Life would be boring without experimentation and this fifth article for 2018’s lazy post listicles should help you scratch that itch…or not.
Either way, it’s here.
Comparing Fujifilm Acros to… Fujifilm Acros – READ
Crank Case – Minolta XD7
Life would be boring without experimentation and this fifth article for 2018’s lazy post listicles should help you scratch that itch…or not.
Either way, it’s here.
Comparing Fujifilm Acros to… Fujifilm Acros – READ
Crank Case – Minolta XD7
It’s the fourth article in 2018’s end-of-year lazy post, this time counting down the most popular film reviews here on EMULSIVE over the course of 2018.
Ready?
On point
Shot on Fuji Provia 100F (RDP III) at EI 100.
Color reversal (slide) film in 120 format shot as 6×6.
Cross processed.
Wow, what a difference!
Shot on Fuji Provia 100F (RDP III) at EI 100.
Color reversal (slide) film in 120 format shot as 6×6.
Cross processed.
My spot
Shot on Fuji Provia 100F (RDP III
I don’t shoot as much E6 film as I want to. Part of it is that I love the ease and practicality of B/W, and the other is I’m too cheap to send my rolls to a lab.
Bound
Shot on Fuji Provia 100F (RDP
Tussled
Shot on Fuji Provia 100F (RDP
I have always had a love/hate relationship with color film.
In 2018, E-6 Processing is expensive. I shot this roll back in April and after shooting it, it sat in my freezer for 2 months, because I can’t afford to get too many rolls of E-6 processed at once.
Three
Shot on Fuji Provia 100F RDPIII at EI 100
Color reversal (slide) film in 120 format shot as 6×6
Hello…follow me
Shot on Fuji Provia 100F RDPIII at EI 100
Color reversal (slide) film in 120 format shot as 6×6
What would film photography be without the experimentation aspect? Sticking to box speeds, recommended developers and “the right way” of doing things is boring
10.
Welcome to the fourth lazy-post of the end of year season here at EMULSIVE.
Bamboo grove #01
Shot on Fuji Provia 100F (RDP III) at EI 100
Color reversal (slide) film at in 4×5 format
AEROgraphic / Kodak Anastigmat 161mm f/4.5
Apples and pears
Shot on Fuji Provia 100F (RDP III) at EI 100
Color reversal (slide) film in 35mm format
Read the Fuji Provia 100F (RDP III) review here.
Two sides
Shot on Fuji Provia 100F (RDP III) at EI 100
Color reversal (slide) film in 35mm format
Read the Fuji Provia 100F (RDP III) review here.
Auto sprinkler
Shot on Fuji Provia 100F (RDP III) at EI 100
Color reversal (slide) film in 35mm format
Read the Fuji Provia 100F (RDP III) review here.
Cashed out
Shot on Fuji Provia 100F (RDP III) at EI 100
Color reversal (slide) film in 35mm format
Read the Fuji Provia 100F (RDP III) review here.
The Mamiya 645 1000S was not my first medium format camera.