Rollei Superpan 200 ~ EMULSIVE

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EMULSIVE’s most popular film photography experimentation articles of 2018

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Every single film stock still made today – Part 5: Oriental...

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Transition 05 - Shot on Rollei Superpan 200 at EI 200. Black and white negative film shot as 6x6. Hasselblad 2000 + Kodak Aero Ektar 178.

Photography: Transition 05 – Shot on Rollei Superpan 200 at EI...

Medium format

Transition 04 - Shot on Rollei Superpan 200 at EI 200. Black and white negative film shot as 6x6. Hasselblad 2000 + Kodak Aero Ektar 178.

Photography: Transition 04 – Shot on Rollei Superpan 200 at EI...

Medium format

Transition 03 - Shot on Rollei Superpan 200 at EI 200. Black and white negative film shot as 6x6. Hasselblad 2000 + Kodak Aero Ektar 178.

Photography: Transition 03 – Shot on Rollei Superpan 200 at EI...

Medium format

Transition 02 - Shot on Rollei Superpan 200 at EI 200. Black and white negative film shot as 6x6. Hasselblad 2000 + Kodak Aero Ektar 178.

Photography: Transition 02 – Shot on Rollei Superpan 200 at EI...

Medium format

Transition 01 - Shot on Rollei Superpan 200 at EI 200. Black and white negative film shot as 6x6. Hasselblad 2000 + Kodak Aero Ektar 178.

Photography: Transition 01 – Shot on Rollei Superpan 200 at EI...

Medium format

Veins 02 - Shot on Rollei Superpan 200 at EI 200. Black and white negative film in 120 format shot as 6x6. Hasselblad 2000 + Kodak Aero Ektar 178

Photography: Veins #02 – Shot on Rollei Superpan 200 at EI...

Medium format

One down - Shot on Rollei Superpan 200 at EI 200. Black and white negative film in 120 format shot as 6x6. Hasselblad 2000 + Kodak Aero Ektar 178

Photography: One down – Shot on Rollei Superpan 200 at EI...

Medium format

Bathed in light - Shot on Rollei Superpan 200 at EI 3. Black and white negative film in 120 format shot as 6x6. R72 filter.

Photography: Bathed in light – Shot on Rollei Superpan 200 at...

Medium format

EMULSIVE’s most popular film photography experimentation articles of 2017

Articles

Venn Shot on Rollei Superpan 200 at EI 200. Black and white negative film in 120 format shot as 6x6. Black and white reversal development.

Photography: Venn – Shot on Rollei Superpan 200 at EI 200...

Medium format

Madison Falls, Yellowstone National Park - Kodak AEROCHROME III 1443 shot at EI 400. Color infrared aerial surveillance film in 120 format shot as 6x12. Shot with #21 orange filter.

EMULSIVE interview #132: I am #EMULSIVE and this is why I...

Film Photographer Interviews

Creep - Rollei Superpan 200 shot at EI 3 with R72 filter. Black and white film in 120 format shot as 6x6.

Photography: Creep – Shot on Rollei Superpan 200 at EI 3...

Medium format

Mannequin parade - Rollei Superpan 200 shot at EI 3 with R72 filter. Black and white film in 120 format shot as 6x6.

Photography: Mannequin parade – Shot on Rollei Superpan 200 at EI...

Medium format

Waiting zone - Rollei Superpan 200 shot at ISO3. Black and white negative film in 120 format shot as 6x4.5. R72 720mn infrared filter.

Photography: Waiting zone – Shot on Rollei Superpan 200 at EI...

Medium format

Infra-shroom - Rollei Superpan 200 shot at ISO3. Black and white negative film in 120 format shot as 6x4.5. R72 720mn infrared filter.

Photography: Infra-shroom – Shot on Rollei Superpan 200 at EI 3...

Medium format

Given the elbow - Rollei Superpan 200 shot at ISO400 Black and white negative film in 120 format shot as 6x6 Zodiak-B 30/3.5 fisheye

Photography: Given the elbow – Shot on Rollei Superpan 200 at...

Medium format

On the meter - Rollei Superpan 200

Photography: On the meter – Shot on Rollei Superpan 200 at...

Medium format

Rollei Superpan 200

Field notes – Rollei Superpan 200

Film Reviews

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