Tag: ILFORD
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Featured project : Vues sur mer – by Daphne Schnitzer
The road to this photo book wasn’t paved in roses exactly – more like sea salt! – but it did...
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Postie – Shot on ILFORD FP4 PLUS at EI 100 (35mm format)
Postie Shot on ILFORD FP4 PLUS at EI 100 Black and white negative film in 35mm format Holga 120...
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Photo story: I shot the Sheriff, photographing Bob Marley – by Eddie Malin
On the 6th of July, 1980, Bob Marley played the now historic concert at Dalymount Park on Dublin’s...
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Split #05 – Shot on ILFORD Delta 100 Professional at EI 800 (35mm format)
Split #05 Shot on ILFORD Delta 100 Professional at EI 800 Black and white negative film in 35mm...
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I am Daphne Schnitzer and this is why I shoot film
A huge welcome to Daphne Schnitzer, past 5 Frames With contributor here on EMULSIVE and pinhole...
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Above as below – Shot on ILFORD Delta 100 Professional at EI 100 (4×5 format)
Above as below Shot on ILFORD Delta 100 Professional at EI 100 Black and white negative film in...
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Every single film stock still made today – Part 3: ILFORD to Japan Camera Hunter
Welcome to part three of this series exploring every single film photography stock still being...
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Film review: comparing Fuji ACROS 100, ILFORD Delta 100 Professional and Kodak T-MAX 100 – by Daniel Marinelli
This whole project started when I realized I had been blindly allegiant to certain black and white...
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Film review: finding my ‘do anything’ film for 4×5….a tale of ILFORD FP4 PLUS and HP5 PLUS – by Tobias Key
I have been shooting 4×5 for about five years. I use it for much of my personal work, and...
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Film tests: getting the best out of FERRANIA P30 Alpha – by Scott Micciche
FERRANIA P30 Alpha has had an interesting time of it since it got into the hands of eager...
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5 Frames With… ILFORD SFX 200 (EI 200 / 120 format / Mamiya 645) – by Toni Skokovic
For this, I blame EM. First, I got some ILFORD SFX 200 film for the long exposure articles I was...
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Silver craft: creating a fine print, from contact sheet to fiber – by Monika
Creating a print is much more than simply setting up an enlarger, negative and some paper. The...
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I am Clara Araujo and this is why I shoot film
It’s my pleasure to welcome you all to the words and work of occasional EMULSIVE...
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5 Frames With… ILFORD HP5 PLUS (EI 1600 / 35mm / Chinon CE II Memotron) – by Oliver Grimm
So I got a new camera to play with—the Chinon CE II Memotron with quite a good lens. It was well...
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#FP4party January 2018 winner announcement
The community-voted winner of January 2018’s #FP4party is here and we have a clear winner...
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I am Josip Šore and this is why I shoot film
Welcome all. This week I have the pleasure of bringing you the work and words of Josip Šore,...
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5 Frames With… ILFORD HP5 PLUS (EI 3200 / 35mm / Nikon F100) – by Tim Dobbs
My go to black and white film has always been ILFORD HP5 PLUS for its excellent versatility, I...
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Why shoot film part 2: seeking the Hasselblad XPan – by Simon King
It has been a couple of months since my first post, on Why I Shoot Film, and I thought that now...
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I am Rachel Brewster-Wright and this is why I shoot film
January 27th 2016. Let that date burn into your memory. The was the first time today’s...
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Finding Film part 13: ILFORD HP5 PLUS
Having finished my rolls of ILFORD Delta 100 and 400 Professional for part 12 of this series, I...
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