Fujifilm NEOPAN 100 ACROS


Photography: Anamorphic Tests #02 – Shot on Fujifilm NEOPAN 100 ACROS at EI 200 (35mm Format)

Part of my ongoing 35mm anamorphic tests on film… Shot on Fujifilm NEOPAN 100 ACROS at EI 200Black and white negative film in 35mm formatPush …

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EMULSIVE’S most popular film stock reviews of 2020

There are a few days left for 2020 (well, 2 at the time of publication) and like 2019, we didn’t see any film stocks being …

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Feathers and Flowers - Contax RTS with 50mm lens, Rollei RPX 25

EMULSIVE Interview #221: I am Gaetan Cormier Interview and this is why I shoot film

Stormchaser, landscape photographer and portraiture, today’s interviewee has a long and varied photographic history. Please give a warm welcome to Montrealean (-er? -an?), Gaetan Cormier! …

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Jeffrey - ILFORD HP5 PLUS - Another from my makers series. I fucking love capturing people as they create things.

EMULSIVE interview #213: I am Ryan HK and this is why I shoot film

Have you ever heard off an off-the-grid professional film photographer? You have now. Ladies and gentlemen, introducing Ryan HK. Over to you, Ryan. Hi Ryan, …

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My year on film: A 2019 retrospective or, my not-a-365-project

My year on film in 115 photos: A 2019 retrospective or, my not-a-365-project

What follows is my 2019 in film photography, a 365 photography project that was absolutely not a 365 project. In this article, I share the …

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EMULSIVE's most popular film stock reviews of 2019

EMULSIVE’s most popular film stock reviews of 2019

There are a few days left for 2019 but fingers crossed, it’s the first year for quite some time where we haven’t seen one or …

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Comparing Fujifilm NEOPAN 100 ACROS II to original ACROS. What's the difference?

Comparing Fujifilm NEOPAN 100 ACROS II to original ACROS. What’s the difference?

Understandably, I was very excited to hear the news of Fujifilm bringing back NEOPAN 100 ACROS in the form of ACROS II earlier this year. …

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Static Age - Ektar 100

EMULSIVE Interview #205: I am Jeremy Calow and this is why I shoot film

If you spend any time checking out landscape photographers online – especially if you’ve been eyeing up 6×17 format photography – you will no doubt have come across the work of today’s interviewee, Jeremy Calow.

Side entrance - Shot on Fujifilm NEOPAN 100 ACROS at EI 200. Black and white negative film in 120 format shot as 6x6. 1-stop push process.

Photography: Side entrance #02 – Shot on Fuji NEOPAN 100 ACROS at EI 200 (120 format)

Side entrance #02

Shot on Fujifilm NEOPAN 100 ACROS at EI 200Black and white negative film in 120 format shot as 6×61-stop push process

Hasselblad 2000FCW / Carl Zeiss Planar F 80mm f/2.8

 

Development notesKodak HC-110 1+47 (E

Office space - Shot on Fuji NEOPAN 100 ACROS at EI 400. Black and white negative film in 35mm format. Push processed 2 stops.

Photography: Office space – Shot on Fuji Acros 100 at EI 400 (35mm format)

Office space
Shot on Fuji NEOPAN 100 ACROS at EI 400
Black and white negative film in 35mm format
Push processed 2 stops
Nikon F100 + Nikkor 85mm f/1.4 AF-D + ISCO Cinemascope Ultra Star Plus 2.1

 

Development notes

EMULSIVE’s most popular film photography experimentation articles of 2018

Life would be boring without experimentation and this fifth article for 2018’s lazy post listicles should help you scratch that itch…or not.

Either way, it’s here.

Comparing Fujifilm Acros to… Fujifilm Acros – READ

Crank Case – Minolta XD7

EMULSIVE's most popular film stock reviews of 2018

EMULSIVE’s most popular film stock reviews of 2018

It’s the fourth article in 2018’s end-of-year lazy post, this time counting down the most popular film reviews here on EMULSIVE over the course of 2018.

Ready?

Review: Comparing FF No.1 and Cinestill Df96 monobath developers

Monobath film developers feel like the in thing for 2018.