It was around 9 o’clock in the evening when I was walking the coast of Thessaloniki in order to capture some long exposures of the …
A quick word on my photographic origins, a hiatus, and creative evolution: I started with film photography in the late-1990’s to early-2000’s, self-teaching the basics …
Today’s interviewee is a busy man, he’s a producer and off-air reporter covering the US Congress for NBC News, past Chairman of the Radio & …
Photography with expired film is always an adventure that I relish. I set my expectations low and hope for something interesting. Especially when I further …
Welcome to 2020 here on EMULSIVE! I hope you all had a peaceful ringing in of the new year. For my part, I was in …
Autumn glow Shot on Fuji Provia 100F (RDP III) at EI 100Color reversal (slide) film in 4×5 formatAEROgraphic: Kodak Aero Ektar 7″ (178mm) f/2.5 + Graflex Pacemaker …
My travel assignments require me to create strong imagery that can be quickly and seamlessly integrated into a digital workflow, which is why my primary …
The debate pitting traditional film vs digital photography and which is superior has been going on over a decade – more than two depending on …
To take you on this journey, I’m sharing with you my contact sheets and pulling out a few of the finished photographs from each.
This is the story of a photo project which started on a whim and grew into something far bigger than I’d imagined. Fingers crossed it’s not finished yet, but more on that later.
Life would be boring without experimentation and this fifth article for 2018’s lazy post listicles should help you scratch that itch…or not.
Either way, it’s here.
Comparing Fujifilm Acros to… Fujifilm Acros – READ
Crank Case – Minolta XD7
It’s the fourth article in 2018’s end-of-year lazy post, this time counting down the most popular film reviews here on EMULSIVE over the course of 2018.
Ready?
On point
Shot on Fuji Provia 100F (RDP III) at EI 100.
Color reversal (slide) film in 120 format shot as 6×6.
Cross processed.
Wow, what a difference!
Shot on Fuji Provia 100F (RDP III) at EI 100.
Color reversal (slide) film in 120 format shot as 6×6.
Cross processed.
My spot
Shot on Fuji Provia 100F (RDP III
I don’t shoot as much E6 film as I want to. Part of it is that I love the ease and practicality of B/W, and the other is I’m too cheap to send my rolls to a lab.
Bound
Shot on Fuji Provia 100F (RDP
Tussled
Shot on Fuji Provia 100F (RDP
I have always had a love/hate relationship with color film.
In 2018, E-6 Processing is expensive. I shot this roll back in April and after shooting it, it sat in my freezer for 2 months, because I can’t afford to get too many rolls of E-6 processed at once.
