I have shot film since my childhood, but I completely switched to film 5 years ago. During all this time I gained a lot of experience experimenting with different film, formats, and cameras and gradually realized what I like most — the square format and slowed down shooting. This naturally led me to the idea […]
Tag: Rollei Superpan 200
Posted in5 Frames..., Articles
5 Frames. Cumulus afternoon with a red filter on Rollei Superpan 200 (EI 200 / 120 format / Rolleiflex T)
Once again it was time for a spontaneous photo tour with a fixed theme. Normally I only shoot what comes to my nose. I am always very free. But that was a wonderful day, Saturday 30 May 2020. The sun was shining and cumulus clouds were gathering in the sky. The ideal weather for cloud […]
Posted inBest Of
EMULSIVE’s most popular film photography experimentation articles of 2018
Life would be boring without experimentation and this fifth article for 2018’s lazy post listicles should help you scratch that itch…or not.
Either way, it’s here.
Comparing Fujifilm Acros to… Fujifilm Acros – READ
Crank Case – Minolta XD7
Posted inArticles, Film List, Film stock reviews, Revolog Film Stock Reviews, Rollei Film Stock Reviews
Every single film stock still made today – Part 5: Oriental to Rollei (v3)
Update 02: 2018-09-20
Welcome to part five of this series exploring every single film stock (including instant film, dry plates, etc.), still being made today.
Posted inMedium format, Photography
Photography: Transition 05 – Shot on Rollei Superpan 200 at EI 200 (120 format)
Transition 05
Shot on Rollei Superpan 200 at EI 200
Black and white negative film shot as 6×6
Hasselblad 2000 + Kodak Aero Ektar 178mm f/2.5
Read the Rollei Superpan review and experimentation guide
Posted inMedium format, Photography
Photography: Transition 04 – Shot on Rollei Superpan 200 at EI 200 (120 format)
Transition 04
Shot on Rollei Superpan 200 at EI 200
Black and white negative film shot as 6×6
Hasselblad 2000 + Kodak Aero Ektar 178mm f/2.5
Read the Rollei Superpan review and experimentation guide
Posted inMedium format, Photography
Photography: Transition 03 – Shot on Rollei Superpan 200 at EI 200 (120 format)
Transition 03
Shot on Rollei Superpan 200 at EI 200
Black and white negative film shot as 6×6
Hasselblad 2000 + Kodak Aero Ektar 178mm f/2.5
Read the Rollei Superpan review and experimentation guide
Posted inMedium format, Photography
Photography: Transition 02 – Shot on Rollei Superpan 200 at EI 200 (120 format)
Transition 02
Shot on Rollei Superpan 200 at EI 200
Black and white negative film shot as 6×6
Hasselblad 2000 + Kodak Aero Ektar 178mm f/2.5
Read the Rollei Superpan review and experimentation guide
Posted inMedium format
Photography: Transition 01 – Shot on Rollei Superpan 200 at EI 200 (120 format)
Transition 01
Shot on Rollei Superpan 200 at EI 200
Black and white negative film shot as 6×6
Hasselblad 2000FCW + Kodak Aero Ektar 178mm f/2.5
Read the Rollei Superpan review and experimentation guide
Posted inMedium format, Photography
Photography: Veins #02 – Shot on Rollei Superpan 200 at EI 200 (120 format)
Veins #02
Shot on Rollei Superpan 200 at EI 200
Black and white negative film in 120 format shot as 6×6
Hasselblad 2000 + Kodak Aero Ektar 178mm f/2.5
Read the Rollei Superpan 200 review and experimentation guide.
 
Posted inMedium format, Photography
Photography: One down – Shot on Rollei Superpan 200 at EI 200 (120 format)
One down
Shot on Rollei Superpan 200 at EI 200
Black and white negative film in 120 format shot as 6×6
Hasselblad 2000 + Kodak Aero Ektar 178mm f/2.5
Read the Rollei Superpan 200 review and experimentation guide.
 
Posted inMedium format, Photography
Photography: Bathed in light – Shot on Rollei Superpan 200 at EI 3 (120 format)
Bathed in light
Shot on Rollei Superpan 200 at EI 3
Black and white negative film in 120 format shot as 6×6
R72 filter
Read the Rollei Superpan 200 review and experimentation guide.
Posted inArticles, Best Of
EMULSIVE's most popular film photography experimentation articles of 2017
What would film photography be without the experimentation aspect? Sticking to box speeds, recommended developers and “the right way” of doing things is boring
10.
Posted inMedium format, Photography
Photography: Venn – Shot on Rollei Superpan 200 at EI 200 (120 format)
Venn
Shot on Rollei Superpan 200 at EI 200
Black and white negative film in 120 format shot as 6×6
Black and white reversal development
Read the full Rollei Superpan 200 review here…and don’t forget the experimentation guide!
 
Posted inFilm Photographer Interviews, Interviews
EMULSIVE interview #132: I am #EMULSIVE and this is why I shoot film
Welcome to this week’s EMULSIVE interview!
Today’s interviewee is someone a few of you may have heard of and to be frank, it’s been a bit of headache to put together.
Posted inMedium format, Photography
Photography: Creep – Shot on Rollei Superpan 200 at EI 3 (120 format)
Creep
Rollei Superpan 200 shot at EI 3
Black and white film in 120 format shot as 6×6
R72 filter
Read the full Rollei Superpan 200 review here…and don’t forget the experimentation guide!
Posted inMedium format, Photography
Photography: Mannequin parade – Shot on Rollei Superpan 200 at EI 3 (120 format)
Mannequin parade
Rollei Superpan 200 shot at EI 3
Black and white film in 120 format shot as 6×6
R72 720mn infrared filter
Read the full Rollei Superpan 200 review here…and don’t forget the experimentation guide!
 
Posted inMedium format, Photography
Photography: Waiting zone – Shot on Rollei Superpan 200 at EI 3 (120 format)
Waiting zone Rollei Superpan 200 shot at ISO3 Black and white negative film in 120 format shot as 6×4.5 R72 720mn infrared filter Read the full Rollei Superpan 200 review here…and don’t forget the experimentation guide!
Posted inMedium format, Photography
Photography: Infra-shroom – Shot on Rollei Superpan 200 at EI 3 (120 format)
Infra-shroom Rollei Superpan 200 shot at EI 3 Black and white negative film in 120 format shot as 6×4.5 R72 720mn infrared filter Read the full Rollei Superpan 200 review here…and don’t forget the experimentation guide!
Posted inMedium format
Photography: Given the elbow – Shot on Rollei Superpan 200 at EI 400 (120 format)
Given the elbow
Shot on Rollei Superpan 200 at EI 400
Black and white negative film in 120 format shot as 6×6
Hasselblad 2000 + Zodiak-B 30/3.5 fisheye
Read the full Rollei Superpan 200 review here…and don’t forget the experimentation
