Last year’s lockdown left me simultaneously busy with work and also with lots of time stuck at home I would not have normally had. The up and downsides of the new lockdown lifestyle. One of the advantages of this was it gave me a bit of time to sort through some old cameras I’d been given and run a roll of film or two through them.

One that caught my eye as something a bit unusual was a British-made early 20th-century box camera. I initially identified it as a Kodak Box Brownie but on further research turned out to be a Kodak Hawkeye No 2 Model B. They were produced in London from 1913 until the early 1920s so mine is probably over a century old.

It’s a very simple camera, a box no less, with a single meniscus lens (that needed a lot of cleaning), two view finders – probably more accurately described as “indistinct blob finders” that seemed no better even after cleaning – and a simple spring shutter that I guess is about 1/40th of a second.

That’s it, no aperture adjustment or film speed control. Just a box, a lens, a shutter and a simple film transport system.

I had an expired 120 roll of the original Fujifilm NEOPAN 100 ACROS going spare so that was loaded, and I took a walk round the south of England village where I live to take a few snaps. I developed the film in my normal way using Ilford’s LC-29 one-shot developer, assuming box speed to be 100 despite it being over a decade out of date. Not that it mattered, there was no way of making any adjustments on the camera and the shutter speed was fixed at whatever it was.

Surely something so simple and so basic wouldn’t be able to produce anything usable?

The large 6×9 negatives were clear and bright but the images had a dreamlike, another time, another place quality. The first picture below — of the lane leading to the village church where countless people have walked to weddings, christenings and funerals — looks as it was in the 19th century, not the 21st.

The church itself (#2) framed by ancient trees (bear in mind seeing anything through the simple viewfinders is a definite challenge). Finally, the preserved signal box and trains of the disused railway station look ready to haul passengers to London once again. Even the dumping ground at the bottom of my garden looks pleasant, helped by the cherry blossom no doubt.

Is it an everyday camera? Certainly not, but a wonderful glimpse into the past with one of the cardboard boxes that opened up photography to the masses.

~ Simon

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About the author

Avatar - Simon Weller

Simon Weller

Simon Weller, 53-year-old trade union official and former train driver. Resident of East Sussex, UK. Still using film, still enjoying the surprise of results emerging from the dark

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  1. It appears this camera is not 120 film. But the spool looks similar.
    So 120 fit.
    Excellent as I will use some in my camera just like this.