- Projects (28)
- Secret Santa (16)
- Thoughts (15)
- Travelogue (20)
- What Is (1)
- Why Shoot Film (5)
- Chroma Cameras (1)
- Darkroom (30)
- Developing Film (16)
- Development Times (2)
- My Darkroom (1)
- Printing (3)
- Wet Plate (1)
- Experiments (43)
- Long Exposure (3)
- Reversal Development (1)
- Interviews (204)
- Community Interviews (11)
- Photography (1,115)
- 110 format (4)
- 35mm format (495)
- 5 Frames With (114)
- 65mm format (3)
- Large format (13)
- Medium format (484)
- Reviews (279)
- Camera Reviews (69)
- A&K Cameras (1)
- AGFA Cameras (1)
- Bronica Cameras (6)
- Canon Cameras (2)
- Chamonix Cameras (1)
- Exakta Cameras (1)
- Fuji Cameras (4)
- Gould Cameras (1)
- Hasselblad Cameras (7)
- Holga Cameras (3)
- Impossible Cameras (1)
- Intrepid Cameras (1)
- Kodak Cameras (3)
- Leica Cameras (1)
- Lomography Cameras (3)
- Mamiya Cameras (6)
- Minolta Cameras (1)
- Nagaoka Cameras (1)
- Olympus Cameras (3)
- Pentax Cameras (4)
- Ricoh Cameras (1)
- Rollei Cameras (3)
- Steky Camera Reviews (1)
- Vermeer Cameras (1)
- Voigtlander Cameras (1)
- Yashica Cameras (3)
- Zeiss Cameras (1)
- Zeiss Ikon Cameras (2)
- Zorki Cameras (1)
- Film Reviews (195)
- ADOX Films (2)
- AGFA Films (4)
- Arista Films (1)
- Bergger Films (11)
- CineStill Films (6)
- Dubblefilm films (1)
- Efke Films (1)
- FILM Ferrania Films (10)
- Film List (7)
- Foma Films (4)
- Fuji Films (40)
- ILFORD Films (37)
- JCH Films (4)
- Kodak Films (56)
- Lomography Films (11)
- Luckyfilm Films (4)
- Notes (8)
- Revolog Films (2)
- Rollei Films (13)
- Shanghai Films (1)
- Silberra Films (3)
- Street Candy Films (1)
- Tasma Films (1)
- Ultrafine Films (1)
- Washi Films (3)
- Yodica Films (1)
- Gear Reviews (14)
- Bag Reviews (3)
- Darkroom Equipment (4)
- Lens Reviews (4)
- Scanners (1)
- Strap Reviews (2)
- Print Reviews (3)
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