Fujifilm
EMULSIVE Interview #220: I am Frank Thorp V and this is why I shoot film
Today's interviewee is a busy man, he's a producer and off-air reporter covering the US Congress for NBC News, past Chairman of...
72 frames per roll: The surprisingly sharp Canon SURE SHOT MULTI TELE
I’ve enjoyed shooting half frame 35mm film photography for quite some time now. Of course, being a broke college student, the thought...
EMULSIVE Interview #219: I am Ed Steinerts and this is why I shoot film
Regular readers will know today's interviewee through his beautiful black and white photography, those who don't are in for a real treat....
Can you shoot Instax Mini in a 35mm camera? Well, yes… maybe
As I write this in mid-May 2020, it’s week seven of lockdown here in the UK. I’ve been furloughed and have found...
5 Frames… Of 35mm Fujicolor Superia X-TRA 400 in a 620 format TLR (EI 400 / Ansco Rediflex) – by Colin Devroe
Being under quarantine has me doing all sorts of film-related experiments. In addition to following EMULSIVE's 65 projects on what photographers can...
My First Roll… of 35mm film: Fuji Colour 400N and a Zorki 6 – by Toni Skokovic
I started my photography hobby with Olympus digital cameras. First a point and shoot Camedia D-550 and then eventually Olympus Evolt...
EMULSIVE interview #218: I am Andrew Whitehurst and this is why I shoot film
Greetings! If you're a regular reader of EMULSIVE, you'll no doubt already know of today's fresh EMULSIVE interviewee, Andrew Whitehurst. If you're...
5 Frames… Of LomoChrome Metropolis XR 100-400 (120 format / EI 250 / Fujifilm GA645Wi Professional) – by Steffi Jannasch
Metropolis... some of you may think about the movie directed by Fritz Lang. Today, however, it's also the name of the newest...
5 Frames… At an abandoned warehouse on Fujifilm Velvia 50 RVP (EI 50 / 120 format / Hasselblad 503CXi) – by Chris Dixon)
My favourite thing about film photography is the different ‘personalities’ that exist in individual film stocks. I have shot lots of ILFORD...
A look at two uniquely different medium format Fujifilm cameras: The Fuji GA645Zi Professional and Fuji GW690III Professional
From the fully automatic point and shoot Fujifilm GA645Zi to the totally manual Fujifilm GW690III, Fujifilm's medium format cameras encompass a wide...
My first roll… Of 35mm film: Kyiv on Fujifilm Superia X-TRA 400 in a Zenit E – by Garrison Way
Not too long ago EM posted an article about his first roll of film. I was going through my old scans at...
5 Frames… From psychedelic expired Fujifilm Provia 100F (EI 100 / 120 format / EI 100 / Rolleiflex Automat 6×6 – Model K4/50) –...
Photography with expired film is always an adventure that I relish. I set my expectations low and hope for something interesting. Especially...
5 Frames… With expired Fuji Superia 200 (EI 200 / 35mm format / Olympus OM-1) – By Ed Worthington
So a while ago now my girlfriend was looking through Gumtree for some sort of furniture we needed for a new place...
So you want to shoot Fujifilm Instax? These are your options today
Fujifilm Instax covers a huge range of instant film and cameras created and sold since 1998. Over the past 2+ decades, while...
Canon Demi EE17: The everyday diptych machine
There are many cameras out there that take standard 35mm film and expose alternative formats for creative effect. The Noblex’s literally sweeping...
EMULSIVE interview #215: I am Tony Warren and this is why I shoot film
Regular readers will be familiar with the writings and photography of today's interviewee in the form of his large format pinhole camera...
Film stock review: LomoChrome Metropolis XR 100-400 in 35mm and 120 format – A new color negative favorite
In 2019 Lomography announced the launch of a Kickstarter campaign to fund a brand new film emulsion: LomoChrome Metropolis XR100-400.
5 Frames… With Fujifilm Fujicolor Pro 400H (EI 400 / 35mm format / Canon EOS 1000FN) – by Adam Smith
Hearing good things about FujiFilm Fujicolor Pro 400H, I thought I’d get involved. I'd be using the camera body of Canon EOS...
Why Shoot Film? It’s about where things break down…
As the title says, for me, it’s about where things break down. The beginnings and endings. The edges. There is always a...
My return to film: Zisis Kardianos
I came back to shooting film three years ago in 2017. For the previous fifteen years I had been shooting digital with...
