Fujifilm FUJICHROME Provia 100F (RDP III)

The Party of Trump - Graflex Speed Graphic, ILFORD HP5 PLUS

EMULSIVE Interview #220: I am Frank Thorp V and this is why I shoot film

Today’s interviewee is a busy man, he’s a producer and off-air reporter covering the US Congress for NBC News, past Chairman of the Radio & …

Read moreEMULSIVE Interview #220: I am Frank Thorp V and this is why I shoot film

My Rolleiflex Automat 6x6 - Model K4 / 50 - George Quiroga

5 Frames… From psychedelic expired Fujifilm Provia 100F (EI 100 / 120 format / EI 100 / Rolleiflex Automat 6×6 – Model K4/50) – by George Quiroga

Photography with expired film is always an adventure that I relish. I set my expectations low and hope for something interesting. Especially when I further …

Read more5 Frames… From psychedelic expired Fujifilm Provia 100F (EI 100 / 120 format / EI 100 / Rolleiflex Automat 6×6 – Model K4/50) – by George Quiroga

Carlos Lopez Medrano - Self, Hasselblad 2003FCW, ILFORD FP4 PLUS

EMULSIVE interview #210: I am Carlos Lopez Medrano and this is why I shoot film

Welcome to 2020 here on EMULSIVE! I hope you all had a peaceful ringing in of the new year. For my part, I was in …

Read moreEMULSIVE interview #210: I am Carlos Lopez Medrano and this is why I shoot film

Autumn glow - Shot on Fuji Provia 100F (RDP III) at EI 100. Color reversal (slide) film in 4x5 format.

Photography: Autumn glow – Shot on Fuji Provia 100F (RDP III) at EI 100 (4×5 format)

Autumn glow Shot on Fuji Provia 100F (RDP III) at EI 100Color reversal (slide) film in 4×5 formatAEROgraphic: Kodak Aero Ektar 7″ (178mm) f/2.5 + Graflex Pacemaker …

Read morePhotography: Autumn glow – Shot on Fuji Provia 100F (RDP III) at EI 100 (4×5 format)

Packing light for the Congo: Two countries, one river, eight film stocks

Packing light for the Congo: Two countries, one river, eight film stocks

My travel assignments require me to create strong imagery that can be quickly and seamlessly integrated into a digital workflow, which is why my primary …

Read morePacking light for the Congo: Two countries, one river, eight film stocks

Film vs digital? It's a pointless debate: photographing the Northern Lights

Film vs digital? It’s a pointless debate: photographing the Northern Lights on both

The debate pitting traditional film vs digital photography and which is superior has been going on over a decade – more than two depending on …

Read moreFilm vs digital? It’s a pointless debate: photographing the Northern Lights on both

EMULSIVE’s most popular film photography experimentation articles of 2018

Life would be boring without experimentation and this fifth article for 2018’s lazy post listicles should help you scratch that itch…or not.

Either way, it’s here.

Comparing Fujifilm Acros to… Fujifilm Acros – READ

Crank Case – Minolta XD7

EMULSIVE's most popular film stock reviews of 2018

EMULSIVE’s most popular film stock reviews of 2018

It’s the fourth article in 2018’s end-of-year lazy post, this time counting down the most popular film reviews here on EMULSIVE over the course of 2018.

Ready?

Hello...follow me - Shot on Fuji Provia 100F RDPIII at EI 100. Color reversal (slide) film in 120 format shot as 6x6.

Photography: Hello…follow me – Shot on Fuji Provia 100F RDPIII at EI 100 (120 Format)

Hello…follow me

Shot on Fuji Provia 100F RDPIII at EI 100
Color reversal (slide) film in 120 format shot as 6×6