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Home » Kodak EASTMAN DOUBLE-X 5222 » Page 2

Tag: Kodak EASTMAN DOUBLE-X 5222

Kodak EASTMAN Double-X (5222) - Frank H Wu
Posted in5 Frames..., Articles

5 Frames… With Kodak EASTMAN Double-X 5222 (EI 250 / 35mm format / Contax G2)

by Frank H. WuApril 20, 2018July 31, 2021

I couldn’t resist trying this film. The truth is I am eager to experiment with any emulsion I encounter. But I sought out this esoteric option because of its cinematic heritage.

Famous express - Shot on Kodak Eastman Double-X 5222 at EI 1600. Black and white motion picture film in 35mm format. Push processed 2 and 2/3 stops.
Posted in35mm format

Photography: Famous express – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600 (35mm)

by EMFebruary 8, 2018July 31, 2021

Famous express

Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600Black and white negative film in 35mm formatPush processed 2 and 2/3 stops

Famous expressShot on Kodak Eastman Double-X 5222 at EI 1600.Black and white motion picture film in

Fugue - Nikon FE2 + Kodak EASTMAN-X 5222
Posted inFilm Photographer Interviews, Interviews

EMULSIVE interview #172: I am Joy Celine Asto and this is why I shoot film

by EMJanuary 31, 2018July 31, 2021

It’s a pleasure to be able to bring you all the work and words of Joy Celine Asto, whom some of you may remember from her article introducing Manila back at the top of 2017.

Stark - Shot on Eastman Double-X 5222 at EI 400. Black and white motion picture film in 35mm format.
Posted in35mm format, Photography

Photography: Stark – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400 (35mm)

by EMMay 30, 2017October 16, 2020

Stark

Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400
Black and white negative film in 35mm format

 

 

 

 

 

Madison Falls, Yellowstone National Park - Kodak AEROCHROME III 1443 shot at EI 400. Color infrared aerial surveillance film in 120 format shot as 6x12. Shot with #21 orange filter.
Posted inFilm Photographer Interviews, Interviews

EMULSIVE interview #132: I am #EMULSIVE and this is why I shoot film

by EMMarch 22, 2017April 12, 2021

Welcome to this week’s EMULSIVE interview!

Today’s interviewee is someone a few of you may have heard of and to be frank, it’s been a bit of headache to put together.

Santa’s little helper - Leica M6, Zeiss ZM C-Biogon 35mm f/2.8, Cinestill 800T.
Posted inFilm Photographer Interviews, Interviews

EMULSIVE interview #126: I am Lilly Schwartz and this is why I shoot film

by EMFebruary 8, 2017October 16, 2020

It’s a pleasure to be able to bring you Lilly Schwartz or @blaurebell, as she’s know on Twitter for today’s interview. Lilly is a true film photography hero.

Vergiss by fin dac, Mamiya Press Super 23, 100mm 3.5, Kodak Portra 400, EI 100
Posted inFilm Photographer Interviews

EMULSIVE interview #122: I am Kikie Wilkins and this is why I shoot film

by EMJanuary 11, 2017February 17, 2021

Welcome one and all!

Posted in35mm format, Photography

Photography: Torsion – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400 (35mm)

by EMNovember 10, 2016October 16, 2020

Torsion
Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600
Black and white negative film in 35mm format
Push processed 2+2/3 stops
 

 
 

 
 

2016-06-24 - What is it? - Eastman Double-X 5222 shot at EI 800. Black and white film in 35mm format. Push processed 1+2/3 stops.
Posted in35mm format, Photography

Photography: What is it? – Eastman Double-X 5222 (35mm)

by EMSeptember 14, 2016October 16, 2020

What is it?
Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 800
Black and white negative film in 35mm format
Push processed 1+2/3 stops
 

 
 

 

Week 18 2016 - Kodak Portra 400VC (expired) - EI 200 (04)
Posted inArticles

EMULSIVE 52 Rolls 2016 – Week 18-21 update

by EMSeptember 12, 2016August 25, 2019

I started off my last 52 Rolls update saying I was BORED. Well, by the time week 18 (May 2-8, 2016) rolled around, not much had changed.

Ready for Instagram - Eastman Double-X 5222 shot at EI 400. Black and white motion picture film in 35mm format.
Posted in35mm format

Photography: Should’ve posted to Instagram – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400 (35mm)

by EMAugust 24, 2016October 16, 2020

Should’ve posted to Instagram
Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400
Black and white negative film in 35mm format
 

 
 

 

Everything must go - Eastman Double-X 5222 shot at EI 250. Black and white motion picture film in 35mm format.
Posted in35mm format, Photography

Photography: Everything must go – Shot on EASTMAN DOUBLE-X 5222 at EI 250 (35mm)

by EMAugust 23, 2016October 16, 2020

Everything must go
Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 250
Black and white negative film in 35mm format
 

 
 

 
 

Bound - Eastman Double-X 5222 shot at EI 1600. Black and white motion picture film in 35mm format. Push processed 2+⅔ stops.
Posted inPhotography

Photography: Bound – Shot on EASTMAN DOUBLE-X 5222 at EI 1600 (35mm)

by EMAugust 9, 2016October 16, 2020

Bound Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600Black and white negative film in 35mm formatPush processed 2+2/3 stops BoundEastman Double-X 5222 shot at EI 1600.Black and white motion picture film in 35mm format.Push processed 2+⅔ stops.

Bamboozled - Eastman Double-X 5222 shot at EI 800. Black and white film in 35mm format. Push processed 1+2:3 stops.
Posted in35mm format, Photography

Photography: Bamboozled – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 800 (35mm)

by EMJune 23, 2016October 16, 2020

Bamboozled

Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 800
Black and white negative film in 35mm format
Push processed 1+2/3 stops

 

 

 

 

 

2015-06-22 - Looking out - Eastman 5222 shot at EI 800. Black and white film in 35mm format. Push processed 1+2/3 stops.
Posted in35mm format, Photography

Photography: Looking out – Kodak EASTMAN DOUBLE-X 5222 (35mm)

by EMJune 22, 2016October 16, 2020

Looking out
Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 800
Black and white film in 35mm format
Push processed 1+2/3 stops

 

 

 

Prayer gates - Kodak Double-X 5222 shot at EI 200. Black and white negative film in 35mm format. Push processed 1 stop.
Posted in35mm format, Photography

Photography: Prayer gates – Shot on Kodak EASTMAN Double-X 5222 at EI 250 (35mm format)

by EMMay 13, 2016October 16, 2020

Prayer gates

Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 250
Black and white negative film in 35mm format
Push processed 1 stop

 

 

 

 

 

Prayer gates - Kodak Double-X 5222 shot at EI 200. Black and white negative film in 35mm format. Push processed 1 stop.
Posted in35mm format, Photography

Photography: Prayer gates – Shot on Kodak EASTMAN Double-X 5222 at EI 250 (35mm format)

by EMMay 13, 2016October 16, 2020

Prayer gates

Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 250
Black and white negative film in 35mm format
Push processed 1 stop

 

 

 

 

 

To infinity - 2016-04-28 - Eastman Double-X (5222) shot at EI 200. Black and white negative film in 35mm format.
Posted in35mm format, Photography

Photography: To infinity – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 200 (35mm)

by EMApril 28, 2016October 16, 2020

To infinity

Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 200
Black and white negative film in 35mm format

 

 

 

 

Jonas Lundström
Posted inFilm stock reviews, Kodak Film Stock Reviews, Reviews

Film stock review: Kodak EASTMAN DOUBLE-X (5222) – 35mm format

by Jonas LundströmNovember 18, 2015July 3, 2021

EMULSIVE: By way of a quick preface, regular readers and followers of EMULSIVE-related ramblings on Twitter will be familiar with our Interview and Photographer’s Daypack series should be familiar with Jonas Lundström.

Squiggly Pointy Thingies
Posted inFilm Photographer Interviews, Interviews

EMULSIVE interview #19: I am Diz and this is why I shoot film

by EMSeptember 17, 2015October 16, 2020

Is it me, or are these weeks flying by?

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EMULSIVE is (among other things) a space for film photographers of all backgrounds to spread knowledge, experience and thoughts about everything related to film photography.

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