I know, I know… We’re all fed up with all of these gas station photos all over Instagram but trust me, none of these photos were shot on CineStill 800T film, yet the results were very interesting! It all started when I went on a different route to work other than my usual, and doesn’t […]
Tag: Fujifilm FUJICHROME Provia 100F (RDP III)
Posted inPhotography
Photography: Power up – Shot on Fuji Provia 100F (RDP III) at EI 100 (120 format)
Shot on Fuji Provia 100F (RDP III) at EI 100Color reversal (slide) film in 120 format shot as 6x6Cross processed in C-41 ChemistryHasselblad 2000FCW + Hasselblad Planar F 80mm f/2.8 Read the Fuji Provia 100F (RDP III) review here.Read the Fuji Provia 100F (RDP III) cross processing and push processing guide here. Power-up – Shot on Fuji Provia 100F (RDP III) at EI […]
Posted inPhotography
Photography: It can wait – Shot on Fuji Provia 100F (RDP III) at EI 100 (120 format)
Shot on Fuji Provia 100F (RDP III) at EI 100Color reversal (slide) film in 120 format shot as 6x6Cross processed in C-41 ChemistryHasselblad 2000FCW + Hasselblad Planar F 80mm f/2.8 Read the Fuji Provia 100F (RDP III) review here.Read the Fuji Provia 100F (RDP III) cross processing and push processing guide here. It can wait – Shot on Fuji Provia 100F (RDP […]
Posted inMedium format
Photography: Welcome – Shot on Fuji Provia 100F (RDP III) at EI 100 (120 format)
Shot on Fuji Provia 100F (RDP III) at EI 100Color reversal (slide) film in 120 format shot as 6x6Cross processed in C-41 ChemistryHasselblad 2000FCW + Hasselblad Planar F 80mm f/2.8 Read the Fuji Provia 100F (RDP III) review here.Read the Fuji Provia 100F (RDP III) cross processing and push processing guide here. Welcome – Shot on Fuji Provia 100F (RDP III) at EI […]
Posted inArticles
My return to film: Roy Shiro
Many photographers look back at their work at the end of the year, to assess, critique, and, if you’re like me, to convince themselves that they’re moving forward with their work. This year was a bit different in some respects for me, as the end of the year marks the one-year anniversary of my move […]
Posted inMedium format
Photography: Tear it down, tear it all down – Shot on Fuji Provia 100F (RDP III) at EI 100 (120 format)
Shot on Fuji Provia 100F (RDP III) at EI 100Color reversal (slide) film in 120 format shot as 6x6Cross processed in C-41 ChemistryHasselblad 2000FCW + Hasselblad Planar F 80mm f/2.8 Read the Fuji Provia 100F (RDP III) review here.Read the Fuji Provia 100F (RDP III) cross processing and push processing guide here.
Posted inNews
Discontinuation notice: Fujichrome Velvia 50 slide film in 4×5″ and 8×10″, and 120 format Fujicolor Pro 160NS
Fujifilm Japan has just announced the global discontinuation of Fujichrome Velvia 50 slide film in 4×5″ and 8×10″ large formats, and 120 format Fujicolor 160NS Professional colour negative film. Coming hot on the heels of the July 2021 ban of the sale and processing of Fujichrome Velvia 100 in the United States, the notice is effective […]
Posted inPhotography
Photography: Failing light – Shot on Fuji Provia 100F (RDP III) at EI 100 (4×5 format)
Autumn glow Shot on Fuji Provia 100F (RDP III) at EI 100Color reversal (slide) film in 4×5 formatAEROgraphic: Kodak Aero Ektar 7″ (178mm) f/2.5 + Graflex Pacemaker Speed Graphic Read the Fuji Provia 100F (RDP III) review here. Failing light – Shot on Fuji Provia 100F (RDP III) at EI 100 (4×5 format) – Color reversal (slide) film in 4×5 […]
Posted in5 Frames...
5 Frames… Of barely expired Fujifilm Provia 100F (35mm Format / EI 100 / Pentax K-1000 + SMC Pentax-M 50mm f/2.0)
I didn’t know what to expect after purchasing a roll of just barely expired but heavily discounted Provia 100F. It would be my first time shooting a slide film, all I knew was nail my exposure and I’d be rewarded with beautiful and detailed images. With this in mind, I proceeded to load the roll […]
Posted inFeatured, Film Photographer Interviews, Interviews
EMULSIVE Interview #225: I am Andrea Bianchi and this is why I shoot film
Say hello to Andrea Bianchi; Surfer, extreme sports photographer, photo editor and portraitist based in one of the most beautiful parts of the world. Andrea and I have been crossing paths for 18 months now and I’m glad to finally be able to bring his interview to you. Settle in, this is going to be […]
Posted in5 Frames..., Articles
5 Frames… Of lightning on Fuji Provia 100F (120 Format / EI 100 / Hasselblad 500CM + Carl Zeiss Distagon CF 50mm f/4
It was around 9 o’clock in the evening when I was walking the coast of Thessaloniki in order to capture some long exposures of the ships with one of my friends. I was had my Hasselblad 500CM loaded with a Fuji Provia 100F and was searching for the ideal place to set our tripods. My […]
Posted inArticles
My first roll… Of slide film: Fujifilm Provia 100F in a Rolleicord III
A quick word on my photographic origins, a hiatus, and creative evolution: I started with film photography in the late-1990’s to early-2000’s, self-teaching the basics of exposure and composition on a Nikon F65 SLR. I shot that camera for a few years, fairly religiously, though not very seriously. Then, for some (no?) reason, perhaps around 2005, […]
Posted inFilm Photographer Interviews
EMULSIVE Interview #220: I am Frank Thorp V and this is why I shoot film
Today’s interviewee is a busy man, he’s a producer and off-air reporter covering the US Congress for NBC News, past Chairman of the Radio & Television Correspondents Association on Capitol Hill, oh and a film photographer who also happens to shoot some of our favourite film stocks (and cameras) while doing the day job. Looking […]
Posted in5 Frames..., Articles
5 Frames… From psychedelic expired Fujifilm Provia 100F (EI 100 / 120 format / EI 100 / Rolleiflex Automat 6×6 – Model K4/50)
Photography with expired film is always an adventure that I relish. I set my expectations low and hope for something interesting. Especially when I further add the unexpected color shifts that result from cross processing. I had a roll of expired (1999) Fujifilm Provia 100 E6 slide film that I wanted to use up. Since […]
Posted inFilm Photographer Interviews
EMULSIVE interview #210: I am Carlos Lopez Medrano and this is why I shoot film
Welcome to 2020 here on EMULSIVE! I hope you all had a peaceful ringing in of the new year. For my part, I was in bed ten minutes after the fireworks finished. I’m pleased to be able to kick off the year off with my first film photographer interview of 2020: number 210 to be […]
Posted inLarge format
Photography: Autumn glow – Shot on Fuji Provia 100F (RDP III) at EI 100 (4×5 format)
Autumn glow Shot on Fuji Provia 100F (RDP III) at EI 100Color reversal (slide) film in 4×5 formatAEROgraphic: Kodak Aero Ektar 7″ (178mm) f/2.5 + Graflex Pacemaker Speed Graphic Read the Fuji Provia 100F (RDP III) review here.
Posted inArticles
Packing light for the Congo: Two countries, one river, eight film stocks
My travel assignments require me to create strong imagery that can be quickly and seamlessly integrated into a digital workflow, which is why my primary work camera is almost always a digital body. While I love the consistently excellent results that I have been able to get with digital cameras, I have missed the beautiful […]
Posted inOpinion
Film vs digital? It’s a pointless debate: photographing the Northern Lights on both
The debate pitting traditional film vs digital photography and which is superior has been going on over a decade – more than two depending on how you count it. It was as pointless then as it is now, simply because — in my opinion — both see the world differently. Photographic film sees the fluidity […]
Posted inArticles, Travelogue
Travelogue: Walking through Europe captured on film Prague to Lugoj
To take you on this journey, I’m sharing with you my contact sheets and pulling out a few of the finished photographs from each.
Posted inArticles, Featured, Featured projects
Saxonvale: two years documenting a brownfield industrial site
This is the story of a photo project which started on a whim and grew into something far bigger than I’d imagined. Fingers crossed it’s not finished yet, but more on that later.
