EMULSIVE interview #132: I am #EMULSIVE and this is why I shoot film
Welcome to this week’s EMULSIVE interview!
Today’s interviewee is someone a few of you may have heard of and to be frank, it’s been a bit of headache to put together.
EMULSIVE interview #126: I am Lilly Schwartz and this is why I shoot film
It’s a pleasure to be able to bring you Lilly Schwartz or @blaurebell, as she’s know on Twitter for today’s interview. Lilly is a true film photography hero.
Photography: Torsion – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400 (35mm)
Torsion
Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600
Black and white negative film in 35mm format
Push processed 2+2/3 stops
Photography: What is it? – Eastman Double-X 5222 (35mm)
What is it?
Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 800
Black and white negative film in 35mm format
Push processed 1+2/3 stops
EMULSIVE 52 Rolls 2016 – Week 18-21 update
I started off my last 52 Rolls update saying I was BORED. Well, by the time week 18 (May 2-8, 2016) rolled around, not much had changed.
Photography: Should’ve posted to Instagram – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400 (35mm)
Should’ve posted to Instagram
Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400
Black and white negative film in 35mm format
Photography: Everything must go – Shot on EASTMAN DOUBLE-X 5222 at EI 250 (35mm)
Everything must go
Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 250
Black and white negative film in 35mm format
Photography: Bound – Shot on EASTMAN DOUBLE-X 5222 at EI 1600 (35mm)
Bound Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600Black and white negative film in 35mm formatPush processed 2+2/3 stops
Photography: Bamboozled – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 800 (35mm)
Bamboozled
Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 800
Black and white negative film in 35mm format
Push processed 1+2/3 stops
Photography: Looking out – Kodak EASTMAN DOUBLE-X 5222 (35mm)
Looking out
Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 800
Black and white film in 35mm format
Push processed 1+2/3 stops
Photography: Prayer gates – Shot on Kodak EASTMAN Double-X 5222 at EI 250 (35mm format)
Prayer gates
Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 250
Black and white negative film in 35mm format
Push processed 1 stop
Photography: Prayer gates – Shot on Kodak EASTMAN Double-X 5222 at EI 250 (35mm format)
Prayer gates
Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 250
Black and white negative film in 35mm format
Push processed 1 stop
Photography: To infinity – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 200 (35mm)
To infinity
Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 200
Black and white negative film in 35mm format
Film stock review: Kodak EASTMAN DOUBLE-X (5222) – 35mm format – by Jonas Lundstrom
EMULSIVE: By way of a quick preface, regular readers and followers of EMULSIVE-related ramblings on Twitter will be familiar with our Interview and Photographer’s Daypack series should be familiar with Jonas Lundström.
EMULSIVE interview #19: I am Diz and this is why I shoot film
Is it me, or are these weeks flying by?
Photography: Ride the big wheel – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 200 (35mm)
Ride the big wheel
Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 200
Black and white negative film in 35mm format
Photography: Big block – Eastman Double-X 5222 (35mm)
Big block
Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 3200
Black and white negative film in 35mm format
Push processed 4+2/3 stops
Photography: Burning CHROME – Kodak EASTMAN DOUBLE-X 5222 (35mm)
Burning CHROME
Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 250
Black and white negative film in 35mm format
Photography: Waving in the new – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 250 (35mm)
Waving in the new
Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 800
Black and white negative film in 35mm format
Push processed 1+1/3 stops.
