If someone offered me an airline ticket anywhere in the world to photograph a city, I’d have to pick Old San Juan in Puerto Rico. I lived in this special place for three years (from 2013 – 2016) and it continues to captivate me. While living there, I mainly shot with my digital cameras, but […]
Tag: Fujifilm
Posted inFeatured
Unidentified Black Male, or 8 out of 10 frames: Creating a small body of personal portraiture on Fuji FP-100c instant film with a Graflex Crown Graphic
In my second year of participating in the EMULSIVE Secret Santa, I was fortunate enough to be gifted a box of discontinued Fuji FP-100c colour peel-apart instant film. For some of you, the mere mention of FP-100c might inspire heart palpitations, be it for the rare and somewhat elusive nature of this beloved, now-discontinued film […]
Posted in5 Frames...
5 Frames of… Tulips on overexposed Fujicolor C200 (Leica R3, Macro-Elmarit 60mm f/2.8) – by Charles Mutter
I am endlessly fascinated by tulips. So far, so unoriginal. Even supermarket bouquets can yield extraordinary beauty, especially if left a little longer than most florists would deem appropriate. And our local florist often has really unusual, dramatic blooms – parrot tulips, “double” tulips that burst out like peonies… Usually, I photograph them indoors, the […]
Posted inPhotography
Photography: Power up – Shot on Fuji Provia 100F (RDP III) at EI 100 (120 format)
Shot on Fuji Provia 100F (RDP III) at EI 100Color reversal (slide) film in 120 format shot as 6x6Cross processed in C-41 ChemistryHasselblad 2000FCW + Hasselblad Planar F 80mm f/2.8 Read the Fuji Provia 100F (RDP III) review here.Read the Fuji Provia 100F (RDP III) cross processing and push processing guide here. Power-up – Shot on Fuji Provia 100F (RDP III) at EI […]
Posted inPhotography
Photography: It can wait – Shot on Fuji Provia 100F (RDP III) at EI 100 (120 format)
Shot on Fuji Provia 100F (RDP III) at EI 100Color reversal (slide) film in 120 format shot as 6x6Cross processed in C-41 ChemistryHasselblad 2000FCW + Hasselblad Planar F 80mm f/2.8 Read the Fuji Provia 100F (RDP III) review here.Read the Fuji Provia 100F (RDP III) cross processing and push processing guide here. It can wait – Shot on Fuji Provia 100F (RDP […]
Posted inPhotosets and stories
Instant Memory: Textile collages on vintage found Polaroids and contemporary Fujifilm INSTAX film
This series of textile collages began with finding a collection of seemingly random Polaroid images from my late Great Aunt Thelma’s house. As one of the executors of her estate, my father asked me and my mother to help go through her belongings at her small home in Oklahoma. Among our findings were boxes and […]
Posted inMedium format
Photography: Welcome – Shot on Fuji Provia 100F (RDP III) at EI 100 (120 format)
Shot on Fuji Provia 100F (RDP III) at EI 100Color reversal (slide) film in 120 format shot as 6x6Cross processed in C-41 ChemistryHasselblad 2000FCW + Hasselblad Planar F 80mm f/2.8 Read the Fuji Provia 100F (RDP III) review here.Read the Fuji Provia 100F (RDP III) cross processing and push processing guide here. Welcome – Shot on Fuji Provia 100F (RDP III) at EI […]
Posted inArticles
My return to film: Roy Shiro
Many photographers look back at their work at the end of the year, to assess, critique, and, if you’re like me, to convince themselves that they’re moving forward with their work. This year was a bit different in some respects for me, as the end of the year marks the one-year anniversary of my move […]
Posted inMedium format
Photography: Tear it down, tear it all down – Shot on Fuji Provia 100F (RDP III) at EI 100 (120 format)
Shot on Fuji Provia 100F (RDP III) at EI 100Color reversal (slide) film in 120 format shot as 6x6Cross processed in C-41 ChemistryHasselblad 2000FCW + Hasselblad Planar F 80mm f/2.8 Read the Fuji Provia 100F (RDP III) review here.Read the Fuji Provia 100F (RDP III) cross processing and push processing guide here.
Posted in5 Frames...
5 Frames… +1 in Alsace with both new and old Fuji NEOPAN ACROS 100 on a Suzuki Optical Co. Press Van
It is now over a year since I showed you my 5 frames of expired Fuji NEOPAN ACROS 100 with my Suzuki Optical Co. Press Van in Rotterdam (Netherlands). This year I took my vacation in the Haut-Rhin in Alsace, France with both versions of Fuji NEOPAN ACROS: the original expired but stored for 5 […]
Posted inMedium format
Photography: Get the steps – Shot on Shanghai GP3 100 at EI 100 (120 Format)
Shot on Shanghai GP3 100 at EI 100Black and white negative film in 120 format shot as 6×9Fuji GW690III + EBC Fujinon 90mm f/3.5 Development notesKodak HC-110: 1+47(E), 20°C/68°F, 06:30 (N)2x 1-minute presoaks, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse Get the steps – Shot on Shanghai GP3 100 at EI 100. Black and white […]
Posted inMedium format
Photography: Via Jäger – Shot on Fujifilm NEOPAN 100 ACROS II at EI 100 (120 Format)
Shot on Fuji NEOPAN 100 ACROS II at EI 100 (read the ACROS vs ACROS II comparison here)Black and white negative film in 120 format shot as 6×6Hasselblad 2000FCW + Carl Zeiss Planar F 80mm f/2.8 Development notesKodak HC-110 1+31 (B): 20°C/68°F, 04:45 (N)1 minute presoak, 30 seconds initial agitation, 1 inversions / 30 seconds, 5 minute rinse
Posted inMedium format
Photography: Winding down – Shot on Fuji Pro 400H at EI 400 (120 Format)
Shot on Fuji Pro 400H at EI 400.Color negative film in 120 format shot as 6×9.Fuji GW690III + EBC Fujinon 90mm f/3.5. Winding down – Shot on Fuji Pro 400H at EI 400. Color negative film in 120 format shot as 6×9. Fuji GW690III + EBC Fujinon 90mm f/3.5.
Posted inFujifilm film camera reviews
Unrequited love: The Fuji GA645 Professional
I’ll admit my bias upfront: I adore the GA. This camera delivers sharp, perfectly exposed negatives with a minimum of fuss and worry.
Posted in5 Frames...
5 (6) frames… Of double exposures with my EMULSIVE Santa on Fuji Pro 400H
You know what’s fun? Photography. You know what I like about photography? Sharing it. Sharing prints, drinks or talks, or whatever else you might want to share. And speaking of sharing, I’m rather happy to share this small experiment, on EMULSIVE nonetheless, which might very well be the best place to share film-related stuff on […]
Posted in35mm format
Photography: Tinkledbell – Shot on Fujifilm NEOPAN 100 ACROS II at EI 400 (35mm Format)
Fujifilm NEOPAN 100 ACROS II shot at EI 400Black and white negative film in 35mm formatNikon F6 + Nikkor 85mm f/1.8 AF-D Development notesKodak HC-110: 1+31(B), 20°C/68°F, 10:00 (N+2)No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse Tinkledbell – Shot on Fujifilm NEOPAN 100 ACROS II at EI 400 (35mm Format)
Posted inNews
Discontinuation notice: Fujichrome Velvia 50 slide film in 4×5″ and 8×10″, and 120 format Fujicolor Pro 160NS
Fujifilm Japan has just announced the global discontinuation of Fujichrome Velvia 50 slide film in 4×5″ and 8×10″ large formats, and 120 format Fujicolor 160NS Professional colour negative film. Coming hot on the heels of the July 2021 ban of the sale and processing of Fujichrome Velvia 100 in the United States, the notice is effective […]
Posted in5 Frames...
5 Frames… On a Zeiss Ikon Nettar 517/16 and Fuji Pro 400H (120 Format / EI 400)
It all started a year or so ago now. I am a newcomer to the art of photography and I have now collected quite a few pieces of digital kit. I particularly enjoy sea and landscape photography, especially at dawn when there are very few people about. I am also lucky in that I live […]
Posted inFilm camera reviews
Half a year with the Nons Camera SL42 Mk II: a real user’s review
I have had the Nons Camera SL42 Mark II for 8 months and it has transformed my instant film photography. In this mid term user’s review I’ll explain why the Nons Camera has filled a niche of its own in my instant film camera line up.
Posted inMedium format
Photography: On the up, up, up and up – Shot on Kodak T-MAX 400 at EI 400 (120 Format)
Shot on Kodak T-MAX 400 at EI 400Black and white negative film in 120 format shot as 6x9Fuji GW690III + EBC Fujinon 90mm f/3.5. Development notesKodak HC-110: 1+47(E), 20°C/68°F, 09:15 (N)No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse On the up, up, up and up – Shot on Kodak T-MAX 400 at EI 400 (120 Format), […]
