Long Exposure


5 Frames With... Kodak Portra 400 (EI 400 / 120 format / Zeiss Ikonta 521/2) - by Sergio Plascencia

5 Frames… Shooting three National Parks with Kodak Portra 400 (EI 400 / 120 format / Zeiss Ikonta 521/2) – by Sergio Plascencia

In May of 2019, my partner and I embarked on a 2000-mile road trip to Joshua Tree, the Grand Canyon, Zion and Death Valley National …

Read more5 Frames… Shooting three National Parks with Kodak Portra 400 (EI 400 / 120 format / Zeiss Ikonta 521/2) – by Sergio Plascencia

Light traffic - Shot on Rollei Ortho 25 at EI 25. Black and white negative film in 120 format shot as 6x6.

Photography: Light traffic – Shot on Rollei Ortho 25 at EI 25 (120 format)

Light traffic

Shot on Rollei Ortho 25 at EI 25
Black and white negative film in 120 format shot as 6×6

 

Development notes:
Rodinal: 1+50, 21°C/70°F, 06:00 (N)
No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse

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EMULSIVE's most popular film photography experimentation articles of 2017

What would film photography be without the experimentation aspect? Sticking to box speeds, recommended developers and “the right way” of doing things is boring
 
 
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Cover - Long exposure film tests part three- Kodak Professional Ektar 100, Portra 160, Portra 400, Portra 800 and Fujifilm PRO 400H by Toni Skokovic

Long exposure film tests part three: Kodak Professional Ektar 100, Portra 160, Portra 400, Portra 800 and Fujifilm PRO 400H – by Toni Skokovic

Welcome to the third instalment of my Long Exposure Test series. In this part, I am looking at 5 readily available colour negative films and how adjustment of longer exposure times effects the outcomes.

Long Exposure Test - ILFORD PAN F+ - EI: 50 - Aperture: f/11 - Shutter: 80s

Long exposure film tests part one: ILFORD PAN F+, ILFORD FP4+, ILFORD Delta 100 Professional – by Toni Skokovic

Long exposure film photography is a technique central to my currently ongoing photography project, Where We Meet.

Capturing the smooth extensions of water movement, contrasted with static elements of the shoreline is the key to this visual narrative.