EMULSIVE Interview #220: I am Frank Thorp V and this is why I shoot film
Today’s interviewee is a busy man, he’s a producer and off-air reporter covering the US Congress for NBC News, past Chairman of the Radio & … Read more
5 Frames… From psychedelic expired Fujifilm Provia 100F (EI 100 / 120 format / EI 100 / Rolleiflex Automat 6×6 – Model K4/50) – by George Quiroga
Photography with expired film is always an adventure that I relish. I set my expectations low and hope for something interesting. Especially when I further … Read more
EMULSIVE interview #210: I am Carlos Lopez Medrano and this is why I shoot film
Welcome to 2020 here on EMULSIVE! I hope you all had a peaceful ringing in of the new year. For my part, I was in … Read more
Photography: Autumn glow – Shot on Fuji Provia 100F (RDP III) at EI 100 (4×5 format)
Autumn glow Shot on Fuji Provia 100F (RDP III) at EI 100Color reversal (slide) film in 4×5 formatAEROgraphic: Kodak Aero Ektar 7″ (178mm) f/2.5 + Graflex Pacemaker … Read more
Packing light for the Congo: Two countries, one river, eight film stocks
My travel assignments require me to create strong imagery that can be quickly and seamlessly integrated into a digital workflow, which is why my primary … Read more
Film vs digital? It’s a pointless debate: photographing the Northern Lights on both
The debate pitting traditional film vs digital photography and which is superior has been going on over a decade – more than two depending on … Read more
Travelogue: Walking through Europe captured on film Prague to Lugoj – by Tom Pinnegar
To take you on this journey, I’m sharing with you my contact sheets and pulling out a few of the finished photographs from each.
Saxonvale: two years documenting a brownfield industrial site – by Tim Gander
This is the story of a photo project which started on a whim and grew into something far bigger than I’d imagined. Fingers crossed it’s not finished yet, but more on that later.
EMULSIVE’s most popular film photography experimentation articles of 2018
Life would be boring without experimentation and this fifth article for 2018’s lazy post listicles should help you scratch that itch…or not.
Either way, it’s here.
Comparing Fujifilm Acros to… Fujifilm Acros – READ
Crank Case – Minolta XD7
EMULSIVE’s most popular film stock reviews of 2018
It’s the fourth article in 2018’s end-of-year lazy post, this time counting down the most popular film reviews here on EMULSIVE over the course of 2018.
Ready?
Photography: On point – Shot on Fuji Provia 100F RDP III at EI 100 (120 format)
On point
Shot on Fuji Provia 100F (RDP III) at EI 100.
Color reversal (slide) film in 120 format shot as 6×6.
Cross processed.
Photography: Wow, what a difference! – Shot on Fuji Provia 100F RDP III at EI 100 (120 format)
Wow, what a difference!
Shot on Fuji Provia 100F (RDP III) at EI 100.
Color reversal (slide) film in 120 format shot as 6×6.
Cross processed.
Photography: My spot – Shot on Fuji Provia 100F RDP III at EI 100 (120 format)
My spot
Shot on Fuji Provia 100F (RDP III
5 Frames… With Fuji Provia 100F RDPIII (EI 400 / 120 format / XPRO / Mamiya C220) – by Thomas Bell
I don’t shoot as much E6 film as I want to. Part of it is that I love the ease and practicality of B/W, and the other is I’m too cheap to send my rolls to a lab.
Photography: Bound – Shot on Fuji Provia 100F RDP III at EI 100 (35mm format)
Bound
Shot on Fuji Provia 100F (RDP
Photography: Tussled – Shot on Fuji Provia 100F RDP III at EI 100 (35mm format)
Tussled
Shot on Fuji Provia 100F (RDP
My Fuji slide affair – by Denys Trofimchuk
I have always had a love/hate relationship with color film.
5 Frames… With Fuji Provia 100F RDP III (35mm / EI 100 / Minolta X-700) – by Lauri Johan Lind
In 2018, E-6 Processing is expensive. I shot this roll back in April and after shooting it, it sat in my freezer for 2 months, because I can’t afford to get too many rolls of E-6 processed at once.
Photography: Three – Shot on Fuji Provia 100F RDPIII at EI 100 (format)
Three
Shot on Fuji Provia 100F RDPIII at EI 100
Color reversal (slide) film in 120 format shot as 6×6
Photography: Hello…follow me – Shot on Fuji Provia 100F RDPIII at EI 100 (120 Format)
Hello…follow me
Shot on Fuji Provia 100F RDPIII at EI 100
Color reversal (slide) film in 120 format shot as 6×6
