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Home » Rollei Superpan 200 » Page 2

Tag: Rollei Superpan 200

On the meter - Rollei Superpan 200
Posted inMedium format, Photography

Photography: On the meter – Shot on Rollei Superpan 200 at EI 400 (120 format)

Avatar - EMby EMAugust 10, 2015October 16, 2020

On the meter
Rollei Superpan 200 shot at EI 400
Black and white negative film in 120 format shot at 6×6
Read the full Rollei Superpan 200 review here…and don’t forget the experimentation guide!
 

 
 

Rollei Superpan 200
Posted inRollei Film Stock Reviews

Film notes: Rollei Superpan 200

Avatar - EMby EMJuly 13, 2015October 16, 2020

Following on from my review and experimentation guide, here’s a quick reference for Rollei Superpan 200.

Cover - Experimentation Guide - Rollei Superpan 200
Posted inRollei Film Stock Reviews

Experimenting with Rollei Superpan 200 (with bonus infrared)

Avatar - EMby EMJuly 3, 2015October 16, 2020

Today I’ve decided to give you all a look at the kind of results you can expect from Rollei’s Superpan 200 black and white film in 120 format.

Fixed motion - Rollei Superpan 200 (120)
Posted inMedium format, Photography

Photography: Fixed motion – Shot on Rollei Superpan 200 at EI 400 (120 format)

Avatar - EMby EMJune 30, 2015October 16, 2020

Fixed motion
Shot on Rollei Superpan 200 at EI 400.
Black and white negative film in 120 format shot as 6×6.
Push processed one stop.
Read the full Rollei Superpan 200 review here…and don’t forget the experimentation guide!
 

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Cover - Film Review - Rollei Superpan 200
Posted inRollei Film Stock Reviews

Film stock review: Rollei Superpan 200 black and white negative film in 35mm and 120 format

Avatar - EMby EMJune 2, 2015August 28, 2021

Welcome to this review of Rollei Superpan 200 black and white film in 120 format.

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Photography: Gone fisheye-ing – Shot on Kodak Portra 400 at EI 400 (120 format)
Cup holder as standard - Shot on ILFORD HP5 PLUS at EI 400. Black and white negative film in 120 format shot as 6x9. Fuji GW690III + EBC Fujinon 90mm f/3.5.
Photography: Cup holder as standard – Shot on ILFORD HP5 PLUS at EI 400 (120 format)
Harmony Borax Works - Kodak Pro 400 MC 6059 shot at EI 320. Color negative film in 120 format shot as 6×12. Graflex Speed Graphic. Kodak Aero Ektar 178-2.5. 6×12 film back.
Photography: Harmony Borax Works – Kodak Pro 400 MC 6059 shot at EI 320 (120)
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Photography: Let the light shine – FILM Ferrania P30 Alpha (35mm)
All bunched up - Fuji Provia 100F (RDP III) shot at EI 200. Color reversal (slide) film in 120 format shot as 6x6. 30mm fisheye. Push processed one stop.
Photography: All bunched up – Fuji Provia 100F – RDP III (120)
Transition 04 - Shot on Rollei Superpan 200 at EI 200. Black and white negative film shot as 6x6. Hasselblad 2000 + Kodak Aero Ektar 178.
Photography: Transition 04 – Shot on Rollei Superpan 200 at EI 200 (120 format)
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