Once again it was time for a spontaneous photo tour with a fixed theme. Normally I only shoot what comes to my nose. I am … Read more
Life would be boring without experimentation and this fifth article for 2018’s lazy post listicles should help you scratch that itch…or not.
Either way, it’s here.
Comparing Fujifilm Acros to… Fujifilm Acros – READ
Crank Case – Minolta XD7
Update 02: 2018-09-20
Welcome to part five of this series exploring every single film stock (including instant film, dry plates, etc.), still being made today.
Transition 05
Shot on Rollei Superpan 200 at EI 200
Black and white negative film shot as 6×6
Hasselblad 2000 + Kodak Aero Ektar 178mm f/2.5
Read the Rollei Superpan review and experimentation guide
Transition 04
Shot on Rollei Superpan 200 at EI 200
Black and white negative film shot as 6×6
Hasselblad 2000 + Kodak Aero Ektar 178mm f/2.5
Read the Rollei Superpan review and experimentation guide
Transition 03
Shot on Rollei Superpan 200 at EI 200
Black and white negative film shot as 6×6
Hasselblad 2000 + Kodak Aero Ektar 178mm f/2.5
Read the Rollei Superpan review and experimentation guide
Transition 02
Shot on Rollei Superpan 200 at EI 200
Black and white negative film shot as 6×6
Hasselblad 2000 + Kodak Aero Ektar 178mm f/2.5
Read the Rollei Superpan review and experimentation guide
Transition 01
Shot on Rollei Superpan 200 at EI 200
Black and white negative film shot as 6×6
Hasselblad 2000FCW + Kodak Aero Ektar 178mm f/2.5
Read the Rollei Superpan review and experimentation guide
Veins #02
Shot on Rollei Superpan 200 at EI 200
Black and white negative film in 120 format shot as 6×6
Hasselblad 2000 + Kodak Aero Ektar 178mm f/2.5
Read the Rollei Superpan 200 review and experimentation guide.
 
One down
Shot on Rollei Superpan 200 at EI 200
Black and white negative film in 120 format shot as 6×6
Hasselblad 2000 + Kodak Aero Ektar 178mm f/2.5
Read the Rollei Superpan 200 review and experimentation guide.
 
Bathed in light
Shot on Rollei Superpan 200 at EI 3
Black and white negative film in 120 format shot as 6×6
R72 filter
Read the Rollei Superpan 200 review and experimentation guide.
What would film photography be without the experimentation aspect? Sticking to box speeds, recommended developers and “the right way” of doing things is boring
10.
Venn
Shot on Rollei Superpan 200 at EI 200
Black and white negative film in 120 format shot as 6×6
Black and white reversal development
Read the full Rollei Superpan 200 review here…and don’t forget the experimentation guide!
 
Welcome to this week’s EMULSIVE interview!
Today’s interviewee is someone a few of you may have heard of and to be frank, it’s been a bit of headache to put together.
Creep
Rollei Superpan 200 shot at EI 3
Black and white film in 120 format shot as 6×6
R72 filter
Read the full Rollei Superpan 200 review here…and don’t forget the experimentation guide!
Mannequin parade
Rollei Superpan 200 shot at EI 3
Black and white film in 120 format shot as 6×6
R72 720mn infrared filter
Read the full Rollei Superpan 200 review here…and don’t forget the experimentation guide!
 
Waiting zone Rollei Superpan 200 shot at ISO3 Black and white negative film in 120 format shot as 6×4.5 R72 720mn infrared filter Read the … Read more
Infra-shroom Rollei Superpan 200 shot at EI 3 Black and white negative film in 120 format shot as 6×4.5 R72 720mn infrared filter Read the … Read more
Given the elbow
Shot on Rollei Superpan 200 at EI 400
Black and white negative film in 120 format shot as 6×6
Hasselblad 2000 + Zodiak-B 30/3.5 fisheye
Read the full Rollei Superpan 200 review here…and don’t forget the experimentation
On the meter
Rollei Superpan 200 shot at EI 400
Black and white negative film in 120 format shot at 6×6
Read the full Rollei Superpan 200 review here…and don’t forget the experimentation guide!
