The title pretty much says everything you need to know but as ever, the devil is in the detail! Let’s start with what HARMAN Phoenix is. HARMAN Phoenix is a completely new 35mm ISO 200 colour negative film that’s launching worldwide today (December 1st, 2023). It’s the first film manufactured by HARMAN Photo and is […]
Tag: ILFORD
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5 Frames… Of ILFORD HP5 PLUS on my 3D printed camera (120 format / EI 400 / custom shutter and Surplus Meniscus 65mm f/10 lens) – by Mark Hiltz
Over the past decade or so, I’ve seen dozens of headlines for “fully 3D printed cameras,” and the one question that always got me to click on them was “how did someone 3D print a shutter?” What I found was that nearly all of these, as beautiful as they were, were either pinhole cameras or […]
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5 Frames… Of Mexico City, Xalapa, Veracruz on ILFORD Pan 400 (35mm Format / EI 400 / Olympus XA2 + D-Zuiko 35mm f/3.5)
I shot this roll of film on a trip in 2021 while on a trip with my good friend Eric. We met up in Mexico City, where we explored various neighborhoods where some of these photos were taken. Roma Norte, San Ángel, Coyoacan, Juarez were the neighborhoods we spent the most time in. Upon arriving […]
Posted inPhotosets and stories
A month in the South of Italy on a Leica M4 and ILFORD HP5 PLUS
I always assumed people romanticised Italy; there is no way a country can host that much history, culture, and natural beauty without any drawbacks other than excessive tourism. However, in the brief time I spent in Sicily and Puglia in the summer of 2021, I was proven wrong. Leica M4, Voigtlander Color-Skopar 35mm f/2.5 PII […]
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5 Frames… Flying over Apulia on ILFORD HP5 PLUS (35mm Format / EI 400 / Coca-Cola Can Camera) – by Andrea Bianchi
In Autumn 2022 one of my best friends invited me to fly with him over Apulia. I had been waiting for this opportunity ever since he got his private pilot’s licence, but we had to wait for the plane — a SOCATA TB-9 — to finish its scheduled maintenance. When it was finally time to […]
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5 Frames… In my room on ILFORD XP2 Super (35mm format / EI 400 / Leica M4 + Summicron 5cm f/2) – by Simón Ducos
I don’t remember when it started, but at some point in the last five years, I began using photography as a means to explore a place. I believe that with photography, one is always getting to know new areas, or at the very least getting new perspectives on old areas, but it isn’t always with […]
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5 Frames… In Florence on expired ILFORD PAN F PLUS (35mm Format / EI 10 Contax RTS III + Carl Zeiss Distagon 2,8/28mm) – by Julian Ruoss
Heya, I’m Julian, and this will be – hopefully – my first contribution to 5 Frames, a series of articles that I enjoy a lot. It was in March or April this year (2022) when I found that roll of ILFORD PAN F PLUS while strolling through a flea market. One reason I bought it […]
Posted inPhotosets and stories
The Pure Land: Mexico – by Willem van den Heever
Mexico, or perhaps more specifically, Mexico City – the Pure land. Pure not in the sense of not being mixed with any other matter or free from dirt, but pure in the sense of honest, real, unobscured, and unobstructed, something quite scarce in this modern day and age. Maybe unknowingly and unconsciously I was drawn […]
Posted inArticles
5 Frames… ILFORD HP5 PLUS (35mm format / EI 400 / FED-3 Type B + Voigtlander Nokton 50mm f/1.5 Aspherical LTM)
After having shot black and white film for a while but always having shied away from properly developing it at home (I had developed a few rolls of film in Cinestill Df96 monobath — these were just test rolls and didn’t really have much archival or sentimental value), I decided to go straight for gold […]
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5 Frames… Of New York City on ILFORD HP5 PLUS (35mm format / EI 320 / Nikon FM2 + Nikon Nikkor 50mm f/1.2) – by Ray Quy
I’ve primarily been a digital photographer; however, with the pestering of my college friend, I’ve picked up film photography. I grew up watching my father take pictures of me and my family with cameras, one of which is the Nikon FM2 that I used to take these images. And of all of the cameras I’ve […]
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5 Frames… Of ILFORD HP5 PLUS on a shelf queen Kodak Tourist (620 format / EI 400 / Kodet 86mm f/12.5)
Up until the past few years, most of the film cameras that I have in my possession have been for decoration. The small shelves I purchased make them a perfect addition to my home office. On the rare occasion I pick one up, it is usually to dust it off, not to take photos with. […]
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5 frames… Of one gas station on 5 different film stocks, using 5 different cameras – By Fayed
I know, I know… We’re all fed up with all of these gas station photos all over Instagram but trust me, none of these photos were shot on CineStill 800T film, yet the results were very interesting! It all started when I went on a different route to work other than my usual, and doesn’t […]
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5 Frames… Of a weekend in NYC on ILFORD Delta 3200 Professional (EI 3200 / 35mm format / Nikon FM2 + Nikon Nikkor 50mm f/1.8 AF-D)
This trip to New York City was my first time there in about 15 years. I have always admired several photographers who were known for capturing New York street photography. Some of my favorites are Joel Meyerowitz, Vivian Maier, Jill Freeman, Gordon Parks, and Saul Leiter. My work isn’t anywhere close to their incredible street […]
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5 Frames… Of ILFORD FP4 PLUS with my new Contax clone (35mm format / EI 100 / Kiev-4a + Jupiter 8M 50mm f/2) – by John Tarrant
I am a long-term Leica user, but have always admired the Contax aesthetic and Contax users were usually as enthusiastic about the Zeiss product as Leica users were about the Leitz products. So I recently took the opportunity to acquire fairly elderly Kiev-4a camera and prepared to enjoy the Contax experience. The Kiev-4a is sometimes […]
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5 Frames… At Westonbirt Arboretum on ILFORD Delta 100 Professional Rolleicord Va + Xenar 75mm f/3.5
Rolleicord Va is a medium format (6×6) camera using 120 size films, with which you will get 12 frames per roll. It is a Twin-Lens Reflex (TLR) camera and has a Xenar 75mm f/3.5 as the taking lens and a 75mm f/3.2 as the viewing lens. My Rolleicord Va is a version 2, according to […]
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5 Frames… At the farm on ILFORD HP5 PLUS and Voigtlander ULTRON SL II 40mm F/2 (35mm format / EI 400 / Nikon FM3A) – by Michael
I was recently in a farming community outside Columbia, Missouri, where my in-laws have a wonderful farm. It’s where my wife, my daughter, and I go to get away from the city and relax. My mother-in-law had just returned from a cattle auction the week before and she brought several new cows home with her. […]
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5 Frames… Of portraits on ILFORD HP5 PLUS (120 Format / EI 320 / Green #11 filter Bronica SQ-A + Zenzanon PS 150mm + S-18 extension tube) – by Cameron Breze
These frames were selected from a recent test shoot on my new (to me) Bronica SQ-A and first medium format shots that I had ever taken with extension tubes. I began my film journey mainly by accident; I had taken digital photos for years prior to giving film a shot. It had never crossed my […]
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5 Frames… Of Rex and Neil on a 90-year old Rolleiflex Standard 621 (120 Format / EI 400 / ILFORD HP5 PLUS)
Just over a year ago, whilst hunting for the mythical £10 Leica in an antique shop, I came across this old Rolleiflex disguised amongst about twenty box brownies. The focus dial was borderline seized, the focus screen — apart from being dark enough to be totally useless in the dim light — seemed to be […]
Posted inFilm camera reviews
Mini-review: The RETO Ultra Wide & Slim – Experiences and a change in attitude to P&S cameras
Traditionally I have avoided the point and shoot class of camera because I wanted to be able to make my own exposure decisions. I either shoot Manual, or in Aperture Priority modes with one finger on the exposure compensation button. Most of my cameras date from the 20th century and most of those are entirely manual. In […]
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5 (or 6) Frames… Of Thai urban and Rural Scenes with ILFORD SFX 200 and a Pentacon Six TL (120 Format / EI 200 / Carl Zeiss Jena MC Biometar 80mm f/2.8)
Despite a number of potential problems, I bought a Pentacon Six medium format SLR earlier in 2021. I had wanted one for a while and the article by Ludwig Hegelstein here on Emulsive convinced me that, the problems were manageable. I bought one of these solid East German medium format cameras that look a lot […]
