Long Exposure archives on EMULSIVE

5 Frames With... Kodak Portra 400 (EI 400 / 120 format / Zeiss Ikonta 521/2) - by Sergio Plascencia

5 Frames… Shooting three National Parks with Kodak Portra 400 (EI 400 / 120 format / Zeiss Ikonta 521/2) – by Sergio Plascencia

by Sergio PlascenciaApril 21, 2020June 2, 2020

In May of 2019, my partner and I embarked on a 2000-mile road trip to Joshua Tree, the Grand Canyon, Zion and Death Valley National Parks. It was a wonderful experience and the perfect opportunity to slow down with film. Shooting film in nature, especially 6×9 120 format, gives us more time to take in […]

Light traffic - Shot on Rollei Ortho 25 at EI 25. Black and white negative film in 120 format shot as 6x6.

Medium format, Photography

Photography: Light traffic – Shot on Rollei Ortho 25 at EI 25 (120 format)

by EMAugust 20, 2018June 22, 2021

Light traffic

Shot on Rollei Ortho 25 at EI 25
Black and white negative film in 120 format shot as 6×6

Development notes:
Rodinal: 1+50, 21°C/70°F, 06:00 (N)
No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse

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Camera review: Zenza Bronica SQ-Ai cover

Bronica Film Camera Reviews, Film camera Reviews, Reviews

Camera review: Bronica SQ-Ai – by Adrian Vila

by Adrian VilaJanuary 9, 2018March 23, 2020

Just a few months ago, I was happily shooting digital. But my work was lacking something. Soul, perhaps.

Articles, Best Of

EMULSIVE's most popular film photography experimentation articles of 2017

by EMDecember 29, 2017December 16, 2019

What would film photography be without the experimentation aspect? Sticking to box speeds, recommended developers and “the right way” of doing things is boring

10.

Articles, Experiments

Long exposure film tests part three: Kodak Professional Ektar 100, Portra 160, Portra 400, Portra 800 and Fujifilm PRO 400H – by Toni Skokovic

by Toni SkokovicOctober 6, 2017October 16, 2020

Welcome to the third instalment of my Long Exposure Test series. In this part, I am looking at 5 readily available colour negative films and how adjustment of longer exposure times effects the outcomes.