What would film photography be without the experimentation aspect? Sticking to box speeds, recommended developers and “the right way” of doing things is boring
10. Experimenting with Kodak Tri-X from EI 800 to 12800
by EMULSIVE
(link)
9. Experimenting with Fuji Provia 100F (RDP III)
by EMULSIVE
(link)
8. Long exposure film tests part one:
ILFORD PAN F+, ILFORD FP4+,
ILFORD Delta 100 Professional
by Toni Skokovic
(link)
7. Experimenting with Rollei Superpan 200
(with bonus infrared)
by EMULSIVE
(link)
6. How-to: Build your own JOBO-style
semi-automatic film processor: Pt.1
by Joe Pitz
(link)
5. Long exposure film tests part two:
ILFORD HP5 PLUS, ILFORD Delta Professional 400,
ILFORD Delta Professional 3200, ILFORD SFX 200
by Toni Skokovic
(link)
4. Comparing Fujifilm Acros to… Fujifilm Acros
by Stig Starr
(link)
3. How to eliminate the Fuji Velvia “Magenta Cast”
by Yusuf Wiryonoputro
(link)
2. Getting to grips with darkroom printing using Caffenol (and alternatives)
Darkroom alchemy by Mads Madson
(link)
1. How to work with the narrow latitude of color reversal (slide) films
by Yusuf Wiryonoputro
(link)
Share your knowledge, story or project
The transfer of knowledge across the film photography community is the heart of EMULSIVE. You can add your support by contributing your thoughts, work, experiences and ideas to inspire the hundreds of thousands of people who read these pages each month. Check out the submission guide here.
If you like what you're reading you can also help this passion project by heading over to the EMULSIVE Patreon page and contributing as little as a dollar a month. There's also print and apparel over at Society 6, currently showcasing over two dozen t-shirt designs and over a dozen unique photographs available for purchase.
About the author
Related reading
This is a great collection for 2017! I missed out the slide film article by Yusuf and it’s fantastic! Here’s to a happy 2018!