I was recently in a farming community outside Columbia, Missouri, where my in-laws have a wonderful farm. It’s where my wife, my daughter, and I go to get away from the city and relax. My mother-in-law had just returned from a cattle auction the week before and she brought several new cows home with her. […]
Tag: ILFORD
Posted in5 Frames...
5 Frames… Of portraits on ILFORD HP5 PLUS (120 Format / EI 320 / Green #11 filter Bronica SQ-A + Zenzanon PS 150mm + S-18 extension tube) – by Cameron Breze
These frames were selected from a recent test shoot on my new (to me) Bronica SQ-A and first medium format shots that I had ever taken with extension tubes. I began my film journey mainly by accident; I had taken digital photos for years prior to giving film a shot. It had never crossed my […]
Posted in5 Frames...
5 Frames… Of Rex and Neil on a 90-year old Rolleiflex Standard 621 (120 Format / EI 400 / ILFORD HP5 PLUS)
Just over a year ago, whilst hunting for the mythical £10 Leica in an antique shop, I came across this old Rolleiflex disguised amongst about twenty box brownies. The focus dial was borderline seized, the focus screen — apart from being dark enough to be totally useless in the dim light — seemed to be […]
Posted inFilm camera reviews
Mini-review: The RETO Ultra Wide & Slim – Experiences and a change in attitude to P&S cameras
Traditionally I have avoided the point and shoot class of camera because I wanted to be able to make my own exposure decisions. I either shoot Manual, or in Aperture Priority modes with one finger on the exposure compensation button. Most of my cameras date from the 20th century and most of those are entirely manual. In […]
Posted in5 Frames...
5 (or 6) Frames… Of Thai urban and Rural Scenes with ILFORD SFX 200 and a Pentacon Six TL (120 Format / EI 200 / Carl Zeiss Jena MC Biometar 80mm f/2.8)
Despite a number of potential problems, I bought a Pentacon Six medium format SLR earlier in 2021. I had wanted one for a while and the article by Ludwig Hegelstein here on Emulsive convinced me that, the problems were manageable. I bought one of these solid East German medium format cameras that look a lot […]
Posted inArticles
5 Frames… Of Seri Menanti on ILFORD Delta 400 Professional (120 format / EI 400 / Hasselblad 500C + Planar C 80mm f/2.8)
I recently acquired the Hasselblad 500C and was itching to have a crack at ILFORD Delta 400 Professional (recently expired) at box speed after having tried Bergger Pancro 400 in my search of an ISO 400 film to be part of my kit. Armed with the Hasselblad, light meter and tripod, I headed south, out […]
Posted inPhotosets and stories
The Good, the Bad, and the Ugly of large format street portraits
Like most large format photographers, I started shooting large format with a 4×5″ monorail camera, but the bulk of my LF work was shot on a wood 8×10″ field camera, and then a 4×10″ panorama camera. The 4×10 is a rather weird format at the best of times — and the subject of this article! […]
Posted inILFORD Film Stock Reviews
Kentmere Pan 400 at EI3200 – A low-cost, high speed alternative?
Recently I looked at Kentmere Pan 400 made by HARMAN/ILFORD in the UK. I showed 5 Frames shot at box speed with my Leica M6 and 35mm f/2.4 Summarit-M. I was very pleasantly pleased with the prints I made from this film. How about rating the film for a higher EI (aka underexposing it and […]
Posted inFeatured projects
Featured project: Memories of a man once there… The project that made me reinvent myself as an artist and a photographer
It was early in 2020, and like many of us, I felt lost… We all have endured every little aspect of the pandemic and it had an impact on all of us… And so it had on me. To be honest, it was the best thing that happened to me and my photographic dream. It […]
Posted in5 Frames...
5 Frames… Around Largo da Memória on ILFORD FP4 PLUS and a Walzflex TLR 6×6 (120 Format / EI 125 / Walz 75mm f/3.5) – by André Leite Coelho
Along with NEOPAN 100 ACROS, ILFORD FP4 PLUS was one of the first BW films I tried back in 2004, when I started to take photographs. As a consequence, even today I find myself imagining the scenes I see as fine-grained pictures, with the vast midtones of grays these two film stocks produce. Recently I’ve […]
Posted in5 Frames...
5 Frames… On ILFORD FP4 PLUS (35mm / EI 125 / Nikon F100 + Nikkor 50mm f/1.8 AF-D)
Mid October is really the time of year that marks the end of summer in Greece, with the first rainy days starting to appear, it was on such a rainy day I visited the new National Gallery of Greece in Athens along with friends. The building that the gallery is housed in was recently renovated, […]
Posted inOpinion
Benefits of ample exposure in black and white film photography: Or, let there be light
Detail of a component on one of the very few operating steam locomotives in the United States, Oregon Rail Heritage Center, Portland, OR. Hasselblad 503CX, Zeiss Planar f3.5 100 mm. Kodak T-MAX 100 developed in HC-110.
Posted in5 Frames...
5 Frames… Of Fuhr’s Huette: a hut built under a fallen rock on ILFORD HP5 PLUS (EI 400 / 120 Format / Rolleiflex SL66)
Shortly before Christmas 2020 my friend Erik visited me and we went on a photo trip to Fuhr’s Huette in Idar-Oberstein, a small hut built under a massive fallen rock in 1702. I chose the Rolleiflex SL66 with the Zeiss Distagon 4/50 because of the narrowness at this place. And for film, the well-known ILFORD […]
Posted inOpinion
Anatomy of a long term documentary project – by Simon King
Storytelling is an essential part of society and shapes the way we experience everything from the obvious mass media in cinema, books, music and advertising, to more subtle things like the way a restaurant might present its menu, or the way a lawyer may present a case. Stories shape us from childhood and become what […]
Posted inDarkroom printing
My Quest to make art for the living room wall – Part 1: Iterating contact prints
In this article, I talk about my progress so far on my quest to make art for the living room wall. In this, part 1, I cover making an initial contact print, and through my process of iterating test prints to a “final” outcome. I put “final” in double-quotes because, well, you’ll see! I hope […]
Posted inMedium format
Photography: Danger close – Shot on ILFORD Delta 100 Professional at EI 200 (120 Format)
Danger close – Shot on ILFORD Delta 100 Professional at EI 200 (120 Format)
Posted inPhotosets and stories
47 Nearby Gasoline Stations on Kodak Tri-X 400
Climate change will force humans to cut their dependency on fossil fuels or the consequences will be catastrophic. But how can we really grasp and put our consumption of oil into a relatable context? Numbers as such millions of oil barrels produced per year don’t seem to make sense to anyone outside of the oil […]
Posted inFilm Photographer Interviews
EMULSIVE Interview #228: I am Daniel Boklage and this is why I shoot film
Greetings and welcome to another fresh EMULSIVE interview. today we’re saying hello to Daniel Boklage, who hails from the beautiful north of Bavaria. Readers of 35mmc might recall Daniel’s work from a recent article there. It doesn’t matter if you haven’t you’re in for a treat! Over to you, Daniel! Hi Daniel, what’s this picture, […]
Posted inILFORD Film Stock Reviews
Chromogenic inspiration: ILFORD XP2 Super – Andrea Bianchi
What is the reason that drives a photographer or an analogue lover to use chromogenic black and white film in 2021? Personally, I appreciate them for the almost total absence of grain and the way they surrender detail. I like their characteristics and you feel good using them. Don’t get me wrong, I am a […]
Posted in5 Frames...
5 Frames… Of Ampang Jaya, Selangor with a Nikon F2AS and Kentmere Pan 100 (35mm Format / EI 100 / Nikkor 50mm f/1.8)
For this shoot, I chose to use the Nikon F2AS mated with my Nikkor 50mm f/1.8 and a roll of Kentmere Pan 100 black and white film. My location was the town of Ampang Jaya, Selangor, Malaysia which is adjacent to the capital city of Kuala Lumpur. All five frames were shot on the same […]
