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Home » Rollei Superpan 200

Tag: Rollei Superpan 200

My ONDU 6x12 Multiformat MK III, Rosen Kalpachki
Posted in5 Frames..., Articles

6 Frames… Of morning pinholes on an ONDU 6×12 Multiformat and Rollei Superpan 200

by Rosen KalpachkiMarch 28, 2022March 28, 2022

I have shot film since my childhood, but I completely switched to film 5 years ago. During all this time I gained a lot of experience experimenting with different film, formats, and cameras and gradually realized what I like most — the square format and slowed down shooting. This naturally led me to the idea […]

My Rolleiflex T, Olaf Lengler
Posted in5 Frames..., Articles

5 Frames. Cumulus afternoon with a red filter on Rollei Superpan 200 (EI 200 / 120 format / Rolleiflex T)

by OlafAugust 11, 2020July 31, 2021

Once again it was time for a spontaneous photo tour with a fixed theme. Normally I only shoot what comes to my nose. I am always very free. But that was a wonderful day, Saturday 30 May 2020. The sun was shining and cumulus clouds were gathering in the sky. The ideal weather for cloud […]

Posted inBest Of

EMULSIVE’s most popular film photography experimentation articles of 2018

Avatar - EMby EMDecember 28, 2018July 31, 2021

Life would be boring without experimentation and this fifth article for 2018’s lazy post listicles should help you scratch that itch…or not.

Either way, it’s here.

Comparing Fujifilm Acros to… Fujifilm Acros – READ

Crank Case – Minolta XD7

Posted inArticles, Film List, Film stock reviews, Revolog Film Stock Reviews, Rollei Film Stock Reviews

Every single film stock still made today – Part 5: Oriental to Rollei (v3)

Avatar - EMby EMJuly 11, 2018February 5, 2022

Update 02: 2018-09-20

Welcome to part five of this series exploring every single film stock (including instant film, dry plates, etc.), still being made today.

Transition 05 - Shot on Rollei Superpan 200 at EI 200. Black and white negative film shot as 6x6. Hasselblad 2000 + Kodak Aero Ektar 178.
Posted inMedium format, Photography

Photography: Transition 05 – Shot on Rollei Superpan 200 at EI 200 (120 format)

Avatar - EMby EMJune 22, 2018July 31, 2021

Transition 05

Shot on Rollei Superpan 200 at EI 200
Black and white negative film shot as 6×6
Hasselblad 2000 + Kodak Aero Ektar 178mm f/2.5

Read the Rollei Superpan review and experimentation guide

 

 

 

Transition 04 - Shot on Rollei Superpan 200 at EI 200. Black and white negative film shot as 6x6. Hasselblad 2000 + Kodak Aero Ektar 178.
Posted inMedium format, Photography

Photography: Transition 04 – Shot on Rollei Superpan 200 at EI 200 (120 format)

Avatar - EMby EMJune 21, 2018July 31, 2021

Transition 04

Shot on Rollei Superpan 200 at EI 200
Black and white negative film shot as 6×6
Hasselblad 2000 + Kodak Aero Ektar 178mm f/2.5

Read the Rollei Superpan review and experimentation guide

 

 

 

Transition 03 - Shot on Rollei Superpan 200 at EI 200. Black and white negative film shot as 6x6. Hasselblad 2000 + Kodak Aero Ektar 178.
Posted inMedium format, Photography

Photography: Transition 03 – Shot on Rollei Superpan 200 at EI 200 (120 format)

Avatar - EMby EMJune 20, 2018July 31, 2021

Transition 03

Shot on Rollei Superpan 200 at EI 200
Black and white negative film shot as 6×6
Hasselblad 2000 + Kodak Aero Ektar 178mm f/2.5

Read the Rollei Superpan review and experimentation guide

 

 

 

Transition 02 - Shot on Rollei Superpan 200 at EI 200. Black and white negative film shot as 6x6. Hasselblad 2000 + Kodak Aero Ektar 178.
Posted inMedium format, Photography

Photography: Transition 02 – Shot on Rollei Superpan 200 at EI 200 (120 format)

Avatar - EMby EMJune 19, 2018July 31, 2021

Transition 02

Shot on Rollei Superpan 200 at EI 200
Black and white negative film shot as 6×6
Hasselblad 2000 + Kodak Aero Ektar 178mm f/2.5

Read the Rollei Superpan review and experimentation guide

 

 

 

Transition 01 - Shot on Rollei Superpan 200 at EI 200. Black and white negative film shot as 6x6. Hasselblad 2000 + Kodak Aero Ektar 178.
Posted inMedium format

Photography: Transition 01 – Shot on Rollei Superpan 200 at EI 200 (120 format)

Avatar - EMby EMJune 18, 2018July 31, 2021

Transition 01
Shot on Rollei Superpan 200 at EI 200
Black and white negative film shot as 6×6
Hasselblad 2000FCW + Kodak Aero Ektar 178mm f/2.5

Read the Rollei Superpan review and experimentation guide

 

 

Veins 02 - Shot on Rollei Superpan 200 at EI 200. Black and white negative film in 120 format shot as 6x6. Hasselblad 2000 + Kodak Aero Ektar 178
Posted inMedium format, Photography

Photography: Veins #02 – Shot on Rollei Superpan 200 at EI 200 (120 format)

Avatar - EMby EMJune 1, 2018July 31, 2021

Veins #02

Shot on Rollei Superpan 200 at EI 200
Black and white negative film in 120 format shot as 6×6
Hasselblad 2000 + Kodak Aero Ektar 178mm f/2.5

Read the Rollei Superpan 200 review and experimentation guide.

 

&nbsp

One down - Shot on Rollei Superpan 200 at EI 200. Black and white negative film in 120 format shot as 6x6. Hasselblad 2000 + Kodak Aero Ektar 178
Posted inMedium format, Photography

Photography: One down – Shot on Rollei Superpan 200 at EI 200 (120 format)

Avatar - EMby EMMay 30, 2018July 31, 2021

One down

Shot on Rollei Superpan 200 at EI 200
Black and white negative film in 120 format shot as 6×6
Hasselblad 2000 + Kodak Aero Ektar 178mm f/2.5

Read the Rollei Superpan 200 review and experimentation guide.

 

&nbsp

Bathed in light - Shot on Rollei Superpan 200 at EI 3. Black and white negative film in 120 format shot as 6x6. R72 filter.
Posted inMedium format, Photography

Photography: Bathed in light – Shot on Rollei Superpan 200 at EI 3 (120 format)

Avatar - EMby EMMarch 2, 2018July 31, 2021

Bathed in light

Shot on Rollei Superpan 200 at EI 3
Black and white negative film in 120 format shot as 6×6
R72 filter

Read the Rollei Superpan 200 review and experimentation guide.

 

 

 

 

 

Posted inArticles, Best Of

EMULSIVE's most popular film photography experimentation articles of 2017

Avatar - EMby EMDecember 29, 2017December 16, 2019

What would film photography be without the experimentation aspect? Sticking to box speeds, recommended developers and “the right way” of doing things is boring
 
 
10.

Venn Shot on Rollei Superpan 200 at EI 200. Black and white negative film in 120 format shot as 6x6. Black and white reversal development.
Posted inMedium format, Photography

Photography: Venn – Shot on Rollei Superpan 200 at EI 200 (120 format)

Avatar - EMby EMMay 9, 2017October 16, 2020

Venn

Shot on Rollei Superpan 200 at EI 200
Black and white negative film in 120 format shot as 6×6
Black and white reversal development

Read the full Rollei Superpan 200 review here…and don’t forget the experimentation guide!

 

&nbsp

Madison Falls, Yellowstone National Park - Kodak AEROCHROME III 1443 shot at EI 400. Color infrared aerial surveillance film in 120 format shot as 6x12. Shot with #21 orange filter.
Posted inFilm Photographer Interviews, Interviews

EMULSIVE interview #132: I am #EMULSIVE and this is why I shoot film

Avatar - EMby EMMarch 22, 2017April 12, 2021

Welcome to this week’s EMULSIVE interview!

Today’s interviewee is someone a few of you may have heard of and to be frank, it’s been a bit of headache to put together.

Creep - Rollei Superpan 200 shot at EI 3 with R72 filter. Black and white film in 120 format shot as 6x6.
Posted inMedium format, Photography

Photography: Creep – Shot on Rollei Superpan 200 at EI 3 (120 format)

Avatar - EMby EMApril 21, 2016October 16, 2020

Creep
Rollei Superpan 200 shot at EI 3
Black and white film in 120 format shot as 6×6
R72 filter

Read the full Rollei Superpan 200 review here…and don’t forget the experimentation guide!

 

 

Mannequin parade - Rollei Superpan 200 shot at EI 3 with R72 filter. Black and white film in 120 format shot as 6x6.
Posted inMedium format, Photography

Photography: Mannequin parade – Shot on Rollei Superpan 200 at EI 3 (120 format)

Avatar - EMby EMApril 19, 2016October 16, 2020

Mannequin parade

Rollei Superpan 200 shot at EI 3
Black and white film in 120 format shot as 6×6
R72 720mn infrared filter

Read the full Rollei Superpan 200 review here…and don’t forget the experimentation guide!

 

 

 

&nbsp

Waiting zone - Rollei Superpan 200 shot at ISO3. Black and white negative film in 120 format shot as 6x4.5. R72 720mn infrared filter.
Posted inMedium format, Photography

Photography: Waiting zone – Shot on Rollei Superpan 200 at EI 3 (120 format)

Avatar - EMby EMJanuary 12, 2016October 16, 2020

Waiting zone Rollei Superpan 200 shot at ISO3 Black and white negative film in 120 format shot as 6×4.5 R72 720mn infrared filter Read the full Rollei Superpan 200 review here…and don’t forget the experimentation guide!      

Infra-shroom - Rollei Superpan 200 shot at ISO3. Black and white negative film in 120 format shot as 6x4.5. R72 720mn infrared filter.
Posted inMedium format, Photography

Photography: Infra-shroom – Shot on Rollei Superpan 200 at EI 3 (120 format)

Avatar - EMby EMJanuary 8, 2016October 16, 2020

Infra-shroom Rollei Superpan 200 shot at EI 3 Black and white negative film in 120 format shot as 6×4.5 R72 720mn infrared filter Read the full Rollei Superpan 200 review here…and don’t forget the experimentation guide!      

Given the elbow - Rollei Superpan 200 shot at ISO400 Black and white negative film in 120 format shot as 6x6 Zodiak-B 30/3.5 fisheye
Posted inMedium format

Photography: Given the elbow – Shot on Rollei Superpan 200 at EI 400 (120 format)

Avatar - EMby EMNovember 13, 2015July 19, 2021

Given the elbow

Shot on Rollei Superpan 200 at EI 400
Black and white negative film in 120 format shot as 6×6
Hasselblad 2000 + Zodiak-B 30/3.5 fisheye

Read the full Rollei Superpan 200 review here…and don’t forget the experimentation

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