Posted in5 Frames...

5 Frames… Of a weekend in NYC on ILFORD Delta 3200 Professional (EI 3200 / 35mm format / Nikon FM2 + Nikon Nikkor 50mm f/1.8 AF-D)

This trip to New York City was my first time there in about 15 years. I have always admired several photographers who were known for capturing New York street photography. Some of my favorites are Joel Meyerowitz, Vivian Maier, Jill Freeman, Gordon Parks, and Saul Leiter. My work isn’t anywhere close to their incredible street […]

Posted inFilm Photographer Interviews

EMULSIVE Interview #228: I am Daniel Boklage and this is why I shoot film

Greetings and welcome to another fresh EMULSIVE interview. today we’re saying hello to Daniel Boklage, who hails from the beautiful north of Bavaria. Readers of 35mmc might recall Daniel’s work from a recent article there. It doesn’t matter if you haven’t you’re in for a treat! Over to you, Daniel! Hi Daniel, what’s this picture, […]

Posted in5 Frames...

5 Frames… Around lakes Como and Lugano on expired ILFORD Delta 3200 Professional (120 Format / EI 1000 / Hasselblad 500 C/M + Hasselblad Distagon C T* 50mm f/4)

When you rummage inside your old camera bag and find an unexposed roll of ILFORD Delta 3200 Professional, the urge to try to expose and develop it despite the fact that the expiration date says something like ’12 years before today’, well it comes to you, and how. …and if in the cellar you also […]

Posted in5 Frames...Articles

5 Frames… From the Peter Pan Cup Christmas Day 2019, on ILFORD Delta 3200 Professional and HP5 PLUS

The Peter Pan Cup is a yearly 100m race, a swim across the icy-cold Serpentine Lido in Hyde Park. Swimmers have met in the park every Christmas morning since 1864, and the titular “Peter Pan Cup” was first donated in 1904 by author J.M. Barrie himself. Participants must acclimatise themselves to the cold across the year, […]

Posted inArticlesFilm NotesFilm stock reviewsILFORD Film Stock ReviewsKodak Film Stock ReviewsReviews

Film Notes: Current high-speed films, ILFORD Delta 3200 Professional and Kodak T-MAX P3200

I’ve often described how I think that people looking for a different “look” from film would be better suited exposing and developing in a different way before they’d see any benefit from switching emulsions. Unless someone is searching for a specific “effect” in terms of grain structure, or halation, then most films will produce fairly […]