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Rajadamnern: documenting Muaythai boxing on film

While studying art in college I found the sport of Muaythai, the National Sport of Thailand. I started practicing to get my...

UPDATE: Fujifilm NEOPAN 100 ACROS II shipping November 22nd in 35mm...

UPDATE: Pricing released (see below) According to a press release just published on Fujifilm's Japanese corporate website, new Fujifilm...

Packing light for the Congo: Two countries, one river, eight film...

My travel assignments require me to create strong imagery that can be quickly and seamlessly integrated into a digital workflow, which is...

5 Frames With… Fujicolor Reala 100 (120 / El 100 /...

After a great deal of thinking I finally got a TLR in my kit. A Mamiya C3, and Mamiya-Sekor 80mm f/2.8 from...

EMULSIVE interview #207: I am George Quiroga and this is why...

Up for this week's fresh EMULSIVE interview slot is George Quiroga who has been out there catching light for over 50 years...

Camera review: Polaroid Automatic 100 Land Camera – by Kikie Wilkins

In 1963, the Polaroid Corporation introduced the Automatic 100 Land Camera (also known as the Model 100). Named after Polaroid co-founder and...

5 Frames With Fujicolor C200 (EI 800 / 35mm /...

I asked opinions about pushing consumer color films like Kodak Pro Image 100 in one of my local forums but most...

Film review: Kodak Gold 200 vs Fujicolor C200 comparison – by...

I was a Kodak Gold 200 user forever. I'm not really sure why. I think it might have been taking those purple and yellow 3-packs out of my mom's camera bag from a young age.

EMULSIVE Interview #205: I am Jeremy Calow and this is why...

If you spend any time checking out landscape photographers online - especially if you've been eyeing up 6x17 format photography - you will no doubt have come across the work of today's interviewee, Jeremy Calow.

Compact camera mega test: The Fujifilm DL Super Mini (aka Fujifilm...

Fujifilm made some nice mid-range compacts, but inexplicably, they are priced like premium compacts. I couldn’t bring myself to pay the prices being demanded for a Natura Classica or a Klasse.

Fujifilm Pro 400H: The Best Film I’ll Never Shoot Again –...

A lot of my early digital work was rooted in colour theory, and as a result (despite wanting to limit my film photography to black and white) I have shot through as many different colour films as I could find.

Travelogue: Walking through Europe captured on film Prague to Lugoj –...

To take you on this journey, I'm sharing with you my contact sheets and pulling out a few of the finished photographs from each.

The Bronica ETR: 40 years old but not an old dog...

When I came back to film photography in early 2018, very soon I wanted to try medium format film. Not being sure if I would like it with its lesser number of photos per roll compared to a 35mm film...

An early swansong? Reviewing the CONTAX AX: autofocusing manual lenses

When it comes to autofocusing manual lenses on film cameras there is really only one option: the unique and relatively short-lived CONTAX AX. Chunky sibling of the CONTAX RX and...

5 Frames With… Fujifilm Natura 1600 (EI 1600 / 35mm /...

I've always wanted to try out Fujifilm Natura 1600 film since over ten years ago when I first saw a photographer using it on their Flickr page.

Saxonvale: two years documenting a brownfield industrial site – by Tim...

This is the story of a photo project which started on a whim and grew into something far bigger than I’d imagined. Fingers crossed it’s not finished yet, but more on that later.

EMULSIVE Interview #201: I am Allysse Riordan and this is why...

Welcome to a fresh instalment of my "...this is why I shoot film" series!

5 Frames With… Fujifilm Pro 400H (EI 400 / 120 /...

I’ve been looking for a 120 ISO 400 colour film for a pinhole based project that I have in mind and whilst there is a good range of black and white and 35mm, choices are fairly limited for 120

Brand new film from Fujifilm: NEOPAN 100 ACROS II announced, begins...

Updated with additional details, speculation and sample images. Picked up just a few moments ago is the heart-stopping news that Fujifilm is officially bringing black and white films back to the market in Autumn 2019 with the all-new NEOPAN

Photography: Side entrance #02 – Shot on Fuji NEOPAN 100 ACROS...

Side entrance #02 Shot on Fujifilm NEOPAN 100 ACROS at EI 200Black and white negative film in 120 format shot as 6x61-stop push process Hasselblad 2000FCW / Carl Zeiss Planar F 80mm f/2.8   Development notesKodak HC-110 1+47 (E