Up for this week’s fresh EMULSIVE interview slot is George Quiroga who has been out there catching light for over 50 years — above ground and underwater. There’s some great reading below and suitably fantastic photography to boot. So with that, it’s over to George… Hi George, what’s this picture, then? Under Cover – Canon […]
Tag: Fujifilm NEOPAN 100 ACROS
Posted inFilm Photographer Interviews
EMULSIVE Interview #205: I am Jeremy Calow and this is why I shoot film
If you spend any time checking out landscape photographers online – especially if you’ve been eyeing up 6×17 format photography – you will no doubt have come across the work of today’s interviewee, Jeremy Calow.
Posted inNews
Brand new film from Fujifilm: NEOPAN 100 ACROS II announced, begins shipping Autumn 2019
Updated with additional details, speculation and sample images.
Picked up just a few moments ago is the heart-stopping news that Fujifilm is officially bringing black and white films back to the market in Autumn 2019 with the all-new NEOPAN
Posted inMedium format
Photography: Side entrance #02 – Shot on Fuji NEOPAN 100 ACROS at EI 200 (120 format)
Side entrance #02
Shot on Fujifilm NEOPAN 100 ACROS at EI 200Black and white negative film in 120 format shot as 6×61-stop push process
Hasselblad 2000FCW / Carl Zeiss Planar F 80mm f/2.8
Development notesKodak HC-110 1+47 (E
Posted in35mm format, Photography
Photography: Office space – Shot on Fuji Acros 100 at EI 400 (35mm format)
Office space
Shot on Fuji NEOPAN 100 ACROS at EI 400
Black and white negative film in 35mm format
Push processed 2 stops
Nikon F100 + Nikkor 85mm f/1.4 AF-D + ISCO Cinemascope Ultra Star Plus 2.1
Development notes
Posted inBest Of
EMULSIVE’s most popular film photography experimentation articles of 2018
Life would be boring without experimentation and this fifth article for 2018’s lazy post listicles should help you scratch that itch…or not.
Either way, it’s here.
Comparing Fujifilm Acros to… Fujifilm Acros – READ
Crank Case – Minolta XD7
Posted inBest Of
EMULSIVE’s most popular film stock reviews of 2018
It’s the fourth article in 2018’s end-of-year lazy post, this time counting down the most popular film reviews here on EMULSIVE over the course of 2018.
Ready?
Posted inAll Reviews, Articles, Darkroom, Darkroom Equipment, Developing Film, Gear Reviews
Review: Comparing FF No.1 and Cinestill Df96 monobath developers
Monobath film developers feel like the in thing for 2018.
Posted inFilm Photographer Interviews
EMULSIVE interview #188: I am Ted Vieira and this is why I shoot film – NSFW
Today’s interviewee is the man once described as “the man with the silkiest voice you’ll ever hear” (by me), Ted Viera. Trust me, I’m not wrong on this one.
Posted inArticles, Darkroom, Developing Film
Featured project: Finding your way in the dark (printing Dublin by night)
I wanted a few nighttime square images for the final chapter of a book I was just completing on Dublin, a kind of goodnight to the City.
Posted inMedium format, Photography
Photography: Left on – Shot on Fuji NEOPAN 100 ACROS at EI 100 (120 format)
Left on Shot on Fuji NEOPAN 100 ACROS at EI 100 Black and white negative film in 120 format shot as 6×6 Kodak Aero Ektar 178mm f/2.5 / Hasselblad 2000FCW / AEROblad Development notes Kodak HC-110: 1+47(E), 21°C/70°F, 06:15 (N) No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse
Posted in5 Frames..., Articles
5 Frames… With Fuji NEOPAN ACROS 100 (EI 100 / 35mm format / Olympus OM-1n)
This was the first roll of Acros I ever shot. It came with the bikkuri case I ordered from Japan Camera Hunter. In honor of its discontinuation, I thought I should finally give it a shot.
Posted inMedium format, Photography
Photography: Light pollution – Shot on Fuji ACROS 100 at EI 50 (120 format)
Light pollution
Shot on Fuji ACROS 100 at EI 50
Black and white negative film in 120 format shot as 6×6
Pull processed one stop
Posted inMedium format, Photography
Photography: Top to bottom – Shot on Fuji Acros 100 at EI 100 (120 format)
Top to bottom
Shot on Fuji Acros 100 at EI 100
Black and white negative film in 120 format shot as 6×17
Posted inArticles, Featured projects
Vues sur mer
The road to this photo book wasn’t paved in roses exactly – more like sea salt!
Posted inAll Reviews, Film camera reviews, Yashica film camera reviews
Camera review: Yashica-mat 124 TLR
As a 6×6 format twin lens reflex camera, the Yashica Mat-124 TLR is considered a great entry-level camera for people who are moving up from 35mm to medium format film.
Posted inExperiments, Film stock reviews, Fujifilm Film Stock Reviews, Guides & How-Tos, ILFORD Film Stock Reviews, Kodak Film Stock Reviews
Comparing Fuji NEOPAN 100 ACROS, ILFORD Delta 100 Professional and Kodak T-MAX 100
This whole project started when I realized I had been blindly allegiant to certain black and white films for a number of years without any particular rhyme or reason.
Posted inFilm Photographer Interviews, Interviews
EMULSIVE interview #174: I am Ian Bartlett and this is why I shoot film
If you remember 2017’s Mamiya C220 TLR review, or spend any time at all with the wonderful film photography community on Twitter, then you’ll be more than familiar with today’s interviewee, Ian Bartlett.
I’m looking forward to this!
Posted inArticles, Best Of
EMULSIVE's most popular film photography experimentation articles of 2017
What would film photography be without the experimentation aspect? Sticking to box speeds, recommended developers and “the right way” of doing things is boring
10.
Posted inArticles, Best Of
EMULSIVE's most popular film photography posts of 2017
In the time honoured tradition of lazy posting at the end of each year, here’s the first in a series of top 10 and countdown articles planned for EMULSIVE during this final week of 2017.
First up, time to take
