Rollei Superpan 200
EMULSIVE’s most popular film photography experimentation articles of 2018
Life would be boring without experimentation and this fifth article for 2018's lazy post listicles should help you scratch that itch...or not.
Either way, it's here.
Comparing Fujifilm Acros to… Fujifilm Acros - READ
Crank Case - Minolta XD7
Every single film stock still made today – Part 5: Oriental to Rollei (v3)
Update 02: 2018-09-20
Welcome to part five of this series exploring every single film stock (including instant film, dry plates, etc.), still being made today.
Photography: Transition 05 – Shot on Rollei Superpan 200 at EI 200 (120 format)
Transition 05
Shot on Rollei Superpan 200 at EI 200
Black and white negative film shot as 6x6
Hasselblad 2000 + Kodak Aero Ektar 178mm f/2.5
Read the Rollei Superpan review and experimentation guide
Photography: Transition 04 – Shot on Rollei Superpan 200 at EI 200 (120 format)
Transition 04
Shot on Rollei Superpan 200 at EI 200
Black and white negative film shot as 6x6
Hasselblad 2000 + Kodak Aero Ektar 178mm f/2.5
Read the Rollei Superpan review and experimentation guide
Photography: Transition 03 – Shot on Rollei Superpan 200 at EI 200 (120 format)
Transition 03
Shot on Rollei Superpan 200 at EI 200
Black and white negative film shot as 6x6
Hasselblad 2000 + Kodak Aero Ektar 178mm f/2.5
Read the Rollei Superpan review and experimentation guide
Photography: Transition 02 – Shot on Rollei Superpan 200 at EI 200 (120 format)
Transition 02
Shot on Rollei Superpan 200 at EI 200
Black and white negative film shot as 6x6
Hasselblad 2000 + Kodak Aero Ektar 178mm f/2.5
Read the Rollei Superpan review and experimentation guide
Photography: Transition 01 – Shot on Rollei Superpan 200 at EI 200 (120 format)
Transition 01
Shot on Rollei Superpan 200 at EI 200
Black and white negative film shot as 6x6
Hasselblad 2000FCW + Kodak Aero Ektar 178mm f/2.5
Read the Rollei Superpan review and experimentation guide
Photography: Veins #02 – Shot on Rollei Superpan 200 at EI 200 (120 format)
Veins #02
Shot on Rollei Superpan 200 at EI 200
Black and white negative film in 120 format shot as 6x6
Hasselblad 2000 + Kodak Aero Ektar 178mm f/2.5
Read the Rollei Superpan 200 review and experimentation guide.
Photography: One down – Shot on Rollei Superpan 200 at EI 200 (120 format)
One down
Shot on Rollei Superpan 200 at EI 200
Black and white negative film in 120 format shot as 6x6
Hasselblad 2000 + Kodak Aero Ektar 178mm f/2.5
Read the Rollei Superpan 200 review and experimentation guide.
Photography: Bathed in light – Shot on Rollei Superpan 200 at EI 3 (120 format)
Bathed in light
Shot on Rollei Superpan 200 at EI 3
Black and white negative film in 120 format shot as 6x6
R72 filter
Read the Rollei Superpan 200 review and experimentation guide.
EMULSIVE's most popular film photography experimentation articles of 2017
What would film photography be without the experimentation aspect? Sticking to box speeds, recommended developers and "the right way" of doing things is boring
10.
Photography: Venn – Shot on Rollei Superpan 200 at EI 200 (120 format)
Venn
Shot on Rollei Superpan 200 at EI 200
Black and white negative film in 120 format shot as 6x6
Black and white reversal development
Read the full Rollei Superpan 200 review here...and don't forget the experimentation guide!
EMULSIVE interview #132: I am #EMULSIVE and this is why I shoot film
Welcome to this week's EMULSIVE interview!
Today's interviewee is someone a few of you may have heard of and to be frank, it's been a bit of headache to put together.
Photography: Creep – Shot on Rollei Superpan 200 at EI 3 (120 format)
Creep
Rollei Superpan 200 shot at EI 3
Black and white film in 120 format shot as 6x6
R72 filter
Read the full Rollei Superpan 200 review here...and don't forget the experimentation guide!
Photography: Mannequin parade – Shot on Rollei Superpan 200 at EI 3 (120 format)
Mannequin parade
Rollei Superpan 200 shot at EI 3
Black and white film in 120 format shot as 6x6
R72 720mn infrared filter
Read the full Rollei Superpan 200 review here...and don't forget the experimentation guide!
Photography: Waiting zone – Shot on Rollei Superpan 200 at EI 3 (120 format)
Waiting zone
Rollei Superpan 200 shot at ISO3
Black and white negative film in 120 format shot as 6x4.5
R72 720mn infrared filter
Read the full Rollei Superpan...
Photography: Infra-shroom – Shot on Rollei Superpan 200 at EI 3 (120 format)
Infra-shroom
Rollei Superpan 200 shot at EI 3
Black and white negative film in 120 format shot as 6x4.5
R72 720mn infrared filter
Read the full Rollei Superpan...
Photography: Given the elbow – Shot on Rollei Superpan 200 at EI 3 (120 format)
Given the elbow
Shot on Rollei Superpan 200 at EI 400
Black and white negative film in 120 format shot as 6x6
Hasselblad 2000 + Zodiak-B 30/3.5 fisheye
Read the full Rollei Superpan 200 review here...and don't forget the experimentation
Photography: On the meter – Shot on Rollei Superpan 200 at EI 400 (120 format)
On the meter
Rollei Superpan 200 shot at EI 400
Black and white negative film in 120 format shot at 6x6
Read the full Rollei Superpan 200 review here...and don't forget the experimentation guide!
Film notes: Rollei Superpan 200
Following on from my review and experimentation guide, here's a quick reference for Rollei Superpan 200.
