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EMULSIVE’s most popular film photography experimentation articles of 2018

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Life would be boring without experimentation and this fifth article for 2018's lazy post listicles should help you scratch that itch...or not. Either way, it's here. Comparing Fujifilm Acros to… Fujifilm Acros - READ Crank Case - Minolta XD7
Articles

Every single film stock still made today – Part 5: Oriental...

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Update 02: 2018-09-20 Welcome to part five of this series exploring every single film stock (including instant film, dry plates, etc.), still being made today.
Transition 05 - Shot on Rollei Superpan 200 at EI 200. Black and white negative film shot as 6x6. Hasselblad 2000 + Kodak Aero Ektar 178.
Medium format

Photography: Transition 05 – Shot on Rollei Superpan 200 at EI...

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Transition 05 Shot on Rollei Superpan 200 at EI 200 Black and white negative film shot as 6x6 Hasselblad 2000 + Kodak Aero Ektar 178mm f/2.5 Read the Rollei Superpan review and experimentation guide      
Transition 04 - Shot on Rollei Superpan 200 at EI 200. Black and white negative film shot as 6x6. Hasselblad 2000 + Kodak Aero Ektar 178.
Medium format

Photography: Transition 04 – Shot on Rollei Superpan 200 at EI...

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Transition 04 Shot on Rollei Superpan 200 at EI 200 Black and white negative film shot as 6x6 Hasselblad 2000 + Kodak Aero Ektar 178mm f/2.5 Read the Rollei Superpan review and experimentation guide      
Transition 03 - Shot on Rollei Superpan 200 at EI 200. Black and white negative film shot as 6x6. Hasselblad 2000 + Kodak Aero Ektar 178.
Medium format

Photography: Transition 03 – Shot on Rollei Superpan 200 at EI...

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Transition 03 Shot on Rollei Superpan 200 at EI 200 Black and white negative film shot as 6x6 Hasselblad 2000 + Kodak Aero Ektar 178mm f/2.5 Read the Rollei Superpan review and experimentation guide      
Transition 02 - Shot on Rollei Superpan 200 at EI 200. Black and white negative film shot as 6x6. Hasselblad 2000 + Kodak Aero Ektar 178.
Medium format

Photography: Transition 02 – Shot on Rollei Superpan 200 at EI...

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Transition 02 Shot on Rollei Superpan 200 at EI 200 Black and white negative film shot as 6x6 Hasselblad 2000 + Kodak Aero Ektar 178mm f/2.5 Read the Rollei Superpan review and experimentation guide      
Transition 01 - Shot on Rollei Superpan 200 at EI 200. Black and white negative film shot as 6x6. Hasselblad 2000 + Kodak Aero Ektar 178.
Medium format

Photography: Transition 01 – Shot on Rollei Superpan 200 at EI...

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Transition 01 Shot on Rollei Superpan 200 at EI 200 Black and white negative film shot as 6x6 Hasselblad 2000FCW + Kodak Aero Ektar 178mm f/2.5 Read the Rollei Superpan review and experimentation guide    
Veins 02 - Shot on Rollei Superpan 200 at EI 200. Black and white negative film in 120 format shot as 6x6. Hasselblad 2000 + Kodak Aero Ektar 178
Medium format

Photography: Veins #02 – Shot on Rollei Superpan 200 at EI...

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Veins #02 Shot on Rollei Superpan 200 at EI 200 Black and white negative film in 120 format shot as 6x6 Hasselblad 2000 + Kodak Aero Ektar 178mm f/2.5 Read the Rollei Superpan 200 review and experimentation guide.    
One down - Shot on Rollei Superpan 200 at EI 200. Black and white negative film in 120 format shot as 6x6. Hasselblad 2000 + Kodak Aero Ektar 178
Medium format

Photography: One down – Shot on Rollei Superpan 200 at EI...

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One down Shot on Rollei Superpan 200 at EI 200 Black and white negative film in 120 format shot as 6x6 Hasselblad 2000 + Kodak Aero Ektar 178mm f/2.5 Read the Rollei Superpan 200 review and experimentation guide.    
Bathed in light - Shot on Rollei Superpan 200 at EI 3. Black and white negative film in 120 format shot as 6x6. R72 filter.
Medium format

Photography: Bathed in light – Shot on Rollei Superpan 200 at...

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Bathed in light Shot on Rollei Superpan 200 at EI 3 Black and white negative film in 120 format shot as 6x6 R72 filter Read the Rollei Superpan 200 review and experimentation guide.          
Articles

EMULSIVE's most popular film photography experimentation articles of 2017

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What would film photography be without the experimentation aspect? Sticking to box speeds, recommended developers and "the right way" of doing things is boring     10.
Venn Shot on Rollei Superpan 200 at EI 200. Black and white negative film in 120 format shot as 6x6. Black and white reversal development.
Medium format

Photography: Venn – Shot on Rollei Superpan 200 at EI 200...

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Venn Shot on Rollei Superpan 200 at EI 200 Black and white negative film in 120 format shot as 6x6 Black and white reversal development Read the full Rollei Superpan 200 review here...and don't forget the experimentation guide!    
Madison Falls, Yellowstone National Park - Kodak AEROCHROME III 1443 shot at EI 400. Color infrared aerial surveillance film in 120 format shot as 6x12. Shot with #21 orange filter.
Film Photographer Interviews

EMULSIVE interview #132: I am #EMULSIVE and this is why I...

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Welcome to this week's EMULSIVE interview! Today's interviewee is someone a few of you may have heard of and to be frank, it's been a bit of headache to put together.
Creep - Rollei Superpan 200 shot at EI 3 with R72 filter. Black and white film in 120 format shot as 6x6.
Medium format

Photography: Creep – Shot on Rollei Superpan 200 at EI 3...

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Creep Rollei Superpan 200 shot at EI 3 Black and white film in 120 format shot as 6x6 R72 filter Read the full Rollei Superpan 200 review here...and don't forget the experimentation guide!    
Mannequin parade - Rollei Superpan 200 shot at EI 3 with R72 filter. Black and white film in 120 format shot as 6x6.
Medium format

Photography: Mannequin parade – Shot on Rollei Superpan 200 at EI...

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Mannequin parade Rollei Superpan 200 shot at EI 3 Black and white film in 120 format shot as 6x6 R72 720mn infrared filter Read the full Rollei Superpan 200 review here...and don't forget the experimentation guide!        
Waiting zone - Rollei Superpan 200 shot at ISO3. Black and white negative film in 120 format shot as 6x4.5. R72 720mn infrared filter.
Medium format

Photography: Waiting zone – Shot on Rollei Superpan 200 at EI...

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Waiting zone Rollei Superpan 200 shot at ISO3 Black and white negative film in 120 format shot as 6x4.5 R72 720mn infrared filter Read the full Rollei Superpan...
Infra-shroom - Rollei Superpan 200 shot at ISO3. Black and white negative film in 120 format shot as 6x4.5. R72 720mn infrared filter.
Medium format

Photography: Infra-shroom – Shot on Rollei Superpan 200 at EI 3...

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Infra-shroom Rollei Superpan 200 shot at EI 3 Black and white negative film in 120 format shot as 6x4.5 R72 720mn infrared filter Read the full Rollei Superpan...
Given the elbow - Rollei Superpan 200 shot at ISO400 Black and white negative film in 120 format shot as 6x6 Zodiak-B 30/3.5 fisheye
Medium format

Photography: Given the elbow – Shot on Rollei Superpan 200 at...

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Given the elbow Shot on Rollei Superpan 200 at EI 400 Black and white negative film in 120 format shot as 6x6 Hasselblad 2000 + Zodiak-B 30/3.5 fisheye Read the full Rollei Superpan 200 review here...and don't forget the experimentation
On the meter - Rollei Superpan 200
Medium format

Photography: On the meter – Shot on Rollei Superpan 200 at...

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On the meter Rollei Superpan 200 shot at EI 400 Black and white negative film in 120 format shot at 6x6 Read the full Rollei Superpan 200 review here...and don't forget the experimentation guide!      
Rollei Superpan 200
Film Notes

Film notes: Rollei Superpan 200

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Following on from my review and experimentation guide, here's a quick reference for Rollei Superpan 200.
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