Tag: ILFORD
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EMULSIVE interview #189: I am Keith Moss and this is why I shoot film
Today’s interviewee marks the completion of a conversation started in June 2015, back when I...
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Acrobatics – Shot on ILFORD FP4 PLUS (35mm format)
Acrobatics Shot on ILFORD FP4 PLUS at EI 125 Black and white negative film in 35mm format Contax...
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Stand alone – Shot on ILFORD PAN F PLUS at EI 32 (120 format)
Stand alone Shot on ILFORD PAN F PLUS at EI 32 Black and white negative film in 120 format shot as...
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EMULSIVE Interview #186: I am David Allen and this is why I shoot film
I think one of the first interactions I had with David was in Feb 2017 when he...
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My pond has no fish – Shot on ILFORD FP4 PLUS at EI 400 (120 format)
My pond has no fish Shot on ILFORD FP4 PLUS at EI 400 Black and white negative film in 120 format...
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5 Frames With… ILFORD DELTA 100 Professional (35mm / EI 80 / Leica MP) – by Roger Wojahn
In the beginning, there was film. My favorite emulsions for the decades starting in 1976, were...
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5 Frames With… ILFORD FP4 PLUS (EI 125 / 35mm / Minolta X-300) – by Androstreet
I’ve always wanted to try black & white film. So these shots come from my very first...
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5 Frames With… ILFORD HP5 PLUS (35mm / EI 1600 / Leica M4) – by Paul A J Lewis
I live in North-East Lincolnshire in the UK and was raised in the coastal town of Cleethorpes, a...
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Claw – ILFORD HP5 PLUS shot at EI 12800 (120 format)
Claw ILFORD HP5 PLUS shot at EI 12800 Black and white negative film in 120 format shot as 6×6...
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Day market #01 – Shot on ILFORD Delta 100 Professional at EI 200 (120 format)
Day market #01 Shot on ILFORD Delta 100 Professional at EI 200 Black and white negative film in...
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5 Frames With… Harman Direct Positive Paper (EI 2 / 4X5 / INTREPID) – by Phil Harrison
I was recently reading Daphne Schnitzer’s interview and one of the many materials she uses is...
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Half mast – Shot on ILFORD XP2 Super at EI 400 (120 format)
Half mast Shot on ILFORD XP2 Super at EI 320 Black and white negative film in 120 format shot as...
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5 Frames With… ILFORD HP5 PLUS (35mm / EI 400 / Canon 7) – by Anthony Chatain
I’ve been working in the main business district of Paris, La Défense, for more than a decade....
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Resident’s association – Shot on ILFORD FP4 PLUS at EI 100 (35mm format)
Resident’s Association Shot on ILFORD FP4 PLUS at EI 100 Black and white negative film in...
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Why shoot film part 3: ILFORD XP2 Super report – by Simon King
Although I’ve been experimenting with a few different films, using ILFORD Delta 3200 Professional...
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Featured project : Vues sur mer – by Daphne Schnitzer
The road to this photo book wasn’t paved in roses exactly – more like sea salt! – but it did...
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Postie – Shot on ILFORD FP4 PLUS at EI 100 (35mm format)
Postie Shot on ILFORD FP4 PLUS at EI 100 Black and white negative film in 35mm format Holga 120...
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Photo story: I shot the Sheriff, photographing Bob Marley – by Eddie Malin
On the 6th of July, 1980, Bob Marley played the now historic concert at Dalymount Park on Dublin’s...
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Split #05 – Shot on ILFORD Delta 100 Professional at EI 800 (35mm format)
Split #05 Shot on ILFORD Delta 100 Professional at EI 800 Black and white negative film in 35mm...
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EMULSIVE interview #179: I am Daphne Schnitzer and this is why I shoot film
A huge welcome to Daphne Schnitzer, past 5 Frames With contributor here on EMULSIVE and pinhole...
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All Categories
- Articles (597)
- 52 Rolls (9)
- A Brief History Of (1)
- AEROgraphic (6)
- Challenges (1)
- Community Critique (1)
- Dear Benice (7)
- Film Culture (20)
- Film Love (7)
- Film Parties (39)
- Delta Def Jam (7)
- FP4 Party (15)
- NEOPANTASTIC (3)
- Portra Party (2)
- Summer Film Party (7)
- TMAXParty (5)
- Finding Film (15)
- Horoscope (6)
- My inspiration (2)
- My Return to Film (9)
- News (15)
- Photoset (4)
- Photostory (11)
- Projects (28)
- Secret Santa (16)
- Thoughts (14)
- Travelogue (20)
- What Is (1)
- Why Shoot Film (5)
- Chroma Cameras (1)
- Darkroom (30)
- Developing Film (16)
- Development Times (2)
- My Darkroom (1)
- Printing (3)
- Wet Plate (1)
- Experiments (43)
- Long Exposure (3)
- Reversal Development (1)
- Interviews (203)
- Community Interviews (11)
- Photography (1,108)
- 110 format (4)
- 35mm format (491)
- 5 Frames With (112)
- 65mm format (3)
- Large format (13)
- Medium format (483)
- Reviews (278)
- Camera Reviews (69)
- A&K Cameras (1)
- AGFA Cameras (1)
- Bronica Cameras (6)
- Canon Cameras (2)
- Chamonix Cameras (1)
- Exakta Cameras (1)
- Fuji Cameras (4)
- Gould Cameras (1)
- Hasselblad Cameras (7)
- Holga Cameras (3)
- Impossible Cameras (1)
- Intrepid Cameras (1)
- Kodak Cameras (3)
- Leica Cameras (1)
- Lomography Cameras (3)
- Mamiya Cameras (6)
- Minolta Cameras (1)
- Nagaoka Cameras (1)
- Olympus Cameras (3)
- Pentax Cameras (4)
- Ricoh Cameras (1)
- Rollei Cameras (3)
- Steky Camera Reviews (1)
- Vermeer Cameras (1)
- Voigtlander Cameras (1)
- Yashica Cameras (3)
- Zeiss Cameras (1)
- Zeiss Ikon Cameras (2)
- Zorki Cameras (1)
- Film Reviews (194)
- ADOX Films (2)
- AGFA Films (4)
- Arista Films (1)
- Bergger Films (11)
- CineStill Films (6)
- Dubblefilm films (1)
- Efke Films (1)
- FILM Ferrania Films (10)
- Film List (7)
- Foma Films (4)
- Fuji Films (40)
- ILFORD Films (37)
- JCH Films (4)
- Kodak Films (55)
- Lomography Films (11)
- Luckyfilm Films (4)
- Notes (7)
- Revolog Films (2)
- Rollei Films (13)
- Shanghai Films (1)
- Silberra Films (3)
- Street Candy Films (1)
- Tasma Films (1)
- Ultrafine Films (1)
- Washi Films (3)
- Yodica Films (1)
- Gear Reviews (14)
- Bag Reviews (3)
- Darkroom Equipment (4)
- Lens Reviews (4)
- Scanners (1)
- Strap Reviews (2)
- Print Reviews (3)
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