ILFORD FP4 PLUS


Over the hill or here or there: My adventures getting started in a large format film photography wonderland

Over the hill or here or there: My adventures getting started in a large format film photography wonderland

It’s mid-December 2020 and a bearded, touqued figure stands silently on the side of a frozen lake looking off towards the rising peak of a …

Read moreOver the hill or here or there: My adventures getting started in a large format film photography wonderland

5 Frames... From my wedding day just before I got married (ILFORD FP4 PLUS / 35mm Format / EI 125 / Canon 3000N + Canon 35-80mm f/4-5.6) - by Matheus de Souza

5 Frames… From my wedding day, just before I got married (ILFORD FP4 PLUS / 35mm Format / EI 125 / Canon 3000N + Canon 35-80mm f/4-5.6) – by Matheus de Souza

The year 2020 started with a lot of expectations, after all, we had been waiting for 7 years and finally, at the end of the …

Read more5 Frames… From my wedding day, just before I got married (ILFORD FP4 PLUS / 35mm Format / EI 125 / Canon 3000N + Canon 35-80mm f/4-5.6) – by Matheus de Souza

5 Frames... Of ILFORD FP4 PLUS in my first roll in my new Zenza Bronica SQ-B (120 Format / EI 125 / Zenzanon PS 80mm f/2.8) - by Stelios Themelakis

5 Frames… Of ILFORD FP4 PLUS in my first roll in my new Zenza Bronica SQ-B (120 Format / EI 125 / Zenzanon PS 80mm f/2.8) – by Stelios Themelakis

I’ve been into photography since I was a student at university, it was during the time DSLRs started to become reasonably affordable and were all …

Read more5 Frames… Of ILFORD FP4 PLUS in my first roll in my new Zenza Bronica SQ-B (120 Format / EI 125 / Zenzanon PS 80mm f/2.8) – by Stelios Themelakis

5 Frames… Of pre-US election day 2020 on ILFORD FP4 PLUS (Nikon FE / 35mm Format) – by Todd Shorack

5 Frames… Of pre-US election day 2020 on ILFORD FP4 PLUS (Nikon FE / 35mm Format) – by Todd Shorack When I develop a roll …

Read more5 Frames… Of pre-US election day 2020 on ILFORD FP4 PLUS (Nikon FE / 35mm Format) – by Todd Shorack

My Pentax 645, Mark Illsley

5 Frames of the Historic Dyfi furnace on medium format ILFORD FP4 PLUS (120 Format / EI 125 / Pentax 645 + Pentax 45mm f/2.8 A) – by Mark Illsley

Recent events had given me more than enough time to go over earlier work and start thinking about what I wanted from my photography going …

Read more5 Frames of the Historic Dyfi furnace on medium format ILFORD FP4 PLUS (120 Format / EI 125 / Pentax 645 + Pentax 45mm f/2.8 A) – by Mark Illsley

5 Frames... Of trichromes with ILFORD FP4 PLUS (35mm Format : EI 125 : Canon EOS 1n + Canon EF 24mm f2.8) - by Anthony Pearson

5 Frames… Of trichromes with ILFORD FP4 PLUS (35mm Format / EI 125 / Canon EOS 1n + Canon EF 24mm f/2.8) – by Anthony Pearson

When my local Max Spielmann closed for lockdown, I lost my go-to for colour film processing. I couldn’t face going cold turkey, and haven’t got …

Read more5 Frames… Of trichromes with ILFORD FP4 PLUS (35mm Format / EI 125 / Canon EOS 1n + Canon EF 24mm f/2.8) – by Anthony Pearson

CAMERA REVIEW: THE UNLOVELY (BUT VERY GOOD) PENTAX MZ-S

Camera review: The unlovely (but very good) Pentax MZ-S

First an admission, I am an accidental Pentaxian. Like thousands of others, quite by chance I first learned to shoot film on a Pentax K1000. …

Read moreCamera review: The unlovely (but very good) Pentax MZ-S

My Nikkormat FT2 and Nikkor 35mm f/2 AI-S lens, Matthew Sandiford

5 Frames… Of Prague on ILFORD FP4 PLUS with my new Nikkormat FT2 (EI 125 / 35mm Format) – by Matt Sandiford

The Czech Republic has not escaped pandemic-related restrictions, with the country entering a state of emergency and national lockdown fairly early in the crisis. Outings …

Read more5 Frames… Of Prague on ILFORD FP4 PLUS with my new Nikkormat FT2 (EI 125 / 35mm Format) – by Matt Sandiford

Feathers and Flowers - Contax RTS with 50mm lens, Rollei RPX 25

EMULSIVE Interview #221: I am Gaetan Cormier Interview and this is why I shoot film

Stormchaser, landscape photographer and portraiture, today’s interviewee has a long and varied photographic history. Please give a warm welcome to Montrealean (-er? -an?), Gaetan Cormier! …

Read moreEMULSIVE Interview #221: I am Gaetan Cormier Interview and this is why I shoot film

My father-in-law's 80 year-old Agfa Billy Record I, Barry Altman

5 Frames… On my father-in-law’s 80 year-old Agfa Billy Record I (120 Format / EI 125 / ILFORD FP4 PLUS) – by Barry Altman

I recently found my father-in-law’s 80 year-old Agfa Billy Record camera in a drawer. He bought in Germany in 1942 and it was last used …

Read more5 Frames… On my father-in-law’s 80 year-old Agfa Billy Record I (120 Format / EI 125 / ILFORD FP4 PLUS) – by Barry Altman

5 Frames… On the last day before lockdown with ILFORD FP4 PLUS (EI 125 / 35mm format / Robot Royal 24 Mod III) – by Anthony Chatain

5 Frames… On the last day before lockdown with ILFORD FP4 PLUS (EI 125 / 35mm format / Robot Royal 24 Mod III) – by Anthony Chatain

It was Sunday, I had loaded a roll of FP4 PLUS for the #FP4Party (but of course the party was already finished) in a new …

Read more5 Frames… On the last day before lockdown with ILFORD FP4 PLUS (EI 125 / 35mm format / Robot Royal 24 Mod III) – by Anthony Chatain

5 Frames... Of 35mm film in a Kodak Brownie 1B (EI 125 / 35mm format / ILFORD FP4 PLUS) - by Christopher James

5 Frames… Of 35mm film in a Kodak Brownie 1B (EI 125 / 35mm format / ILFORD FP4 PLUS) – by Christopher James

This is essentially a thank you letter to this roll of ILFORD FP4 PLUS for tolerating extreme levels of abuse and still producing usable images. …

Read more5 Frames… Of 35mm film in a Kodak Brownie 1B (EI 125 / 35mm format / ILFORD FP4 PLUS) – by Christopher James

Repairing a deep sea trawler, Grimsby Docks, Grimsby, UK, Mamiya C33, 105 Sekor, Ektachrome

EMULSIVE interview #215: I am Tony Warren and this is why I shoot film

Regular readers will be familiar with the writings and photography of today’s interviewee in the form of his large format pinhole camera build and light …

Read moreEMULSIVE interview #215: I am Tony Warren and this is why I shoot film