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To take you on this journey, I'm sharing with you my contact sheets and pulling out a few of the finished photographs from each.
When I came back to film photography in early 2018, very soon I wanted to try medium format film. Not being sure if I would like it with its lesser number of photos per roll compared to a 35mm film...
When it comes to autofocusing manual lenses on film cameras there is really only one option: the unique and relatively short-lived CONTAX AX. Chunky sibling of the CONTAX RX and...
I've always wanted to try out Fujifilm Natura 1600 film since over ten years ago when I first saw a photographer using it on their Flickr page.
This is the story of a photo project which started on a whim and grew into something far bigger than I’d imagined. Fingers crossed it’s not finished yet, but more on that later.
Welcome to a fresh instalment of my "...this is why I shoot film" series!
I’ve been looking for a 120 ISO 400 colour film for a pinhole based project that I have in mind and whilst there is a good range of black and white and 35mm, choices are fairly limited for 120
Updated with additional details, speculation and sample images. Picked up just a few moments ago is the heart-stopping news that Fujifilm is officially bringing black and white films back to the market in Autumn 2019 with the all-new NEOPAN
Side entrance #02 Shot on Fujifilm NEOPAN 100 ACROS at EI 200Black and white negative film in 120 format shot as 6x61-stop push process Hasselblad 2000FCW / Carl Zeiss Planar F 80mm f/2.8 Development notesKodak HC-110 1+47 (E
It all started with some idle musings between a few photographers. Some were expressing a bit of disdain for the "selfie generation", which triggered a chain of thought that lead me to a fusion of pop-art and selfies.
I used Fuji Natura 1600 for the first time in early December of 2018 during a three-day trip to Liverpool and its metropolitan area.
I've known today's interviewee online for a few years now, and even had the pleasure of meeting her back in 2018*.
Some of my classic cameras remind me of the fascinating history of photography. Recently I wanted to see if I could make instant prints with my Speed Graphic press camera.
Office space Shot on Fuji NEOPAN 100 ACROS at EI 400 Black and white negative film in 35mm format Push processed 2 stops Nikon F100 + Nikkor 85mm f/1.4 AF-D + ISCO Cinemascope Ultra Star Plus 2.1 Development notes
To the analogue landscape photographer, choosing one’s film stock is one of the most crucial steps in the creative process.
Update: Within hours of this announcement several online retailers and eBay sellers have increased their prices by up to 40% in anticipation of the April 1st change. Price gouging continues to thrive in 2019.
Pads Shot on Kodak AEROCHROME III 1443 at EI 400 Color infrared aerial surveillance film in 120 format shot as 6x9 Shot with #21 orange filter Read the Kodak AEROCHROME review
Cup holder as standard Shot on ILFORD HP5 PLUS at EI 400. Black and white negative film in 120 format shot as 6x9. Fuji GW690III + EBC Fujinon 90mm f/3.5. Development notes Kodak HC-110: 1+31(B), 20°C/68°F, 05:00