I couldn’t resist trying this film. The truth is I am eager to experiment with any emulsion I encounter. But I sought out this esoteric option because of its cinematic heritage.
Tag: Kodak EASTMAN DOUBLE-X 5222
Photography: Famous express – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600 (35mm)
Famous express
Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600Black and white negative film in 35mm formatPush processed 2 and 2/3 stops
Famous expressShot on Kodak Eastman Double-X 5222 at EI 1600.Black and white motion picture film in
EMULSIVE interview #172: I am Joy Celine Asto and this is why I shoot film
It’s a pleasure to be able to bring you all the work and words of Joy Celine Asto, whom some of you may remember from her article introducing Manila back at the top of 2017.
Photography: Stark – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400 (35mm)
Stark
Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400
Black and white negative film in 35mm format
EMULSIVE interview #132: I am #EMULSIVE and this is why I shoot film
Welcome to this week’s EMULSIVE interview!
Today’s interviewee is someone a few of you may have heard of and to be frank, it’s been a bit of headache to put together.
EMULSIVE interview #126: I am Lilly Schwartz and this is why I shoot film
It’s a pleasure to be able to bring you Lilly Schwartz or @blaurebell, as she’s know on Twitter for today’s interview. Lilly is a true film photography hero.
EMULSIVE interview #122: I am Kikie Wilkins and this is why I shoot film
Welcome one and all!
Photography: Torsion – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400 (35mm)
Torsion
Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600
Black and white negative film in 35mm format
Push processed 2+2/3 stops
Photography: What is it? – Eastman Double-X 5222 (35mm)
What is it?
Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 800
Black and white negative film in 35mm format
Push processed 1+2/3 stops
EMULSIVE 52 Rolls 2016 – Week 18-21 update
I started off my last 52 Rolls update saying I was BORED. Well, by the time week 18 (May 2-8, 2016) rolled around, not much had changed.
Photography: Should’ve posted to Instagram – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400 (35mm)
Should’ve posted to Instagram
Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400
Black and white negative film in 35mm format
Photography: Everything must go – Shot on EASTMAN DOUBLE-X 5222 at EI 250 (35mm)
Everything must go
Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 250
Black and white negative film in 35mm format
Photography: Bound – Shot on EASTMAN DOUBLE-X 5222 at EI 1600 (35mm)
Bound Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600Black and white negative film in 35mm formatPush processed 2+2/3 stops BoundEastman Double-X 5222 shot at EI 1600.Black and white motion picture film in 35mm format.Push processed 2+⅔ stops.
Photography: Bamboozled – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 800 (35mm)
Bamboozled
Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 800
Black and white negative film in 35mm format
Push processed 1+2/3 stops
Photography: Looking out – Kodak EASTMAN DOUBLE-X 5222 (35mm)
Looking out
Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 800
Black and white film in 35mm format
Push processed 1+2/3 stops
Photography: Prayer gates – Shot on Kodak EASTMAN Double-X 5222 at EI 250 (35mm format)
Prayer gates
Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 250
Black and white negative film in 35mm format
Push processed 1 stop
Photography: Prayer gates – Shot on Kodak EASTMAN Double-X 5222 at EI 250 (35mm format)
Prayer gates
Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 250
Black and white negative film in 35mm format
Push processed 1 stop
Photography: To infinity – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 200 (35mm)
To infinity
Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 200
Black and white negative film in 35mm format
Film stock review: Kodak EASTMAN DOUBLE-X (5222) – 35mm format
EMULSIVE: By way of a quick preface, regular readers and followers of EMULSIVE-related ramblings on Twitter will be familiar with our Interview and Photographer’s Daypack series should be familiar with Jonas Lundström.
EMULSIVE interview #19: I am Diz and this is why I shoot film
Is it me, or are these weeks flying by?