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Tag: Fujifilm NEOPAN 100 ACROS

My year on film in 115 photos: A 2019 retrospective or,...

What follows is my 2019 in film photography, a 365 photography project that was absolutely not a 365 project. In this article,...

EMULSIVE’s most popular film stock reviews of 2019

There are a few days left for 2019 but fingers crossed, it's the first year for quite some time where we haven't...

5 Frames With… Fujifilm NEOPAN 100 ACROS (120 / EI 100...

I bought this Argus Argoflex Seventy-Five for $25 from a classified ad. I wanted to jump to medium format but didn’t want...

Comparing Fujifilm NEOPAN 100 ACROS II to original ACROS. What's the...

Understandably, I was very excited to hear the news of Fujifilm bringing back NEOPAN 100 ACROS in the form of ACROS II...

EMULSIVE interview #207: I am George Quiroga and this is why...

Up for this week's fresh EMULSIVE interview slot is George Quiroga who has been out there catching light for over 50 years...

EMULSIVE Interview #205: I am Jeremy Calow and this is why...

If you spend any time checking out landscape photographers online - especially if you've been eyeing up 6x17 format photography - you will no doubt have come across the work of today's interviewee, Jeremy Calow.

Brand new film from Fujifilm: NEOPAN 100 ACROS II announced, begins...

Updated with additional details, speculation and sample images. Picked up just a few moments ago is the heart-stopping news that Fujifilm is officially bringing black and white films back to the market in Autumn 2019 with the all-new NEOPAN

Photography: Side entrance #02 – Shot on Fuji NEOPAN 100 ACROS...

Side entrance #02 Shot on Fujifilm NEOPAN 100 ACROS at EI 200Black and white negative film in 120 format shot as 6x61-stop push process Hasselblad 2000FCW / Carl Zeiss Planar F 80mm f/2.8   Development notesKodak HC-110 1+47 (E

Photography: Office space – Shot on Fuji Acros 100 at EI...

Office space Shot on Fuji NEOPAN 100 ACROS at EI 400 Black and white negative film in 35mm format Push processed 2 stops Nikon F100 + Nikkor 85mm f/1.4 AF-D + ISCO Cinemascope Ultra Star Plus 2.1   Development notes

EMULSIVE’s most popular film photography experimentation articles of 2018

Life would be boring without experimentation and this fifth article for 2018's lazy post listicles should help you scratch that itch...or not. Either way, it's here. Comparing Fujifilm Acros to… Fujifilm Acros - READ Crank Case - Minolta XD7

EMULSIVE’s most popular film stock reviews of 2018

It's the fourth article in 2018's end-of-year lazy post, this time counting down the most popular film reviews here on EMULSIVE over the course of 2018. Ready?

Review: Comparing FF No.1 and Cinestill Df96 monobath developers

Monobath film developers feel like the in thing for 2018.

EMULSIVE interview #188: I am Ted Vieira and this is why...

Today's interviewee is the man once described as "the man with the silkiest voice you'll ever hear" (by me), Ted Viera. Trust me, I'm not wrong on this one.

Featured project: Finding your way in the dark (printing Dublin...

I wanted a few nighttime square images for the final chapter of a book I was just completing on Dublin, a kind of goodnight to the City.

Photography: Left on – Shot on Fuji NEOPAN 100 ACROS at...

Left on Shot on Fuji NEOPAN 100 ACROS at EI 100 Black and white negative film in 120 format shot as 6x6 Kodak Aero Ektar 178mm f/2.5...

5 Frames With… Fuji NEOPAN ACROS 100 (35mm / EI 100...

This was the first roll of Acros I ever shot. It came with the bikkuri case I ordered from Japan Camera Hunter. In honor of its discontinuation, I thought I should finally give it a shot.

Photography: Light pollution – Shot on Fuji ACROS 100 at EI...

Light pollution Shot on Fuji ACROS 100 at EI 50 Black and white negative film in 120 format shot as 6x6 Pull processed one stop      

Photography: Top to bottom – Shot on Fuji Acros 100 at...

Top to bottom Shot on Fuji Acros 100 at EI 100 Black and white negative film in 120 format shot as 6x17    

Vues sur mer – by Daphne Schnitzer

The road to this photo book wasn’t paved in roses exactly – more like sea salt!

Camera review: Yashica-mat 124 TLR – by Milan Juza

As a 6x6 format twin lens reflex camera, the Yashica Mat-124 TLR is considered a great entry-level camera for people who are moving up from 35mm to medium format film.