Greetings and welcome to another fresh EMULSIVE interview. today we’re saying hello to Daniel Boklage, who hails from the beautiful north of Bavaria. Readers of 35mmc might recall Daniel’s work from a recent article there. It doesn’t matter if you haven’t you’re in for a treat! Over to you, Daniel! Hi Daniel, what’s this picture, […]
My first roll of film was an exciting one. I had an old 1990s Canon film camera, the Elan II, for years and I had done absolutely nothing with it. I found myself bored with digital photography. It had become uninspiring to me, however, I still wanted to practice my photography. So I had to […]
When you rummage inside your old camera bag and find an unexposed roll of ILFORD Delta 3200 Professional, the urge to try to expose and develop it despite the fact that the expiration date says something like ’12 years before today’, well it comes to you, and how. …and if in the cellar you also […]
My film development workflow shifted in 2020 and became almost entirely based around semi-stand methods. Previously I had used ILFORD DD-X and taken great care over timings and chemistry – including for stand dev, but as I’ve found more of my projects start to come together I have not been able to dedicate myself in […]
There are a few days left for 2020 (well, 2 at the time of publication) and like 2019, we didn’t see any film stocks being discontinued. A small blessing, given everything else that’s been going on. I was hoping for official news of a couple of new film stocks at least but you’ll have to […]
The Peter Pan Cup is a yearly 100m race, a swim across the icy-cold Serpentine Lido in Hyde Park. Swimmers have met in the park every Christmas morning since 1864, and the titular “Peter Pan Cup” was first donated in 1904 by author J.M. Barrie himself. Participants must acclimatise themselves to the cold across the year, […]
A month ago my trip unfortunately cut short thanks to our current pandemic situation. Days later I came down with my personal cocktail of symptoms so I’m glad I returned early. If I’m going to be stuck in quarantine it better be at home where all the film is and not stuck in a small […]
I’ve often described how I think that people looking for a different “look” from film would be better suited exposing and developing in a different way before they’d see any benefit from switching emulsions. Unless someone is searching for a specific “effect” in terms of grain structure, or halation, then most films will produce fairly […]
I recently revisited the Delta 3200 datasheets looking for recommendations to get less grainy results than with Rodinal-type developers. I was intrigued to see that if I used ILFORD ILFOTEC DD-X, there was the option to push all the way to EI 25000. I thought I’d give it a try… The first hurdle: Find a […]
I’m constantly getting back to this thought and feel it’s about time to share something with you that comes very close to my inner monologue. You have been warned. I highly doubt that we all have the same motivations to take photographs but it is interesting to explore my own situation and hear your experience, […]
I know the drummer of the Danish heavy metal band Bethmoora. In October 2019 they were performing at the legendary concert venue…
Have you ever heard off an off-the-grid professional film photographer? You have now. Ladies and gentlemen, introducing Ryan HK. Over to you, Ryan. Hi Ryan, what’s this picture, then? This is a mistake. RHK: In Bob Ross’ words “A happy little accident.” I was in this crazy little ghost town in rural Alberta… I brought […]
Winter 2018 was when I really buckled down and took black and white photography seriously, as a response to a few uninspiring grey-feeling colour rolls. I wanted to take command of that grey aesthetic, and quickly went through pushed ILFORD XP2 Super, Delta 3200 Professional, Delta 400 Professional, and even some SFX 200, looking to […]
With a friend’s wedding coming up later this year and being an avid photographer, I decided that as my gift to them I would photograph some highlights from the day and present them to them in an album. I was after a film I could use for both the day ceremony and the evening celebrations. […]
Let’s start with the elephant in the room – this camera comes with some serious bling. It is in fact, a special gold-dipped version officially called the “Rolleiflex 2.8GX Expression 75 years edition”.
Winter has come…to BC, which means a lot of cloud, some snow and the sun setting around 3:30pm, which is kind of ridiculous.
I had never pushed film before but upon my arrival on a recent trip to Dublin, Ireland I thought I would try my luck with some old-fashioned analog night photography.
It’s wonderful to be able to introduce you today to the wonderful work of film photographer and musician, John Michael Caldwell.
Over to you, John!
Hi John, what’s this picture, then?
Alexis in Dripping SpringsNikon FA, Nikon 50mm f/1.4
Earlier this year I started a new series of articles with Hamish over at 35mmc.
What would film photography be without the experimentation aspect? Sticking to box speeds, recommended developers and “the right way” of doing things is boring